Episode 7
Barbenheimer: Barbie(2023) & Oppenheimer(2023)
Exploring the Silver Screen's Titans of 2023: Barbie and Oppenheimer
In this episode, hosts Chris and Jerome Wiegand take a deep dive into 'Barbie' and 'Oppenheimer,' two contrasting films that share $100 million budgets and release dates, highlighting their significant Oscar buzz.
'Barbie,' led by Greta Gerwig, staring Margot Robbie, captivates with its visual allure and strong narrative, despite Oscar oversights. 'Oppenheimer,' under Christopher Nolan's helm and starring Cillian Murphy, intricately portrays the life of J. Robert Oppenheimer and the ethical quandaries surrounding the atomic bomb.
This episode explores the storytelling prowess, thematic exploration, and cinematic techniques of both films, including 'Oppenheimer’s' use of symbolism and character development likened to historical figures and fictional characters like Breaking Bad’s Walter White, revealing the complexities of ambition, innovation, and legacy. This rich analysis celebrates the films' distinct contributions to cinema and their reflection on historical and personal achievement.
00:00 A Hilarious Start: Ken's "Beach Off" Challenge
00:22 Welcome to the Silver Screen Happy Hour Podcast
01:07 Delving into Oscar Nominations re: Barbie vs. Oppenheimer
02:47 Barbie's Big Screen Adventure: A Deep Dive
06:47 The Box Office Battle: Barbie vs. Oppenheimer
08:58 First Impressions and the Impact of Barbie
14:16 Breaking Down Barbie: A Detailed Analysis
14:48 The Real World Meets Barbieland: A Turning Point
27:35 The Climactic Resolution: Barbie's Transformation
33:37 Exploring Barbie's World: Funny Moments and Tangible Goals
35:20 A Dive into Movie Trivia: Behind-the-Scenes Insights
35:38 Oscar Nominations Controversy: Original vs. Adapted Screenplay
38:12 Analyzing Performances: The Impact of Actors on Film
41:54 Oscar Predictions and the Politics of Award Shows
46:35 Transitioning to Oppenheimer: A Deep Dive into Nolan's Latest Epic
55:15 The Competitive World of Physicists: Oppenheimer's Journey
58:17 Breaking Down Oppenheimer: Scene Analysis and Themes
01:06:39 A Turning Point in the War: The False Victory
01:07:48 The Tragic Twist: Jean's Death and Its Implications
01:08:21 Conspiracy and Controversy: The Mystery of Jean's Death
01:09:19 Oppenheimer's Despair and Kitty's Support
01:10:14 Bad Guys Closing In: Teller's Departure and Borden's Arrival
01:10:32 The Anti-Bomb Movement and Oppenheimer's Stance
01:11:18 A Glimmer of Hope: The Test Bomb Ignition
01:12:08 The Aftermath of Hiroshima and Nagasaki
01:13:19 Oppenheimer's Legacy Under Threat
01:15:42 The Fight for Oppenheimer's Legacy
01:18:01 The Climactic Resolution: Oppenheimer's Legacy Restored
01:19:08 Reflections on Oppenheimer's Legacy and the Moral Quandaries of His Work
01:29:12 Behind the Scenes: The Making of a Masterpiece
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Transcript
Then Ken wants to fight another Ken at the beach,
2
:and they call it a beach off?
3
:Yes.
4
:He's like, I'm gonna
beach you off right now.
5
:And the guy's like, you can't beach
me off, I'm gonna beach you off.
6
:And then, And then Barbie goes to
break it up and she's like, alright,
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:nobody is gonna beach anybody off.
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:Chris: You are listening to
the Silver Screen Happy Hour.
9
:I'm Chris Wiegand, along
with my brother Jerome.
10
:I just wanted to acknowledge before
we jump into it that this episode was
11
:recorded shortly after the Academy
Award nominations were made public.
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:So it was pre Oscar night.
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:If you want to hear our post Oscar night
thoughts, check out the last episode.
14
:And as I get the film reel set up
to play today's recording, I'd just
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:like to ask you to please share
this with your friends and give us a
16
:rating on your favorite podcast app.
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:Jerome: What are we doing today?
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:Chris: Barbenhammer.
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:Jerome: Heimer.
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:Chris: Barbenheimer.
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:Jerome: What you said
sounded like a porn title.
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:Chris: Oh no.
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:Yep, so we are continuing
our Oscar nomination series.
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:So we went with two of
the big ones this week.
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:And for drinks, I'll just say, I got
my, it's like a barbie ginger beer.
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:I don't know, it's like a, It's
got ginger beer, pomegranate, you
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:know, kinda, it's, it's, I like, I
like mules, so, it's really good.
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:So, what are you drinking?
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:Jerome: Well, if you remember on the last
episode where we did Anatomy of a Fall.
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:Yep and Past Lives and because there
were low budget Indies, I had a very
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:low budget alcohol if you remember So
today we're going the actual opposite
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:Interesting to note by the way, first
of all both Barbie and Oppenheimer had
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:a 100 million dollar budgets both of
them Oh my gosh And so I thought I'd
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:bring out a nice bottle
of Chyvest Regal Scotch.
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:Nice.
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:So we're gonna it's not exactly,
I mean, if I really wanted to go
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:high budget, I could have brought
out the Johnny Blue, but you know.
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:Oh, wait, wait, wait, wait, wait.
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:Let me get this in front
of the microphone here.
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:I don't know if you got that.
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:Did you get that?
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:Yeah, yeah.
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:Chris: Now, since I was a, no, I
should say since my wife was such a
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:big fan of Barbie, I did enjoy it.
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:We're going to get to that,
but I got a couple white claws
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:in the, to spare if I run out.
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:Jerome: Well, you are, you
are going Barbie out today.
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:Chris: I anticipate this isn't going
to be too short, but I don't know.
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:Let's get into it.
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:I'm curious to see how you're going
to do the beats on Oppenheimer.
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:Oh my gosh.
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:Jerome: It would be interesting to note
that the beats actually flow easier
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:in Oppenheimer than they do in Barbie.
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:Really?
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:Yeah, because alright,
let's just get into it.
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:Let's do Barbie first.
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:Chris: Barbie first, okay.
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:Jerome: Barbie first.
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:Okay, so, if you haven't been
living under a rock Barbie was
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:the biggest movie last year.
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:2023, directed by Greta Gerwig, written
by Gerwig and her husband, Noah Baumbach.
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:This is Gerwig's fourth feature film.
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:She was previously nominated for
Best Director and Best Screenplay
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:for 2017's Lady Bird and 2019's Best
Adapted Screenplay for Little Women.
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:Margot Robbie, Best Actress.
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:And Gerwig, Best Director, were notable
snubs by the Oscar nominations that
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:were released earlier this year.
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:Argument can be made.
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:Now that I've seen the film, because
I remember when the nominees just
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:came out, I hadn't seen it yet.
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:And I, and on that teaser that we
released, I wasn't sure how I felt
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:about it being a quote unquote snub.
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:Now that I've seen it, I can say.
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:An argument can be made that
Barbie is screenplay driven.
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:And
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:they did get nominated for that, right?
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:Chris: And it did get nominated for that.
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:Jerome: And, but you know, these, I
know people are going to say, what,
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:how can you say it's screenplay driven?
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:The visuals.
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:Right.
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:Set design and the production.
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:I get all that.
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:I get all that.
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:But the genius of Barbie
is the story, right?
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:It's a great story.
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:Yeah.
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:Yeah.
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:It's, it's, it's screenplay driven.
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:Now snubs happen.
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:I pulled an example from 2001
Moulin Rouge, which anyone
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:could argue is director driven.
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:That one is director driven.
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:And that was large scale scope
of production and everything.
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:And it, it was nominated for
Best Picture, it had a buttload
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:of nominations, including Nicole
Kidman for Best Actress, and the
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:director, Baz Luhrmann, got left out.
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:He didn't get nominated.
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:Right.
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:You know, so, I mean, it, it, it, and
that was when, back then, there was
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:only five nominees for Best Picture.
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:So, to not get nominated for
Best Director, like that was
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:a huge snub back in 2001.
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:So it does happen.
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:It does happen.
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:I can't say that there was anything
I know that people are going that
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:conspiracy theorists are going towards
the sexism of Hollywood, leaving out
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:Margot Robbie, but again, obviously
Margot Robbie was left out of Best Actress
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:category where five women did make it in.
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:Yeah.
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:So you can't say that one was sexist.
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:And as far as Best Director, we
already said that Justine Triet from
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:Anatomy of the Fall did get nominated.
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:So it can't be sexism.
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:I don't know what it was.
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:It's one of those weird one offs.
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:Chris: Yeah, and I don't know,
like, what her politics are, but
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:sometimes when someone rubs The
Academy the wrong way politically
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:that that weighs in but I don't know.
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:I don't know...
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:Jerome: Anybody watching Barbie telling
me that they think Greta Gerwig's politics
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:kept her out of Hollywood's favor.
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:I mean, come on, Hollywood and Barbie's
politics are pretty much hand in hand.
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:So I don't know.
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:Then I yeah, it's what I wrote down.
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:I wrote a note.
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:I wrote just was just lost in the math.
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:It's one of those where you
got somebody doing their card.
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:And they're like, well,
I'll have Greta at six.
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:She'll make it in.
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:So I don't have to worry about it.
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:I really want to see this person
get in or that person get in.
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:And she got left out.
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:Too many people thought that way.
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:And she got left out.
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:Chris: Right.
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:Right.
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:That makes sense.
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:I could see that happening.
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:Jerome: Yeah.
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:Barbie is nominated for eight total
Oscars, including best picture.
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:Okay.
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:So we already mentioned the
stars, Margot Robbie as Barbie.
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:And I think when I was re listening to
the the la the Valentine's special.
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:I kept saying, Margo, Roby.
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:I don't know.
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:Chris: I was gonna say, I, I was
gonna mention that as we got into it.
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:Yeah, I'm glad you said it.
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:I caught it and
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:Jerome: I don't even know why.
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:I don't even know why I
was mispronouncing it.
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:It was just like
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:Chris: I caught it when
I was editing it, but.
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:To get AI to sound like
you is just too much work.
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:Jerome: That's because I'm original.
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:There's no fucking AI that can match me.
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:Chris: So I couldn't fix it.
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:I'm glad you acknowledge that though.
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:Jerome: Yes, and I was just, I was
folding clothes listening to it just to
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:see how it came out and I'm like, Why the
fuck do I keep mispronouncing her name?
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:Chris: Oh, he's probably drunk.
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:Jerome: Oh, yeah, by that time.
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:And Ryan Gosling as Ken.
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:America Ferreira, Rhea Perlman,
and Will Ferrell, also star,
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:was released on July 21st.
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:Another little interesting tidbit.
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:Yep.
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:Not only was Barbie and Oppenheimer
both 100 million budgets, they
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:were both released on July 21st.
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:Chris: On my oldest daughter's birthday.
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:Jerome: They went head to
head at the box office.
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:And, and really.
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:The numbers say there was a winner, but
really, this is as tight as you can get.
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:Right.
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:Both movies, a hundred million dollars,
a hundred million dollar budget.
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:Barbie made a hundred and sixty
two million in its opening weekend.
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:And it went on to gross 1.
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:4 billion dollars worldwide,
landing at the number one spot.
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:Now I know you, you want to know, so I'll
just tell you, I won't make you wait.
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:Oppenheimer?
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:Went on to make it 957 million worldwide.
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:Good for the number three spot on
the list behind only Barbie and
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:the super Mario brothers movie.
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:Chris: Wow.
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:That one did that good.
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:Jerome: Yes.
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:So, I mean, so these two movies
we're talking about today,
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:I've got all the nominations.
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:They have all the hype, they're going
neck and neck at the Oscars, they're going
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:toe to toe, and they were released on
the same day, with the same budget, and
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:both blew the doors off the box office.
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:Yeah.
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:Like, how, how many times
can we see that in a year?
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:In a single year?
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:Right, right.
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:Never?
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:I mean, I don't know, this might be
the only time that that's happened.
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:Chris: I'm trying to think the
year, you, you mentioned 94 as
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:being one of the biggest movie years
for Best Picture, but were any of
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:those released at the same time?
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:Jerome: Forrest Gump was huge,
but it wasn't released on the same
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:day as one of the other nominees.
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:And none of the other nominees
made Forrest Gump money.
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:None of them.
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:Shawshank tanked, really.
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:Shawshank became a cult classic.
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:Wow.
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:When it hit video, it didn't
do that well in the box office.
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:Pulp Fiction was lower, but Pulp
Fiction made a good profit because
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:it didn't cost that much to make.
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:But Quiz Show and Four Weddings and
a Funeral, those movies were not,
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:they didn't, you know, rake it in.
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:They weren't huge.
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:Right.
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:Maybe Four Weddings and a
Funeral did pretty good.
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:But but nothing like this.
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:Nothing like Forrest Gump
and nothing like this.
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:That'd be like pairing
titanic up with another movie.
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:You know, record like avatar or
something, you know, on the same weekend.
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:Right.
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:The same weekend, dude.
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:Chris: The same day
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:Jerome: like this Is astounding.
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:Okay, log me
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:Chris: All right.
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:Jerome: Wait, wait, wait, wait
before we get to that real quick.
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:Yeah.
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:Yeah, this is usually the
part we talk about How we
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:came to find about this movie.
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:When did you see it and what did you
think about it when you first saw it?
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:Chris: Well, I first saw it really
just maybe a couple of months ago.
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:I believe we rented it.
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:And it was the fourth time my wife
saw it when she watched it with me.
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:The other three times she
saw it in the theater.
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:Jerome: That's titanic
numbers right there.
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:Chris: And it wasn't, I mean, she
liked, she really liked the movie.
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:She normally does not go to the
movies and she usually doesn't
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:see a movie twice at the theater.
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:But there's friends, girlfriends, kids,
our kids wanted to see it with her.
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:So there kept being opportunities
for her to go to see it.
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:And I think that happened for.
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:Millions of women all over the world.
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:So that's why it did so well.
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:So yeah, I just saw it maybe a couple
of months ago for the first time.
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:Jerome: I just saw it like.
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:A week ago, or two weeks ago.
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:I had, the entire time it was in
the theater I wanted to see it.
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:My kids are a lot smaller than yours.
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:Yeah.
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:So to get away and go to
the movies is a production.
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:And the only way it really happens
consistently is if it's a kids movie
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:and we take them to the movies with us.
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:Yeah.
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:If we're not taking the
kids, it's a production.
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:You gotta find a babysitter
and blah blah blah.
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:And the desire there for me
was more to see Oppenheimer.
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:I couldn't wait to see Oppenheimer
in the theater because I thought,
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:if I miss Barbie, I can do Barbie
on the small screen if I have to.
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:Mm hmm.
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:I didn't want to miss
Oppenheimer on the big screen.
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:So I went IMAX on the fuckin Oppenheimer.
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:And it was just amazing.
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:It blew, it blew me away.
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:Side note, 2019, Midsommar, which
I said was my favorite movie of
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:the year and got no nominations.
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:Yeah.
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:My favorite movie of 2023 is Oppenheimer.
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:Barbie's up there, but Oppenheimer's
my favorite film of the year.
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:And both starred Florence Pugh.
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:Yeah.
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:I don't know what it is.
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:I have a, I have a new
crush on Florence Pugh.
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:Chris: Oh, mine's, mine's not new.
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:Jerome: Yeah, pretty much since
midsummer I've been crushing.
275
:But, but no, she's awesome
and she's great in that one.
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:But let's, we will get to
Oppenheimer when we get to it.
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:Yes.
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:Back to Barbie.
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:So I just saw it a week or
so ago for this podcast.
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:Again, been putting it off,
putting it off, putting it off.
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:And I was glad that it's
on, it's on HBO Max.
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:So I didn't have to buy it or rent it.
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:You know, it's just, I get
it with the subscription.
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:Whereas Oppenheimer, I But then
had to rent it again on streaming
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:because I had forgotten since
last July a lot of the key points.
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:But anyway, so I loved it.
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:And I gotta say, not just to prepare for
the podcast, I watched it three times.
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:Oh, really?
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:Like, in like two weeks.
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:Yeah.
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:A week and a half or whatever it was.
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:I've watched it like three times.
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:Now, a couple of, one of the times
I went back just to get like certain
294
:quotes I wanted to get right and
certain minutes I wanted to see
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:like, when did that exactly happen?
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:When did that beat happen?
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:But mostly I watched it for
enjoyment, at least twice,
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:just watching it for enjoyment.
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:Yeah.
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:I thought it was a unique,
clever, very, very funny.
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:Yeah.
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:Very funny.
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:Chris: Nostalgic for, especially
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:for all the women who, when their
little girls had one of those Barbies.
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:Jerome: Yeah.
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:And again, I never played with Barbies,
but we had a sister, you know, and,
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:and like the stuff about the dream
house and everything, it just kind
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:of brought back all those memories of
like Amy with all her shit, you know?
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:And it's just like, God, I
remember the fucking Corvette.
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:Remember the Corvette?
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:And yeah.
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:So I don't know.
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:It was just it was a great experience.
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:And it's very, like you said,
you mentioned politics earlier.
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:It is very sort of, on the nose for
the time that we're living in right
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:now as far as equality in our society
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:Chris: it was but, in my Like people
who were like were really like up in
318
:arms about the wokeness or whatever
the hell they were talking about Jessie
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:my wife She kind of helped me put it
in perspective because when she was
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:a little girl It was Barbie's world.
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:It had nothing to do with Ken.
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:Ken was like an afterthought,
which is what he was in the movie.
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:Jerome: Oh, he totally,
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:Chris: you know, and they totally
played that and it was hilarious.
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:And so I wasn't offended
because that was the, that was
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:the girl's culture of Barbie.
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:I mean, that's, that's what it was about.
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:Jerome: I was watching it
though, waiting to be offended.
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:Chris: And I never got offended.
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:And I was,
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:Jerome: I was like, I don't know what
all the pisses about, you know, like,
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:like, I mean there was a moment.
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:And we'll get to it on the
beats, where I remember thinking,
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:Eh, that's kinda horseshit.
335
:But then they They fixed it
up and I was like, okay, okay.
336
:I see where Greta's going now.
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:Chris: Yeah, they were, yeah.
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:I don't remember what part you're talking
about, but I know there's some parts where
339
:they kind of play, play on, on an idea
and you go, ah, then they acknowledge it.
340
:Jerome: Well, yeah, it wasn't so much
that, but it was like when they, when
341
:we, when we get to the beats, we'll
get to it where their plan at the end
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:is to make it go back to how it was.
343
:And I was like, why is that okay?
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:Like, that's shitty, right?
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:Yeah, yeah.
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:Didn't you learn your lesson?
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:And then I realized where
Greta was taking me.
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:I'm like, alright, Barbie
hasn't learned her lesson yet.
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:That's right, she hasn't
reached her spiritual goal yet.
350
:Duh.
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:And then when they got to it,
I was like, okay, okay, okay.
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:But for like a split second,
I was like, wait a minute.
353
:That's not gonna sit right.
354
:But okay, alright, here we go.
355
:Alright, log me.
356
:Chris: Barbie and Ken are having the
time of their lives in the colorful and
357
:seemingly perfect world of Barbieland.
358
:However, when they get a chance to go to
the real world, they soon discover the
359
:joys and perils of living among humans.
360
:Jerome: Not great.
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:Chris: That's it.
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:That's it.
363
:I know, it's not a great long line.
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:Jerome: Not great.
365
:First of all, it's not factual.
366
:Living among humans?
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:They're literally there a half a day.
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:So how are they living among the humans?
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:Chris: I did enjoy that sequence
though when they first arrived.
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:Oh, that was great.
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:Jerome: Act 2.
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:Act 2.
373
:Upside down world, right?
374
:We talk about it all the time.
375
:Is that not a perfect
mirror flip of Act 1?
376
:Yeah.
377
:So, but anyway, alright.
378
:We have...The beats.
379
:Opening image!
380
:I love the opening to this movie.
381
:It's an homage to 2001 A Space
Odyssey, directed by Stanley Kubrick.
382
:And it's the whole Also, Sprach
Zarathustra music is playing.
383
:And it's, you know,
you've seen:
384
:With the monolith and everything.
385
:So, instead of apes cracking
bones, It's like The little
386
:girls smashing their baby dolls.
387
:So, and so, and then, and I was waiting
for it because I watched, when I first
388
:saw it, I was with V, my wife, and I was
like, because the, one of the key moments
389
:at the end of that sequence of 2001 is
where the monkey throws the bone up in
390
:the air and they show the bone spinning.
391
:And as all the smashing is going on,
I looked at V and I go, please tell me
392
:somebody's going to throw a doll up in
the air, please tell me they're going
393
:to do the same thing and throw it down.
394
:And sure enough, it ends with one of
the girls throwing her doll up in the
395
:air like she was one of the monkeys.
396
:Yeah.
397
:Haha.
398
:And the thing is spinning, and I was
e, oh, such a great homage to:
399
:Right.
400
:. So, okay.
401
:And yeah, the opening image.
402
:So Barbie broke the mold is the basic
point of the opening image theme
403
:stated in the opening monologue by
Helen Mirin, who by the way, was
404
:in 2010, the year we made contact.
405
:Yep.
406
:At the four minute mark, she says
quote, because Barbie can be anything.
407
:Women can be anything.
408
:And that is Barbie's running theme
throughout the whole film because
409
:it's Barbie who struggles with what
she wants to be, what she thinks she
410
:wants to be, what she needs to be,
and what she thinks she needs to be.
411
:Right.
412
:She's in complete confusion,
and that is sort of the theme.
413
:What do you want?
414
:What do you want to be?
415
:Because Barbie can be anything.
416
:And because Barbie can be
anything, women can be anything.
417
:Okay, inciting incident.
418
:14 minutes in at the girl's night party,
the girl's night party, Barbie says,
419
:anyone, anyone ever think about dying?
420
:Which, when this happens, by the way,
It doesn't just, er, with the record and
421
:like everybody stops talking and shocks
the hell out of all the other barbarians.
422
:It shocked me too, like I, I
didn't see that coming at all.
423
:Because they're having this great dance
sequence where everything is perfect.
424
:Why would you say that?
425
:And like, sure enough, when they're
like, Looking at her, she's like,
426
:I don't know why I just said that.
427
:Like, she doesn't even know
why she just said that.
428
:But anyway, completely disrupts the party
momentarily before Barbie brings it back.
429
:It's an inciting incident, in
my opinion, because she doesn't
430
:even know why she said it.
431
:And, it's, so, it's, it's
going to lead to the catalyst.
432
:We're not there yet, right?
433
:Obviously, it's way too early.
434
:We're not in second act, act two yet.
435
:But it's the first inkling
that something is wrong.
436
:Okay, Catalyst at 22 minutes
after the flat feet scare scene
437
:at the beach, which is funny.
438
:This movie is loaded with
hilarity, by the way.
439
:Yeah, right.
440
:Just every time something
happened was, fuck it, the
441
:way they did it was hilarious.
442
:She's encouraged to meet with
the frightening Weird Barbie
443
:to find out what's going on.
444
:Weird Barbie, of course
played by Kate McKinnon.
445
:Right.
446
:Perfectly, by the way.
447
:Perfect.
448
:If you were gonna get
somebody to play Weird Barbie.
449
:Chris: Was she nominated for anything?
450
:Jerome: Not that I know of.
451
:I'd have to look at Best
Supporting Actress, but I
452
:think it's America Ferreira.
453
:Chris: Yeah, America
Ferreira did get nominated.
454
:Jerome: I think she's nominated.
455
:So this is where Weird Barbie tells her
that there's a ripple in the continuum and
456
:she must go to the real world to fix it.
457
:Debate begins.
458
:This debate is quick.
459
:Now remember we said that debate
begins after you're a catalyst.
460
:But, but, but.
461
:before you jump into Act 2.
462
:Sometimes it's five seconds,
sometimes it's five minutes, just
463
:like Dark Knight of the Soul.
464
:Sometimes your character doesn't need
a hell of a lot of time to debate.
465
:And this is one of those
that's pretty quick.
466
:Barbie, just, you know, pretty much,
alright, this is what I gotta do.
467
:She's a little unsure during the send off.
468
:She's a little nervous,
she's a little scared.
469
:The other Kens are daring
Ken to go with her.
470
:So there's that, that little scene
is kind of the debate begins.
471
:Break into two, obviously Ken
and Barbie arrive in real world.
472
:They, they head to the real world, 26
minute mark propelling us into act two,
473
:which is a mirror flip of act one where
their lives are now turned upside down.
474
:Again, in a really good screenplays.
475
:You, you know when you're in Act 2, right?
476
:Because your characters are now
in like, no man land, right?
477
:Like, it's, it's not a world
that they are familiar with.
478
:The fun and games.
479
:Act 2 opens with some trailer
images that deliver the premise.
480
:Barbie and Ken are arrested, twice.
481
:One of the times they, they let them keep
the clothes, which I thought was funny.
482
:Barbie tries to channel the girl who
created all this mayhem in Barbie land.
483
:B story.
484
:When do I say the B story comes in?
485
:Do you remember?
486
:Around a half hour in, usually?
487
:Well here, it's no different.
488
:Just around the 36 minute mark,
Gloria is introduced as the
489
:Mattel executive assistant.
490
:Right.
491
:Gloria is the B story because her purpose
is to drive Barbie to her spiritual goal.
492
:Yeah.
493
:A goal she does not yet know
or realize that she needs.
494
:More fun and games as Barbie finds
Sasha, a girl she thinks is the one
495
:causing the ripple in the continuum,
and she gets savagely told off.
496
:Almost saddeningly, like, I was so,
my heart was breaking for Barbie
497
:as they were just ripping into her.
498
:Ken discovers the real world is run
by men, including one boss who tells
499
:him that there still is a patriarchy,
but "We just hide it better now."
500
:Wow.
501
:Is that not Greta?
502
:Is that not Greta just winking and like,
Thumbing her her, her thumb at everyone.
503
:Alright.
504
:Will Ferrell is introduced as the Mattel
CEO, and, God, another great role for him.
505
:And then an ensuing chase scene where
they want to get her back in the box.
506
:Ken escapes and heads back to Barbieland.
507
:Midpoint scene, 56 minutes in.
508
:By the way, I think I, I wrote
it under the funny lines.
509
:Yeah under funny moments, but i'll
just say it here in that scene
510
:where Will Ferrell Try to explain
that they love women everybody here
511
:loves women because barbie questions
Yeah, why are there no women ceo?
512
:Why there's no women in here, right?
513
:He's like and he's trying to
defend himself and he's all we love
514
:women We are the sons of women.
515
:We are nephews of aunts, you know?
516
:And then he says, out of the blue, he
goes, Some of my best friends are Jewish.
517
:What the fuck?
518
:Like, where did that even come from?
519
:Right.
520
:Like, I was literally, I was
watching Larry Kleiner, and I fucking
521
:laughed out loud, like, busted out.
522
:Like, where did that even come from?
523
:Like, everything is, we are, we are
sons of women, and blah blah blah.
524
:And then, some of my
best friends are Jewish.
525
:Ah!
526
:What the fuck?
527
:And Barbie, that goes right over her head.
528
:She has no idea what the
hell he's even talking about.
529
:Alright, midpoint.
530
:56 minutes in.
531
:After Gloria and Sasha, her daughter,
help Barbie escape the clutches of Mattel,
532
:Barbie learns that Gloria is the one that
created the ripple and the continuum.
533
:She was the one who played
with Barbie as a child.
534
:This is a false victory because just
meeting her, which is her tangible
535
:goal, she wanted to meet the girl
that was Causing all this mayhem
536
:won't be enough to fix the issues.
537
:And instead she decides to get them and
bring them back to Barbie land with her.
538
:And we all know what happens in
the second half of the film, right?
539
:All right.
540
:Bad guys closing in.
541
:As soon as they return, they see that
Ken has completely altered Barbie
542
:land at the one hour, six minute mark.
543
:Gloria says, well, this is a hard,
obviously for Barbie to take.
544
:Gloria says to her at one
hour, six minutes, that's life.
545
:It's all change.
546
:And which Barbie responds, no.
547
:That's terrifying.
548
:I don't want that.
549
:So still far from her spiritual goal.
550
:Chris: Which, which is such
a that's that line is so I,
551
:you know, so relatable, right?
552
:Everyone, everyone hates change, right?
553
:Jerome: Well, and you know what?
554
:And I I've had this discussion
with somebody before.
555
:That's pretty much.
556
:I don't want to say all of politics, but
a real big wedge in today's political
557
:structure of, of left and right.
558
:It's change, right?
559
:Traditionalism.
560
:People don't like change, right?
561
:And when people start taking
down statues and shit, right?
562
:Like, it's like terrifying.
563
:It's like, ah, why, why all of a
sudden now are we changing this?
564
:You know what I mean?
565
:Yeah.
566
:But the best I, I tried to equate
it was, You know, there was a time
567
:when slavery was legal and accepted.
568
:And when that changed, imagine
everybody in America going, What?
569
:We gotta do our own work now?
570
:Or pay someone?
571
:Like, that's a change, right?
572
:And look, obviously the pushback
was so big, it caused a civil war.
573
:So, I mean, just, obviously
that's a very large scale.
574
:But on a small scale,
Change is terrifying.
575
:Yeah.
576
:For everyone, right?
577
:Just even little things like
things I used to do all the time.
578
:I can't do anymore.
579
:Cause I have kids kind of sucks,
but it's, it's, it's just how it is.
580
:You know what I mean?
581
:Have a family now things are different.
582
:Your life changes.
583
:So anyway, yeah, you're right.
584
:That's a major that's life.
585
:It's all change.
586
:And she says, that's terrifying.
587
:I don't want that.
588
:Alright, so Ken then kicks
her out of her house.
589
:Gloria and Sasha decide to leave.
590
:There is one moment, though, before
as they go to leave, Gloria picks up a
591
:blouse and says, Oh, this might fit me.
592
:I don't know.
593
:I don't know if you caught that.
594
:Weird Barbie comes to collect
Barbie, and Gloria and Sasha,
595
:discovering Alan was trying to
escape, they all decide to return.
596
:Alan, by the way, has a little
fight scene where he beats up a
597
:bunch of construction workers.
598
:That was kind of funny.
599
:All is lost.
600
:Alright, Barbie is at
her lowest point now.
601
:She feels ugly, and feels
like she has lost everything.
602
:She's verbalizing this to Gloria in tears.
603
:And at the one hour, fourteen minute
mark, you once again hear narrator Helen
604
:Mirren say, Note to the filmmakers,
Margot Robbie is the wrong person to
605
:cast if you want to make this point.
606
:Chris: That is so good.
607
:Jerome: The fucking hilarity of
this movie, even in moments of
608
:despair and all is lost, like,
Greta's still like, Nah, I'm gonna
609
:throw a dinger in there somewhere.
610
:You know, like, I mean, God.
611
:That's why I say it's screenplay driven.
612
:Cause this shit's all writing.
613
:You know what I mean?
614
:This is all writing.
615
:Alright, Dark Knight of the Soul,
Gloria makes her Oscar speech about
616
:how contradicting the whole thing is
about being a woman in the real world.
617
:It's a great speech, and she goes through,
I can't, I don't have the whole thing
618
:quoted, because it's a long one, but she
talks about, you know, the contradictions.
619
:We have to be thin, but
not too thin, you know?
620
:We have to look good, but we
can't tease men, you know?
621
:Like, she goes on and on and on, and I
feel, I actually wrote this down, not only
622
:is it, It's eye opening, I think, for men,
and for me personally, like, listening
623
:to her list all those things out.
624
:Yeah.
625
:I'm gonna sound a little bit
like I did when we did the
626
:Promising Young Thelma episode.
627
:It really kind of opens
your eyes as a guy.
628
:Oh yeah.
629
:Fuck, do they really feel that
way about all of that shit?
630
:Chris: Yeah, I had a similar
experience, because it reminded me of
631
:when I watched Promising Young Woman.
632
:Yeah.
633
:And, because I had that similar
experience, because you're watching
634
:that as a man, where there's men
taking advantage of women, or trying
635
:to take advantage of women, and
all that, and it was, like, gross.
636
:And, yeah, you just But yeah, this was
different, but it was still, you're,
637
:you're experiencing it as a man going,
Yeah, that, this, this ain't right, man.
638
:Jerome: These movies are
making us woke, Chris!
639
:But no, I mean, but honestly, all
jokes aside, I remember thinking
640
:like, fuck, like, I never looked
at it from that point of view.
641
:And, you know, I never
thought that it was that hard.
642
:You know what I mean?
643
:Like, I was like, Wow.
644
:And then, again, like you said, when
we did Promising Young The movie was
645
:Promising Young Woman, but the name of
our episode was Promising Young Thelma.
646
:To anyone that's confused right now.
647
:We did a podcast episode about it.
648
:And, yeah, it really
brought me back to that.
649
:Like, shit, like, once again, I'm
looking at something from a female point
650
:of view that I didn't Realize before.
651
:Yeah.
652
:And
653
:Chris: I'll, I'd push back
against the, the whole word woke
654
:because I mean that has so many
655
:Jerome: people use it.
656
:Don't know.
657
:Chris: Well, yeah.
658
:And the way it's used is usually
in some kind of charged political
659
:conversation or whatever.
660
:Right.
661
:They're not even using it.
662
:Right.
663
:This is just, yeah, this is
just being a decent human being,
664
:acknowledging someone else's struggle.
665
:I mean, come on.
666
:It's not, it's not being woke.
667
:Shut up.
668
:Jerome: Well, actually, that is
the, that was originally what the
669
:word woke was supposed to mean.
670
:Chris: Yeah, but it's, it's devolved
into something completely different
671
:is what I'm trying to get at.
672
:Jerome: Yeah, they're
yes, it's being abused.
673
:Okay, break into three.
674
:Glorious speech, reset one of the Barbies.
675
:In the room, and they realize this is
how we're gonna break the brainwashing.
676
:Gloria, now, which is funny that they
don't, they mention it, but I remember
677
:thinking, Wait a minute, she's gotta
do word for word, that whole fucking
678
:speech again, To every Barbie, but
they're just like, Yep, that's what
679
:we gotta do, that's what we gotta do.
680
:Alright, five point finale, are you ready?
681
:Yeah.
682
:That's obviously the first one's easy.
683
:Gathering the team.
684
:The weird Barbie gets off the
map of Barbieland and they come
685
:up with a plan on how they're
gonna reset the Barbies, right?
686
:Execution of the plan.
687
:They actually pull it off.
688
:They confuse the Kens, they pull
a Barbie away, they brainwash her
689
:ba br they break the brainwashing.
690
:Right.
691
:And then they use the new Barbie, or
the fixed Barbie, I guess you would say
692
:to help them with the rest of the plan.
693
:So the executing of the
plan goes almost perfectly.
694
:It works like a charm.
695
:They even get the Kens to fight each other
after the serenade which by the way they
696
:use the song Push as their serenade song.
697
:I wanna push you around, like,
like that's their idea of a
698
:great romantic serenade song.
699
:Like alright, so then all this distraction
is going on so that the Barbies can then
700
:vote, right, on how, the new constitution.
701
:Right.
702
:Gravity of it unknown to
Barbie until this moment.
703
:She realizes when Ken is breaking
down how much she really hurt him.
704
:And that the problem was identity.
705
:Ken's identity, or lack thereof.
706
:She says quote, maybe all
things you thought made you.
707
:Oh, maybe all the things you thought
made you you aren't really you Right
708
:big moment for Ken and Barbie because
now she's starting to get closer to
709
:that spiritual goal Right, right.
710
:Who do you really want to be?
711
:Yeah, take dig down deep Ken, after
a few failed attempts to again be
712
:Barbie's boyfriend by trying to
plan a kiss on her, he realizes
713
:his place is to just find himself.
714
:He starts saying, Ken is me!
715
:And he says quote, maybe instead of
Barb or no, she says, Barbie says,
716
:maybe instead of Barbie and Ken,
it's Barbie and it's Ken, right?
717
:Which is her eye opening moment.
718
:Execution of the new plan.
719
:The Mattel CEO and bosses want
everything to go back to how it was,
720
:but President Barbie is the first
to shut that down in favor of the
721
:new, sort of, new Barbie land, which
is a little bit more of equality.
722
:Right.
723
:Not all the way, and Helen Mirren's
voiceover even says we're not ready
724
:for equal parts of the Supreme Court.
725
:Helen Mirren says, The men will
represent about as much as the
726
:women do in today's real world.
727
:Like, again, just a little, Hey,
you can't have it both ways.
728
:So, okay.
729
:So yeah, so again, Right before that
whole jump into Act 3, With the five point
730
:finale, That's where I was like, I was
put off for a second, like just a second.
731
:I was like, wait a minute, they
wanted to go back to how it was.
732
:Right.
733
:Ken clearly told her when he was
kicking her out of her house, It
734
:doesn't feel too good now, does it?
735
:You know?
736
:So she knew that she was
making him feel like shit.
737
:And now they want to go back
to that, I had a problem with.
738
:But, Greta, in her creative way, You
know, made it to where Barbie hadn't
739
:reached her spiritual goal yet.
740
:And when she does they still have
power, they still have more power
741
:than the men, but there is more of a
sense of equality, and it's more about
742
:the Kens finding themselves as well
as the Barbies finding themselves.
743
:Right, right.
744
:Right?
745
:The Barbies were all independent before,
one wrote, remember the one says, I
746
:did write a book, you know what I mean?
747
:One of them was president, one of
them was this, one of them was that.
748
:The Kens were none of that.
749
:There was Beach Ken, which by the way,
I'm gonna get to that in a second.
750
:How many beach Kens were there?
751
:But that was basically
their existence, right?
752
:Yeah, yeah, yeah.
753
:So this is a spiritual goal, not just for
Barbie, but for the Kens in the movie too.
754
:Right, right.
755
:So, I think that was a major point
of, of the equality at the end.
756
:Climax, Ruth returns and
Barbie's unsure of her future.
757
:She says, quote, maybe I'm not Barbie
and suggests a change is needed.
758
:The change that she once
was terrified of, mind you.
759
:Ruth says, you understand, this
is quote, you understand that
760
:humans only have one ending.
761
:Ideas live forever.
762
:Humans, not so much.
763
:But that's she's okay with that right
because she says I'd rather be part
764
:of the living part of it, right?
765
:Barbie becomes human achieving her
spiritual goal discovering what she really
766
:really wanted and needed to be again What
do we always talk about arc if you were
767
:to take the person at the end and put him
at the beginning if you were Told Barbie
768
:at the beginning of this movie you're
gonna be human What would she have said?
769
:Fuck you!
770
:I'm gonna be human!
771
:Like, she doesn't want that at all, right?
772
:So you gotta go through that growth.
773
:You gotta go through that journey.
774
:Closing image, Barbie goes to her
gynecologist's office, which I thought
775
:was here's how my fucked up mind works.
776
:When she first said, I'm here to see
my gynecologist, my first, again, this
777
:is why Greta Gerwig made this movie.
778
:Somebody like me.
779
:My first thought wasn't, oh, that's
right because she has a vagina now.
780
:She's now anatomically correct.
781
:She's a human so she has a vagina.
782
:No, no, I jumped over that and I
went to, she's pregnant already?
783
:And then like a half a second went
by and went, oh you fucking idiot.
784
:This is, you obviously need to
watch the movie again, because
785
:you are not, I haven't learned my
spiritual goal, which is women are
786
:not just there to be Ken's baby mama.
787
:So, I had to self correct and be
like, oh my god, I can't believe
788
:I thought that for a moment.
789
:And by the way, I'm admitting
a lot right now saying that,
790
:I could have buried all that.
791
:But no, I'm gonna be truthful to
the audience, to the listeners,
792
:that I too, Greta Gerwig made
this movie for people like me.
793
:I had to backtrack and be like, no,
no, no, she's anatomically correct.
794
:Now she's got a vagina.
795
:So she needs to see a
gynecologist makes sense.
796
:And I was a little ashamed that my first
thought was what she's pregnant already.
797
:All right.
798
:No, it's again on the arc.
799
:Barbie's tangible goals to find out who or
what caused the ripple in the continuum.
800
:She achieves that in the midpoint
scene, her spiritual goal, obviously.
801
:Was discover what she truly needs
to be and that was to be human.
802
:All right, so funny moments So we've
got empty cups and empty showers All
803
:of that sets up pretty great right
where they go to drink something, but
804
:there's nothing in the cup And then
when she goes in the shower, there's
805
:no water coming down, but yet she
feels like it's great and everything.
806
:But then after things start to get
weird, she feels cold water, even though
807
:there's still no water coming down.
808
:But she reacts to it like it's cold.
809
:Her food is burnt.
810
:Right?
811
:She has bad breath when she
wakes up in the morning.
812
:All these are great.
813
:And then Then Ken wants to
fight another Ken at the beach
814
:and they call it a beach off?
815
:Yes.
816
:He's like, I'm going to
beach you off right now.
817
:And the guy's like,
you can't beach me off.
818
:I'm going to beach you off.
819
:And then and then Barbie
goes to break it up.
820
:And she's like, all right, nobody
is going to beach anybody off.
821
:Chris: I felt like they put that in there
for all the, the few Neanderthals that
822
:are going to be dragged to this movie.
823
:Here's a little something for you guys.
824
:Jerome: Yes, people like me.
825
:Alright.
826
:Something for everybody.
827
:So, when she goes to Mattel,
this is another funny moment.
828
:When she goes to Mattel, they
give her real water to drink.
829
:And she does the thing, like she thinks
there's nothing that's going to come out,
830
:but the water all comes out on her face.
831
:And you know what it reminded me of?
832
:Ted Stryker's drinking
problem in the movie Airplane.
833
:Airplane, yes.
834
:So, yeah, so that was a great moment.
835
:I already mentioned Will Ferrell
and his We Love Women speech.
836
:Some of my best friends are Jewish.
837
:Alright, trivia.
838
:America Ferreira, who plays Gloria,
has her husband in the movie
839
:played by her real life husband.
840
:Oh, really?
841
:Ryan Pearson Williams.
842
:I didn't know that.
843
:Gal Gadot, who plays Wonder Woman,
was originally considered for the role
844
:of Barbie, but she was unavailable.
845
:Here's my last piece of trivia before
I turn it over to you on any thoughts
846
:or added trivia that you might have.
847
:It's nominated for best adapted
screenplay, although it is not
848
:based on any previously published
movie, book, show, or anything.
849
:Chris: It's because the
Barbie character, right?
850
:Jerome: Yes, but!
851
:It's nominated for best original
screenplay in almost every
852
:other award show this year.
853
:The Writers Guild had it
in the original category.
854
:Wow.
855
:Uh, I think the Golden Globes
had it in the original category.
856
:Only the Oscars are deviating.
857
:Chris: Yeah, and that I was upset
about when I saw it because knowing
858
:how original this story was.
859
:Right.
860
:I was like, come on, man.
861
:Just cause, just cause it's based
on a character named Barbie.
862
:They had to make it an adapted screenplay?
863
:I'm like, ugh.
864
:Jerome: If you want to scream
conspiracy politics with Oscars,
865
:you could argue this, because I
looked into it a little bit deeper.
866
:Bradley Cooper has 12
Academy Award nominations.
867
:He's never won.
868
:He's likely not going to win for Maestro.
869
:Best director or best actor, probably.
870
:But he is up for screenplay,
because he wrote the screenplay.
871
:So, by putting her in the adapted
category, it kind of clears the avenue
872
:a little bit for Bradley Cooper to win
Best Original Screenplay for Maestro.
873
:Yeah, he could finally get one.
874
:But here's, the counterpoint is, well
wait, by putting her in the adapted
875
:category, she now has to go up against
Christopher Nolan and Oppenheimer.
876
:But, you know how voters are, they
could say, I don't know, Credit
877
:gets that one, Nolan's gonna get
Best Picture and Best Director.
878
:Hmm.
879
:Right?
880
:So, he's not a threat in the
adapted screenplay category.
881
:That's hers to win.
882
:Okay.
883
:You know what I'm saying?
884
:So if you believe in the 5, 000 Academy
members all get together on a Zoom chat
885
:and work this shit out, that's where the
only thing I could come up with as why
886
:they would make it an original screenplay.
887
:Chris: Right, right.
888
:Jerome: Or I mean adapted, to get it
out of the original screenplay category.
889
:Which, isn't it ironic, because if
what I say is true, Bradley Cooper
890
:is nominated for best original
screenplay for writing an original
891
:story about a real life person.
892
:But yet Barbie has to go in the
adapted category because it's a
893
:made up story about a made up thing.
894
:Right.
895
:Right?
896
:Yeah, right.
897
:So But okay, Oscar politics.
898
:Alright, what do you think?
899
:Well, I mean,
900
:Chris: you already heard my thoughts.
901
:I enjoyed the movie.
902
:So, when I saw the nominations, I,
you know, I wasn't all that upset
903
:that Margot Robbie wasn't nominated.
904
:I mean, she did a fine job, but
I, you know, I haven't watched
905
:all the performances for best
best, you know, best actor.
906
:Right.
907
:But I just held out judgment because
I, and I'm still not sure because
908
:I haven't seen everybody yet.
909
:Sure.
910
:But when I saw the nomination
for America Fiera, I, and this is
911
:going to be an unpopular opinion.
912
:I'm probably going to
get lots of hate mail.
913
:I felt like she was the same character.
914
:She is in like Superstore or whatever
the, is that the show Superstore?
915
:She just she played America Fiera.
916
:You know, I mean, I don't
917
:Jerome: know though if you, if the, if the
nomination or an ensuing Oscar, which I
918
:don't even know if she's the front runner.
919
:I don't know if a lot of that is That
they play somebody different from them.
920
:No, I know.
921
:Sometimes, sometimes it's
their impact on the film.
922
:Yeah, yeah.
923
:And, and her impact on this film.
924
:She's the Obi Wan of this movie, right?
925
:Yeah.
926
:I mean, if you think about it, I
mean, Alec Guinness was nominated
927
:for Best Supporting Actor.
928
:Did he really go outside of
his acting chops for Star Wars?
929
:He pretty much was an old man
walking around with a robe on.
930
:But his impact was
931
:Chris: large.
932
:Well, and, again, like I said, I've
not, I'm not comparing her to all
933
:the other best supporting actors.
934
:Yeah, I don't even know if
I've seen the other ones yet.
935
:I don't even know.
936
:Right, so, but, anyway,
I mean, I like her.
937
:That's fair criticism.
938
:Yeah, I like her, and, and,
you know, she is a good actor.
939
:Jerome: It's, it's, it's fair
criticism because the counterpoint
940
:is the Heath Ledger argument.
941
:Where is, when somebody completely
disappears into a role, Right, then you're
942
:like, Then you can't even tell it's them.
943
:Yeah, that, yeah.
944
:You're like, well for
sure they're gonna win.
945
:You know what I mean?
946
:So yeah, I get it.
947
:I just, I've seen so many supporting
actors and actresses come and go that
948
:it doesn't seem like the role itself
is demanding as far as, you know,
949
:But sometimes their impact is more.
950
:Juliette Binoche won
for the English patient.
951
:A really terrible English patient.
952
:But Juliette Binoche won Best
Supporting Actress for that.
953
:I don't think she did anything out
of her normal shit that she had done.
954
:She's a French actress
that makes French movies.
955
:Chris: Well, and it's not just the,
like, the normal stuff they've done.
956
:But, like what's his name?
957
:Paul Giamatti.
958
:He can Just the, I don't know, the
way he, that guy can just memorize his
959
:lines and deliver them in such a way
it's just, I don't know, he'll make
960
:me hold my breath when he's talking.
961
:You know what I mean?
962
:And I haven't seen the movie he's in
that's up for, is it up for Best Picture?
963
:Jerome: I bought it.
964
:Yeah, I bought it.
965
:Yeah, I gotta see that one.
966
:It's our, it's our target right now.
967
:Chris: And we gotta do that one next.
968
:Jerome: I bought it.
969
:The holdovers.
970
:Yeah.
971
:Yeah, I mean, but he's, you know, he's
kind of like Meryl Streep, you know,
972
:you give him anything and they can make
something out of it, you know what I mean?
973
:Yeah.
974
:You, you could, like I said before,
you could give Meryl Streep a,
975
:Friggin phone book and say, read
this and it'd be the greatest reading
976
:of a phone book you've ever heard
in your life, you know what I mean?
977
:Like just some people, I mean, and
I'm not trying to, I mean, I'm not
978
:trying to say that America Ferreira
is not Meryl Streep, but I feel like
979
:her impact in this movie was enough.
980
:I can see the nomination
based on impact alone.
981
:You know what I mean?
982
:Chris: Yeah, I mean I think about other
actors like You mentioned Florence
983
:Pugh Holy crap, I mean the, the, the
variation of characters she's played in
984
:just the few movies I've seen her in.
985
:Yeah.
986
:I'm like holy crap man, she can
really I don't know, be a convincing
987
:presence in different roles, so.
988
:Jerome: And she's in the new Dune, right?
989
:Yeah.
990
:She's in the Dune sequel.
991
:Yep.
992
:Yeah.
993
:She's everywhere.
994
:Looking forward to that.
995
:That's coming out in March.
996
:Yeah, I love her.
997
:She's great.
998
:But okay, so are we going to
officially close the book on Barbie?
999
:Chris: Until the sequel comes out.
:
00:42:00,690 --> 00:42:03,830
Jerome: Yeah, I think which would
be awesome if they did a sequel.
:
00:42:04,170 --> 00:42:08,140
But, no, I mean, again, to your point,
I haven't seen all the movies that
:
00:42:08,140 --> 00:42:09,370
are nominated for Best Director yet.
:
00:42:09,430 --> 00:42:11,270
I cannot say if it's truly a snub.
:
00:42:11,500 --> 00:42:12,750
It seems like a snub.
:
00:42:13,040 --> 00:42:16,620
Because when you've directed the
film, that has a lot of production
:
00:42:16,620 --> 00:42:20,710
design, and imagery, and visuals,
and it was the number one movie of
:
00:42:20,710 --> 00:42:23,020
the year, making 1.4 billion dollars.
:
00:42:23,030 --> 00:42:26,350
Chris: And even the music, like,
as a director, she played a big
:
00:42:26,360 --> 00:42:27,870
role in putting that together.
:
00:42:27,870 --> 00:42:29,200
Jerome: Absolutely, absolutely.
:
00:42:29,200 --> 00:42:31,920
And your film gets 8
Academy Award nominations.
:
00:42:32,420 --> 00:42:34,940
Yeah, it's a snub if you don't
get nominated for Best Director
:
00:42:34,940 --> 00:42:38,180
when you have all that shit on
your resume for that one movie.
:
00:42:38,960 --> 00:42:41,030
But again, I think it
was just a math issue.
:
00:42:41,030 --> 00:42:43,910
I think when people were filling out
their cards, they were like, She'll
:
00:42:43,910 --> 00:42:45,230
get in, I don't have to include her.
:
00:42:45,230 --> 00:42:47,070
I want to see Didier get in.
:
00:42:47,070 --> 00:42:49,980
Or I want to see, you know,
obviously I gotta put Nolan number
:
00:42:49,980 --> 00:42:51,150
one or whatever, I don't know.
:
00:42:51,150 --> 00:42:53,440
Oh, I gotta put Scorsese in,
cause Scorsese always in,
:
00:42:53,440 --> 00:42:54,320
you know, like, whatever.
:
00:42:54,610 --> 00:42:57,530
I don't know how their math
was, but it just worked out that
:
00:42:57,530 --> 00:42:58,500
she got left out of the cut.
:
00:42:58,520 --> 00:43:01,030
I mean, if there was allowed
six nominees, she's probably in.
:
00:43:01,250 --> 00:43:04,910
Chris: Well, I hope Barbie at least
does well with the nominations I got.
:
00:43:05,110 --> 00:43:06,860
Jerome: So, real quick, what
do you got for predictions?
:
00:43:07,060 --> 00:43:08,000
Chris: I don't have any.
:
00:43:08,030 --> 00:43:11,380
Jerome: I think, I don't think
Ryan Gosling wins Best Supporting
:
00:43:11,380 --> 00:43:12,600
Actor, and I'll tell you why.
:
00:43:13,610 --> 00:43:14,930
That dude's got a lot of range.
:
00:43:14,940 --> 00:43:16,170
He's had some great movies.
:
00:43:16,170 --> 00:43:18,260
He's been up for Best Actor before.
:
00:43:18,830 --> 00:43:22,050
And he's, he's had some great
performances that I don't think his
:
00:43:22,050 --> 00:43:24,720
crowning achievement is to be Ken.
:
00:43:24,740 --> 00:43:25,390
I just don't.
:
00:43:25,470 --> 00:43:25,720
I don't.
:
00:43:25,720 --> 00:43:27,990
Chris: Well, and we've gone
over this before, though, too.
:
00:43:27,990 --> 00:43:31,000
So, like, Denzel's crowning
achievement wasn't Training Day.
:
00:43:31,000 --> 00:43:32,310
Jerome: True, but he was much older.
:
00:43:32,320 --> 00:43:34,430
Ryan's still relatively young.
:
00:43:34,430 --> 00:43:37,390
Ryan's got his Leo years coming up, right?
:
00:43:37,540 --> 00:43:37,560
Yeah.
:
00:43:37,560 --> 00:43:38,930
Same with Al Pacino, right?
:
00:43:39,520 --> 00:43:43,390
Well, yeah, but Pacino and Denzel
were definitely make up awards.
:
00:43:43,570 --> 00:43:45,000
Yes, those were, yeah.
:
00:43:45,110 --> 00:43:48,000
But Leo, I don't think the
revenant was a make up a word.
:
00:43:48,000 --> 00:43:49,040
I think it was the perfect timing.
:
00:43:49,050 --> 00:43:51,850
Chris: No, yeah, no, he was,
he wasn't only just due,
:
00:43:51,900 --> 00:43:53,200
that was a great performance.
:
00:43:53,330 --> 00:43:56,580
Jerome: And I think Ryan's
revenant is out there.
:
00:43:56,630 --> 00:43:57,570
You know what I mean?
:
00:43:57,850 --> 00:44:00,000
Chris: Yeah, yeah, I think you're right.
:
00:44:00,070 --> 00:44:01,079
I think you're right.
:
00:44:01,080 --> 00:44:04,210
Jerome: So unfortunately, I don't
see Barbie taking a lot that night.
:
00:44:04,240 --> 00:44:06,280
I think Billie Eilish should win for song.
:
00:44:07,320 --> 00:44:11,040
By the way, there's two songs, by the
way, up for best song at the Oscars.
:
00:44:11,230 --> 00:44:13,430
It's also the I am Ken song.
:
00:44:13,780 --> 00:44:14,250
Oh, really?
:
00:44:14,410 --> 00:44:17,520
The one during the end, when he's
got that whole big thing, he's got
:
00:44:17,520 --> 00:44:19,410
the big production moment, right?
:
00:44:19,780 --> 00:44:22,580
The guy that wrote that song is up
for best song too, but I really think
:
00:44:22,580 --> 00:44:24,080
Chris: Did Ryan gosling sing that?
:
00:44:25,580 --> 00:44:26,030
Jerome: I don't know.
:
00:44:26,690 --> 00:44:28,310
Chris: Cause then he'd get
the award, wouldn't he?
:
00:44:28,410 --> 00:44:30,010
Jerome: No, no, no, it goes
to whoever wrote the song.
:
00:44:30,010 --> 00:44:30,960
Chris: Whoever wrote it, okay.
:
00:44:31,040 --> 00:44:34,850
Jerome: So, I, but I do see Billie
Eilish winning for What Was I Made For.
:
00:44:34,860 --> 00:44:35,080
Huh.
:
00:44:37,040 --> 00:44:40,250
It was not only a great song, but I
know, remember I said I had heard of
:
00:44:40,250 --> 00:44:42,590
the song before I heard it, before
I knew it was part of the movie.
:
00:44:42,640 --> 00:44:42,950
Right.
:
00:44:43,880 --> 00:44:48,550
It serves as sort of unofficial
soundtrack moments, right?
:
00:44:48,560 --> 00:44:48,860
Mm hmm.
:
00:44:48,870 --> 00:44:51,710
Where, like, the deepest,
saddest parts are coming.
:
00:44:51,730 --> 00:44:54,260
That song, the music from
that song is being played.
:
00:44:54,300 --> 00:44:54,590
Yeah.
:
00:44:54,790 --> 00:44:58,610
You know, much like Ode to Joy, the
Beethoven song, was the unofficial
:
00:44:58,610 --> 00:44:59,900
soundtrack for Die Hard, right?
:
00:44:59,940 --> 00:45:02,820
Like, they just kept playing
that song over and over again.
:
00:45:02,910 --> 00:45:03,219
Right, right.
:
00:45:03,270 --> 00:45:06,730
Celine Dion's song My Heart
Will Go On from Titanic.
:
00:45:06,840 --> 00:45:09,010
That was like the unofficial
soundtrack song, right?
:
00:45:09,010 --> 00:45:12,190
Like, that music kept coming
up over and over in that movie.
:
00:45:12,500 --> 00:45:16,070
So, I really think her song was
more impactful than the Ken song.
:
00:45:16,580 --> 00:45:18,040
So I think she should win.
:
00:45:18,610 --> 00:45:20,410
Probably production and costume.
:
00:45:20,410 --> 00:45:23,040
I can't remember which one of those
it's up for, but it might win those.
:
00:45:23,680 --> 00:45:25,100
But unfortunately, oh, Greta!
:
00:45:25,110 --> 00:45:25,690
I got Greta!
:
00:45:25,690 --> 00:45:27,480
I got Greta winning
Best Adapted Screenplay.
:
00:45:28,200 --> 00:45:30,290
So so a couple of big wins there.
:
00:45:30,510 --> 00:45:30,720
Yeah.
:
00:45:30,730 --> 00:45:33,680
It'd be nice if Billie Eilish and Greta
Gerwig could both win Oscars that day.
:
00:45:33,720 --> 00:45:36,690
Chris: Are you gonna have squares, like
with the Super Bowl, that we can bet on?
:
00:45:37,480 --> 00:45:42,000
Jerome: I do, I do, I don't have bets,
but I do send my pics to Kaitlynn
:
00:45:42,020 --> 00:45:43,330
every year, she'll tell you that.
:
00:45:43,850 --> 00:45:46,830
Chris's daughter Kaitlynn is as
into movies as I am, and every year,
:
00:45:46,970 --> 00:45:50,635
like the day of, I always wait for
the day of because You can never
:
00:45:50,635 --> 00:45:54,175
make your predictions too early
because the vibe starts to change.
:
00:45:54,415 --> 00:45:56,255
Because people in Hollywood
start talking, and they start
:
00:45:56,255 --> 00:45:57,375
talking about who they voted for.
:
00:45:57,755 --> 00:46:00,475
So then when you start to see the
pendulum swing, you're like, Oh shit,
:
00:46:00,485 --> 00:46:02,205
everything's going Parasite now.
:
00:46:02,375 --> 00:46:02,935
You know what I mean?
:
00:46:03,145 --> 00:46:05,125
Oh shit, everything's going CODA now.
:
00:46:05,345 --> 00:46:08,605
You know, so I always wait till the last
day and I hear the buzz on the street.
:
00:46:08,865 --> 00:46:11,825
I put my ear to the sidewalk and I hear
what the buzz on the street is, and
:
00:46:11,825 --> 00:46:13,225
I'll send my predictions to Kaitlynn.
:
00:46:13,245 --> 00:46:14,975
She's always the first person
I send my predictions to.
:
00:46:15,365 --> 00:46:17,115
But so unless it changes.
:
00:46:17,345 --> 00:46:18,645
That's where I'm at right now.
:
00:46:18,955 --> 00:46:22,635
Best original song, best adapted
screenplay you know, maybe
:
00:46:22,635 --> 00:46:24,295
costume or productions in there.
:
00:46:24,295 --> 00:46:25,435
I'd have to look at the nominations.
:
00:46:25,435 --> 00:46:26,269
Chris: Yeah.
:
00:46:26,520 --> 00:46:29,180
Well, we did, we did this
first one in less than an hour.
:
00:46:29,240 --> 00:46:31,420
Can we do Oppenheimer in less than three?
:
00:46:33,440 --> 00:46:35,070
Jerome: Can the movie be less than three?
:
00:46:35,560 --> 00:46:38,160
For those of you that don't
know, Oppenheimer is exactly
:
00:46:38,160 --> 00:46:39,580
to the minute three hours long.
:
00:46:39,590 --> 00:46:39,860
Yeah.
:
00:46:39,870 --> 00:46:42,500
But, but, didn't it kind of move quickly?
:
00:46:42,640 --> 00:46:43,380
Chris: I don't know, man.
:
00:46:43,550 --> 00:46:46,280
When I was watching it last
night, I kept dozing off.
:
00:46:46,410 --> 00:46:48,440
Jerome: Oh, see, you
got, you do what he does.
:
00:46:48,685 --> 00:46:51,555
V always gets in bed after
a long day of work and
:
00:46:51,555 --> 00:46:52,715
Chris: It wasn't that late!
:
00:46:52,805 --> 00:46:53,655
It wasn't that late!
:
00:46:53,905 --> 00:46:56,775
But it was, it was after work
and it was like, I don't know,
:
00:46:56,775 --> 00:46:58,645
I think I started at like, 6.
:
00:46:59,205 --> 00:47:00,115
So it wasn't late at all.
:
00:47:00,115 --> 00:47:01,205
Jerome: Wait, 6 o'clock your time?
:
00:47:01,285 --> 00:47:02,475
Chris: Yeah, 6pm.
:
00:47:02,535 --> 00:47:04,035
Jerome: What's your problem, you old man?
:
00:47:04,035 --> 00:47:07,125
Chris: And I'm like, I'm like an
hour in and it's just, I don't
:
00:47:07,125 --> 00:47:08,765
know, we're gonna get into it, so.
:
00:47:08,965 --> 00:47:11,525
Jerome: Here's why I think,
I'll mention it right now, why I
:
00:47:11,555 --> 00:47:13,375
think it works for three hours.
:
00:47:14,135 --> 00:47:15,055
The scenes are short.
:
00:47:15,615 --> 00:47:19,440
Chris: Well, and it's all the flashbacks
and back and forth and Yeah, but
:
00:47:19,440 --> 00:47:21,090
yeah, you get in a comfy chair.
:
00:47:21,750 --> 00:47:25,090
Jerome: By the way, I, I, I
had to a couple of things.
:
00:47:25,090 --> 00:47:25,960
First of all, Barbie.
:
00:47:26,870 --> 00:47:29,030
If, I, I always write
down the scenes, right?
:
00:47:29,060 --> 00:47:30,410
I do a scene list as I go.
:
00:47:30,410 --> 00:47:33,780
It helps me dictate beats if I'm
having trouble finding beats.
:
00:47:34,115 --> 00:47:37,235
Didn't have any trouble with Barbie
or Oppenheimer, but like for Fat Man I
:
00:47:37,235 --> 00:47:40,485
needed to write down all the scenes cuz
I couldn't figure out the fucking beats
:
00:47:40,495 --> 00:47:44,735
for that movie to save my life But anyway,
so I always do as just a habit I'll write
:
00:47:44,735 --> 00:47:49,415
down the scenes and I noticed that after
the midpoint scene of Barbie the second
:
00:47:49,415 --> 00:47:53,885
half seemed to go really quick And I
remember think like not as many scenes
:
00:47:53,885 --> 00:47:57,115
were written down and I remember thinking
well, how is that possible minutes wise?
:
00:47:57,115 --> 00:47:59,725
It's exactly halfway through
and then it occurred to me
:
00:48:00,415 --> 00:48:03,735
Greta's structure of that film.
:
00:48:04,615 --> 00:48:06,805
The first half of the
film are quick scenes.
:
00:48:07,245 --> 00:48:08,685
They're going pretty quickly, right?
:
00:48:08,735 --> 00:48:10,745
Like, you don't spend a lot
of time in any one scene.
:
00:48:10,905 --> 00:48:12,485
There's quick shots, you're seeing this.
:
00:48:12,625 --> 00:48:14,175
You get a lot of Will Ferrell humor.
:
00:48:14,325 --> 00:48:15,884
There's, you know, things
are going back and back.
:
00:48:15,885 --> 00:48:18,465
Once you get into that second
act, where she gets back to
:
00:48:18,465 --> 00:48:21,335
Barbieland and everything's gone
to shit and it becomes Ken-dom?
:
00:48:21,785 --> 00:48:23,455
I like how he calls it Ken-dom by the way.
:
00:48:23,465 --> 00:48:24,745
Sounds like condom, doesn't it?
:
00:48:25,625 --> 00:48:28,915
I know he was going for Kingdom,
but he named it Kendam, but it
:
00:48:28,915 --> 00:48:30,595
rolls off like he's saying condom.
:
00:48:31,205 --> 00:48:34,335
But anyway, when she gets back to
condom the scenes are a lot slower.
:
00:48:34,605 --> 00:48:35,135
Right?
:
00:48:35,145 --> 00:48:35,945
There's more time.
:
00:48:35,945 --> 00:48:39,705
The glorious speech, for example
the weird Barbie moments, like
:
00:48:39,705 --> 00:48:41,905
there's just the scenes are longer.
:
00:48:42,355 --> 00:48:46,805
So there might be less scenes, per
se, but they take up more time.
:
00:48:47,450 --> 00:48:52,670
Oppenheimer has a, has an interesting
situation of where the full first half of
:
00:48:52,670 --> 00:48:55,610
Barbie is like Oppenheimer's three hours.
:
00:48:55,750 --> 00:48:56,840
The scenes are quick.
:
00:48:57,130 --> 00:48:59,610
They don't spend a lot
of time on any one scene.
:
00:48:59,610 --> 00:49:02,870
There's no five minute
dialogue scene in Oppenheimer.
:
00:49:02,980 --> 00:49:03,960
They go pretty quick.
:
00:49:04,040 --> 00:49:05,600
It's, this happened at this time.
:
00:49:05,790 --> 00:49:07,783
Then, this happened at this time.
:
00:49:07,783 --> 00:49:10,318
And then, this happened
at, you know what I mean?
:
00:49:10,318 --> 00:49:11,839
Like, you're just moving right along.
:
00:49:11,840 --> 00:49:13,750
And I remember telling V that
when we were in the theater.
:
00:49:14,130 --> 00:49:16,190
I was like, dude, I, I
know it's three hours.
:
00:49:16,350 --> 00:49:19,340
But I feel like it's not, like
it feels like it moves quickly.
:
00:49:19,810 --> 00:49:22,840
And that's one of the notations I
put that I really liked the way that
:
00:49:22,840 --> 00:49:27,990
Nolan did that, because if the case
of Benjamin buttons is any indication,
:
00:49:28,470 --> 00:49:34,150
a long movie can feel twice as
long if it has long scenes, right?
:
00:49:34,150 --> 00:49:34,714
Right.
:
00:49:34,715 --> 00:49:41,255
Oppenheimer,:and directed by Christopher Nolan, based
:
00:49:41,255 --> 00:49:45,045
on the novel American Prometheus, the
tragedy, the triumphant tragedy of J.
:
00:49:45,045 --> 00:49:46,735
Robert Oppenheimer, J.
:
00:49:46,775 --> 00:49:50,325
Robert Oppenheimer, by Ky
Bird and Martin Sherwin.
:
00:49:51,025 --> 00:49:54,745
Starring Cillian Murphy,
Emily Blunt, Florence Pugh,
:
00:49:54,755 --> 00:49:56,865
Matt Damon, Robert Downey Jr.
:
00:49:57,375 --> 00:50:01,725
Which That is my pick for Best Supporting
Actor, now that I think about it.
:
00:50:02,405 --> 00:50:03,285
He was great, yeah.
:
00:50:03,295 --> 00:50:05,015
This is why I don't think Ken is winning.
:
00:50:05,475 --> 00:50:07,285
Robert Downey Jr., this is his year.
:
00:50:07,845 --> 00:50:09,975
Released on July 21st, same as Barbie.
:
00:50:10,315 --> 00:50:12,525
And just like Barbie,
had a 100 million budget.
:
00:50:12,525 --> 00:50:16,305
Went on to gross, as I said, 957 million,
good for third on the worldwide list.
:
00:50:17,175 --> 00:50:17,725
Log me.
:
00:50:17,845 --> 00:50:22,525
Chris: Can I just say, at the
outset, this is a horrible log line.
:
00:50:22,585 --> 00:50:23,685
It's just one sentence.
:
00:50:25,595 --> 00:50:26,045
Here we go.
:
00:50:26,665 --> 00:50:26,975
Alright.
:
00:50:27,805 --> 00:50:30,555
The story of American scientist J.
:
00:50:30,555 --> 00:50:34,985
Robert Oppenheimer and his role in
the development of the atomic bomb.
:
00:50:36,875 --> 00:50:37,215
Boom.
:
00:50:39,015 --> 00:50:39,345
Jerome: Boom.
:
00:50:39,350 --> 00:50:39,990
No pun intended.
:
00:50:40,490 --> 00:50:41,310
Chris: No, pun intended.
:
00:50:41,685 --> 00:50:42,075
Jerome: Yeah.
:
00:50:42,495 --> 00:50:43,185
Chris: I mean,
:
00:50:43,545 --> 00:50:45,435
Jerome: quick one line, no hook.
:
00:50:45,435 --> 00:50:46,665
There's no hook, no hook.
:
00:50:46,670 --> 00:50:49,785
It, it, it definitely comes
off like a biography tagline.
:
00:50:49,815 --> 00:50:50,115
Yeah.
:
00:50:50,115 --> 00:50:50,355
Right.
:
00:50:50,415 --> 00:50:53,415
Like the log line that you
would put for a biography, the
:
00:50:53,415 --> 00:50:55,245
rise and fall of Elvis Presley.
:
00:50:55,275 --> 00:50:55,785
You know what I mean?
:
00:50:55,785 --> 00:50:59,995
Like, it's doesn't, there's no, there's
nothing there that would draw me to
:
00:50:59,995 --> 00:51:03,535
that other than if I really wanted
to know how the atomic bomb was made.
:
00:51:03,860 --> 00:51:04,920
Yeah, right.
:
00:51:05,880 --> 00:51:07,570
I agree, but cleaner.
:
00:51:07,580 --> 00:51:08,650
It's pretty clean, right?
:
00:51:08,650 --> 00:51:10,100
This is what the movie's about.
:
00:51:10,440 --> 00:51:10,760
Boom.
:
00:51:11,390 --> 00:51:12,300
But yeah, not a lot there.
:
00:51:12,300 --> 00:51:12,960
What are you doing?
:
00:51:12,960 --> 00:51:14,020
You pulling out the fentanyl?
:
00:51:14,270 --> 00:51:14,770
Oh, okay.
:
00:51:15,700 --> 00:51:17,500
Chris: Time for barbie drink number two.
:
00:51:17,770 --> 00:51:20,560
Jerome: So before we get into the
beats again, your relationship,
:
00:51:20,560 --> 00:51:21,360
I already told you mine.
:
00:51:21,360 --> 00:51:23,930
I saw it, I had to see it when
it was in theaters last year.
:
00:51:23,930 --> 00:51:24,930
I saw it on the IMAX.
:
00:51:25,800 --> 00:51:26,540
Blew me away.
:
00:51:29,460 --> 00:51:30,990
That's not him pissing, by the way.
:
00:51:32,870 --> 00:51:33,670
Gotta clarify.
:
00:51:34,150 --> 00:51:37,140
Yeah, because if those were the bubbles
of his piss, it's fizzing like that,
:
00:51:37,140 --> 00:51:38,960
he's, he's got to go see the doctor.
:
00:51:42,070 --> 00:51:43,720
So anyway, yeah, cheers.
:
00:51:43,770 --> 00:51:45,820
So yeah, so I loved it.
:
00:51:45,870 --> 00:51:51,380
I love, and again, as I've always said,
that there's always one year, right?
:
00:51:51,380 --> 00:51:53,900
There's always one movie that
I love more than anything else,
:
00:51:54,130 --> 00:51:55,210
whether or not it gets nominated.
:
00:51:55,210 --> 00:51:58,450
Like I said, Midsommar had no
nominations, but in::
00:51:58,450 --> 00:52:00,470
out of the theater knowing I'm not
going to see a better movie this year.
:
00:52:00,490 --> 00:52:02,330
But, and I felt the same
way with Oppenheimer.
:
00:52:02,690 --> 00:52:05,240
I was excited to see Barbie, but
when I walked out of Oppenheimer,
:
00:52:05,240 --> 00:52:08,350
I remember saying, I am not going
to see a better movie this year.
:
00:52:09,250 --> 00:52:10,550
Chris: I wish I would have bought it.
:
00:52:10,910 --> 00:52:12,040
I rented it yesterday.
:
00:52:12,050 --> 00:52:13,660
So yesterday is the first time I saw it.
:
00:52:13,690 --> 00:52:15,100
That's my relationship to it.
:
00:52:15,450 --> 00:52:19,260
I watched about Half of it and
had to finish the other half on my
:
00:52:19,260 --> 00:52:23,440
phone the guy that tells everyone
to go support their local cinema
:
00:52:23,540 --> 00:52:24,090
Jerome: You bastard!
:
00:52:25,730 --> 00:52:26,790
How could you do that?
:
00:52:26,800 --> 00:52:33,010
Chris: I feel like such a traitor
But yeah, so I need to rewatch it So
:
00:52:33,010 --> 00:52:35,990
that's why I wish I would have bought
it because now I gotta rent it again I
:
00:52:35,990 --> 00:52:37,580
mean ever wait till it comes out again.
:
00:52:37,580 --> 00:52:38,980
I'm a streaming service.
:
00:52:39,050 --> 00:52:41,390
Jerome: Did you ever get back
to Anatomy of a Fall by the way?
:
00:52:42,125 --> 00:52:44,115
Chris: No, I never rewatched that one.
:
00:52:44,425 --> 00:52:45,455
I want to though.
:
00:52:45,935 --> 00:52:47,785
Jerome: But you really just
rewatched the third act.
:
00:52:47,785 --> 00:52:50,045
You didn't even have to
rewatch the whole thing.
:
00:52:50,045 --> 00:52:51,725
Chris: So, but yeah, Oppenheimer.
:
00:52:51,905 --> 00:52:56,925
So, I felt like, so just my
initial reaction, I'm going
:
00:52:56,925 --> 00:52:57,835
to give you that right now.
:
00:52:59,625 --> 00:53:04,625
I felt like, not quite as
strongly as you did in About Time.
:
00:53:05,965 --> 00:53:10,175
When it came to Oppenheimer's
PTSD, I'm like, Get over it, man.
:
00:53:10,185 --> 00:53:11,245
You created the bomb.
:
00:53:11,245 --> 00:53:12,915
You deserve to feel that way.
:
00:53:14,465 --> 00:53:17,325
And the whole time, if he,
was he nominated for anything?
:
00:53:18,135 --> 00:53:18,705
Cillian Murphy?
:
00:53:18,865 --> 00:53:19,215
Jerome: Yeah.
:
00:53:19,355 --> 00:53:20,075
Best actor.
:
00:53:20,285 --> 00:53:22,405
Chris: So, if he wins for this
:
00:53:25,675 --> 00:53:28,225
Jerome: For those of you that can't
see him right now, my brother's acting.
:
00:53:29,025 --> 00:53:29,435
And
:
00:53:29,435 --> 00:53:30,185
Chris: No, I'm not.
:
00:53:30,185 --> 00:53:31,645
I'm just staring into space.
:
00:53:31,655 --> 00:53:33,485
Cause that's what he did for three hours.
:
00:53:34,055 --> 00:53:35,405
He just stared into space.
:
00:53:35,715 --> 00:53:36,775
Jerome: How dare you.
:
00:53:36,885 --> 00:53:39,015
I don't know, I'm not very sympathetic.
:
00:53:39,625 --> 00:53:40,095
Chris: Apparently.
:
00:53:40,375 --> 00:53:41,865
Jerome: The blood is on his hands.
:
00:53:42,235 --> 00:53:44,475
Chris: Yeah, which we'll get to
that Truman scene by the way.
:
00:53:44,985 --> 00:53:47,945
Cause there's from what I understand,
that, that scene that he has
:
00:53:47,945 --> 00:53:50,380
with Truman, is very factual.
:
00:53:50,440 --> 00:53:51,130
Jerome: Is it really?
:
00:53:51,190 --> 00:53:53,520
That he did say, I have blood
on my hands, and Truman said, I
:
00:53:53,520 --> 00:53:56,080
got twice as many years, and he
pulls out a napkin to give to him.
:
00:53:56,430 --> 00:53:59,550
And then, when he left, he said, Don't
ever let that crybaby in here again.
:
00:53:59,570 --> 00:54:00,050
Right.
:
00:54:00,070 --> 00:54:02,290
So, from what I understand from the book,
:
00:54:02,300 --> 00:54:03,640
Chris: That was my favorite
scene of the whole movie.
:
00:54:03,940 --> 00:54:05,930
That Truman scene was very real.
:
00:54:05,950 --> 00:54:07,530
I was cheering Truman on.
:
00:54:08,800 --> 00:54:11,440
I was like, Yeah, shut up, you crybaby.
:
00:54:13,525 --> 00:54:16,405
Jerome: To be fair, he
did kill 200, 000 people.
:
00:54:16,565 --> 00:54:17,685
Chris: Well, that's what I'm saying.
:
00:54:17,985 --> 00:54:19,425
So I don't feel bad for him.
:
00:54:19,665 --> 00:54:24,685
I mean, yes, you have a long lost, like,
stare in your eye that's probably not
:
00:54:24,685 --> 00:54:26,295
going to go away until you're gone.
:
00:54:27,325 --> 00:54:27,795
Oh, well.
:
00:54:28,740 --> 00:54:30,690
Jerome: I think the stair was more
than that, as we'll get to it.
:
00:54:30,760 --> 00:54:35,220
Chris: But, I mean, the whole thing
though, so the whole story of creating
:
00:54:35,220 --> 00:54:39,570
the bomb for military purposes, obviously.
:
00:54:39,980 --> 00:54:40,120
Yeah.
:
00:54:40,120 --> 00:54:44,390
I mean, it's, it's, it's
a horrible, factual story.
:
00:54:44,460 --> 00:54:45,940
Jerome: But didn't you get the sense?
:
00:54:46,980 --> 00:54:48,820
Sorry, I gotta pull out
my lightsaber for this.
:
00:54:49,910 --> 00:54:51,350
Now that I'm done with that scotch.
:
00:54:51,550 --> 00:54:52,430
Alright, ready?
:
00:54:52,610 --> 00:54:52,950
Mhm.
:
00:54:53,180 --> 00:54:54,500
One, two, three.
:
00:54:55,780 --> 00:55:02,420
I envision like, you guys hear a can
cracking open, I hear Luke turning on
:
00:55:02,420 --> 00:55:04,280
his lightsaber from Return of the Jedi.
:
00:55:04,760 --> 00:55:05,720
The green one.
:
00:55:06,500 --> 00:55:09,290
That very specific sound the
green one made, that's what
:
00:55:09,320 --> 00:55:10,770
I hear when I open a beer.
:
00:55:11,040 --> 00:55:11,470
Anyway.
:
00:55:11,930 --> 00:55:12,600
That's pretty bad.
:
00:55:12,600 --> 00:55:13,520
I should get some help.
:
00:55:13,730 --> 00:55:14,060
Okay.
:
00:55:14,680 --> 00:55:15,350
What was I talking about?
:
00:55:15,350 --> 00:55:20,200
Oh, I thought, what I thought that they
did really well in this film was let
:
00:55:20,200 --> 00:55:22,290
you know how competitive physicists are.
:
00:55:23,100 --> 00:55:29,010
And I never really knew that until
I saw, I binged the entire show, The
:
00:55:29,010 --> 00:55:34,750
Big Bang Theory, and realized how
competitive physicists really are.
:
00:55:34,920 --> 00:55:35,310
Right?
:
00:55:35,310 --> 00:55:35,745
Right?
:
00:55:36,055 --> 00:55:38,565
They don't want anybody else
to fucking discover anything.
:
00:55:38,815 --> 00:55:40,035
They want to be the one.
:
00:55:40,055 --> 00:55:45,005
It's so self important, so, and they
do a pretty good job of that, where
:
00:55:45,005 --> 00:55:50,035
he's fighting to beat the Germans to
get the bomb to save America, but in
:
00:55:50,035 --> 00:55:53,185
reality, he's trying to beat Heisenberg.
:
00:55:53,705 --> 00:55:55,575
To get the bomb before Heisenberg does.
:
00:55:55,655 --> 00:55:55,895
Right.
:
00:55:55,895 --> 00:55:57,135
Because it's competition.
:
00:55:57,425 --> 00:56:00,095
There's a scene where they meet
each other for the first time.
:
00:56:00,225 --> 00:56:03,315
By the way, Heisenberg
is Hitler's physicist.
:
00:56:03,645 --> 00:56:07,255
Mentioned in the show Breaking Bad,
by the way, which is why Walter White
:
00:56:07,295 --> 00:56:09,315
uses the street name Heisenberg.
:
00:56:09,375 --> 00:56:09,865
Right, right.
:
00:56:10,655 --> 00:56:11,635
Chris: Say my name.
:
00:56:12,635 --> 00:56:16,825
Jerome: By the way, I mentioned in
the notes here, there's a scene where
:
00:56:16,825 --> 00:56:21,235
Oppenheimer puts his hat on for the first
time, that actual hat, his signature hat.
:
00:56:21,395 --> 00:56:25,215
And it reminded me of the time when Walter
White puts his hat on for the first time.
:
00:56:25,215 --> 00:56:26,145
Chris: And becomes Heisenberg.
:
00:56:26,145 --> 00:56:26,705
Jerome: And becomes Heisenberg.
:
00:56:27,135 --> 00:56:29,535
I remember watching that going,
is that Christopher Nolan doing
:
00:56:29,535 --> 00:56:31,315
an homage to Breaking Bad?
:
00:56:31,345 --> 00:56:32,865
Cause that would be awesome if it was.
:
00:56:33,135 --> 00:56:39,340
But anyway, it's, it's, it was really
not about, I mean, it was masked as,
:
00:56:39,370 --> 00:56:42,110
I want to save America, so we got
to get the bomb before Germany does.
:
00:56:42,420 --> 00:56:44,180
He was really competing
against Heisenberg.
:
00:56:44,400 --> 00:56:47,490
And that scene I was talking about, when
they first meet each other, Heisenberg
:
00:56:47,500 --> 00:56:49,470
says, why are you going back to America?
:
00:56:49,750 --> 00:56:51,670
There's no physicist program there.
:
00:56:51,790 --> 00:56:53,540
You should stay here,
where all the action is.
:
00:56:53,580 --> 00:56:55,700
And what does Oppenheimer say?
:
00:56:55,880 --> 00:56:56,990
That's why I got to go back.
:
00:56:56,990 --> 00:56:59,420
Because I want to, I
got to create it, right?
:
00:56:59,480 --> 00:57:00,400
I mean, think about it.
:
00:57:00,430 --> 00:57:03,770
He, he almost single handedly
built the physicist program.
:
00:57:04,320 --> 00:57:06,730
That we know of at Berkeley
and probably in America.
:
00:57:07,150 --> 00:57:11,940
Einstein had his theories, but
Oppenheimer was like, I have to make them.
:
00:57:13,820 --> 00:57:18,710
You know, the physics in America
important again, you know what I mean?
:
00:57:18,710 --> 00:57:23,170
Like he, he almost saw himself as
the counterpart to Heisenberg that he
:
00:57:23,170 --> 00:57:24,890
had to be the Heisenberg of America.
:
00:57:24,980 --> 00:57:25,300
Yeah.
:
00:57:25,420 --> 00:57:25,780
Right.
:
00:57:25,820 --> 00:57:27,160
Where everybody in the country would turn.
:
00:57:27,190 --> 00:57:27,770
Chris: It is funny.
:
00:57:27,770 --> 00:57:31,030
I remember that scene where he put
his hat on and I totally see it now.
:
00:57:31,030 --> 00:57:35,790
I didn't, I didn't get that link,
you know, when I first saw it, but.
:
00:57:37,050 --> 00:57:43,360
I can't, can't help but wonder, was that
not only a, like a nod to Breaking Bad,
:
00:57:43,370 --> 00:57:50,340
but it could be interpreted as when Walter
White put that on and became Heisenberg,
:
00:57:50,470 --> 00:57:57,175
I mean, well, yeah, so is he saying that
Is he equating that some of the morality
:
00:57:57,175 --> 00:58:00,435
of Heisenberg is, is, is on his head too?
:
00:58:00,585 --> 00:58:03,405
Jerome: You're way, you're,
we're with me on this.
:
00:58:03,485 --> 00:58:06,416
I have something at the end
when we get to the beats.
:
00:58:06,416 --> 00:58:07,718
Okay, okay, good, good, good.
:
00:58:07,718 --> 00:58:09,540
On where, on where this is going.
:
00:58:09,540 --> 00:58:09,800
Alright.
:
00:58:09,800 --> 00:58:10,321
I'm so
:
00:58:10,321 --> 00:58:12,925
proud of you, you're starting
to pick up spiritual goals.
:
00:58:12,925 --> 00:58:13,245
Alright.
:
00:58:14,095 --> 00:58:14,505
Let's go.
:
00:58:14,535 --> 00:58:16,595
We have the beats.
:
00:58:17,255 --> 00:58:18,175
Opening image.
:
00:58:18,445 --> 00:58:22,145
Oppie, by the way, this is one of
the best examples of opening and
:
00:58:22,145 --> 00:58:23,865
closing images bookending each other.
:
00:58:24,785 --> 00:58:28,265
Opening image, Oppie watches the
raindrops land on puddles, right?
:
00:58:28,930 --> 00:58:30,760
And you know what he's looking at, right?
:
00:58:30,780 --> 00:58:34,560
That's what it looks like when nuclear
bombs are dropping on different cities.
:
00:58:35,690 --> 00:58:39,670
The raindrops hitting puddles is gonna
happen several times in the movie.
:
00:58:40,050 --> 00:58:41,360
Even when there's no rain!
:
00:58:41,600 --> 00:58:43,670
There's a scene where he's looking
at the map and he's just sort
:
00:58:43,670 --> 00:58:45,520
of envisioning it being water.
:
00:58:45,630 --> 00:58:46,190
Yeah, yeah.
:
00:58:46,240 --> 00:58:48,630
And on the cities, the
raindrops are hitting.
:
00:58:48,950 --> 00:58:49,260
Right?
:
00:58:49,290 --> 00:58:51,240
It's symbolism, obviously,
for nuclear war.
:
00:58:51,720 --> 00:58:55,180
And it's such a perfect, because of the
bookend that happens later at the end.
:
00:58:55,560 --> 00:58:59,280
I also noted, The theme is, while the
theme will be presented at the six
:
00:58:59,280 --> 00:59:06,970
minute mark, this might be the only time
I remember that a theme's ideology is
:
00:59:07,020 --> 00:59:08,560
put right in the front of the script.
:
00:59:08,960 --> 00:59:09,840
On the title card.
:
00:59:10,720 --> 00:59:14,230
Before the title of the movie,
all you see is fire, right?
:
00:59:14,790 --> 00:59:20,000
And the title card comes up that
says, quote, Prometheus stole fire
:
00:59:20,020 --> 00:59:21,640
from the gods and gave it to man.
:
00:59:21,920 --> 00:59:25,060
For this, he was chained to a
rock and tortured for eternity.
:
00:59:25,100 --> 00:59:25,550
Yeah.
:
00:59:25,610 --> 00:59:29,140
Is that not fucking Oppenheimer's theme
throughout the whole fucking movie?
:
00:59:29,480 --> 00:59:32,010
That no matter what I do,
they're coming after me.
:
00:59:32,030 --> 00:59:32,280
Yeah.
:
00:59:32,950 --> 00:59:35,520
I put, that's about as close to
a theme as you can get without
:
00:59:35,520 --> 00:59:36,690
it actually being the theme.
:
00:59:36,940 --> 00:59:39,020
The real theme comes six minutes in.
:
00:59:39,380 --> 00:59:41,970
Oppy meets Niels Bohr, who's
played by Kenneth Branagh.
:
00:59:42,310 --> 00:59:45,620
Niels tells Oppy, quote, You can
lift the stone without being ready
:
00:59:45,620 --> 00:59:46,920
for the snake that's revealed.
:
00:59:47,160 --> 00:59:47,570
Hmm.
:
00:59:47,800 --> 00:59:48,620
That's his theme.
:
00:59:48,740 --> 00:59:51,360
It's basically the same thing
as what I just read, right?
:
00:59:51,900 --> 00:59:56,260
About, no matter how, how high you
go, no matter what you achieve,
:
00:59:56,685 --> 01:00:00,315
There's going to be the serpents
that come for you after, right?
:
01:00:00,995 --> 01:00:03,595
It's, it's very telling no matter
the success of snakes, we'll
:
01:00:03,595 --> 01:00:07,445
always try to get them still in the
setup mode of a lengthy first act.
:
01:00:07,505 --> 01:00:10,495
Remember it's a three hour
film, a lengthy first act.
:
01:00:10,505 --> 01:00:16,035
We jump from lateral timeline to
future, which in still in color, but
:
01:00:16,035 --> 01:00:20,685
it's Oppenheimer's security clearance
deposition while he's applying to
:
01:00:20,685 --> 01:00:22,305
get his security clearance continued.
:
01:00:22,790 --> 01:00:26,610
And the black and white future, which
actually takes place five years after
:
01:00:26,630 --> 01:00:31,010
the security clearance deposition,
which is mostly of Senator Louis
:
01:00:31,010 --> 01:00:35,970
Strauss, played by Robert Downey
Jr., telling his side of the story.
:
01:00:36,260 --> 01:00:37,420
So here's a little interesting thing.
:
01:00:37,420 --> 01:00:39,050
Remember I told you I
write the scenes down?
:
01:00:40,020 --> 01:00:44,790
When I did the scene breakdown for
this film, I went, my daughter's Vivi,
:
01:00:44,800 --> 01:00:49,320
who's seven, I went into her arts and
crafts thing that we got her, and I
:
01:00:49,330 --> 01:00:53,390
found a pen that has, remember the
old pens we used to use in high school
:
01:00:53,390 --> 01:00:54,560
that had like the different colors?
:
01:00:54,560 --> 01:00:55,780
Yeah, yeah, yeah.
:
01:00:55,780 --> 01:00:56,590
She has one of those.
:
01:00:57,380 --> 01:01:00,850
I used it, and everything in
black was lateral storytelling.
:
01:01:00,850 --> 01:01:04,383
Anything that was in red Okay.
:
01:01:04,383 --> 01:01:06,150
Was the future.
:
01:01:06,290 --> 01:01:07,770
In color deposition.
:
01:01:08,310 --> 01:01:12,290
Anything in purple was the future
black and white Robert Downey Jr.
:
01:01:12,300 --> 01:01:12,730
story.
:
01:01:13,180 --> 01:01:17,250
So I did that so that I could keep
track of how, you know, how it laid out.
:
01:01:17,290 --> 01:01:17,500
Right.
:
01:01:17,500 --> 01:01:20,170
And I'm glad I did because when you
look at it from a whole, just flipping
:
01:01:20,170 --> 01:01:24,360
the pages, by the way, I showed V, I
was like, normally when I do a scene
:
01:01:24,360 --> 01:01:25,590
breakdown, it's a page and a half.
:
01:01:26,290 --> 01:01:28,760
Oppenheimer's like four
pages long of scenes.
:
01:01:29,140 --> 01:01:31,390
Because remember I said they're
quick, they're quick scenes,
:
01:01:31,400 --> 01:01:32,280
so there's a lot of them.
:
01:01:32,760 --> 01:01:35,310
So, but there's a lot of them,
and they're all different colors.
:
01:01:35,670 --> 01:01:37,850
Like it looks kinda cool on the
page, I'll have to text it to you.
:
01:01:38,280 --> 01:01:41,240
But anyway, alright, so Couple of
interesting moments, specifically at
:
01:01:41,240 --> 01:01:44,770
the 22 minute mark When he meets and
starts his affair with Jean Tatlock
:
01:01:45,070 --> 01:01:50,420
Played by my favorite Florence Pugh
There's a line of dialogue, And now I've
:
01:01:50,420 --> 01:01:52,530
become Death, the destroyer of worlds.
:
01:01:52,835 --> 01:01:54,815
This, of course, is Oppy's biggest fear.
:
01:01:55,405 --> 01:02:00,975
One interesting note, if there is
a flaw in the script at all, I will
:
01:02:00,995 --> 01:02:06,925
concede that it's the cutaways To the
security clearance deposition scenes.
:
01:02:08,105 --> 01:02:11,955
They serve to tell the exposition
without having to show it in the
:
01:02:11,955 --> 01:02:13,655
scene of it happening in real time.
:
01:02:14,265 --> 01:02:17,985
The problem with that is that
they're still just talking.
:
01:02:18,165 --> 01:02:18,485
Yeah.
:
01:02:18,545 --> 01:02:21,545
So they're masking
exposition with exposition.
:
01:02:22,325 --> 01:02:24,985
So, kind of counterproductive.
:
01:02:25,075 --> 01:02:29,895
But but I still think, here's how I,
why I justified that it still worked.
:
01:02:30,305 --> 01:02:34,235
Was that it gave him a chance to tell
the audience what he was thinking.
:
01:02:34,455 --> 01:02:36,465
Or what the board was thinking, right?
:
01:02:36,605 --> 01:02:39,375
Like, in a scene, he might be
doing one of those stare offs
:
01:02:39,375 --> 01:02:40,665
that you complained about.
:
01:02:41,365 --> 01:02:41,645
Right?
:
01:02:41,845 --> 01:02:42,765
He will do a stare off.
:
01:02:42,785 --> 01:02:45,865
But then in a deposition, he'll be
like, My biggest fear was this or that.
:
01:02:45,865 --> 01:02:46,215
You know what I mean?
:
01:02:46,215 --> 01:02:47,915
Like, he's telling you
what he was thinking.
:
01:02:48,795 --> 01:02:52,175
So, it's exposition, but it's
masked by more exposition.
:
01:02:52,745 --> 01:02:53,035
Okay.
:
01:02:53,055 --> 01:02:53,755
Inciting incident.
:
01:02:53,845 --> 01:02:54,805
28 minutes in.
:
01:02:54,815 --> 01:02:58,145
The first mention that a bomb could
be made from their physics findings.
:
01:02:58,635 --> 01:03:00,875
The fact that they were, you know,
talking about the atom and they were
:
01:03:00,875 --> 01:03:05,295
discussing the atom at 28 minute
markers where they first say You
:
01:03:05,295 --> 01:03:06,665
could make, or wait, what was it?
:
01:03:06,675 --> 01:03:10,165
One of them says to Oppenheimer,
well, you know what that means, right?
:
01:03:10,165 --> 01:03:11,315
And he's like, yeah, we can make a bomb.
:
01:03:11,695 --> 01:03:16,185
Like, that's the first, that's the
first mention is 28 minutes in, but this
:
01:03:16,215 --> 01:03:18,835
isn't enough to propel us into act two.
:
01:03:19,355 --> 01:03:20,615
This is just the inciting incident.
:
01:03:20,725 --> 01:03:21,475
B story.
:
01:03:22,260 --> 01:03:25,370
Chris, about what time
does the B Story come in?
:
01:03:26,620 --> 01:03:27,690
Chris: 30 minutes in.
:
01:03:28,370 --> 01:03:30,120
Jerome: 31 minute mark!
:
01:03:30,750 --> 01:03:34,900
Oppie meets Kitty, his future
wife, at Richard's party.
:
01:03:35,080 --> 01:03:38,130
He'll eventually marry her, and
Kitty serves as the B Story because
:
01:03:38,130 --> 01:03:40,910
she's the one that's going to
help Oppie to his spiritual goal.
:
01:03:41,565 --> 01:03:44,515
Catalyst at the 43 minute mark,
which is practically right
:
01:03:44,515 --> 01:03:45,795
on for a three hour movie.
:
01:03:45,795 --> 01:03:48,815
It's a little late in normal
films, but for a three hour film,
:
01:03:48,815 --> 01:03:50,875
43 minute mark Catalyst is fine.
:
01:03:51,175 --> 01:03:55,005
It's intro to Lieutenant Groves,
played by Matt Damon, and his
:
01:03:55,005 --> 01:03:56,705
plan for the Manhattan Project.
:
01:03:57,015 --> 01:03:57,595
Boom.
:
01:03:57,915 --> 01:03:58,575
This is it.
:
01:03:58,810 --> 01:04:00,340
It catapults us into Act 2.
:
01:04:00,820 --> 01:04:03,040
Break into 2, the creation of Los Alamos.
:
01:04:03,080 --> 01:04:05,220
This is a city out in the
desert that they built.
:
01:04:05,920 --> 01:04:07,740
We are now in the mirror flip of Act 1.
:
01:04:07,770 --> 01:04:10,820
Oppy and his companions are in the
upside down world now as they are
:
01:04:10,820 --> 01:04:14,930
sort of like separated from society
in this little town that they've built
:
01:04:15,170 --> 01:04:17,200
with one purpose and one purpose only.
:
01:04:17,500 --> 01:04:18,290
To make the bomb.
:
01:04:18,529 --> 01:04:20,690
The Manhattan Project is on its way.
:
01:04:21,080 --> 01:04:21,750
Fun and games.
:
01:04:21,750 --> 01:04:24,390
Montage of trailer moments
as we deliver on the premise.
:
01:04:25,290 --> 01:04:28,180
In this segment we see Oppie put
the hat on for the first time.
:
01:04:28,210 --> 01:04:28,380
Yep.
:
01:04:28,590 --> 01:04:29,450
I wrote that on there.
:
01:04:29,880 --> 01:04:33,120
I even put on here almost like an
homage to Walter White in Breaking Bad.
:
01:04:33,720 --> 01:04:36,360
Also in this segment we meet
some of the other key players.
:
01:04:36,480 --> 01:04:41,279
Teller, Fuchs, and his relationship with
Chevalier, his friend, and the hint that
:
01:04:41,279 --> 01:04:42,770
they might want him to commit treason.
:
01:04:43,210 --> 01:04:47,540
There's a scene with the big glass bowl
that they have to fill up with marbles.
:
01:04:47,950 --> 01:04:50,200
This is an interesting
technique that Nolan does here.
:
01:04:51,420 --> 01:04:53,850
This is what's called the,
the, the ticking clock, right?
:
01:04:53,880 --> 01:04:57,520
In some movies where there's time
as a factor, they might say, you
:
01:04:57,520 --> 01:05:01,110
know, like, we got 48 hours left to
save the girl, you know what I mean?
:
01:05:01,110 --> 01:05:02,240
Like, commando, right?
:
01:05:02,279 --> 01:05:03,930
He's, the flight is 11 hours.
:
01:05:04,060 --> 01:05:07,610
So Schwarzenegger has 11 hours to go
find his daughter before they kill her.
:
01:05:08,435 --> 01:05:10,375
Most films will have an
obvious ticking clock.
:
01:05:10,395 --> 01:05:11,565
This one's very clever.
:
01:05:11,825 --> 01:05:13,605
It's a big glass bowl.
:
01:05:14,055 --> 01:05:16,925
And when they start at Los Alamos,
he throws in like three marbles.
:
01:05:16,925 --> 01:05:18,375
He's like, that's all we have right now.
:
01:05:19,375 --> 01:05:21,795
So you know as the movie
goes on, they use that.
:
01:05:22,225 --> 01:05:25,205
To show the audience how close they're
getting to completing the bomb.
:
01:05:25,575 --> 01:05:27,735
The fuller that bowl gets, right?
:
01:05:27,745 --> 01:05:28,605
That bowl gets.
:
01:05:28,745 --> 01:05:30,154
You know that they're close to getting it.
:
01:05:30,415 --> 01:05:33,445
Very clever technique by
Nolan for a ticking clock.
:
01:05:33,945 --> 01:05:35,625
A lot more development fleshed out here.
:
01:05:35,665 --> 01:05:39,095
Oppie goes to Chicago to meet
with physicists Szilard and Fermi.
:
01:05:39,595 --> 01:05:41,955
Also meets David Hill,
played by Rami Malek.
:
01:05:42,225 --> 01:05:42,475
Yeah.
:
01:05:42,535 --> 01:05:44,095
From Bohemian Rhapsody fame.
:
01:05:44,615 --> 01:05:47,565
Well, and many other things, but
you know, Bohemian Rhapsody is
:
01:05:48,135 --> 01:05:49,265
one of my favorite films of his.
:
01:05:49,685 --> 01:05:52,185
And he's gonna be huge later, so
that's where he gets introduced.
:
01:05:52,505 --> 01:05:55,735
While briefing Groves at Los Alamos,
Oppie says, quote, Hard to put a
:
01:05:55,735 --> 01:05:58,404
price on it, and Groves replies,
Not really, just add up the bills.
:
01:05:58,945 --> 01:06:00,395
Chris: Yeah, right, I like that part.
:
01:06:02,245 --> 01:06:05,535
Jerome: In one security clearance
deposition scene, Oppie tells, of
:
01:06:05,535 --> 01:06:10,085
the last time he saw Gene Tetlock
and Kitty can't help but visually see
:
01:06:10,085 --> 01:06:12,395
them having sex right in front of her.
:
01:06:12,685 --> 01:06:17,575
Like, he's naked, in her eyes,
he's naked in the deposition, and
:
01:06:17,575 --> 01:06:19,685
Gene's on him, like, straddling him.
:
01:06:19,695 --> 01:06:20,775
Yeah, that was, like, shocking.
:
01:06:20,775 --> 01:06:23,055
Staring at her, staring at her, right?
:
01:06:23,055 --> 01:06:23,265
Right.
:
01:06:23,265 --> 01:06:26,605
Like, so you know that that's
been burning in Kitty's brain.
:
01:06:26,935 --> 01:06:27,255
Right.
:
01:06:27,265 --> 01:06:27,955
For what?
:
01:06:28,240 --> 01:06:30,290
At this point, how many years had gone by?
:
01:06:30,300 --> 01:06:30,830
You know what I mean?
:
01:06:30,830 --> 01:06:33,410
Like, she's still not
ever gonna let that go.
:
01:06:33,420 --> 01:06:33,440
Yeah.
:
01:06:33,440 --> 01:06:33,529
Yeah.
:
01:06:33,529 --> 01:06:35,970
That he was cheating with Gene Datlock.
:
01:06:36,910 --> 01:06:39,300
Midpoint scene, 1 hour 27 minutes in.
:
01:06:39,310 --> 01:06:42,500
Almost exactly an hour and a half
into a 3 hour film, mind you.
:
01:06:43,200 --> 01:06:47,410
Niles Bohr comes to visit to the Christmas
party at Los Alamos and tells Oppie
:
01:06:47,410 --> 01:06:51,020
some important news that Heisenberg
had taken a wrong turn in his research.
:
01:06:51,540 --> 01:06:54,270
And now that likely cost him months.
:
01:06:54,840 --> 01:06:57,840
of time in behind, and
Oppie says we're now ahead.
:
01:06:58,180 --> 01:07:00,820
Remember, up until this moment,
they'd been behind the Germans.
:
01:07:01,340 --> 01:07:03,800
Oppie even says earlier, I keep
calling him Oppie, because that's
:
01:07:03,800 --> 01:07:04,590
what they call him in the movie.
:
01:07:04,610 --> 01:07:05,210
Right, right.
:
01:07:05,370 --> 01:07:05,700
Just, yeah.
:
01:07:06,140 --> 01:07:10,650
So, earlier, Oppie said, like, they have
a two year head start on us, or a six
:
01:07:10,650 --> 01:07:13,380
month head start on us, or whatever, like,
they're still six months ahead, they're
:
01:07:13,380 --> 01:07:14,620
still three months ahead, whatever.
:
01:07:14,980 --> 01:07:17,160
At this point, It's a false victory.
:
01:07:17,160 --> 01:07:18,070
It seems like a victory.
:
01:07:18,810 --> 01:07:21,370
He's like, oh my god, we're ahead now.
:
01:07:21,410 --> 01:07:22,000
They're behind.
:
01:07:22,010 --> 01:07:23,430
It's gonna take them months to catch up.
:
01:07:23,720 --> 01:07:25,840
Where we're at, we're
gonna finish before them.
:
01:07:26,470 --> 01:07:26,890
Huge.
:
01:07:26,990 --> 01:07:27,460
Victory.
:
01:07:27,475 --> 01:07:29,263
And why is it a false victory?
:
01:07:29,263 --> 01:07:31,705
Cause we know in the second
half everything goes to shit.
:
01:07:31,955 --> 01:07:32,705
As usual.
:
01:07:33,395 --> 01:07:35,485
False victory.
:
01:07:35,495 --> 01:07:36,645
Bad guys closing in.
:
01:07:36,645 --> 01:07:41,085
What happens almost immediately at
the end of that scene where Niles Boer
:
01:07:41,115 --> 01:07:45,445
comes to tell him that they're now ahead
because Heisenberg made a wrong turn.
:
01:07:45,755 --> 01:07:46,785
How does that scene end?
:
01:07:46,835 --> 01:07:47,375
Do you remember?
:
01:07:47,775 --> 01:07:48,625
I can't remember.
:
01:07:48,625 --> 01:07:49,135
Mr.
:
01:07:49,135 --> 01:07:49,645
Dr.
:
01:07:49,645 --> 01:07:52,025
Oppenheimer, you have a
call from San Francisco?
:
01:07:53,885 --> 01:07:54,605
Gene's dead.
:
01:07:56,115 --> 01:07:57,765
That ends that scene.
:
01:07:57,765 --> 01:08:02,715
So talk about how quickly the bad guys
closing in happens after you, you reach
:
01:08:02,715 --> 01:08:06,585
that false victory, that moment of
happiness, how fast it can turn to shit.
:
01:08:06,975 --> 01:08:07,515
She's dead.
:
01:08:08,035 --> 01:08:11,265
And there's a scene of
how she killed herself.
:
01:08:11,925 --> 01:08:17,625
And as disputed by the way, in real life,
in the book and on Wikipedia, because
:
01:08:17,625 --> 01:08:20,765
I looked it up, there is one shot.
:
01:08:21,300 --> 01:08:24,760
That Nolan puts in there, of a
gloved hand holding her head down
:
01:08:25,390 --> 01:08:28,810
to suggest that she was killed,
not suicide, that she was murdered.
:
01:08:29,090 --> 01:08:32,399
Chris: Yeah, I noticed that, and it
was kind of confusing, because it was
:
01:08:32,399 --> 01:08:36,130
looking like a suicide, and then all
of a sudden, it's like, what the heck?
:
01:08:36,460 --> 01:08:36,479
Yeah,
:
01:08:36,500 --> 01:08:37,250
Jerome: and it's just one shot.
:
01:08:37,270 --> 01:08:39,050
He just throws one shot
in there of a hand.
:
01:08:39,149 --> 01:08:39,410
Yeah.
:
01:08:39,740 --> 01:08:44,120
And, and, you know, Oliver Stone
did the same thing in JFK with the
:
01:08:44,130 --> 01:08:45,830
Joe Pesci's character death scene.
:
01:08:46,604 --> 01:08:48,325
Where it's an obvious suicide, right?
:
01:08:48,415 --> 01:08:51,955
But there's a shot where he's being chased
around his apartment and then held down
:
01:08:51,955 --> 01:08:53,484
while he's forced to take these pills.
:
01:08:53,865 --> 01:08:56,585
And you're like, oh fuck, so he
didn't kill himself, he was murdered.
:
01:08:57,065 --> 01:08:59,865
They don't say that that's what
happened, they're just giving
:
01:08:59,865 --> 01:09:01,505
a suggestion to the audience.
:
01:09:02,085 --> 01:09:04,365
What if that's what really happened?
:
01:09:04,575 --> 01:09:05,145
You know what I mean?
:
01:09:05,545 --> 01:09:07,755
So much so, it's disputed,
like I said in the book.
:
01:09:07,865 --> 01:09:08,745
They don't really know.
:
01:09:08,745 --> 01:09:10,865
They think it's a suicide,
but nobody knows for sure.
:
01:09:11,465 --> 01:09:14,645
So I put here, almost immediately at
the end of the scene, Oppy finds out
:
01:09:14,645 --> 01:09:16,694
about Jean, the call from San Francisco.
:
01:09:17,404 --> 01:09:19,015
While ruled a suicide,
it looks like death.
:
01:09:19,075 --> 01:09:22,595
As Oppy is in despair, this is one of
my favorite moments, right after that
:
01:09:22,595 --> 01:09:25,404
scene, he's out with Kitty's trying
to find him on the horse, right?
:
01:09:25,415 --> 01:09:26,434
She's riding her horse to find him.
:
01:09:27,005 --> 01:09:28,665
She finds him in complete despair.
:
01:09:29,575 --> 01:09:34,024
She says a great line, as he's trying
to like, he's falling apart, she's
:
01:09:34,024 --> 01:09:34,904
trying to hold him back together.
:
01:09:34,925 --> 01:09:36,234
Again, Kitty's the B story.
:
01:09:36,475 --> 01:09:39,005
She's serving as, you need to
fight, you need to pull yourself
:
01:09:39,005 --> 01:09:42,234
together and, you know, pull
yourself up by your bootstraps, shit.
:
01:09:42,245 --> 01:09:43,934
You know, that's her
throughout the whole movie.
:
01:09:43,944 --> 01:09:44,315
Right, right.
:
01:09:44,315 --> 01:09:45,135
That's her B story.
:
01:09:45,365 --> 01:09:48,475
She grabs him and says, quote,
You don't get to commit the sin
:
01:09:48,484 --> 01:09:51,135
and then have us all feel sorry
for you that it had consequences.
:
01:09:51,444 --> 01:09:53,805
Yeah, and then she stands
another great line.
:
01:09:53,965 --> 01:09:58,355
Yeah, this movie's littered with great
moments like that And then she stands
:
01:09:58,355 --> 01:09:59,465
up and she's about to walk away.
:
01:09:59,465 --> 01:10:01,835
She's like you need to pull yourself
together Like, you know what I mean?
:
01:10:01,845 --> 01:10:03,645
Like get it together man.
:
01:10:03,825 --> 01:10:07,305
Like move on Which to your point?
:
01:10:07,665 --> 01:10:09,835
You wish he would have done that early.
:
01:10:10,255 --> 01:10:11,635
Like, just move on.
:
01:10:11,635 --> 01:10:12,275
Get on with it.
:
01:10:12,495 --> 01:10:13,355
You know what you're doing.
:
01:10:14,625 --> 01:10:16,855
Alright, more bad guys closing in moments.
:
01:10:16,855 --> 01:10:19,415
Teller quits, though Oppie
talks him into staying.
:
01:10:19,835 --> 01:10:21,255
The Borden introduction.
:
01:10:21,255 --> 01:10:24,875
This is the guy that directly
sent to be sicked on Oppenheimer
:
01:10:24,875 --> 01:10:26,125
to dig up dirt on him.
:
01:10:26,715 --> 01:10:29,705
And it's in that scene that Oppie
sees the raindrops on the map.
:
01:10:29,990 --> 01:10:31,760
Again, so it's like kind of revisiting.
:
01:10:32,290 --> 01:10:36,260
Oppy stumbles upon a private meeting
ran by Lily Hornig that seems to
:
01:10:36,270 --> 01:10:38,460
be against the bomb, anti bomb.
:
01:10:38,460 --> 01:10:41,390
Where all of a sudden, remember he
just happened to see that flyer?
:
01:10:42,050 --> 01:10:42,970
And he's like, what the hell is this?
:
01:10:42,980 --> 01:10:45,260
So he goes to the meeting and it's
all these people that are like,
:
01:10:45,260 --> 01:10:46,700
yes, we shouldn't do the bomb!
:
01:10:46,710 --> 01:10:49,585
And he's like, The fuck we've been
doing here this whole time we're
:
01:10:49,595 --> 01:10:53,145
building the bomb, but it's interesting
to note that they mentioned in that
:
01:10:53,145 --> 01:10:58,025
scene Hitler had already killed himself
the war with germany was over right?
:
01:10:58,045 --> 01:11:01,795
So they're saying we don't need it anymore
and he was adamant Like, no, no, no.
:
01:11:01,805 --> 01:11:02,385
We still need it.
:
01:11:02,385 --> 01:11:02,785
We still need it.
:
01:11:02,815 --> 01:11:04,065
The Japs aren't gonna surrender.
:
01:11:04,425 --> 01:11:06,215
The Japanese aren't gonna surrender.
:
01:11:06,515 --> 01:11:07,934
They're gonna, you know, stay in this.
:
01:11:07,934 --> 01:11:09,465
We need to still continue the war.
:
01:11:09,555 --> 01:11:11,715
Or the, the, the building of the bomb.
:
01:11:12,315 --> 01:11:16,275
Physicist Sillard from Chicago is
also now openly against the bomb.
:
01:11:16,285 --> 01:11:17,735
These are all bad guys closing in.
:
01:11:18,500 --> 01:11:22,110
Interesting structure that Nolan does
he interrupts the bad guys closing in
:
01:11:22,150 --> 01:11:25,450
because there's like a meat of the bad
guys closing in and Then another meat
:
01:11:25,650 --> 01:11:30,559
but smacked right dab in the middle
is actually some good stuff And that
:
01:11:30,559 --> 01:11:32,640
is the ignition of the test bomb.
:
01:11:32,680 --> 01:11:34,390
Yeah that whole scene, right?
:
01:11:35,000 --> 01:11:38,900
It's interrupted by the positive
sequence test bomb ignition and
:
01:11:38,900 --> 01:11:43,390
huge success Groves asks about the
possibility of Oppie's fears that the
:
01:11:43,390 --> 01:11:47,730
atomic explosion would start a chain
reaction that sets fire to the entire
:
01:11:47,730 --> 01:11:50,110
atmosphere and destroys the world.
:
01:11:50,490 --> 01:11:52,870
And Oppie says, it's near zero.
:
01:11:53,660 --> 01:11:54,570
Near zero.
:
01:11:54,630 --> 01:11:55,510
Near zero.
:
01:11:55,510 --> 01:11:58,550
And he says, what do you
want with a theory like this?
:
01:11:58,930 --> 01:12:00,690
And he goes, well, zero would be nice.
:
01:12:02,970 --> 01:12:03,780
Another great line.
:
01:12:04,040 --> 01:12:04,840
Another great moment.
:
01:12:05,440 --> 01:12:07,170
It doesn't happen, obviously.
:
01:12:07,170 --> 01:12:08,840
The test bomb goes off without a hitch.
:
01:12:08,840 --> 01:12:09,680
It's perfect.
:
01:12:10,020 --> 01:12:12,280
They, of course, then take two bombs.
:
01:12:12,650 --> 01:12:15,630
Follow which is, of course, the
Hiroshima and Nagasaki bombs.
:
01:12:15,670 --> 01:12:17,385
As Grove says, we do two.
:
01:12:17,934 --> 01:12:18,555
This is a quote.
:
01:12:18,765 --> 01:12:20,515
One, to show what we can do.
:
01:12:20,565 --> 01:12:22,355
The other, to show we can
do whatever we want to.
:
01:12:22,934 --> 01:12:25,345
The Japanese of course
surrender after those two bombs.
:
01:12:26,205 --> 01:12:29,925
Conversation with Teller, Oppie
says, Once it's used, nuclear war,
:
01:12:29,925 --> 01:12:32,425
perhaps all war, becomes unthinkable.
:
01:12:32,695 --> 01:12:35,215
Teller replies, until
someone builds a bigger bomb.
:
01:12:36,155 --> 01:12:37,205
Again, very telling.
:
01:12:37,205 --> 01:12:40,925
Oppenheimer's almost naive at this point.
:
01:12:41,345 --> 01:12:44,315
Cause he's almost like, I just
want to build the bomb, I want to
:
01:12:44,325 --> 01:12:47,885
beat Heisenberg to it, but just
building it should be enough.
:
01:12:48,785 --> 01:12:50,575
That all world war would end.
:
01:12:50,815 --> 01:12:53,735
Because we would have the one
weapon that ends all wars, so who
:
01:12:53,735 --> 01:12:54,765
would ever want to fight again?
:
01:12:55,025 --> 01:13:00,075
Not realizing the naivete is that other
countries will then build their own bombs.
:
01:13:00,325 --> 01:13:00,815
Right.
:
01:13:01,095 --> 01:13:02,645
And it'll never end.
:
01:13:02,655 --> 01:13:03,905
War will never end.
:
01:13:03,915 --> 01:13:05,315
How naive can you be?
:
01:13:05,335 --> 01:13:11,775
Okay, so now that that little happy moment
of the bomb was a success and we won the
:
01:13:11,775 --> 01:13:13,725
war, Japanese have surrendered, is over.
:
01:13:14,155 --> 01:13:15,875
Bad guys continue to close in.
:
01:13:16,155 --> 01:13:19,095
A few more elements here as
we pick back up in there.
:
01:13:19,455 --> 01:13:22,105
Oppie meets Truman, the
famous Truman scene.
:
01:13:22,675 --> 01:13:23,895
It doesn't go well.
:
01:13:26,505 --> 01:13:29,535
Oppie thinks the program should be
stopped now that they've got the bomb.
:
01:13:29,535 --> 01:13:32,625
Of course, Truman wants to keep
going and he wants to actually
:
01:13:32,625 --> 01:13:35,055
build the H bomb in addition to it.
:
01:13:36,260 --> 01:13:38,330
And then of course there's the
whole blood on my hands scene,
:
01:13:38,400 --> 01:13:41,630
he hands him a tissue, and says I
have twice the blood as you have.
:
01:13:42,650 --> 01:13:45,490
One of the other key lines
here, which I think, actually
:
01:13:45,490 --> 01:13:46,760
this line happens before that.
:
01:13:47,210 --> 01:13:49,090
This is what starts to
rub Truman the wrong way.
:
01:13:50,020 --> 01:13:52,840
Truman says I hear you're leaving Los
Alamos, what should we do with it?
:
01:13:53,265 --> 01:13:55,215
Oppy replies, give it back to the Indians.
:
01:13:56,195 --> 01:13:58,055
Truman did not like that answer at all.
:
01:13:59,575 --> 01:13:59,985
Right.
:
01:14:00,665 --> 01:14:03,815
And then of course the scene after
that, Strauss tells Oppy at that
:
01:14:03,815 --> 01:14:07,615
wedding that Fuchs was the one that
was the Russian spy the whole time.
:
01:14:08,020 --> 01:14:10,090
Delivering information back
to the Russians, right?
:
01:14:10,370 --> 01:14:14,660
Which is another interesting
element to this whole story is
:
01:14:14,660 --> 01:14:18,100
that their idea is that they want
to beat the Russians to the bomb.
:
01:14:18,280 --> 01:14:22,610
The Russians were our allies at the
time, but they almost refused to
:
01:14:22,620 --> 01:14:24,390
give information to the Russians.
:
01:14:24,770 --> 01:14:26,570
The Russians were like, Hey
man, tell us what you got.
:
01:14:26,570 --> 01:14:27,670
You know, we're in on this together.
:
01:14:27,670 --> 01:14:31,920
And America was like,
you're our friend now.
:
01:14:32,200 --> 01:14:32,420
Chris: Yeah.
:
01:14:32,420 --> 01:14:35,870
They knew, I mean, they knew
who Stalin was, so he was,
:
01:14:36,460 --> 01:14:38,309
he was an ally by necessity.
:
01:14:39,835 --> 01:14:42,934
Jerome: Right, so they were,
they almost flat out refused
:
01:14:43,595 --> 01:14:45,145
to let them in on anything.
:
01:14:45,545 --> 01:14:50,085
And the fact that this Fuchs
physicist was a spy and was delivering
:
01:14:50,085 --> 01:14:51,135
information to the Russians.
:
01:14:51,620 --> 01:14:56,020
You know is a huge huge point which
leads of course to the all is lost
:
01:14:56,680 --> 01:15:01,440
Api sees footage of hiroshima or
hiroshima Aftermath and is nauseated.
:
01:15:01,450 --> 01:15:02,410
He can't even look at it.
:
01:15:02,410 --> 01:15:03,300
Remember that scene where yeah,
:
01:15:03,300 --> 01:15:04,170
Chris: and that's another scene.
:
01:15:04,170 --> 01:15:07,370
I got angry I was like look at it, dude.
:
01:15:07,390 --> 01:15:09,434
Look at it You need to look at it, man.
:
01:15:09,455 --> 01:15:10,425
You gotta look at it.
:
01:15:10,595 --> 01:15:11,705
Jerome: He starts to.
:
01:15:11,745 --> 01:15:14,555
He watches the beginning of it,
but then he's just so thrown off.
:
01:15:14,565 --> 01:15:15,625
Chris: Yeah, doesn't watch anymore.
:
01:15:16,434 --> 01:15:19,405
Jerome: Meanwhile, Strauss feeds
the hit story to Time Magazine.
:
01:15:19,405 --> 01:15:22,995
It was Strauss who hired
Borden to sick him on Oppie.
:
01:15:23,275 --> 01:15:29,515
And at the 2 hour, 25 minute mark,
Strauss discrediting plan is shown in
:
01:15:29,525 --> 01:15:34,375
lateral timeline, and it completely
destroys Oppenheimer's stature and legacy.
:
01:15:34,595 --> 01:15:39,565
And as Strauss puts it, as quote,
Amateurs seek the sun, get eaten.
:
01:15:39,855 --> 01:15:41,305
Power stays in the shadows.
:
01:15:42,255 --> 01:15:44,885
Dark Night of the Soul, while it is
clear that the security clearance
:
01:15:44,885 --> 01:15:49,655
deposition was rigged from the start,
Oppie perfectly plays the victim, Kitty,
:
01:15:49,695 --> 01:15:53,155
ever so strongly delivering on her role
as the B story to deliver him to his
:
01:15:53,165 --> 01:15:55,515
spiritual goal, keeps urging him to fight.
:
01:15:56,640 --> 01:15:57,480
Break into three.
:
01:15:57,480 --> 01:16:01,450
They decide to fight, and the rigged
security clearance deposition by hiring
:
01:16:01,450 --> 01:16:05,930
one of the best lawyers to serve Oppie's
legacy, that's of course, five point
:
01:16:05,930 --> 01:16:09,950
finale, starts off with that, gathering
the team, they hire the best lawyer,
:
01:16:09,950 --> 01:16:13,100
and they get as many witnesses to speak
on their half, and they get several.
:
01:16:13,660 --> 01:16:14,730
Execution of the plan.
:
01:16:14,760 --> 01:16:19,280
Battling Roger Robb and the testimonies
during the deposition and calling
:
01:16:19,280 --> 01:16:21,020
out when things appear rigged.
:
01:16:21,190 --> 01:16:24,130
The defense attorney didn't get
documents ahead of time, right?
:
01:16:24,130 --> 01:16:24,510
Right, right.
:
01:16:24,550 --> 01:16:26,750
Like he kept saying, you guys
all have this, can I get a copy?
:
01:16:26,750 --> 01:16:27,900
Oh, you can, it's classified.
:
01:16:28,530 --> 01:16:29,140
Chris: Yeah, yeah.
:
01:16:29,160 --> 01:16:31,470
Jerome: Like, how can I do
my job if you're not letting
:
01:16:31,490 --> 01:16:32,410
me look at any of this shit?
:
01:16:32,410 --> 01:16:33,240
Chris: Yeah, it was a sham.
:
01:16:33,840 --> 01:16:35,010
Jerome: He can't object.
:
01:16:35,030 --> 01:16:36,830
He can't strike things from the record.
:
01:16:36,860 --> 01:16:39,390
I mean, he's completely powerless,
but they're still there.
:
01:16:39,390 --> 01:16:40,200
They're still digging in.
:
01:16:40,200 --> 01:16:40,960
They're still fighting.
:
01:16:41,240 --> 01:16:42,360
High tower surprise.
:
01:16:42,610 --> 01:16:44,280
The Borden deposition.
:
01:16:44,460 --> 01:16:45,520
Oh my God.
:
01:16:45,780 --> 01:16:49,980
He flat out calls Oppie a Russian
spy and a traitor to his country.
:
01:16:50,390 --> 01:16:51,650
That is crippling.
:
01:16:51,930 --> 01:16:55,830
Dig down deep, intercut with Strauss,
confront Strauss's confirmation hearing.
:
01:16:56,190 --> 01:16:59,020
David Hill, Rami Malek
comes to save the day.
:
01:16:59,660 --> 01:17:01,559
The physicists from Chicago just.
:
01:17:02,200 --> 01:17:04,460
Barry Strauss at the Senate hearing.
:
01:17:04,510 --> 01:17:05,260
Yeah, that was great.
:
01:17:05,850 --> 01:17:07,130
Execution of the new plan.
:
01:17:07,140 --> 01:17:10,950
Suddenly more battling back begins
with Vannevar Bush played by Matthew
:
01:17:10,950 --> 01:17:13,559
Medin is testifying in Oppie's favor.
:
01:17:13,570 --> 01:17:14,640
Chris: Isn't it Matthew Modine?
:
01:17:15,240 --> 01:17:15,710
Jerome: What'd I say?
:
01:17:16,000 --> 01:17:16,570
Chris: Medin.
:
01:17:17,075 --> 01:17:18,125
Jerome: Modine, whatever.
:
01:17:19,165 --> 01:17:20,625
Testifies against Strauss.
:
01:17:20,985 --> 01:17:29,675
Teller and Groves both say that in, by
the current rules of the AEC that, which
:
01:17:29,675 --> 01:17:33,890
is the Atomic Energy Commission, by
the way by those current standards that
:
01:17:34,380 --> 01:17:39,700
Oppy probably wouldn't be cleared for
security, but they both go out of their
:
01:17:39,700 --> 01:17:41,830
way to say he's not a traitor to America.
:
01:17:41,990 --> 01:17:43,610
He loves America first.
:
01:17:43,900 --> 01:17:44,150
Right.
:
01:17:44,160 --> 01:17:47,590
So while they say that, Hey, under
oath or whatever, like, yeah,
:
01:17:47,590 --> 01:17:50,600
by today's rules, he probably
wouldn't be cleared for clearance.
:
01:17:51,110 --> 01:17:52,250
He's still not a traitor.
:
01:17:52,270 --> 01:17:55,780
He's still an American and he should
be treated as an American hero.
:
01:17:55,790 --> 01:17:59,110
Chris: Yeah, and they noted those
rules didn't exist when he was clear.
:
01:17:59,110 --> 01:18:00,750
Jerome: Right, right, exactly.
:
01:18:01,430 --> 01:18:05,390
Climax, right about the time David
Hills is metaphorically putting the
:
01:18:05,390 --> 01:18:07,550
final nails in Strauss's coffin.
:
01:18:08,080 --> 01:18:11,559
Actually, I wrote here, he's taking straws
out to the woodshed in the Senate hearing.
:
01:18:11,660 --> 01:18:12,160
Right.
:
01:18:12,360 --> 01:18:16,070
Kitty takes the stand in the deposition
and wipes the floor with Roger Robb.
:
01:18:16,630 --> 01:18:20,580
While Oppie has ultimately denied
his security clearance, it is said
:
01:18:20,590 --> 01:18:22,630
out loud by all the board members.
:
01:18:23,335 --> 01:18:27,535
That they believe him to be an honorable
American and that he wasn't a traitor.
:
01:18:28,175 --> 01:18:30,065
The next scene, Strauss
is denied his seat.
:
01:18:30,725 --> 01:18:33,155
So, that's about a perfect
climax as you can get.
:
01:18:33,175 --> 01:18:33,575
Right.
:
01:18:33,605 --> 01:18:34,535
Resolution.
:
01:18:34,585 --> 01:18:39,055
Oppie is eventually awarded his medal
and his legacy is restored in the later
:
01:18:39,055 --> 01:18:40,545
years when they show him as an old man.
:
01:18:41,555 --> 01:18:42,255
Great scene.
:
01:18:42,315 --> 01:18:45,165
Kitty refuses to shake Teller's
hand when he puts it out to her.
:
01:18:45,365 --> 01:18:45,385
Yeah.
:
01:18:45,645 --> 01:18:49,775
Now, in the movie, he reaches his
hand out, she refuses to shake it.
:
01:18:49,785 --> 01:18:51,135
He understands why.
:
01:18:51,900 --> 01:18:53,150
And he just sort of walks away.
:
01:18:53,180 --> 01:18:57,010
In the book, they said
factually that happened.
:
01:18:57,030 --> 01:18:58,100
He went up to shake her hand.
:
01:18:58,100 --> 01:18:58,990
She refused to shake his hand.
:
01:18:58,990 --> 01:18:59,840
He started crying.
:
01:19:00,530 --> 01:19:01,080
Wow.
:
01:19:01,300 --> 01:19:01,880
I know.
:
01:19:02,830 --> 01:19:03,059
Wow.
:
01:19:03,059 --> 01:19:04,380
That's intense.
:
01:19:04,380 --> 01:19:04,550
Wow.
:
01:19:05,250 --> 01:19:05,990
The guilt.
:
01:19:06,559 --> 01:19:06,950
Right?
:
01:19:07,190 --> 01:19:07,809
Wow.
:
01:19:08,440 --> 01:19:11,530
And of course the, the last thing
resolution, Oppie and Einstein.
:
01:19:11,540 --> 01:19:13,100
What they were really talking about.
:
01:19:13,100 --> 01:19:15,800
Strauss was so much into belief
that he was talking shit about him.
:
01:19:15,840 --> 01:19:16,059
Right, right.
:
01:19:16,059 --> 01:19:17,540
They weren't talking about Strauss at all.
:
01:19:17,815 --> 01:19:19,415
Chris: Yeah, he was self consumed.
:
01:19:19,755 --> 01:19:22,865
Jerome: Yeah they were setting up
the possibility of nuclear war.
:
01:19:22,865 --> 01:19:25,684
If we build this, what
will come next, right?
:
01:19:26,045 --> 01:19:30,945
And of course, that's the closing image,
where you've got the, the, what do you
:
01:19:30,945 --> 01:19:34,155
call it, the vapor trails of all the
nuclear missiles that had dropped, which
:
01:19:34,155 --> 01:19:38,184
is, goes inside with the opening image
of the raindrops falling on the map.
:
01:19:38,265 --> 01:19:38,805
Yep, yep.
:
01:19:38,845 --> 01:19:41,795
And, and that's how the movie
ends, bookending a perfect,
:
01:19:42,085 --> 01:19:43,155
perfect closing image.
:
01:19:43,335 --> 01:19:44,875
So again, like Midsommar,
that's Midsommar.
:
01:19:45,770 --> 01:19:48,050
When I told you that story where
I was like cut to black, cut to
:
01:19:48,050 --> 01:19:49,460
black, cut to black, cut to black.
:
01:19:49,790 --> 01:19:54,090
Same thing here when I saw those vapor
trails and I remember the opening image.
:
01:19:54,120 --> 01:19:55,300
I'm like, oh dude, just end it right here.
:
01:19:55,350 --> 01:19:55,770
Just end it.
:
01:19:55,830 --> 01:19:56,240
Just end it.
:
01:19:56,280 --> 01:19:57,350
I just want to see Oppenheimer.
:
01:19:57,500 --> 01:19:58,820
I don't want to see any title cards.
:
01:19:59,080 --> 01:20:00,850
I don't want to see ten years later.
:
01:20:00,850 --> 01:20:04,870
He died in 19 Don't tell me, just give me
just Get me directed by Christopher Nolan.
:
01:20:04,880 --> 01:20:05,320
You know what I mean?
:
01:20:05,320 --> 01:20:06,510
Like, and it happened.
:
01:20:06,590 --> 01:20:09,850
And that's, that's when I walk out a
movie saying that's, that's, that's it.
:
01:20:09,870 --> 01:20:10,990
That's my favorite movie of the year.
:
01:20:11,520 --> 01:20:14,340
So character arc, Oppy's
tangible goal obviously was to
:
01:20:14,340 --> 01:20:15,420
build a bomb for the Germans.
:
01:20:15,420 --> 01:20:19,010
His spiritual goal was to fight for
his legacy, something he would never
:
01:20:19,040 --> 01:20:20,860
thought he needed to do at the beginning.
:
01:20:20,860 --> 01:20:20,950
Right?
:
01:20:21,090 --> 01:20:21,250
Right.
:
01:20:21,250 --> 01:20:21,420
Right.
:
01:20:21,430 --> 01:20:24,550
He, by the way, remind, we kind
of buried the lead on that.
:
01:20:24,559 --> 01:20:27,740
The whole movie, he's surprised
anyone's even coming after him.
:
01:20:28,290 --> 01:20:30,730
He's like, do you know
what I've done for America?
:
01:20:30,840 --> 01:20:31,090
Right.
:
01:20:31,270 --> 01:20:31,559
Right.
:
01:20:31,620 --> 01:20:31,890
Right.
:
01:20:31,890 --> 01:20:31,960
Right.
:
01:20:32,180 --> 01:20:36,280
Who cares if I fucked a communist
and was, had communist friends?
:
01:20:36,290 --> 01:20:37,090
I mean, who cares?
:
01:20:37,110 --> 01:20:38,110
I wasn't in the party.
:
01:20:38,270 --> 01:20:41,330
He just couldn't understand
that that wasn't enough.
:
01:20:41,380 --> 01:20:41,710
Right.
:
01:20:41,880 --> 01:20:46,450
That politics in America at that time was,
no, no, no, no, but you knew communists.
:
01:20:46,500 --> 01:20:47,800
That's bad enough.
:
01:20:48,450 --> 01:20:51,500
You were fucking one behind your
wife's back for God's sakes.
:
01:20:52,020 --> 01:20:53,330
Like, I mean, that was enough.
:
01:20:53,330 --> 01:20:55,010
So okay.
:
01:20:55,030 --> 01:20:58,420
So before we get to that end that you
were touching on I do want to put in one,
:
01:20:58,450 --> 01:20:59,860
one other piece that I thought was funny.
:
01:21:00,010 --> 01:21:00,210
Yeah.
:
01:21:00,220 --> 01:21:01,520
That was in the end.
:
01:21:02,105 --> 01:21:06,275
When they're trying to, the
lawyer is trying to combat their
:
01:21:06,275 --> 01:21:07,635
witnesses with his witnesses.
:
01:21:07,684 --> 01:21:07,875
Huh.
:
01:21:07,915 --> 01:21:08,795
And they mention Dr.
:
01:21:08,795 --> 01:21:09,285
Lawrence.
:
01:21:09,575 --> 01:21:09,895
Dr.
:
01:21:09,895 --> 01:21:12,495
Lawrence, who's played by Josh
Hartnett, by the way, was one of
:
01:21:12,495 --> 01:21:14,205
his confidants throughout the movie.
:
01:21:14,805 --> 01:21:17,675
But he realized he was going
to be testifying against him.
:
01:21:18,255 --> 01:21:19,175
And he was like, why?
:
01:21:19,175 --> 01:21:19,995
Why would he do that?
:
01:21:20,035 --> 01:21:23,475
And the lawyer says, like,
I, I, I don't have it quoted.
:
01:21:23,475 --> 01:21:24,355
I should have written this down.
:
01:21:24,355 --> 01:21:28,105
But he says something along
the lines of, Well, he thinks
:
01:21:28,115 --> 01:21:30,105
you were fucking Tolman's wife.
:
01:21:30,770 --> 01:21:35,660
That's why he became depressed, died of a
broken heart, and he blames you for that.
:
01:21:36,300 --> 01:21:40,700
And and Aki goes, well that's not
true and the lawyer goes, which part?
:
01:21:40,730 --> 01:21:42,360
ANd Ami goes, he never found out.
:
01:21:43,640 --> 01:21:48,410
Hahahahaha, Yeah So he was fucking
that woman, so you get the sense?
:
01:21:48,410 --> 01:21:53,515
And goddamn dude he's married to Kitty
and he was fucking Gene Tatlock And
:
01:21:53,515 --> 01:21:55,385
then he's fuckin some other guy's wife!
:
01:21:55,385 --> 01:21:58,050
Like, like, like, Jesus, dude!
:
01:21:58,050 --> 01:21:58,288
He
:
01:21:58,288 --> 01:22:00,055
Chris: had a little Bill Clinton problem.
:
01:22:00,575 --> 01:22:03,298
Jerome: Dude, he's packin a tree
trunk down there or somethin
:
01:22:03,298 --> 01:22:04,391
Chris: God.
:
01:22:04,391 --> 01:22:07,255
Jerome: Anyway, he's the Pete
Davidson of the physicist world.
:
01:22:07,255 --> 01:22:07,765
Chris: Oh, God.
:
01:22:09,865 --> 01:22:13,184
Jerome: Anyway, so, I thought
that, that little part was funny.
:
01:22:13,335 --> 01:22:17,655
Because after he says that, the lawyer
kinda gets him a look like Oh no, it
:
01:22:17,655 --> 01:22:20,934
wasn't the lawyer, it was the guy that
David Krumhals plays what's his name?
:
01:22:20,985 --> 01:22:22,135
Fuck, I forget his name.
:
01:22:22,385 --> 01:22:24,745
But it was one, Robbie, Robbie, it was Dr.
:
01:22:24,745 --> 01:22:25,065
Robbie.
:
01:22:25,265 --> 01:22:26,815
So, Robbie is the one that says it.
:
01:22:27,215 --> 01:22:28,605
But it was just funny the way he said it.
:
01:22:28,615 --> 01:22:30,735
He was like, oh, he believes
all of these things.
:
01:22:30,735 --> 01:22:31,565
Well, that's not true.
:
01:22:34,684 --> 01:22:35,215
Did you hear that?
:
01:22:35,625 --> 01:22:35,905
Yeah.
:
01:22:36,975 --> 01:22:37,665
At which part?
:
01:22:37,665 --> 01:22:38,615
He's like, oh, just the one part.
:
01:22:38,725 --> 01:22:39,505
Alright, so.
:
01:22:43,315 --> 01:22:43,535
Wow.
:
01:22:44,675 --> 01:22:46,175
I can't even get a word in here.
:
01:22:46,505 --> 01:22:48,925
Chris: This could be a,
a White Claw commercial.
:
01:22:53,720 --> 01:22:54,590
Jerome: I gotta keep up here.
:
01:22:55,440 --> 01:23:00,130
Alright, so, so, here's the
part that you were touching on.
:
01:23:00,140 --> 01:23:00,490
Yeah.
:
01:23:00,490 --> 01:23:00,840
Go for it.
:
01:23:00,840 --> 01:23:02,290
I put in the, in the arcs.
:
01:23:03,470 --> 01:23:06,840
Here's another element to the
theme of the opening title card.
:
01:23:06,930 --> 01:23:09,910
And the not, before the raindrops,
about the Prometheus thing.
:
01:23:09,960 --> 01:23:10,210
Huh.
:
01:23:11,190 --> 01:23:16,880
Was Oppie's real spiritual goal something
darker and more sinister than he thought?
:
01:23:17,290 --> 01:23:22,335
That because of him We have the
capacity for nuclear war today, right?
:
01:23:23,455 --> 01:23:27,115
I think he realizes this right before
the closing credits, where he gives off
:
01:23:27,115 --> 01:23:28,825
one of those stares you hate so badly.
:
01:23:28,875 --> 01:23:30,475
But he's got the tears in his eyes.
:
01:23:31,105 --> 01:23:34,405
And that's when he starts to have
the images of the vapor trails of
:
01:23:34,405 --> 01:23:35,805
the nuclear bombs and everything.
:
01:23:35,905 --> 01:23:36,684
Right, right, right.
:
01:23:36,785 --> 01:23:38,595
And the raindrops and all that comes back.
:
01:23:39,125 --> 01:23:42,765
Was Oppie's spiritual goal
really not to survive?
:
01:23:43,440 --> 01:23:50,170
Secure his legacy as an American hero,
but was it to be the angel of death?
:
01:23:51,480 --> 01:23:55,470
Right the destroyer of worlds
as he said earlier in the movie.
:
01:23:55,670 --> 01:23:58,070
Yeah, was that not his spiritual goal?
:
01:23:58,070 --> 01:24:00,220
Is that not what Oppenheimer created?
:
01:24:00,930 --> 01:24:04,450
You know, so something dark there when
you said about putting on the hat and he's
:
01:24:04,450 --> 01:24:06,480
kind of channeling the evil sinisterness.
:
01:24:06,500 --> 01:24:08,580
That was Eisenberg.
:
01:24:08,850 --> 01:24:12,780
Chris: Yeah, and i'm glad i'm glad
that I don't feel like they tried to
:
01:24:12,780 --> 01:24:16,980
candy coat history at all, showing
him with all his warts and flaws
:
01:24:16,990 --> 01:24:19,800
and, you know, cheating on his wife.
:
01:24:19,960 --> 01:24:20,630
Oh dude.
:
01:24:20,920 --> 01:24:21,340
Jerome: Yeah.
:
01:24:21,340 --> 01:24:24,740
In fact, the only admirable
thing you can say was that he
:
01:24:24,750 --> 01:24:26,240
wanted to win world war two.
:
01:24:27,210 --> 01:24:30,990
Everything else in this movie
is very much detrimental.
:
01:24:31,240 --> 01:24:35,250
His communist eyes, like you
said, his affairs on his wife.
:
01:24:35,270 --> 01:24:38,730
Like he wasn't a very easy
person to get along with.
:
01:24:39,280 --> 01:24:40,990
He wasn't a very nice guy.
:
01:24:41,260 --> 01:24:44,420
His friend, his only best friend in
the movie, Chevalier, he sells him
:
01:24:44,559 --> 01:24:46,110
down the river later on in the movie.
:
01:24:46,490 --> 01:24:49,260
Like, he's just, he wasn't a good guy.
:
01:24:49,940 --> 01:24:52,640
He just did the most polarizing thing.
:
01:24:53,960 --> 01:24:58,850
A, win World War II, but also
look where it got us to today.
:
01:24:58,850 --> 01:25:03,660
I mean, it's again, could you say that
there's a nuclear program because of J.
:
01:25:03,660 --> 01:25:05,460
Robert Oppenheimer, right?
:
01:25:05,630 --> 01:25:05,970
Chris: Yeah.
:
01:25:07,190 --> 01:25:07,450
Yep.
:
01:25:07,530 --> 01:25:09,680
And I guess, and that's my biggest thing.
:
01:25:09,680 --> 01:25:16,750
It's like, I, I kind of wonder how much
of his portrayed PTSD or, you know,
:
01:25:16,770 --> 01:25:20,170
mental, Trauma was real like in real life.
:
01:25:20,260 --> 01:25:22,220
Did the real man Oppenheimer?
:
01:25:22,500 --> 01:25:25,750
Struggle to the extent
that this character did.
:
01:25:26,240 --> 01:25:26,870
I don't know.
:
01:25:26,910 --> 01:25:30,020
I don't know You know, I don't know
the history and and and all that
:
01:25:30,400 --> 01:25:33,309
Jerome: I think he did only because from
what I read about the other things I told
:
01:25:33,309 --> 01:25:37,280
you that were in the book Yeah, yeah that
Nolan tried to be as true as he could to
:
01:25:37,500 --> 01:25:42,920
the struggle that this guy had realizing
that his ego to succeed as a physicist
:
01:25:43,410 --> 01:25:47,350
was met harshly when he realized that
his invention killed 200, 000 people.
:
01:25:47,550 --> 01:25:47,920
Yeah,
:
01:25:47,980 --> 01:25:49,520
Chris: and potentially millions more.
:
01:25:49,800 --> 01:25:50,830
Millions more, right.
:
01:25:50,840 --> 01:25:50,900
Or billions more.
:
01:25:50,900 --> 01:25:51,820
Yeah, yeah.
:
01:25:51,830 --> 01:25:57,610
So, yeah, I mean, I, so I have, it was
hard for me to have any sympathy for,
:
01:25:57,620 --> 01:25:59,880
for him, you know, for the character.
:
01:26:00,420 --> 01:26:06,440
Because of what he did, you know, and,
and as you said, he, his character, he,
:
01:26:06,480 --> 01:26:08,420
you know, he wasn't a likable person.
:
01:26:08,420 --> 01:26:08,500
Mm hmm.
:
01:26:08,740 --> 01:26:10,050
Very hard to get along with.
:
01:26:10,520 --> 01:26:14,850
So, you know, as I saw him staring
off into space with PTSD, I was like,
:
01:26:15,250 --> 01:26:16,900
Yeah, go, go see a therapist, buddy.
:
01:26:16,980 --> 01:26:17,680
I don't, you know.
:
01:26:17,680 --> 01:26:21,170
Jerome: But here's how beautifully
it was constructed by Nolan.
:
01:26:21,290 --> 01:26:22,610
Why did we care?
:
01:26:23,059 --> 01:26:27,420
We cared because Because he
constructed the Robert Downey Jr.
:
01:26:27,420 --> 01:26:32,340
character to be such a villain that you
wanted to see that motherfucker lose.
:
01:26:32,570 --> 01:26:34,690
Chris: Yeah, yeah, because
he totally set him up.
:
01:26:35,870 --> 01:26:39,370
Totally set him up to be blacklisted.
:
01:26:40,110 --> 01:26:40,820
Jerome: Absolutely.
:
01:26:41,000 --> 01:26:45,076
So, that's kind of like those
movies where your hero is flawed.
:
01:26:45,355 --> 01:26:47,425
You gotta make the villain
even more unlikable.
:
01:26:47,505 --> 01:26:50,795
Chris: And we should say, like,
the, the, at least in the movie,
:
01:26:50,815 --> 01:26:56,785
the portrayed reason why he was
trying to blacklist him was pretty
:
01:26:56,785 --> 01:26:59,985
much because he was anti nuclear.
:
01:26:59,985 --> 01:27:05,925
Like, he was trying to call for more
control or, you know, the world to
:
01:27:05,925 --> 01:27:10,915
come around the idea of, you know,
anti proliferation of nuclear weapons.
:
01:27:11,160 --> 01:27:15,330
Jerome: But they hint that it's that it
was way weaker and pettier than that.
:
01:27:15,500 --> 01:27:19,440
It was that he embarrassed
them at the AEC hearing.
:
01:27:19,930 --> 01:27:21,590
That's why he held a grudge.
:
01:27:21,750 --> 01:27:23,910
Like think about that, how petty that is.
:
01:27:23,960 --> 01:27:27,610
Chris: Well, I think, yeah, maybe it was
that, that was, that was his said motive.
:
01:27:27,620 --> 01:27:31,250
That was like, that was what he
could, he could point to that.
:
01:27:31,680 --> 01:27:37,410
Yeah, because he was vocal with his
socialist views and, and ideas for,
:
01:27:37,760 --> 01:27:40,710
Jerome: But what did Oppenheimer say in
the hearing that really pissed him off?
:
01:27:40,710 --> 01:27:41,630
He was sitting in the back.
:
01:27:41,670 --> 01:27:44,460
Remember, he was sitting in the back
and he said something about a sandwich
:
01:27:44,470 --> 01:27:45,630
is more productive or something.
:
01:27:47,750 --> 01:27:47,900
Chris: Yeah.
:
01:27:48,130 --> 01:27:50,110
Jerome: He said something like, I'd
rather take a sandwich, you can get
:
01:27:50,110 --> 01:27:51,200
more out of it or something like that.
:
01:27:51,350 --> 01:27:52,020
Talking about straws.
:
01:27:52,020 --> 01:27:52,470
Yeah.
:
01:27:52,535 --> 01:27:56,455
And everybody laughs, and he was
completely humiliated, and it
:
01:27:56,455 --> 01:27:59,345
was like, that was his motivation
to bury this guy's legacy.
:
01:27:59,345 --> 01:28:00,695
Chris: Yeah, his ego
couldn't handle it, right?
:
01:28:00,695 --> 01:28:01,815
Jerome: Yeah, exactly.
:
01:28:02,075 --> 01:28:03,865
But then again, neither
could Oppenheimer's ego.
:
01:28:03,865 --> 01:28:07,395
He could have just played nice,
but he had to hammer Strauss and
:
01:28:07,395 --> 01:28:08,915
embarrass him in front of everybody.
:
01:28:09,785 --> 01:28:11,335
That's what you get, right?
:
01:28:11,455 --> 01:28:11,725
Yep.
:
01:28:11,865 --> 01:28:19,635
So, yeah, I mean, it's one of those where
you want to try to be truthful to real
:
01:28:19,635 --> 01:28:25,035
life At the same time, you gotta, you
know With this, Walk the Line was very
:
01:28:25,035 --> 01:28:29,005
similar, where the only way they would
do it is if they showed everything.
:
01:28:29,475 --> 01:28:31,875
They showed that Homeboy
was a drunk, you know?
:
01:28:32,005 --> 01:28:32,445
Yeah, yeah.
:
01:28:32,515 --> 01:28:35,049
You know, that he was Addicted to drugs.
:
01:28:35,049 --> 01:28:38,755
Addicted to drugs, he was a bastard
to live with, bastard to know.
:
01:28:38,805 --> 01:28:39,635
Cheated on his wife.
:
01:28:39,645 --> 01:28:41,075
Cheated on his wife, you know.
:
01:28:41,395 --> 01:28:44,765
So, I think that's kind of one of
those things where if you're gonna
:
01:28:44,775 --> 01:28:47,565
make yourself, if you're gonna,
if your lead is gonna be a flawed
:
01:28:47,565 --> 01:28:50,105
hero, the villain has to be worse.
:
01:28:50,655 --> 01:28:51,075
Chris: Yeah.
:
01:28:51,145 --> 01:28:52,985
Well, and this is about real people.
:
01:28:53,055 --> 01:28:57,305
So, you know, it's not a fictional
story where you get to make up your
:
01:28:57,305 --> 01:28:59,255
characters to be heroes and everything.
:
01:28:59,710 --> 01:29:02,330
Real people are flawed, you know?
:
01:29:02,340 --> 01:29:02,880
Absolutely, absolutely.
:
01:29:02,880 --> 01:29:09,090
And so I think he did a good job
trying to portray the, the various
:
01:29:09,090 --> 01:29:11,020
dimensions of these real people.
:
01:29:11,140 --> 01:29:11,550
You know?
:
01:29:12,260 --> 01:29:12,610
So, yeah.
:
01:29:12,610 --> 01:29:12,950
Jerome: Absolutely.
:
01:29:12,950 --> 01:29:14,680
So a couple other points in trivia here.
:
01:29:14,680 --> 01:29:18,930
The screenplay was actually
written in first person, which
:
01:29:18,930 --> 01:29:21,200
is rare and almost never happens.
:
01:29:21,530 --> 01:29:26,400
Screenplays are written very You know,
Chris comes in and grabs the glass of
:
01:29:26,410 --> 01:29:29,930
water, and then the dialogue will be
Chris says, Oh, this water is good.
:
01:29:29,950 --> 01:29:30,510
You know, whatever.
:
01:29:31,020 --> 01:29:33,840
The screenplay for Oppenheim was
written, I walked into the room
:
01:29:33,840 --> 01:29:34,950
and grabbed a glass of water.
:
01:29:34,950 --> 01:29:36,100
Like, it was written first person.
:
01:29:37,130 --> 01:29:39,360
Matt Damon said that when he
read the script, that's when he
:
01:29:39,360 --> 01:29:40,670
realized he wanted to do the movie.
:
01:29:40,670 --> 01:29:42,625
Because he had never seen it before.
:
01:29:43,365 --> 01:29:43,725
Yeah.
:
01:29:43,835 --> 01:29:48,585
In:clearance was posthumously reinstated.
:
01:29:48,875 --> 01:29:51,275
He'd already been dead since::
01:29:52,955 --> 01:29:56,085
So why you're reinstating
his security clearance now,
:
01:29:56,395 --> 01:29:58,335
but in::
01:29:58,555 --> 01:30:00,395
This is the sixth film.
:
01:30:00,920 --> 01:30:03,640
That Cillian Murphy has worked
on with Christopher Nolan.
:
01:30:04,450 --> 01:30:08,020
Following Batman Begins, The
Dark Knight, Inception, The
:
01:30:08,020 --> 01:30:09,890
Dark Knight Rises, and Dunkirk.
:
01:30:10,059 --> 01:30:12,880
However, this is the first of
those where he was the lead.
:
01:30:14,170 --> 01:30:14,620
Yeah.
:
01:30:15,300 --> 01:30:16,030
That's all I got.
:
01:30:17,140 --> 01:30:18,820
Chris: I don't think I
have any more either.
:
01:30:18,850 --> 01:30:19,190
Jerome: So.
:
01:30:19,200 --> 01:30:19,900
I loved it, man.
:
01:30:19,920 --> 01:30:21,230
I loved both of these films.
:
01:30:21,230 --> 01:30:21,430
Yeah.
:
01:30:21,430 --> 01:30:22,110
And I, said.
:
01:30:22,110 --> 01:30:23,010
I'll watch it again,
:
01:30:23,010 --> 01:30:23,730
Chris: I think.
:
01:30:23,770 --> 01:30:25,090
But it's so long.
:
01:30:25,110 --> 01:30:25,620
God.
:
01:30:25,840 --> 01:30:30,915
Jerome: I, I just can't, I can't remember
if there ever was a year Where two films
:
01:30:30,915 --> 01:30:32,925
just completely owned the box office.
:
01:30:32,955 --> 01:30:36,225
Yeah, completely owned The Oscar
nominations were released on the
:
01:30:36,225 --> 01:30:37,875
same day, had the same budget.
:
01:30:38,545 --> 01:30:44,375
You know, one made $500 million more, but
it's not like one of 'em made nothing.
:
01:30:44,405 --> 01:30:48,425
One of 'em made 957 million,
the other one made 1.4 billion.
:
01:30:48,575 --> 01:30:53,795
Chris: You know, in hindsight, I'm
actually surprised Oppenheimer did as
:
01:30:53,795 --> 01:30:57,385
well as it did, considering its length.
:
01:30:57,835 --> 01:31:01,855
And, and how dialogue heavy,
and, and, I don't know.
:
01:31:02,635 --> 01:31:04,855
Jerome: Well, the visuals are also good.
:
01:31:04,995 --> 01:31:05,015
Yeah.
:
01:31:05,025 --> 01:31:07,745
And I think people went to go see the
visuals, particularly on the IMAX.
:
01:31:07,745 --> 01:31:11,155
But to your point, the reason
studios hate movies that long,
:
01:31:11,845 --> 01:31:13,405
there's not as many screenings.
:
01:31:13,475 --> 01:31:14,275
Yeah, yeah, yeah.
:
01:31:14,335 --> 01:31:14,605
Right?
:
01:31:14,605 --> 01:31:15,695
You can't make as much, normally.
:
01:31:15,695 --> 01:31:16,505
Right, right.
:
01:31:16,505 --> 01:31:19,675
And at daytime, you have
screenings normally start at what?
:
01:31:19,675 --> 01:31:20,535
What's the matinee show?
:
01:31:20,575 --> 01:31:21,255
11 AM?
:
01:31:21,265 --> 01:31:21,355
Yeah,
:
01:31:21,355 --> 01:31:24,155
Chris: every 90 minutes, get another
pack of people in there, right?
:
01:31:24,155 --> 01:31:24,525
Jerome: Right, like, yeah.
:
01:31:24,615 --> 01:31:28,530
Right, so when you have a long ass
movie It doesn't, you don't make
:
01:31:28,530 --> 01:31:32,750
as much, so for, for Oppenheimer
at three hours to make 957 million
:
01:31:32,750 --> 01:31:34,620
worldwide is pretty fucking impressive.
:
01:31:34,640 --> 01:31:35,270
Chris: Yeah, it is.
:
01:31:35,309 --> 01:31:37,230
100, yeah, 100 percent.
:
01:31:38,309 --> 01:31:39,530
Alright, six degrees.
:
01:31:40,280 --> 01:31:42,180
Jerome: Oh, I forgot we had a six degrees.
:
01:31:42,620 --> 01:31:46,945
Chris: Yeah, I, For the listener,
I didn't think we were going to be
:
01:31:46,945 --> 01:31:52,115
able to do this podcast today, but I
sent my brother a text just in case.
:
01:31:52,955 --> 01:31:54,695
I, I threw a couple names at him.
:
01:31:54,934 --> 01:31:58,405
Jerome: So again, for those of you that
want to know the character of my brother.
:
01:31:59,075 --> 01:31:59,605
What?
:
01:32:00,045 --> 01:32:00,805
What do you mean character?
:
01:32:00,805 --> 01:32:02,041
This is what he does.
:
01:32:02,041 --> 01:32:03,277
This is what he does.
:
01:32:03,277 --> 01:32:04,915
He picks two people.
:
01:32:05,115 --> 01:32:06,085
Now, let me just tell you.
:
01:32:07,005 --> 01:32:09,915
The guy from Oppenheimer, which by
the way, we're not allowed to use
:
01:32:09,915 --> 01:32:11,105
the movies that we're talking about.
:
01:32:11,195 --> 01:32:11,405
Yeah.
:
01:32:11,405 --> 01:32:11,605
Yeah.
:
01:32:15,325 --> 01:32:16,865
Petrie Willink?
:
01:32:17,485 --> 01:32:17,745
Yep.
:
01:32:19,184 --> 01:32:20,645
Guess who he was in Oppenheimer?
:
01:32:20,684 --> 01:32:22,595
He played Dutch student.
:
01:32:24,375 --> 01:32:24,835
Wow.
:
01:32:25,055 --> 01:32:25,415
Thanks.
:
01:32:26,145 --> 01:32:29,695
Looking at his IMDB, it's
filled with TV shows.
:
01:32:30,065 --> 01:32:33,085
I only found one feature that he was in.
:
01:32:33,825 --> 01:32:36,645
And it was called The
Great Alaskan Race in::
01:32:36,655 --> 01:32:37,425
Never heard of it.
:
01:32:38,345 --> 01:32:46,555
The other guy he picks is Oliver Hir , who
plays in Barbie get this businessman
:
01:32:49,775 --> 01:32:53,555
If you look at his IMDB,
it's mostly television.
:
01:32:53,615 --> 01:32:53,765
Yeah.
:
01:32:53,825 --> 01:32:55,505
And video games.
:
01:32:55,510 --> 01:32:57,815
The guy does voices for video games.
:
01:32:58,085 --> 01:33:04,355
In fact, I could only find one
feature film for him, . And that was
:
01:33:04,415 --> 01:33:07,595
film called The Baby Moon in::
01:33:08,580 --> 01:33:13,635
I only found, other than
Barbie and Oppenheimer.
:
01:33:13,695 --> 01:33:13,995
Yeah.
:
01:33:14,045 --> 01:33:16,715
These two people were in only one
other movie that I could find.
:
01:33:18,105 --> 01:33:20,145
Chris: So that makes, that's
what makes it interesting though,
:
01:33:20,184 --> 01:33:25,005
because as we say on every episode,
this isn't a stumped roam game.
:
01:33:25,015 --> 01:33:29,675
We actually want to find out
if it's possible that we cannot
:
01:33:29,675 --> 01:33:33,910
connect the Two actors within
six degrees, within six movies.
:
01:33:34,550 --> 01:33:37,090
And you've been able to do it every time.
:
01:33:37,090 --> 01:33:42,280
So in the last couple of episodes,
they've been pretty difficult.
:
01:33:42,420 --> 01:33:43,670
Jerome: They've been
getting tougher and tougher.
:
01:33:45,680 --> 01:33:46,570
Chris: So how'd we do?
:
01:33:47,780 --> 01:33:50,460
Jerome: Got it in four.
:
01:33:50,540 --> 01:33:50,980
Of course.
:
01:33:51,760 --> 01:33:59,870
So Oliver Vacker, Vacker, was in the
baby moon::
01:34:00,309 --> 01:34:01,580
Who was in Alive?
:
01:34:02,160 --> 01:34:02,780
Remember that?
:
01:34:02,790 --> 01:34:03,180
Yeah.
:
01:34:03,190 --> 01:34:05,750
That movie about the stranded
rugby, rugby players in the,
:
01:34:05,760 --> 01:34:07,130
in the what was it, the Andes?
:
01:34:07,240 --> 01:34:09,059
Chris: Yeah, didn't they eat, eat people?
:
01:34:09,110 --> 01:34:09,990
Jerome: Yeah, they eat each other.
:
01:34:09,990 --> 01:34:10,270
Yeah.
:
01:34:10,270 --> 01:34:10,360
Yeah.
:
01:34:12,059 --> 01:34:14,980
In that film was John Malkovich, who
not only did the narration, but he
:
01:34:14,980 --> 01:34:19,730
also appears in it as, you know, they
visually show him giving the dialogue.
:
01:34:20,440 --> 01:34:26,559
He was in Mulholland Falls in:with Treat Williams, who was in the
:
01:34:26,559 --> 01:34:28,630
great, great, great Great Alaskan Race.
:
01:34:28,830 --> 01:34:29,070
Wow.
:
01:34:29,780 --> 01:34:32,290
::
01:34:32,510 --> 01:34:33,190
Willink?
:
01:34:33,290 --> 01:34:33,900
Willink?
:
01:34:34,139 --> 01:34:34,580
Willink.
:
01:34:34,650 --> 01:34:35,360
Chris: It's four.
:
01:34:35,920 --> 01:34:38,120
Jerome: So Babel Baby Moon, Alive.
:
01:34:38,130 --> 01:34:38,520
That's crazy, man.
:
01:34:38,520 --> 01:34:40,120
Maughan Falls, Great Alaskan Race.
:
01:34:40,160 --> 01:34:42,340
And we can thank Treat
Williams for this one.
:
01:34:42,360 --> 01:34:42,780
Yeah.
:
01:34:43,719 --> 01:34:47,540
Because that guy, Petrie
Willink, I couldn't find shit
:
01:34:47,559 --> 01:34:49,030
on him except that one movie.
:
01:34:49,930 --> 01:34:51,680
And thank God Treat Williams was in it.
:
01:34:52,740 --> 01:34:57,219
And because Oliver, his one moon,
his one movie, The Baby Moon,
:
01:34:57,730 --> 01:35:01,430
Michael DiLorenzo was the only one
I really knew in, that was in it.
:
01:35:01,590 --> 01:35:03,990
And he, other than Alive, I
don't know if you know, he
:
01:35:03,990 --> 01:35:07,030
famously played PFC William T.
:
01:35:07,030 --> 01:35:08,969
Santiago in A Few Good Men.
:
01:35:09,150 --> 01:35:09,450
Okay.
:
01:35:10,035 --> 01:35:11,795
So, I was gonna try to go there.
:
01:35:11,795 --> 01:35:13,105
I'm like, shit, that gives me an out.
:
01:35:13,115 --> 01:35:15,745
That's Jack, that's Demi
Moore, that's Tom Cruise.
:
01:35:15,815 --> 01:35:16,055
Right.
:
01:35:16,085 --> 01:35:16,925
Nothing.
:
01:35:17,125 --> 01:35:18,005
Nothing.
:
01:35:18,005 --> 01:35:18,975
I got dead ends.
:
01:35:20,915 --> 01:35:21,155
Wow.
:
01:35:21,165 --> 01:35:22,445
Thank God for a live.
:
01:35:22,505 --> 01:35:22,955
Jeez.
:
01:35:23,005 --> 01:35:23,635
That's fun.
:
01:35:23,635 --> 01:35:27,755
Chris: So, yeah, the last one was fun
too, cause the last one that's available
:
01:35:27,775 --> 01:35:29,205
now if you're listening to this.
:
01:35:29,255 --> 01:35:30,215
It's not available yet.
:
01:35:30,370 --> 01:35:34,160
As we record, but the last one,
you had two different actors on
:
01:35:34,180 --> 01:35:38,840
two different continents that only
did a couple of movies each, right?
:
01:35:38,840 --> 01:35:39,710
Yeah, and it wouldn't
:
01:35:39,710 --> 01:35:41,350
Jerome: have been done if
I couldn't use one of them.
:
01:35:41,350 --> 01:35:42,900
We had to break one of our own rules.
:
01:35:42,930 --> 01:35:44,550
Yeah, but that was cool.
:
01:35:44,550 --> 01:35:46,360
Chris: So listen to that
episode for that one.
:
01:35:46,360 --> 01:35:47,100
That was, that was.
:
01:35:48,505 --> 01:35:50,025
So, no, that's good, man.
:
01:35:50,075 --> 01:35:51,475
Good, good good pair up.
:
01:35:51,505 --> 01:35:52,085
It was fun.
:
01:35:52,745 --> 01:35:53,005
Dude,
:
01:35:53,365 --> 01:35:54,825
Jerome: I've been
looking for this episode.
:
01:35:54,855 --> 01:35:57,485
I tell you what, I was looking
forward to this since I saw
:
01:35:57,535 --> 01:35:59,485
Oppenheimer in the theater last July.
:
01:35:59,955 --> 01:36:03,594
Like, I was like, oh, dude, we got
to break this one down eventually.
:
01:36:03,875 --> 01:36:06,035
And I didn't know we'd
pair it with Barbie.
:
01:36:06,565 --> 01:36:07,085
Yeah.
:
01:36:07,655 --> 01:36:09,675
But, hey man, we took on two
of the heavy hitters, man.
:
01:36:09,675 --> 01:36:11,655
This is Apollo versus Rocky right here.
:
01:36:11,665 --> 01:36:12,045
Yeah.
:
01:36:12,045 --> 01:36:13,305
These, these are the two biggies.
:
01:36:13,325 --> 01:36:13,535
I mean,
:
01:36:13,535 --> 01:36:16,155
Chris: we're trying to get through
them so that we can, you know,
:
01:36:16,155 --> 01:36:20,245
at least go into Oscar night
having a few in the can, you know.
:
01:36:20,545 --> 01:36:24,875
Jerome: Yeah, I think Killers of the
Flower Moon The Holdover, The Holdovers,
:
01:36:25,264 --> 01:36:26,475
which is the Paul Giamatti one.
:
01:36:26,475 --> 01:36:26,915
Yeah, yeah.
:
01:36:27,280 --> 01:36:30,240
And maybe that, you said you
saw American Fiction, right?
:
01:36:30,300 --> 01:36:30,639
Mm hmm.
:
01:36:31,150 --> 01:36:32,090
See, I haven't seen it yet.
:
01:36:32,719 --> 01:36:35,590
But I think we gotta throw a few of
those in there and we'll be ready.
:
01:36:35,630 --> 01:36:36,280
We'll be ready.
:
01:36:36,320 --> 01:36:36,580
Yep.
:
01:36:36,719 --> 01:36:38,230
I haven't seen Maestro yet either.
:
01:36:38,300 --> 01:36:39,090
Yeah, me neither.
:
01:36:39,270 --> 01:36:40,770
It's on, it's streaming though.
:
01:36:40,770 --> 01:36:41,680
I think it's on Netflix.
:
01:36:41,690 --> 01:36:42,700
I think it's a Netflix movie.
:
01:36:42,710 --> 01:36:43,410
Chris: I think you're right.
:
01:36:44,059 --> 01:36:46,889
Jerome: Cause V, I think, was
watching it one, one night I
:
01:36:46,889 --> 01:36:48,219
came in and she was watching it.
:
01:36:48,350 --> 01:36:49,410
Again, she falls asleep.
:
01:36:50,264 --> 01:36:50,915
Chris: Yeah, I know.
:
01:36:50,945 --> 01:36:53,605
And I said I wanted to pair that
with Amadeus, but we're trying to
:
01:36:53,605 --> 01:36:55,325
pair up Oscar nominated movies.
:
01:36:55,325 --> 01:36:57,514
Jerome: Yeah, I say we just
pair them up with each other.
:
01:36:57,514 --> 01:36:57,995
Yeah.
:
01:36:58,014 --> 01:36:59,375
So we can get through them faster.
:
01:36:59,495 --> 01:36:59,795
Yeah.
:
01:36:59,815 --> 01:37:03,915
But yeah, I mean this yeah, so
far, I haven't seen them all,
:
01:37:04,115 --> 01:37:06,125
but so far Oppenheimer is still
my favorite movie of the year.
:
01:37:06,650 --> 01:37:08,610
I really liked Anatomy of the Fall, man.
:
01:37:08,790 --> 01:37:11,610
But I really liked it more with my ending.
:
01:37:11,650 --> 01:37:12,670
Yes, I know.
:
01:37:12,680 --> 01:37:13,820
I gotta rewatch it now.
:
01:37:13,830 --> 01:37:17,700
What, what I think happens at the
end, and then you go back and you
:
01:37:17,700 --> 01:37:21,880
relive all that symbolism with the
dog, I, I like it more that way.
:
01:37:21,889 --> 01:37:22,880
Yeah, yeah.
:
01:37:22,880 --> 01:37:25,389
So but yeah, that one,
that one was really cool.
:
01:37:25,440 --> 01:37:25,750
Yeah.
:
01:37:25,750 --> 01:37:26,120
I really liked that one.
:
01:37:26,130 --> 01:37:30,020
Chris: I gotta see it now to rewatch
it and see if it hits differently.
:
01:37:30,620 --> 01:37:31,700
With that in mind.
:
01:37:32,309 --> 01:37:33,350
Cause I bet you it will.
:
01:37:33,350 --> 01:37:37,020
Jerome: And all those little
moments where she's looking.
:
01:37:37,030 --> 01:37:39,350
Like I said, she's got the
look of both predator and prey.
:
01:37:39,490 --> 01:37:39,889
Yeah.
:
01:37:40,040 --> 01:37:43,860
There's times where I think
the director, Trie, makes you
:
01:37:43,870 --> 01:37:46,290
think she's guilty as fuck, man.
:
01:37:46,340 --> 01:37:47,080
Look at her eyes.
:
01:37:48,400 --> 01:37:51,800
So, watch it again thinking she's
guilty and it'll blow your mind.
:
01:37:52,995 --> 01:37:54,905
Cause I went into it
thinking she was guilty.
:
01:37:56,375 --> 01:37:59,040
So when it got to the end, I
was like, yeah, she's guilty.
:
01:37:59,040 --> 01:37:59,795
Guilty as fuck.
:
01:38:03,365 --> 01:38:04,955
But anyway, alright,
let's land this plane.
:
01:38:04,975 --> 01:38:06,255
Chris: Alright, this is a good one man.
:
01:38:06,395 --> 01:38:09,295
So, hey, support your local cinema.
:
01:38:09,405 --> 01:38:10,575
Jerome: Keep drinking and keep watching.
:
01:38:10,805 --> 01:38:11,575
Chris: See you next time.
:
01:38:11,755 --> 01:38:12,055
Jerome: Adios.