Episode 7

Barbenheimer: Barbie(2023) & Oppenheimer(2023)

Exploring the Silver Screen's Titans of 2023: Barbie and Oppenheimer

In this episode, hosts Chris and Jerome Wiegand take a deep dive into 'Barbie' and 'Oppenheimer,' two contrasting films that share $100 million budgets and release dates, highlighting their significant Oscar buzz.

'Barbie,' led by Greta Gerwig, staring Margot Robbie, captivates with its visual allure and strong narrative, despite Oscar oversights. 'Oppenheimer,' under Christopher Nolan's helm and starring Cillian Murphy, intricately portrays the life of J. Robert Oppenheimer and the ethical quandaries surrounding the atomic bomb.

This episode explores the storytelling prowess, thematic exploration, and cinematic techniques of both films, including 'Oppenheimer’s' use of symbolism and character development likened to historical figures and fictional characters like Breaking Bad’s Walter White, revealing the complexities of ambition, innovation, and legacy. This rich analysis celebrates the films' distinct contributions to cinema and their reflection on historical and personal achievement.

00:00 A Hilarious Start: Ken's "Beach Off" Challenge

00:22 Welcome to the Silver Screen Happy Hour Podcast

01:07 Delving into Oscar Nominations re: Barbie vs. Oppenheimer

02:47 Barbie's Big Screen Adventure: A Deep Dive

06:47 The Box Office Battle: Barbie vs. Oppenheimer

08:58 First Impressions and the Impact of Barbie

14:16 Breaking Down Barbie: A Detailed Analysis

14:48 The Real World Meets Barbieland: A Turning Point

27:35 The Climactic Resolution: Barbie's Transformation

33:37 Exploring Barbie's World: Funny Moments and Tangible Goals

35:20 A Dive into Movie Trivia: Behind-the-Scenes Insights

35:38 Oscar Nominations Controversy: Original vs. Adapted Screenplay

38:12 Analyzing Performances: The Impact of Actors on Film

41:54 Oscar Predictions and the Politics of Award Shows

46:35 Transitioning to Oppenheimer: A Deep Dive into Nolan's Latest Epic

55:15 The Competitive World of Physicists: Oppenheimer's Journey

58:17 Breaking Down Oppenheimer: Scene Analysis and Themes

01:06:39 A Turning Point in the War: The False Victory

01:07:48 The Tragic Twist: Jean's Death and Its Implications

01:08:21 Conspiracy and Controversy: The Mystery of Jean's Death

01:09:19 Oppenheimer's Despair and Kitty's Support

01:10:14 Bad Guys Closing In: Teller's Departure and Borden's Arrival

01:10:32 The Anti-Bomb Movement and Oppenheimer's Stance

01:11:18 A Glimmer of Hope: The Test Bomb Ignition

01:12:08 The Aftermath of Hiroshima and Nagasaki

01:13:19 Oppenheimer's Legacy Under Threat

01:15:42 The Fight for Oppenheimer's Legacy

01:18:01 The Climactic Resolution: Oppenheimer's Legacy Restored

01:19:08 Reflections on Oppenheimer's Legacy and the Moral Quandaries of His Work

01:29:12 Behind the Scenes: The Making of a Masterpiece

Follow Silver Screen Happy Hour on Instagram here:

https://www.instagram.com/silverscreenhappyhour/

Transcript
Jerome:

Then Ken wants to fight another Ken at the beach,

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and they call it a beach off?

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Yes.

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He's like, I'm gonna

beach you off right now.

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And the guy's like, you can't beach

me off, I'm gonna beach you off.

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And then, And then Barbie goes to

break it up and she's like, alright,

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nobody is gonna beach anybody off.

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Chris: You are listening to

the Silver Screen Happy Hour.

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I'm Chris Wiegand, along

with my brother Jerome.

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I just wanted to acknowledge before

we jump into it that this episode was

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recorded shortly after the Academy

Award nominations were made public.

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So it was pre Oscar night.

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If you want to hear our post Oscar night

thoughts, check out the last episode.

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And as I get the film reel set up

to play today's recording, I'd just

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like to ask you to please share

this with your friends and give us a

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rating on your favorite podcast app.

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Jerome: What are we doing today?

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Chris: Barbenhammer.

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Jerome: Heimer.

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Chris: Barbenheimer.

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Jerome: What you said

sounded like a porn title.

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Chris: Oh no.

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Yep, so we are continuing

our Oscar nomination series.

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So we went with two of

the big ones this week.

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And for drinks, I'll just say, I got

my, it's like a barbie ginger beer.

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I don't know, it's like a, It's

got ginger beer, pomegranate, you

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know, kinda, it's, it's, I like, I

like mules, so, it's really good.

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So, what are you drinking?

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Jerome: Well, if you remember on the last

episode where we did Anatomy of a Fall.

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Yep and Past Lives and because there

were low budget Indies, I had a very

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low budget alcohol if you remember So

today we're going the actual opposite

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Interesting to note by the way, first

of all both Barbie and Oppenheimer had

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a 100 million dollar budgets both of

them Oh my gosh And so I thought I'd

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bring out a nice bottle

of Chyvest Regal Scotch.

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Nice.

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So we're gonna it's not exactly,

I mean, if I really wanted to go

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high budget, I could have brought

out the Johnny Blue, but you know.

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Oh, wait, wait, wait, wait, wait.

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Let me get this in front

of the microphone here.

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I don't know if you got that.

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Did you get that?

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Yeah, yeah.

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Chris: Now, since I was a, no, I

should say since my wife was such a

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big fan of Barbie, I did enjoy it.

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We're going to get to that,

but I got a couple white claws

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in the, to spare if I run out.

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Jerome: Well, you are, you

are going Barbie out today.

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Chris: I anticipate this isn't going

to be too short, but I don't know.

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Let's get into it.

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I'm curious to see how you're going

to do the beats on Oppenheimer.

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Oh my gosh.

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Jerome: It would be interesting to note

that the beats actually flow easier

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in Oppenheimer than they do in Barbie.

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Really?

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Yeah, because alright,

let's just get into it.

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Let's do Barbie first.

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Chris: Barbie first, okay.

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Jerome: Barbie first.

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Okay, so, if you haven't been

living under a rock Barbie was

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the biggest movie last year.

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2023, directed by Greta Gerwig, written

by Gerwig and her husband, Noah Baumbach.

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This is Gerwig's fourth feature film.

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She was previously nominated for

Best Director and Best Screenplay

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for 2017's Lady Bird and 2019's Best

Adapted Screenplay for Little Women.

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Margot Robbie, Best Actress.

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And Gerwig, Best Director, were notable

snubs by the Oscar nominations that

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were released earlier this year.

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Argument can be made.

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Now that I've seen the film, because

I remember when the nominees just

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came out, I hadn't seen it yet.

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And I, and on that teaser that we

released, I wasn't sure how I felt

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about it being a quote unquote snub.

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Now that I've seen it, I can say.

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An argument can be made that

Barbie is screenplay driven.

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And

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they did get nominated for that, right?

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Chris: And it did get nominated for that.

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Jerome: And, but you know, these, I

know people are going to say, what,

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how can you say it's screenplay driven?

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The visuals.

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Right.

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Set design and the production.

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I get all that.

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I get all that.

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But the genius of Barbie

is the story, right?

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It's a great story.

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Yeah.

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Yeah.

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It's, it's, it's screenplay driven.

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Now snubs happen.

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I pulled an example from 2001

Moulin Rouge, which anyone

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could argue is director driven.

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That one is director driven.

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And that was large scale scope

of production and everything.

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And it, it was nominated for

Best Picture, it had a buttload

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of nominations, including Nicole

Kidman for Best Actress, and the

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director, Baz Luhrmann, got left out.

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He didn't get nominated.

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Right.

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You know, so, I mean, it, it, it, and

that was when, back then, there was

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only five nominees for Best Picture.

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So, to not get nominated for

Best Director, like that was

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a huge snub back in 2001.

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So it does happen.

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It does happen.

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I can't say that there was anything

I know that people are going that

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conspiracy theorists are going towards

the sexism of Hollywood, leaving out

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Margot Robbie, but again, obviously

Margot Robbie was left out of Best Actress

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category where five women did make it in.

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Yeah.

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So you can't say that one was sexist.

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And as far as Best Director, we

already said that Justine Triet from

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Anatomy of the Fall did get nominated.

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So it can't be sexism.

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I don't know what it was.

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It's one of those weird one offs.

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Chris: Yeah, and I don't know,

like, what her politics are, but

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sometimes when someone rubs The

Academy the wrong way politically

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that that weighs in but I don't know.

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I don't know...

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Jerome: Anybody watching Barbie telling

me that they think Greta Gerwig's politics

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kept her out of Hollywood's favor.

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I mean, come on, Hollywood and Barbie's

politics are pretty much hand in hand.

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So I don't know.

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Then I yeah, it's what I wrote down.

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I wrote a note.

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I wrote just was just lost in the math.

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It's one of those where you

got somebody doing their card.

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And they're like, well,

I'll have Greta at six.

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She'll make it in.

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So I don't have to worry about it.

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I really want to see this person

get in or that person get in.

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And she got left out.

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Too many people thought that way.

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And she got left out.

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Chris: Right.

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Right.

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That makes sense.

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I could see that happening.

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Jerome: Yeah.

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Barbie is nominated for eight total

Oscars, including best picture.

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Okay.

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So we already mentioned the

stars, Margot Robbie as Barbie.

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And I think when I was re listening to

the the la the Valentine's special.

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I kept saying, Margo, Roby.

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I don't know.

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Chris: I was gonna say, I, I was

gonna mention that as we got into it.

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Yeah, I'm glad you said it.

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I caught it and

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Jerome: I don't even know why.

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I don't even know why I

was mispronouncing it.

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It was just like

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Chris: I caught it when

I was editing it, but.

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To get AI to sound like

you is just too much work.

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Jerome: That's because I'm original.

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There's no fucking AI that can match me.

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Chris: So I couldn't fix it.

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I'm glad you acknowledge that though.

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Jerome: Yes, and I was just, I was

folding clothes listening to it just to

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see how it came out and I'm like, Why the

fuck do I keep mispronouncing her name?

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Chris: Oh, he's probably drunk.

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Jerome: Oh, yeah, by that time.

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And Ryan Gosling as Ken.

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America Ferreira, Rhea Perlman,

and Will Ferrell, also star,

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was released on July 21st.

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Another little interesting tidbit.

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Yep.

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Not only was Barbie and Oppenheimer

both 100 million budgets, they

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were both released on July 21st.

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Chris: On my oldest daughter's birthday.

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Jerome: They went head to

head at the box office.

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And, and really.

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The numbers say there was a winner, but

really, this is as tight as you can get.

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Right.

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Both movies, a hundred million dollars,

a hundred million dollar budget.

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Barbie made a hundred and sixty

two million in its opening weekend.

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And it went on to gross 1.

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4 billion dollars worldwide,

landing at the number one spot.

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Now I know you, you want to know, so I'll

just tell you, I won't make you wait.

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Oppenheimer?

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Went on to make it 957 million worldwide.

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Good for the number three spot on

the list behind only Barbie and

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the super Mario brothers movie.

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Chris: Wow.

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That one did that good.

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Jerome: Yes.

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So, I mean, so these two movies

we're talking about today,

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I've got all the nominations.

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They have all the hype, they're going

neck and neck at the Oscars, they're going

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toe to toe, and they were released on

the same day, with the same budget, and

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both blew the doors off the box office.

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Yeah.

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Like, how, how many times

can we see that in a year?

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In a single year?

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Right, right.

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Never?

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I mean, I don't know, this might be

the only time that that's happened.

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Chris: I'm trying to think the

year, you, you mentioned 94 as

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being one of the biggest movie years

for Best Picture, but were any of

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those released at the same time?

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Jerome: Forrest Gump was huge,

but it wasn't released on the same

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day as one of the other nominees.

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And none of the other nominees

made Forrest Gump money.

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None of them.

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Shawshank tanked, really.

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Shawshank became a cult classic.

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Wow.

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When it hit video, it didn't

do that well in the box office.

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Pulp Fiction was lower, but Pulp

Fiction made a good profit because

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it didn't cost that much to make.

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But Quiz Show and Four Weddings and

a Funeral, those movies were not,

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they didn't, you know, rake it in.

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They weren't huge.

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Right.

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Maybe Four Weddings and a

Funeral did pretty good.

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But but nothing like this.

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Nothing like Forrest Gump

and nothing like this.

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That'd be like pairing

titanic up with another movie.

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You know, record like avatar or

something, you know, on the same weekend.

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Right.

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The same weekend, dude.

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Chris: The same day

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Jerome: like this Is astounding.

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Okay, log me

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Chris: All right.

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Jerome: Wait, wait, wait, wait

before we get to that real quick.

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Yeah.

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Yeah, this is usually the

part we talk about How we

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came to find about this movie.

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When did you see it and what did you

think about it when you first saw it?

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Chris: Well, I first saw it really

just maybe a couple of months ago.

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I believe we rented it.

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And it was the fourth time my wife

saw it when she watched it with me.

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The other three times she

saw it in the theater.

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Jerome: That's titanic

numbers right there.

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Chris: And it wasn't, I mean, she

liked, she really liked the movie.

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She normally does not go to the

movies and she usually doesn't

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see a movie twice at the theater.

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But there's friends, girlfriends, kids,

our kids wanted to see it with her.

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So there kept being opportunities

for her to go to see it.

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And I think that happened for.

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Millions of women all over the world.

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So that's why it did so well.

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So yeah, I just saw it maybe a couple

of months ago for the first time.

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Jerome: I just saw it like.

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A week ago, or two weeks ago.

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I had, the entire time it was in

the theater I wanted to see it.

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My kids are a lot smaller than yours.

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Yeah.

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So to get away and go to

the movies is a production.

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And the only way it really happens

consistently is if it's a kids movie

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and we take them to the movies with us.

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Yeah.

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If we're not taking the

kids, it's a production.

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You gotta find a babysitter

and blah blah blah.

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And the desire there for me

was more to see Oppenheimer.

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I couldn't wait to see Oppenheimer

in the theater because I thought,

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if I miss Barbie, I can do Barbie

on the small screen if I have to.

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Mm hmm.

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I didn't want to miss

Oppenheimer on the big screen.

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So I went IMAX on the fuckin Oppenheimer.

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And it was just amazing.

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It blew, it blew me away.

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Side note, 2019, Midsommar, which

I said was my favorite movie of

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the year and got no nominations.

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Yeah.

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My favorite movie of 2023 is Oppenheimer.

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Barbie's up there, but Oppenheimer's

my favorite film of the year.

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And both starred Florence Pugh.

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Yeah.

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I don't know what it is.

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I have a, I have a new

crush on Florence Pugh.

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Chris: Oh, mine's, mine's not new.

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Jerome: Yeah, pretty much since

midsummer I've been crushing.

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But, but no, she's awesome

and she's great in that one.

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But let's, we will get to

Oppenheimer when we get to it.

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Yes.

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Back to Barbie.

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So I just saw it a week or

so ago for this podcast.

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Again, been putting it off,

putting it off, putting it off.

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And I was glad that it's

on, it's on HBO Max.

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So I didn't have to buy it or rent it.

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You know, it's just, I get

it with the subscription.

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Whereas Oppenheimer, I But then

had to rent it again on streaming

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because I had forgotten since

last July a lot of the key points.

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But anyway, so I loved it.

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And I gotta say, not just to prepare for

the podcast, I watched it three times.

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Oh, really?

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Like, in like two weeks.

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Yeah.

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A week and a half or whatever it was.

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I've watched it like three times.

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Now, a couple of, one of the times

I went back just to get like certain

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quotes I wanted to get right and

certain minutes I wanted to see

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like, when did that exactly happen?

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When did that beat happen?

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But mostly I watched it for

enjoyment, at least twice,

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just watching it for enjoyment.

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Yeah.

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I thought it was a unique,

clever, very, very funny.

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Yeah.

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Very funny.

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Chris: Nostalgic for, especially

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for all the women who, when their

little girls had one of those Barbies.

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Jerome: Yeah.

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And again, I never played with Barbies,

but we had a sister, you know, and,

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and like the stuff about the dream

house and everything, it just kind

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of brought back all those memories of

like Amy with all her shit, you know?

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And it's just like, God, I

remember the fucking Corvette.

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Remember the Corvette?

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And yeah.

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So I don't know.

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It was just it was a great experience.

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And it's very, like you said,

you mentioned politics earlier.

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It is very sort of, on the nose for

the time that we're living in right

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now as far as equality in our society

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Chris: it was but, in my Like people

who were like were really like up in

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arms about the wokeness or whatever

the hell they were talking about Jessie

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my wife She kind of helped me put it

in perspective because when she was

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a little girl It was Barbie's world.

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It had nothing to do with Ken.

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Ken was like an afterthought,

which is what he was in the movie.

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Jerome: Oh, he totally,

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Chris: you know, and they totally

played that and it was hilarious.

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And so I wasn't offended

because that was the, that was

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the girl's culture of Barbie.

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I mean, that's, that's what it was about.

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Jerome: I was watching it

though, waiting to be offended.

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Chris: And I never got offended.

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And I was,

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Jerome: I was like, I don't know what

all the pisses about, you know, like,

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like, I mean there was a moment.

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And we'll get to it on the

beats, where I remember thinking,

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Eh, that's kinda horseshit.

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But then they They fixed it

up and I was like, okay, okay.

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I see where Greta's going now.

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Chris: Yeah, they were, yeah.

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I don't remember what part you're talking

about, but I know there's some parts where

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they kind of play, play on, on an idea

and you go, ah, then they acknowledge it.

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Jerome: Well, yeah, it wasn't so much

that, but it was like when they, when

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we, when we get to the beats, we'll

get to it where their plan at the end

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is to make it go back to how it was.

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And I was like, why is that okay?

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Like, that's shitty, right?

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Yeah, yeah.

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Didn't you learn your lesson?

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And then I realized where

Greta was taking me.

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I'm like, alright, Barbie

hasn't learned her lesson yet.

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That's right, she hasn't

reached her spiritual goal yet.

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Duh.

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And then when they got to it,

I was like, okay, okay, okay.

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But for like a split second,

I was like, wait a minute.

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That's not gonna sit right.

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But okay, alright, here we go.

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Alright, log me.

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Chris: Barbie and Ken are having the

time of their lives in the colorful and

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seemingly perfect world of Barbieland.

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However, when they get a chance to go to

the real world, they soon discover the

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joys and perils of living among humans.

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Jerome: Not great.

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Chris: That's it.

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That's it.

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I know, it's not a great long line.

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Jerome: Not great.

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First of all, it's not factual.

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Living among humans?

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They're literally there a half a day.

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So how are they living among the humans?

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Chris: I did enjoy that sequence

though when they first arrived.

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Oh, that was great.

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Jerome: Act 2.

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Act 2.

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Upside down world, right?

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We talk about it all the time.

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:

Is that not a perfect

mirror flip of Act 1?

376

:

Yeah.

377

:

So, but anyway, alright.

378

:

We have...The beats.

379

:

Opening image!

380

:

I love the opening to this movie.

381

:

It's an homage to 2001 A Space

Odyssey, directed by Stanley Kubrick.

382

:

And it's the whole Also, Sprach

Zarathustra music is playing.

383

:

And it's, you know,

you've seen:

384

:

With the monolith and everything.

385

:

So, instead of apes cracking

bones, It's like The little

386

:

girls smashing their baby dolls.

387

:

So, and so, and then, and I was waiting

for it because I watched, when I first

388

:

saw it, I was with V, my wife, and I was

like, because the, one of the key moments

389

:

at the end of that sequence of 2001 is

where the monkey throws the bone up in

390

:

the air and they show the bone spinning.

391

:

And as all the smashing is going on,

I looked at V and I go, please tell me

392

:

somebody's going to throw a doll up in

the air, please tell me they're going

393

:

to do the same thing and throw it down.

394

:

And sure enough, it ends with one of

the girls throwing her doll up in the

395

:

air like she was one of the monkeys.

396

:

Yeah.

397

:

Haha.

398

:

And the thing is spinning, and I was

e, oh, such a great homage to:

399

:

Right.

400

:

. So, okay.

401

:

And yeah, the opening image.

402

:

So Barbie broke the mold is the basic

point of the opening image theme

403

:

stated in the opening monologue by

Helen Mirin, who by the way, was

404

:

in 2010, the year we made contact.

405

:

Yep.

406

:

At the four minute mark, she says

quote, because Barbie can be anything.

407

:

Women can be anything.

408

:

And that is Barbie's running theme

throughout the whole film because

409

:

it's Barbie who struggles with what

she wants to be, what she thinks she

410

:

wants to be, what she needs to be,

and what she thinks she needs to be.

411

:

Right.

412

:

She's in complete confusion,

and that is sort of the theme.

413

:

What do you want?

414

:

What do you want to be?

415

:

Because Barbie can be anything.

416

:

And because Barbie can be

anything, women can be anything.

417

:

Okay, inciting incident.

418

:

14 minutes in at the girl's night party,

the girl's night party, Barbie says,

419

:

anyone, anyone ever think about dying?

420

:

Which, when this happens, by the way,

It doesn't just, er, with the record and

421

:

like everybody stops talking and shocks

the hell out of all the other barbarians.

422

:

It shocked me too, like I, I

didn't see that coming at all.

423

:

Because they're having this great dance

sequence where everything is perfect.

424

:

Why would you say that?

425

:

And like, sure enough, when they're

like, Looking at her, she's like,

426

:

I don't know why I just said that.

427

:

Like, she doesn't even know

why she just said that.

428

:

But anyway, completely disrupts the party

momentarily before Barbie brings it back.

429

:

It's an inciting incident, in

my opinion, because she doesn't

430

:

even know why she said it.

431

:

And, it's, so, it's, it's

going to lead to the catalyst.

432

:

We're not there yet, right?

433

:

Obviously, it's way too early.

434

:

We're not in second act, act two yet.

435

:

But it's the first inkling

that something is wrong.

436

:

Okay, Catalyst at 22 minutes

after the flat feet scare scene

437

:

at the beach, which is funny.

438

:

This movie is loaded with

hilarity, by the way.

439

:

Yeah, right.

440

:

Just every time something

happened was, fuck it, the

441

:

way they did it was hilarious.

442

:

She's encouraged to meet with

the frightening Weird Barbie

443

:

to find out what's going on.

444

:

Weird Barbie, of course

played by Kate McKinnon.

445

:

Right.

446

:

Perfectly, by the way.

447

:

Perfect.

448

:

If you were gonna get

somebody to play Weird Barbie.

449

:

Chris: Was she nominated for anything?

450

:

Jerome: Not that I know of.

451

:

I'd have to look at Best

Supporting Actress, but I

452

:

think it's America Ferreira.

453

:

Chris: Yeah, America

Ferreira did get nominated.

454

:

Jerome: I think she's nominated.

455

:

So this is where Weird Barbie tells her

that there's a ripple in the continuum and

456

:

she must go to the real world to fix it.

457

:

Debate begins.

458

:

This debate is quick.

459

:

Now remember we said that debate

begins after you're a catalyst.

460

:

But, but, but.

461

:

before you jump into Act 2.

462

:

Sometimes it's five seconds,

sometimes it's five minutes, just

463

:

like Dark Knight of the Soul.

464

:

Sometimes your character doesn't need

a hell of a lot of time to debate.

465

:

And this is one of those

that's pretty quick.

466

:

Barbie, just, you know, pretty much,

alright, this is what I gotta do.

467

:

She's a little unsure during the send off.

468

:

She's a little nervous,

she's a little scared.

469

:

The other Kens are daring

Ken to go with her.

470

:

So there's that, that little scene

is kind of the debate begins.

471

:

Break into two, obviously Ken

and Barbie arrive in real world.

472

:

They, they head to the real world, 26

minute mark propelling us into act two,

473

:

which is a mirror flip of act one where

their lives are now turned upside down.

474

:

Again, in a really good screenplays.

475

:

You, you know when you're in Act 2, right?

476

:

Because your characters are now

in like, no man land, right?

477

:

Like, it's, it's not a world

that they are familiar with.

478

:

The fun and games.

479

:

Act 2 opens with some trailer

images that deliver the premise.

480

:

Barbie and Ken are arrested, twice.

481

:

One of the times they, they let them keep

the clothes, which I thought was funny.

482

:

Barbie tries to channel the girl who

created all this mayhem in Barbie land.

483

:

B story.

484

:

When do I say the B story comes in?

485

:

Do you remember?

486

:

Around a half hour in, usually?

487

:

Well here, it's no different.

488

:

Just around the 36 minute mark,

Gloria is introduced as the

489

:

Mattel executive assistant.

490

:

Right.

491

:

Gloria is the B story because her purpose

is to drive Barbie to her spiritual goal.

492

:

Yeah.

493

:

A goal she does not yet know

or realize that she needs.

494

:

More fun and games as Barbie finds

Sasha, a girl she thinks is the one

495

:

causing the ripple in the continuum,

and she gets savagely told off.

496

:

Almost saddeningly, like, I was so,

my heart was breaking for Barbie

497

:

as they were just ripping into her.

498

:

Ken discovers the real world is run

by men, including one boss who tells

499

:

him that there still is a patriarchy,

but "We just hide it better now."

500

:

Wow.

501

:

Is that not Greta?

502

:

Is that not Greta just winking and like,

Thumbing her her, her thumb at everyone.

503

:

Alright.

504

:

Will Ferrell is introduced as the Mattel

CEO, and, God, another great role for him.

505

:

And then an ensuing chase scene where

they want to get her back in the box.

506

:

Ken escapes and heads back to Barbieland.

507

:

Midpoint scene, 56 minutes in.

508

:

By the way, I think I, I wrote

it under the funny lines.

509

:

Yeah under funny moments, but i'll

just say it here in that scene

510

:

where Will Ferrell Try to explain

that they love women everybody here

511

:

loves women because barbie questions

Yeah, why are there no women ceo?

512

:

Why there's no women in here, right?

513

:

He's like and he's trying to

defend himself and he's all we love

514

:

women We are the sons of women.

515

:

We are nephews of aunts, you know?

516

:

And then he says, out of the blue, he

goes, Some of my best friends are Jewish.

517

:

What the fuck?

518

:

Like, where did that even come from?

519

:

Right.

520

:

Like, I was literally, I was

watching Larry Kleiner, and I fucking

521

:

laughed out loud, like, busted out.

522

:

Like, where did that even come from?

523

:

Like, everything is, we are, we are

sons of women, and blah blah blah.

524

:

And then, some of my

best friends are Jewish.

525

:

Ah!

526

:

What the fuck?

527

:

And Barbie, that goes right over her head.

528

:

She has no idea what the

hell he's even talking about.

529

:

Alright, midpoint.

530

:

56 minutes in.

531

:

After Gloria and Sasha, her daughter,

help Barbie escape the clutches of Mattel,

532

:

Barbie learns that Gloria is the one that

created the ripple and the continuum.

533

:

She was the one who played

with Barbie as a child.

534

:

This is a false victory because just

meeting her, which is her tangible

535

:

goal, she wanted to meet the girl

that was Causing all this mayhem

536

:

won't be enough to fix the issues.

537

:

And instead she decides to get them and

bring them back to Barbie land with her.

538

:

And we all know what happens in

the second half of the film, right?

539

:

All right.

540

:

Bad guys closing in.

541

:

As soon as they return, they see that

Ken has completely altered Barbie

542

:

land at the one hour, six minute mark.

543

:

Gloria says, well, this is a hard,

obviously for Barbie to take.

544

:

Gloria says to her at one

hour, six minutes, that's life.

545

:

It's all change.

546

:

And which Barbie responds, no.

547

:

That's terrifying.

548

:

I don't want that.

549

:

So still far from her spiritual goal.

550

:

Chris: Which, which is such

a that's that line is so I,

551

:

you know, so relatable, right?

552

:

Everyone, everyone hates change, right?

553

:

Jerome: Well, and you know what?

554

:

And I I've had this discussion

with somebody before.

555

:

That's pretty much.

556

:

I don't want to say all of politics, but

a real big wedge in today's political

557

:

structure of, of left and right.

558

:

It's change, right?

559

:

Traditionalism.

560

:

People don't like change, right?

561

:

And when people start taking

down statues and shit, right?

562

:

Like, it's like terrifying.

563

:

It's like, ah, why, why all of a

sudden now are we changing this?

564

:

You know what I mean?

565

:

Yeah.

566

:

But the best I, I tried to equate

it was, You know, there was a time

567

:

when slavery was legal and accepted.

568

:

And when that changed, imagine

everybody in America going, What?

569

:

We gotta do our own work now?

570

:

Or pay someone?

571

:

Like, that's a change, right?

572

:

And look, obviously the pushback

was so big, it caused a civil war.

573

:

So, I mean, just, obviously

that's a very large scale.

574

:

But on a small scale,

Change is terrifying.

575

:

Yeah.

576

:

For everyone, right?

577

:

Just even little things like

things I used to do all the time.

578

:

I can't do anymore.

579

:

Cause I have kids kind of sucks,

but it's, it's, it's just how it is.

580

:

You know what I mean?

581

:

Have a family now things are different.

582

:

Your life changes.

583

:

So anyway, yeah, you're right.

584

:

That's a major that's life.

585

:

It's all change.

586

:

And she says, that's terrifying.

587

:

I don't want that.

588

:

Alright, so Ken then kicks

her out of her house.

589

:

Gloria and Sasha decide to leave.

590

:

There is one moment, though, before

as they go to leave, Gloria picks up a

591

:

blouse and says, Oh, this might fit me.

592

:

I don't know.

593

:

I don't know if you caught that.

594

:

Weird Barbie comes to collect

Barbie, and Gloria and Sasha,

595

:

discovering Alan was trying to

escape, they all decide to return.

596

:

Alan, by the way, has a little

fight scene where he beats up a

597

:

bunch of construction workers.

598

:

That was kind of funny.

599

:

All is lost.

600

:

Alright, Barbie is at

her lowest point now.

601

:

She feels ugly, and feels

like she has lost everything.

602

:

She's verbalizing this to Gloria in tears.

603

:

And at the one hour, fourteen minute

mark, you once again hear narrator Helen

604

:

Mirren say, Note to the filmmakers,

Margot Robbie is the wrong person to

605

:

cast if you want to make this point.

606

:

Chris: That is so good.

607

:

Jerome: The fucking hilarity of

this movie, even in moments of

608

:

despair and all is lost, like,

Greta's still like, Nah, I'm gonna

609

:

throw a dinger in there somewhere.

610

:

You know, like, I mean, God.

611

:

That's why I say it's screenplay driven.

612

:

Cause this shit's all writing.

613

:

You know what I mean?

614

:

This is all writing.

615

:

Alright, Dark Knight of the Soul,

Gloria makes her Oscar speech about

616

:

how contradicting the whole thing is

about being a woman in the real world.

617

:

It's a great speech, and she goes through,

I can't, I don't have the whole thing

618

:

quoted, because it's a long one, but she

talks about, you know, the contradictions.

619

:

We have to be thin, but

not too thin, you know?

620

:

We have to look good, but we

can't tease men, you know?

621

:

Like, she goes on and on and on, and I

feel, I actually wrote this down, not only

622

:

is it, It's eye opening, I think, for men,

and for me personally, like, listening

623

:

to her list all those things out.

624

:

Yeah.

625

:

I'm gonna sound a little bit

like I did when we did the

626

:

Promising Young Thelma episode.

627

:

It really kind of opens

your eyes as a guy.

628

:

Oh yeah.

629

:

Fuck, do they really feel that

way about all of that shit?

630

:

Chris: Yeah, I had a similar

experience, because it reminded me of

631

:

when I watched Promising Young Woman.

632

:

Yeah.

633

:

And, because I had that similar

experience, because you're watching

634

:

that as a man, where there's men

taking advantage of women, or trying

635

:

to take advantage of women, and

all that, and it was, like, gross.

636

:

And, yeah, you just But yeah, this was

different, but it was still, you're,

637

:

you're experiencing it as a man going,

Yeah, that, this, this ain't right, man.

638

:

Jerome: These movies are

making us woke, Chris!

639

:

But no, I mean, but honestly, all

jokes aside, I remember thinking

640

:

like, fuck, like, I never looked

at it from that point of view.

641

:

And, you know, I never

thought that it was that hard.

642

:

You know what I mean?

643

:

Like, I was like, Wow.

644

:

And then, again, like you said, when

we did Promising Young The movie was

645

:

Promising Young Woman, but the name of

our episode was Promising Young Thelma.

646

:

To anyone that's confused right now.

647

:

We did a podcast episode about it.

648

:

And, yeah, it really

brought me back to that.

649

:

Like, shit, like, once again, I'm

looking at something from a female point

650

:

of view that I didn't Realize before.

651

:

Yeah.

652

:

And

653

:

Chris: I'll, I'd push back

against the, the whole word woke

654

:

because I mean that has so many

655

:

Jerome: people use it.

656

:

Don't know.

657

:

Chris: Well, yeah.

658

:

And the way it's used is usually

in some kind of charged political

659

:

conversation or whatever.

660

:

Right.

661

:

They're not even using it.

662

:

Right.

663

:

This is just, yeah, this is

just being a decent human being,

664

:

acknowledging someone else's struggle.

665

:

I mean, come on.

666

:

It's not, it's not being woke.

667

:

Shut up.

668

:

Jerome: Well, actually, that is

the, that was originally what the

669

:

word woke was supposed to mean.

670

:

Chris: Yeah, but it's, it's devolved

into something completely different

671

:

is what I'm trying to get at.

672

:

Jerome: Yeah, they're

yes, it's being abused.

673

:

Okay, break into three.

674

:

Glorious speech, reset one of the Barbies.

675

:

In the room, and they realize this is

how we're gonna break the brainwashing.

676

:

Gloria, now, which is funny that they

don't, they mention it, but I remember

677

:

thinking, Wait a minute, she's gotta

do word for word, that whole fucking

678

:

speech again, To every Barbie, but

they're just like, Yep, that's what

679

:

we gotta do, that's what we gotta do.

680

:

Alright, five point finale, are you ready?

681

:

Yeah.

682

:

That's obviously the first one's easy.

683

:

Gathering the team.

684

:

The weird Barbie gets off the

map of Barbieland and they come

685

:

up with a plan on how they're

gonna reset the Barbies, right?

686

:

Execution of the plan.

687

:

They actually pull it off.

688

:

They confuse the Kens, they pull

a Barbie away, they brainwash her

689

:

ba br they break the brainwashing.

690

:

Right.

691

:

And then they use the new Barbie, or

the fixed Barbie, I guess you would say

692

:

to help them with the rest of the plan.

693

:

So the executing of the

plan goes almost perfectly.

694

:

It works like a charm.

695

:

They even get the Kens to fight each other

after the serenade which by the way they

696

:

use the song Push as their serenade song.

697

:

I wanna push you around, like,

like that's their idea of a

698

:

great romantic serenade song.

699

:

Like alright, so then all this distraction

is going on so that the Barbies can then

700

:

vote, right, on how, the new constitution.

701

:

Right.

702

:

Gravity of it unknown to

Barbie until this moment.

703

:

She realizes when Ken is breaking

down how much she really hurt him.

704

:

And that the problem was identity.

705

:

Ken's identity, or lack thereof.

706

:

She says quote, maybe all

things you thought made you.

707

:

Oh, maybe all the things you thought

made you you aren't really you Right

708

:

big moment for Ken and Barbie because

now she's starting to get closer to

709

:

that spiritual goal Right, right.

710

:

Who do you really want to be?

711

:

Yeah, take dig down deep Ken, after

a few failed attempts to again be

712

:

Barbie's boyfriend by trying to

plan a kiss on her, he realizes

713

:

his place is to just find himself.

714

:

He starts saying, Ken is me!

715

:

And he says quote, maybe instead of

Barb or no, she says, Barbie says,

716

:

maybe instead of Barbie and Ken,

it's Barbie and it's Ken, right?

717

:

Which is her eye opening moment.

718

:

Execution of the new plan.

719

:

The Mattel CEO and bosses want

everything to go back to how it was,

720

:

but President Barbie is the first

to shut that down in favor of the

721

:

new, sort of, new Barbie land, which

is a little bit more of equality.

722

:

Right.

723

:

Not all the way, and Helen Mirren's

voiceover even says we're not ready

724

:

for equal parts of the Supreme Court.

725

:

Helen Mirren says, The men will

represent about as much as the

726

:

women do in today's real world.

727

:

Like, again, just a little, Hey,

you can't have it both ways.

728

:

So, okay.

729

:

So yeah, so again, Right before that

whole jump into Act 3, With the five point

730

:

finale, That's where I was like, I was

put off for a second, like just a second.

731

:

I was like, wait a minute, they

wanted to go back to how it was.

732

:

Right.

733

:

Ken clearly told her when he was

kicking her out of her house, It

734

:

doesn't feel too good now, does it?

735

:

You know?

736

:

So she knew that she was

making him feel like shit.

737

:

And now they want to go back

to that, I had a problem with.

738

:

But, Greta, in her creative way, You

know, made it to where Barbie hadn't

739

:

reached her spiritual goal yet.

740

:

And when she does they still have

power, they still have more power

741

:

than the men, but there is more of a

sense of equality, and it's more about

742

:

the Kens finding themselves as well

as the Barbies finding themselves.

743

:

Right, right.

744

:

Right?

745

:

The Barbies were all independent before,

one wrote, remember the one says, I

746

:

did write a book, you know what I mean?

747

:

One of them was president, one of

them was this, one of them was that.

748

:

The Kens were none of that.

749

:

There was Beach Ken, which by the way,

I'm gonna get to that in a second.

750

:

How many beach Kens were there?

751

:

But that was basically

their existence, right?

752

:

Yeah, yeah, yeah.

753

:

So this is a spiritual goal, not just for

Barbie, but for the Kens in the movie too.

754

:

Right, right.

755

:

So, I think that was a major point

of, of the equality at the end.

756

:

Climax, Ruth returns and

Barbie's unsure of her future.

757

:

She says, quote, maybe I'm not Barbie

and suggests a change is needed.

758

:

The change that she once

was terrified of, mind you.

759

:

Ruth says, you understand, this

is quote, you understand that

760

:

humans only have one ending.

761

:

Ideas live forever.

762

:

Humans, not so much.

763

:

But that's she's okay with that right

because she says I'd rather be part

764

:

of the living part of it, right?

765

:

Barbie becomes human achieving her

spiritual goal discovering what she really

766

:

really wanted and needed to be again What

do we always talk about arc if you were

767

:

to take the person at the end and put him

at the beginning if you were Told Barbie

768

:

at the beginning of this movie you're

gonna be human What would she have said?

769

:

Fuck you!

770

:

I'm gonna be human!

771

:

Like, she doesn't want that at all, right?

772

:

So you gotta go through that growth.

773

:

You gotta go through that journey.

774

:

Closing image, Barbie goes to her

gynecologist's office, which I thought

775

:

was here's how my fucked up mind works.

776

:

When she first said, I'm here to see

my gynecologist, my first, again, this

777

:

is why Greta Gerwig made this movie.

778

:

Somebody like me.

779

:

My first thought wasn't, oh, that's

right because she has a vagina now.

780

:

She's now anatomically correct.

781

:

She's a human so she has a vagina.

782

:

No, no, I jumped over that and I

went to, she's pregnant already?

783

:

And then like a half a second went

by and went, oh you fucking idiot.

784

:

This is, you obviously need to

watch the movie again, because

785

:

you are not, I haven't learned my

spiritual goal, which is women are

786

:

not just there to be Ken's baby mama.

787

:

So, I had to self correct and be

like, oh my god, I can't believe

788

:

I thought that for a moment.

789

:

And by the way, I'm admitting

a lot right now saying that,

790

:

I could have buried all that.

791

:

But no, I'm gonna be truthful to

the audience, to the listeners,

792

:

that I too, Greta Gerwig made

this movie for people like me.

793

:

I had to backtrack and be like, no,

no, no, she's anatomically correct.

794

:

Now she's got a vagina.

795

:

So she needs to see a

gynecologist makes sense.

796

:

And I was a little ashamed that my first

thought was what she's pregnant already.

797

:

All right.

798

:

No, it's again on the arc.

799

:

Barbie's tangible goals to find out who or

what caused the ripple in the continuum.

800

:

She achieves that in the midpoint

scene, her spiritual goal, obviously.

801

:

Was discover what she truly needs

to be and that was to be human.

802

:

All right, so funny moments So we've

got empty cups and empty showers All

803

:

of that sets up pretty great right

where they go to drink something, but

804

:

there's nothing in the cup And then

when she goes in the shower, there's

805

:

no water coming down, but yet she

feels like it's great and everything.

806

:

But then after things start to get

weird, she feels cold water, even though

807

:

there's still no water coming down.

808

:

But she reacts to it like it's cold.

809

:

Her food is burnt.

810

:

Right?

811

:

She has bad breath when she

wakes up in the morning.

812

:

All these are great.

813

:

And then Then Ken wants to

fight another Ken at the beach

814

:

and they call it a beach off?

815

:

Yes.

816

:

He's like, I'm going to

beach you off right now.

817

:

And the guy's like,

you can't beach me off.

818

:

I'm going to beach you off.

819

:

And then and then Barbie

goes to break it up.

820

:

And she's like, all right, nobody

is going to beach anybody off.

821

:

Chris: I felt like they put that in there

for all the, the few Neanderthals that

822

:

are going to be dragged to this movie.

823

:

Here's a little something for you guys.

824

:

Jerome: Yes, people like me.

825

:

Alright.

826

:

Something for everybody.

827

:

So, when she goes to Mattel,

this is another funny moment.

828

:

When she goes to Mattel, they

give her real water to drink.

829

:

And she does the thing, like she thinks

there's nothing that's going to come out,

830

:

but the water all comes out on her face.

831

:

And you know what it reminded me of?

832

:

Ted Stryker's drinking

problem in the movie Airplane.

833

:

Airplane, yes.

834

:

So, yeah, so that was a great moment.

835

:

I already mentioned Will Ferrell

and his We Love Women speech.

836

:

Some of my best friends are Jewish.

837

:

Alright, trivia.

838

:

America Ferreira, who plays Gloria,

has her husband in the movie

839

:

played by her real life husband.

840

:

Oh, really?

841

:

Ryan Pearson Williams.

842

:

I didn't know that.

843

:

Gal Gadot, who plays Wonder Woman,

was originally considered for the role

844

:

of Barbie, but she was unavailable.

845

:

Here's my last piece of trivia before

I turn it over to you on any thoughts

846

:

or added trivia that you might have.

847

:

It's nominated for best adapted

screenplay, although it is not

848

:

based on any previously published

movie, book, show, or anything.

849

:

Chris: It's because the

Barbie character, right?

850

:

Jerome: Yes, but!

851

:

It's nominated for best original

screenplay in almost every

852

:

other award show this year.

853

:

The Writers Guild had it

in the original category.

854

:

Wow.

855

:

Uh, I think the Golden Globes

had it in the original category.

856

:

Only the Oscars are deviating.

857

:

Chris: Yeah, and that I was upset

about when I saw it because knowing

858

:

how original this story was.

859

:

Right.

860

:

I was like, come on, man.

861

:

Just cause, just cause it's based

on a character named Barbie.

862

:

They had to make it an adapted screenplay?

863

:

I'm like, ugh.

864

:

Jerome: If you want to scream

conspiracy politics with Oscars,

865

:

you could argue this, because I

looked into it a little bit deeper.

866

:

Bradley Cooper has 12

Academy Award nominations.

867

:

He's never won.

868

:

He's likely not going to win for Maestro.

869

:

Best director or best actor, probably.

870

:

But he is up for screenplay,

because he wrote the screenplay.

871

:

So, by putting her in the adapted

category, it kind of clears the avenue

872

:

a little bit for Bradley Cooper to win

Best Original Screenplay for Maestro.

873

:

Yeah, he could finally get one.

874

:

But here's, the counterpoint is, well

wait, by putting her in the adapted

875

:

category, she now has to go up against

Christopher Nolan and Oppenheimer.

876

:

But, you know how voters are, they

could say, I don't know, Credit

877

:

gets that one, Nolan's gonna get

Best Picture and Best Director.

878

:

Hmm.

879

:

Right?

880

:

So, he's not a threat in the

adapted screenplay category.

881

:

That's hers to win.

882

:

Okay.

883

:

You know what I'm saying?

884

:

So if you believe in the 5, 000 Academy

members all get together on a Zoom chat

885

:

and work this shit out, that's where the

only thing I could come up with as why

886

:

they would make it an original screenplay.

887

:

Chris: Right, right.

888

:

Jerome: Or I mean adapted, to get it

out of the original screenplay category.

889

:

Which, isn't it ironic, because if

what I say is true, Bradley Cooper

890

:

is nominated for best original

screenplay for writing an original

891

:

story about a real life person.

892

:

But yet Barbie has to go in the

adapted category because it's a

893

:

made up story about a made up thing.

894

:

Right.

895

:

Right?

896

:

Yeah, right.

897

:

So But okay, Oscar politics.

898

:

Alright, what do you think?

899

:

Well, I mean,

900

:

Chris: you already heard my thoughts.

901

:

I enjoyed the movie.

902

:

So, when I saw the nominations, I,

you know, I wasn't all that upset

903

:

that Margot Robbie wasn't nominated.

904

:

I mean, she did a fine job, but

I, you know, I haven't watched

905

:

all the performances for best

best, you know, best actor.

906

:

Right.

907

:

But I just held out judgment because

I, and I'm still not sure because

908

:

I haven't seen everybody yet.

909

:

Sure.

910

:

But when I saw the nomination

for America Fiera, I, and this is

911

:

going to be an unpopular opinion.

912

:

I'm probably going to

get lots of hate mail.

913

:

I felt like she was the same character.

914

:

She is in like Superstore or whatever

the, is that the show Superstore?

915

:

She just she played America Fiera.

916

:

You know, I mean, I don't

917

:

Jerome: know though if you, if the, if the

nomination or an ensuing Oscar, which I

918

:

don't even know if she's the front runner.

919

:

I don't know if a lot of that is That

they play somebody different from them.

920

:

No, I know.

921

:

Sometimes, sometimes it's

their impact on the film.

922

:

Yeah, yeah.

923

:

And, and her impact on this film.

924

:

She's the Obi Wan of this movie, right?

925

:

Yeah.

926

:

I mean, if you think about it, I

mean, Alec Guinness was nominated

927

:

for Best Supporting Actor.

928

:

Did he really go outside of

his acting chops for Star Wars?

929

:

He pretty much was an old man

walking around with a robe on.

930

:

But his impact was

931

:

Chris: large.

932

:

Well, and, again, like I said, I've

not, I'm not comparing her to all

933

:

the other best supporting actors.

934

:

Yeah, I don't even know if

I've seen the other ones yet.

935

:

I don't even know.

936

:

Right, so, but, anyway,

I mean, I like her.

937

:

That's fair criticism.

938

:

Yeah, I like her, and, and,

you know, she is a good actor.

939

:

Jerome: It's, it's, it's fair

criticism because the counterpoint

940

:

is the Heath Ledger argument.

941

:

Where is, when somebody completely

disappears into a role, Right, then you're

942

:

like, Then you can't even tell it's them.

943

:

Yeah, that, yeah.

944

:

You're like, well for

sure they're gonna win.

945

:

You know what I mean?

946

:

So yeah, I get it.

947

:

I just, I've seen so many supporting

actors and actresses come and go that

948

:

it doesn't seem like the role itself

is demanding as far as, you know,

949

:

But sometimes their impact is more.

950

:

Juliette Binoche won

for the English patient.

951

:

A really terrible English patient.

952

:

But Juliette Binoche won Best

Supporting Actress for that.

953

:

I don't think she did anything out

of her normal shit that she had done.

954

:

She's a French actress

that makes French movies.

955

:

Chris: Well, and it's not just the,

like, the normal stuff they've done.

956

:

But, like what's his name?

957

:

Paul Giamatti.

958

:

He can Just the, I don't know, the

way he, that guy can just memorize his

959

:

lines and deliver them in such a way

it's just, I don't know, he'll make

960

:

me hold my breath when he's talking.

961

:

You know what I mean?

962

:

And I haven't seen the movie he's in

that's up for, is it up for Best Picture?

963

:

Jerome: I bought it.

964

:

Yeah, I bought it.

965

:

Yeah, I gotta see that one.

966

:

It's our, it's our target right now.

967

:

Chris: And we gotta do that one next.

968

:

Jerome: I bought it.

969

:

The holdovers.

970

:

Yeah.

971

:

Yeah, I mean, but he's, you know, he's

kind of like Meryl Streep, you know,

972

:

you give him anything and they can make

something out of it, you know what I mean?

973

:

Yeah.

974

:

You, you could, like I said before,

you could give Meryl Streep a,

975

:

Friggin phone book and say, read

this and it'd be the greatest reading

976

:

of a phone book you've ever heard

in your life, you know what I mean?

977

:

Like just some people, I mean, and

I'm not trying to, I mean, I'm not

978

:

trying to say that America Ferreira

is not Meryl Streep, but I feel like

979

:

her impact in this movie was enough.

980

:

I can see the nomination

based on impact alone.

981

:

You know what I mean?

982

:

Chris: Yeah, I mean I think about other

actors like You mentioned Florence

983

:

Pugh Holy crap, I mean the, the, the

variation of characters she's played in

984

:

just the few movies I've seen her in.

985

:

Yeah.

986

:

I'm like holy crap man, she can

really I don't know, be a convincing

987

:

presence in different roles, so.

988

:

Jerome: And she's in the new Dune, right?

989

:

Yeah.

990

:

She's in the Dune sequel.

991

:

Yep.

992

:

Yeah.

993

:

She's everywhere.

994

:

Looking forward to that.

995

:

That's coming out in March.

996

:

Yeah, I love her.

997

:

She's great.

998

:

But okay, so are we going to

officially close the book on Barbie?

999

:

Chris: Until the sequel comes out.

:

00:42:00,690 --> 00:42:03,830

Jerome: Yeah, I think which would

be awesome if they did a sequel.

:

00:42:04,170 --> 00:42:08,140

But, no, I mean, again, to your point,

I haven't seen all the movies that

:

00:42:08,140 --> 00:42:09,370

are nominated for Best Director yet.

:

00:42:09,430 --> 00:42:11,270

I cannot say if it's truly a snub.

:

00:42:11,500 --> 00:42:12,750

It seems like a snub.

:

00:42:13,040 --> 00:42:16,620

Because when you've directed the

film, that has a lot of production

:

00:42:16,620 --> 00:42:20,710

design, and imagery, and visuals,

and it was the number one movie of

:

00:42:20,710 --> 00:42:23,020

the year, making 1.4 billion dollars.

:

00:42:23,030 --> 00:42:26,350

Chris: And even the music, like,

as a director, she played a big

:

00:42:26,360 --> 00:42:27,870

role in putting that together.

:

00:42:27,870 --> 00:42:29,200

Jerome: Absolutely, absolutely.

:

00:42:29,200 --> 00:42:31,920

And your film gets 8

Academy Award nominations.

:

00:42:32,420 --> 00:42:34,940

Yeah, it's a snub if you don't

get nominated for Best Director

:

00:42:34,940 --> 00:42:38,180

when you have all that shit on

your resume for that one movie.

:

00:42:38,960 --> 00:42:41,030

But again, I think it

was just a math issue.

:

00:42:41,030 --> 00:42:43,910

I think when people were filling out

their cards, they were like, She'll

:

00:42:43,910 --> 00:42:45,230

get in, I don't have to include her.

:

00:42:45,230 --> 00:42:47,070

I want to see Didier get in.

:

00:42:47,070 --> 00:42:49,980

Or I want to see, you know,

obviously I gotta put Nolan number

:

00:42:49,980 --> 00:42:51,150

one or whatever, I don't know.

:

00:42:51,150 --> 00:42:53,440

Oh, I gotta put Scorsese in,

cause Scorsese always in,

:

00:42:53,440 --> 00:42:54,320

you know, like, whatever.

:

00:42:54,610 --> 00:42:57,530

I don't know how their math

was, but it just worked out that

:

00:42:57,530 --> 00:42:58,500

she got left out of the cut.

:

00:42:58,520 --> 00:43:01,030

I mean, if there was allowed

six nominees, she's probably in.

:

00:43:01,250 --> 00:43:04,910

Chris: Well, I hope Barbie at least

does well with the nominations I got.

:

00:43:05,110 --> 00:43:06,860

Jerome: So, real quick, what

do you got for predictions?

:

00:43:07,060 --> 00:43:08,000

Chris: I don't have any.

:

00:43:08,030 --> 00:43:11,380

Jerome: I think, I don't think

Ryan Gosling wins Best Supporting

:

00:43:11,380 --> 00:43:12,600

Actor, and I'll tell you why.

:

00:43:13,610 --> 00:43:14,930

That dude's got a lot of range.

:

00:43:14,940 --> 00:43:16,170

He's had some great movies.

:

00:43:16,170 --> 00:43:18,260

He's been up for Best Actor before.

:

00:43:18,830 --> 00:43:22,050

And he's, he's had some great

performances that I don't think his

:

00:43:22,050 --> 00:43:24,720

crowning achievement is to be Ken.

:

00:43:24,740 --> 00:43:25,390

I just don't.

:

00:43:25,470 --> 00:43:25,720

I don't.

:

00:43:25,720 --> 00:43:27,990

Chris: Well, and we've gone

over this before, though, too.

:

00:43:27,990 --> 00:43:31,000

So, like, Denzel's crowning

achievement wasn't Training Day.

:

00:43:31,000 --> 00:43:32,310

Jerome: True, but he was much older.

:

00:43:32,320 --> 00:43:34,430

Ryan's still relatively young.

:

00:43:34,430 --> 00:43:37,390

Ryan's got his Leo years coming up, right?

:

00:43:37,540 --> 00:43:37,560

Yeah.

:

00:43:37,560 --> 00:43:38,930

Same with Al Pacino, right?

:

00:43:39,520 --> 00:43:43,390

Well, yeah, but Pacino and Denzel

were definitely make up awards.

:

00:43:43,570 --> 00:43:45,000

Yes, those were, yeah.

:

00:43:45,110 --> 00:43:48,000

But Leo, I don't think the

revenant was a make up a word.

:

00:43:48,000 --> 00:43:49,040

I think it was the perfect timing.

:

00:43:49,050 --> 00:43:51,850

Chris: No, yeah, no, he was,

he wasn't only just due,

:

00:43:51,900 --> 00:43:53,200

that was a great performance.

:

00:43:53,330 --> 00:43:56,580

Jerome: And I think Ryan's

revenant is out there.

:

00:43:56,630 --> 00:43:57,570

You know what I mean?

:

00:43:57,850 --> 00:44:00,000

Chris: Yeah, yeah, I think you're right.

:

00:44:00,070 --> 00:44:01,079

I think you're right.

:

00:44:01,080 --> 00:44:04,210

Jerome: So unfortunately, I don't

see Barbie taking a lot that night.

:

00:44:04,240 --> 00:44:06,280

I think Billie Eilish should win for song.

:

00:44:07,320 --> 00:44:11,040

By the way, there's two songs, by the

way, up for best song at the Oscars.

:

00:44:11,230 --> 00:44:13,430

It's also the I am Ken song.

:

00:44:13,780 --> 00:44:14,250

Oh, really?

:

00:44:14,410 --> 00:44:17,520

The one during the end, when he's

got that whole big thing, he's got

:

00:44:17,520 --> 00:44:19,410

the big production moment, right?

:

00:44:19,780 --> 00:44:22,580

The guy that wrote that song is up

for best song too, but I really think

:

00:44:22,580 --> 00:44:24,080

Chris: Did Ryan gosling sing that?

:

00:44:25,580 --> 00:44:26,030

Jerome: I don't know.

:

00:44:26,690 --> 00:44:28,310

Chris: Cause then he'd get

the award, wouldn't he?

:

00:44:28,410 --> 00:44:30,010

Jerome: No, no, no, it goes

to whoever wrote the song.

:

00:44:30,010 --> 00:44:30,960

Chris: Whoever wrote it, okay.

:

00:44:31,040 --> 00:44:34,850

Jerome: So, I, but I do see Billie

Eilish winning for What Was I Made For.

:

00:44:34,860 --> 00:44:35,080

Huh.

:

00:44:37,040 --> 00:44:40,250

It was not only a great song, but I

know, remember I said I had heard of

:

00:44:40,250 --> 00:44:42,590

the song before I heard it, before

I knew it was part of the movie.

:

00:44:42,640 --> 00:44:42,950

Right.

:

00:44:43,880 --> 00:44:48,550

It serves as sort of unofficial

soundtrack moments, right?

:

00:44:48,560 --> 00:44:48,860

Mm hmm.

:

00:44:48,870 --> 00:44:51,710

Where, like, the deepest,

saddest parts are coming.

:

00:44:51,730 --> 00:44:54,260

That song, the music from

that song is being played.

:

00:44:54,300 --> 00:44:54,590

Yeah.

:

00:44:54,790 --> 00:44:58,610

You know, much like Ode to Joy, the

Beethoven song, was the unofficial

:

00:44:58,610 --> 00:44:59,900

soundtrack for Die Hard, right?

:

00:44:59,940 --> 00:45:02,820

Like, they just kept playing

that song over and over again.

:

00:45:02,910 --> 00:45:03,219

Right, right.

:

00:45:03,270 --> 00:45:06,730

Celine Dion's song My Heart

Will Go On from Titanic.

:

00:45:06,840 --> 00:45:09,010

That was like the unofficial

soundtrack song, right?

:

00:45:09,010 --> 00:45:12,190

Like, that music kept coming

up over and over in that movie.

:

00:45:12,500 --> 00:45:16,070

So, I really think her song was

more impactful than the Ken song.

:

00:45:16,580 --> 00:45:18,040

So I think she should win.

:

00:45:18,610 --> 00:45:20,410

Probably production and costume.

:

00:45:20,410 --> 00:45:23,040

I can't remember which one of those

it's up for, but it might win those.

:

00:45:23,680 --> 00:45:25,100

But unfortunately, oh, Greta!

:

00:45:25,110 --> 00:45:25,690

I got Greta!

:

00:45:25,690 --> 00:45:27,480

I got Greta winning

Best Adapted Screenplay.

:

00:45:28,200 --> 00:45:30,290

So so a couple of big wins there.

:

00:45:30,510 --> 00:45:30,720

Yeah.

:

00:45:30,730 --> 00:45:33,680

It'd be nice if Billie Eilish and Greta

Gerwig could both win Oscars that day.

:

00:45:33,720 --> 00:45:36,690

Chris: Are you gonna have squares, like

with the Super Bowl, that we can bet on?

:

00:45:37,480 --> 00:45:42,000

Jerome: I do, I do, I don't have bets,

but I do send my pics to Kaitlynn

:

00:45:42,020 --> 00:45:43,330

every year, she'll tell you that.

:

00:45:43,850 --> 00:45:46,830

Chris's daughter Kaitlynn is as

into movies as I am, and every year,

:

00:45:46,970 --> 00:45:50,635

like the day of, I always wait for

the day of because You can never

:

00:45:50,635 --> 00:45:54,175

make your predictions too early

because the vibe starts to change.

:

00:45:54,415 --> 00:45:56,255

Because people in Hollywood

start talking, and they start

:

00:45:56,255 --> 00:45:57,375

talking about who they voted for.

:

00:45:57,755 --> 00:46:00,475

So then when you start to see the

pendulum swing, you're like, Oh shit,

:

00:46:00,485 --> 00:46:02,205

everything's going Parasite now.

:

00:46:02,375 --> 00:46:02,935

You know what I mean?

:

00:46:03,145 --> 00:46:05,125

Oh shit, everything's going CODA now.

:

00:46:05,345 --> 00:46:08,605

You know, so I always wait till the last

day and I hear the buzz on the street.

:

00:46:08,865 --> 00:46:11,825

I put my ear to the sidewalk and I hear

what the buzz on the street is, and

:

00:46:11,825 --> 00:46:13,225

I'll send my predictions to Kaitlynn.

:

00:46:13,245 --> 00:46:14,975

She's always the first person

I send my predictions to.

:

00:46:15,365 --> 00:46:17,115

But so unless it changes.

:

00:46:17,345 --> 00:46:18,645

That's where I'm at right now.

:

00:46:18,955 --> 00:46:22,635

Best original song, best adapted

screenplay you know, maybe

:

00:46:22,635 --> 00:46:24,295

costume or productions in there.

:

00:46:24,295 --> 00:46:25,435

I'd have to look at the nominations.

:

00:46:25,435 --> 00:46:26,269

Chris: Yeah.

:

00:46:26,520 --> 00:46:29,180

Well, we did, we did this

first one in less than an hour.

:

00:46:29,240 --> 00:46:31,420

Can we do Oppenheimer in less than three?

:

00:46:33,440 --> 00:46:35,070

Jerome: Can the movie be less than three?

:

00:46:35,560 --> 00:46:38,160

For those of you that don't

know, Oppenheimer is exactly

:

00:46:38,160 --> 00:46:39,580

to the minute three hours long.

:

00:46:39,590 --> 00:46:39,860

Yeah.

:

00:46:39,870 --> 00:46:42,500

But, but, didn't it kind of move quickly?

:

00:46:42,640 --> 00:46:43,380

Chris: I don't know, man.

:

00:46:43,550 --> 00:46:46,280

When I was watching it last

night, I kept dozing off.

:

00:46:46,410 --> 00:46:48,440

Jerome: Oh, see, you

got, you do what he does.

:

00:46:48,685 --> 00:46:51,555

V always gets in bed after

a long day of work and

:

00:46:51,555 --> 00:46:52,715

Chris: It wasn't that late!

:

00:46:52,805 --> 00:46:53,655

It wasn't that late!

:

00:46:53,905 --> 00:46:56,775

But it was, it was after work

and it was like, I don't know,

:

00:46:56,775 --> 00:46:58,645

I think I started at like, 6.

:

00:46:59,205 --> 00:47:00,115

So it wasn't late at all.

:

00:47:00,115 --> 00:47:01,205

Jerome: Wait, 6 o'clock your time?

:

00:47:01,285 --> 00:47:02,475

Chris: Yeah, 6pm.

:

00:47:02,535 --> 00:47:04,035

Jerome: What's your problem, you old man?

:

00:47:04,035 --> 00:47:07,125

Chris: And I'm like, I'm like an

hour in and it's just, I don't

:

00:47:07,125 --> 00:47:08,765

know, we're gonna get into it, so.

:

00:47:08,965 --> 00:47:11,525

Jerome: Here's why I think,

I'll mention it right now, why I

:

00:47:11,555 --> 00:47:13,375

think it works for three hours.

:

00:47:14,135 --> 00:47:15,055

The scenes are short.

:

00:47:15,615 --> 00:47:19,440

Chris: Well, and it's all the flashbacks

and back and forth and Yeah, but

:

00:47:19,440 --> 00:47:21,090

yeah, you get in a comfy chair.

:

00:47:21,750 --> 00:47:25,090

Jerome: By the way, I, I, I

had to a couple of things.

:

00:47:25,090 --> 00:47:25,960

First of all, Barbie.

:

00:47:26,870 --> 00:47:29,030

If, I, I always write

down the scenes, right?

:

00:47:29,060 --> 00:47:30,410

I do a scene list as I go.

:

00:47:30,410 --> 00:47:33,780

It helps me dictate beats if I'm

having trouble finding beats.

:

00:47:34,115 --> 00:47:37,235

Didn't have any trouble with Barbie

or Oppenheimer, but like for Fat Man I

:

00:47:37,235 --> 00:47:40,485

needed to write down all the scenes cuz

I couldn't figure out the fucking beats

:

00:47:40,495 --> 00:47:44,735

for that movie to save my life But anyway,

so I always do as just a habit I'll write

:

00:47:44,735 --> 00:47:49,415

down the scenes and I noticed that after

the midpoint scene of Barbie the second

:

00:47:49,415 --> 00:47:53,885

half seemed to go really quick And I

remember think like not as many scenes

:

00:47:53,885 --> 00:47:57,115

were written down and I remember thinking

well, how is that possible minutes wise?

:

00:47:57,115 --> 00:47:59,725

It's exactly halfway through

and then it occurred to me

:

00:48:00,415 --> 00:48:03,735

Greta's structure of that film.

:

00:48:04,615 --> 00:48:06,805

The first half of the

film are quick scenes.

:

00:48:07,245 --> 00:48:08,685

They're going pretty quickly, right?

:

00:48:08,735 --> 00:48:10,745

Like, you don't spend a lot

of time in any one scene.

:

00:48:10,905 --> 00:48:12,485

There's quick shots, you're seeing this.

:

00:48:12,625 --> 00:48:14,175

You get a lot of Will Ferrell humor.

:

00:48:14,325 --> 00:48:15,884

There's, you know, things

are going back and back.

:

00:48:15,885 --> 00:48:18,465

Once you get into that second

act, where she gets back to

:

00:48:18,465 --> 00:48:21,335

Barbieland and everything's gone

to shit and it becomes Ken-dom?

:

00:48:21,785 --> 00:48:23,455

I like how he calls it Ken-dom by the way.

:

00:48:23,465 --> 00:48:24,745

Sounds like condom, doesn't it?

:

00:48:25,625 --> 00:48:28,915

I know he was going for Kingdom,

but he named it Kendam, but it

:

00:48:28,915 --> 00:48:30,595

rolls off like he's saying condom.

:

00:48:31,205 --> 00:48:34,335

But anyway, when she gets back to

condom the scenes are a lot slower.

:

00:48:34,605 --> 00:48:35,135

Right?

:

00:48:35,145 --> 00:48:35,945

There's more time.

:

00:48:35,945 --> 00:48:39,705

The glorious speech, for example

the weird Barbie moments, like

:

00:48:39,705 --> 00:48:41,905

there's just the scenes are longer.

:

00:48:42,355 --> 00:48:46,805

So there might be less scenes, per

se, but they take up more time.

:

00:48:47,450 --> 00:48:52,670

Oppenheimer has a, has an interesting

situation of where the full first half of

:

00:48:52,670 --> 00:48:55,610

Barbie is like Oppenheimer's three hours.

:

00:48:55,750 --> 00:48:56,840

The scenes are quick.

:

00:48:57,130 --> 00:48:59,610

They don't spend a lot

of time on any one scene.

:

00:48:59,610 --> 00:49:02,870

There's no five minute

dialogue scene in Oppenheimer.

:

00:49:02,980 --> 00:49:03,960

They go pretty quick.

:

00:49:04,040 --> 00:49:05,600

It's, this happened at this time.

:

00:49:05,790 --> 00:49:07,783

Then, this happened at this time.

:

00:49:07,783 --> 00:49:10,318

And then, this happened

at, you know what I mean?

:

00:49:10,318 --> 00:49:11,839

Like, you're just moving right along.

:

00:49:11,840 --> 00:49:13,750

And I remember telling V that

when we were in the theater.

:

00:49:14,130 --> 00:49:16,190

I was like, dude, I, I

know it's three hours.

:

00:49:16,350 --> 00:49:19,340

But I feel like it's not, like

it feels like it moves quickly.

:

00:49:19,810 --> 00:49:22,840

And that's one of the notations I

put that I really liked the way that

:

00:49:22,840 --> 00:49:27,990

Nolan did that, because if the case

of Benjamin buttons is any indication,

:

00:49:28,470 --> 00:49:34,150

a long movie can feel twice as

long if it has long scenes, right?

:

00:49:34,150 --> 00:49:34,714

Right.

:

00:49:34,715 --> 00:49:41,255

Oppenheimer,:

and directed by Christopher Nolan, based

:

00:49:41,255 --> 00:49:45,045

on the novel American Prometheus, the

tragedy, the triumphant tragedy of J.

:

00:49:45,045 --> 00:49:46,735

Robert Oppenheimer, J.

:

00:49:46,775 --> 00:49:50,325

Robert Oppenheimer, by Ky

Bird and Martin Sherwin.

:

00:49:51,025 --> 00:49:54,745

Starring Cillian Murphy,

Emily Blunt, Florence Pugh,

:

00:49:54,755 --> 00:49:56,865

Matt Damon, Robert Downey Jr.

:

00:49:57,375 --> 00:50:01,725

Which That is my pick for Best Supporting

Actor, now that I think about it.

:

00:50:02,405 --> 00:50:03,285

He was great, yeah.

:

00:50:03,295 --> 00:50:05,015

This is why I don't think Ken is winning.

:

00:50:05,475 --> 00:50:07,285

Robert Downey Jr., this is his year.

:

00:50:07,845 --> 00:50:09,975

Released on July 21st, same as Barbie.

:

00:50:10,315 --> 00:50:12,525

And just like Barbie,

had a 100 million budget.

:

00:50:12,525 --> 00:50:16,305

Went on to gross, as I said, 957 million,

good for third on the worldwide list.

:

00:50:17,175 --> 00:50:17,725

Log me.

:

00:50:17,845 --> 00:50:22,525

Chris: Can I just say, at the

outset, this is a horrible log line.

:

00:50:22,585 --> 00:50:23,685

It's just one sentence.

:

00:50:25,595 --> 00:50:26,045

Here we go.

:

00:50:26,665 --> 00:50:26,975

Alright.

:

00:50:27,805 --> 00:50:30,555

The story of American scientist J.

:

00:50:30,555 --> 00:50:34,985

Robert Oppenheimer and his role in

the development of the atomic bomb.

:

00:50:36,875 --> 00:50:37,215

Boom.

:

00:50:39,015 --> 00:50:39,345

Jerome: Boom.

:

00:50:39,350 --> 00:50:39,990

No pun intended.

:

00:50:40,490 --> 00:50:41,310

Chris: No, pun intended.

:

00:50:41,685 --> 00:50:42,075

Jerome: Yeah.

:

00:50:42,495 --> 00:50:43,185

Chris: I mean,

:

00:50:43,545 --> 00:50:45,435

Jerome: quick one line, no hook.

:

00:50:45,435 --> 00:50:46,665

There's no hook, no hook.

:

00:50:46,670 --> 00:50:49,785

It, it, it definitely comes

off like a biography tagline.

:

00:50:49,815 --> 00:50:50,115

Yeah.

:

00:50:50,115 --> 00:50:50,355

Right.

:

00:50:50,415 --> 00:50:53,415

Like the log line that you

would put for a biography, the

:

00:50:53,415 --> 00:50:55,245

rise and fall of Elvis Presley.

:

00:50:55,275 --> 00:50:55,785

You know what I mean?

:

00:50:55,785 --> 00:50:59,995

Like, it's doesn't, there's no, there's

nothing there that would draw me to

:

00:50:59,995 --> 00:51:03,535

that other than if I really wanted

to know how the atomic bomb was made.

:

00:51:03,860 --> 00:51:04,920

Yeah, right.

:

00:51:05,880 --> 00:51:07,570

I agree, but cleaner.

:

00:51:07,580 --> 00:51:08,650

It's pretty clean, right?

:

00:51:08,650 --> 00:51:10,100

This is what the movie's about.

:

00:51:10,440 --> 00:51:10,760

Boom.

:

00:51:11,390 --> 00:51:12,300

But yeah, not a lot there.

:

00:51:12,300 --> 00:51:12,960

What are you doing?

:

00:51:12,960 --> 00:51:14,020

You pulling out the fentanyl?

:

00:51:14,270 --> 00:51:14,770

Oh, okay.

:

00:51:15,700 --> 00:51:17,500

Chris: Time for barbie drink number two.

:

00:51:17,770 --> 00:51:20,560

Jerome: So before we get into the

beats again, your relationship,

:

00:51:20,560 --> 00:51:21,360

I already told you mine.

:

00:51:21,360 --> 00:51:23,930

I saw it, I had to see it when

it was in theaters last year.

:

00:51:23,930 --> 00:51:24,930

I saw it on the IMAX.

:

00:51:25,800 --> 00:51:26,540

Blew me away.

:

00:51:29,460 --> 00:51:30,990

That's not him pissing, by the way.

:

00:51:32,870 --> 00:51:33,670

Gotta clarify.

:

00:51:34,150 --> 00:51:37,140

Yeah, because if those were the bubbles

of his piss, it's fizzing like that,

:

00:51:37,140 --> 00:51:38,960

he's, he's got to go see the doctor.

:

00:51:42,070 --> 00:51:43,720

So anyway, yeah, cheers.

:

00:51:43,770 --> 00:51:45,820

So yeah, so I loved it.

:

00:51:45,870 --> 00:51:51,380

I love, and again, as I've always said,

that there's always one year, right?

:

00:51:51,380 --> 00:51:53,900

There's always one movie that

I love more than anything else,

:

00:51:54,130 --> 00:51:55,210

whether or not it gets nominated.

:

00:51:55,210 --> 00:51:58,450

Like I said, Midsommar had no

nominations, but in:

:

00:51:58,450 --> 00:52:00,470

out of the theater knowing I'm not

going to see a better movie this year.

:

00:52:00,490 --> 00:52:02,330

But, and I felt the same

way with Oppenheimer.

:

00:52:02,690 --> 00:52:05,240

I was excited to see Barbie, but

when I walked out of Oppenheimer,

:

00:52:05,240 --> 00:52:08,350

I remember saying, I am not going

to see a better movie this year.

:

00:52:09,250 --> 00:52:10,550

Chris: I wish I would have bought it.

:

00:52:10,910 --> 00:52:12,040

I rented it yesterday.

:

00:52:12,050 --> 00:52:13,660

So yesterday is the first time I saw it.

:

00:52:13,690 --> 00:52:15,100

That's my relationship to it.

:

00:52:15,450 --> 00:52:19,260

I watched about Half of it and

had to finish the other half on my

:

00:52:19,260 --> 00:52:23,440

phone the guy that tells everyone

to go support their local cinema

:

00:52:23,540 --> 00:52:24,090

Jerome: You bastard!

:

00:52:25,730 --> 00:52:26,790

How could you do that?

:

00:52:26,800 --> 00:52:33,010

Chris: I feel like such a traitor

But yeah, so I need to rewatch it So

:

00:52:33,010 --> 00:52:35,990

that's why I wish I would have bought

it because now I gotta rent it again I

:

00:52:35,990 --> 00:52:37,580

mean ever wait till it comes out again.

:

00:52:37,580 --> 00:52:38,980

I'm a streaming service.

:

00:52:39,050 --> 00:52:41,390

Jerome: Did you ever get back

to Anatomy of a Fall by the way?

:

00:52:42,125 --> 00:52:44,115

Chris: No, I never rewatched that one.

:

00:52:44,425 --> 00:52:45,455

I want to though.

:

00:52:45,935 --> 00:52:47,785

Jerome: But you really just

rewatched the third act.

:

00:52:47,785 --> 00:52:50,045

You didn't even have to

rewatch the whole thing.

:

00:52:50,045 --> 00:52:51,725

Chris: So, but yeah, Oppenheimer.

:

00:52:51,905 --> 00:52:56,925

So, I felt like, so just my

initial reaction, I'm going

:

00:52:56,925 --> 00:52:57,835

to give you that right now.

:

00:52:59,625 --> 00:53:04,625

I felt like, not quite as

strongly as you did in About Time.

:

00:53:05,965 --> 00:53:10,175

When it came to Oppenheimer's

PTSD, I'm like, Get over it, man.

:

00:53:10,185 --> 00:53:11,245

You created the bomb.

:

00:53:11,245 --> 00:53:12,915

You deserve to feel that way.

:

00:53:14,465 --> 00:53:17,325

And the whole time, if he,

was he nominated for anything?

:

00:53:18,135 --> 00:53:18,705

Cillian Murphy?

:

00:53:18,865 --> 00:53:19,215

Jerome: Yeah.

:

00:53:19,355 --> 00:53:20,075

Best actor.

:

00:53:20,285 --> 00:53:22,405

Chris: So, if he wins for this

:

00:53:25,675 --> 00:53:28,225

Jerome: For those of you that can't

see him right now, my brother's acting.

:

00:53:29,025 --> 00:53:29,435

And

:

00:53:29,435 --> 00:53:30,185

Chris: No, I'm not.

:

00:53:30,185 --> 00:53:31,645

I'm just staring into space.

:

00:53:31,655 --> 00:53:33,485

Cause that's what he did for three hours.

:

00:53:34,055 --> 00:53:35,405

He just stared into space.

:

00:53:35,715 --> 00:53:36,775

Jerome: How dare you.

:

00:53:36,885 --> 00:53:39,015

I don't know, I'm not very sympathetic.

:

00:53:39,625 --> 00:53:40,095

Chris: Apparently.

:

00:53:40,375 --> 00:53:41,865

Jerome: The blood is on his hands.

:

00:53:42,235 --> 00:53:44,475

Chris: Yeah, which we'll get to

that Truman scene by the way.

:

00:53:44,985 --> 00:53:47,945

Cause there's from what I understand,

that, that scene that he has

:

00:53:47,945 --> 00:53:50,380

with Truman, is very factual.

:

00:53:50,440 --> 00:53:51,130

Jerome: Is it really?

:

00:53:51,190 --> 00:53:53,520

That he did say, I have blood

on my hands, and Truman said, I

:

00:53:53,520 --> 00:53:56,080

got twice as many years, and he

pulls out a napkin to give to him.

:

00:53:56,430 --> 00:53:59,550

And then, when he left, he said, Don't

ever let that crybaby in here again.

:

00:53:59,570 --> 00:54:00,050

Right.

:

00:54:00,070 --> 00:54:02,290

So, from what I understand from the book,

:

00:54:02,300 --> 00:54:03,640

Chris: That was my favorite

scene of the whole movie.

:

00:54:03,940 --> 00:54:05,930

That Truman scene was very real.

:

00:54:05,950 --> 00:54:07,530

I was cheering Truman on.

:

00:54:08,800 --> 00:54:11,440

I was like, Yeah, shut up, you crybaby.

:

00:54:13,525 --> 00:54:16,405

Jerome: To be fair, he

did kill 200, 000 people.

:

00:54:16,565 --> 00:54:17,685

Chris: Well, that's what I'm saying.

:

00:54:17,985 --> 00:54:19,425

So I don't feel bad for him.

:

00:54:19,665 --> 00:54:24,685

I mean, yes, you have a long lost, like,

stare in your eye that's probably not

:

00:54:24,685 --> 00:54:26,295

going to go away until you're gone.

:

00:54:27,325 --> 00:54:27,795

Oh, well.

:

00:54:28,740 --> 00:54:30,690

Jerome: I think the stair was more

than that, as we'll get to it.

:

00:54:30,760 --> 00:54:35,220

Chris: But, I mean, the whole thing

though, so the whole story of creating

:

00:54:35,220 --> 00:54:39,570

the bomb for military purposes, obviously.

:

00:54:39,980 --> 00:54:40,120

Yeah.

:

00:54:40,120 --> 00:54:44,390

I mean, it's, it's, it's

a horrible, factual story.

:

00:54:44,460 --> 00:54:45,940

Jerome: But didn't you get the sense?

:

00:54:46,980 --> 00:54:48,820

Sorry, I gotta pull out

my lightsaber for this.

:

00:54:49,910 --> 00:54:51,350

Now that I'm done with that scotch.

:

00:54:51,550 --> 00:54:52,430

Alright, ready?

:

00:54:52,610 --> 00:54:52,950

Mhm.

:

00:54:53,180 --> 00:54:54,500

One, two, three.

:

00:54:55,780 --> 00:55:02,420

I envision like, you guys hear a can

cracking open, I hear Luke turning on

:

00:55:02,420 --> 00:55:04,280

his lightsaber from Return of the Jedi.

:

00:55:04,760 --> 00:55:05,720

The green one.

:

00:55:06,500 --> 00:55:09,290

That very specific sound the

green one made, that's what

:

00:55:09,320 --> 00:55:10,770

I hear when I open a beer.

:

00:55:11,040 --> 00:55:11,470

Anyway.

:

00:55:11,930 --> 00:55:12,600

That's pretty bad.

:

00:55:12,600 --> 00:55:13,520

I should get some help.

:

00:55:13,730 --> 00:55:14,060

Okay.

:

00:55:14,680 --> 00:55:15,350

What was I talking about?

:

00:55:15,350 --> 00:55:20,200

Oh, I thought, what I thought that they

did really well in this film was let

:

00:55:20,200 --> 00:55:22,290

you know how competitive physicists are.

:

00:55:23,100 --> 00:55:29,010

And I never really knew that until

I saw, I binged the entire show, The

:

00:55:29,010 --> 00:55:34,750

Big Bang Theory, and realized how

competitive physicists really are.

:

00:55:34,920 --> 00:55:35,310

Right?

:

00:55:35,310 --> 00:55:35,745

Right?

:

00:55:36,055 --> 00:55:38,565

They don't want anybody else

to fucking discover anything.

:

00:55:38,815 --> 00:55:40,035

They want to be the one.

:

00:55:40,055 --> 00:55:45,005

It's so self important, so, and they

do a pretty good job of that, where

:

00:55:45,005 --> 00:55:50,035

he's fighting to beat the Germans to

get the bomb to save America, but in

:

00:55:50,035 --> 00:55:53,185

reality, he's trying to beat Heisenberg.

:

00:55:53,705 --> 00:55:55,575

To get the bomb before Heisenberg does.

:

00:55:55,655 --> 00:55:55,895

Right.

:

00:55:55,895 --> 00:55:57,135

Because it's competition.

:

00:55:57,425 --> 00:56:00,095

There's a scene where they meet

each other for the first time.

:

00:56:00,225 --> 00:56:03,315

By the way, Heisenberg

is Hitler's physicist.

:

00:56:03,645 --> 00:56:07,255

Mentioned in the show Breaking Bad,

by the way, which is why Walter White

:

00:56:07,295 --> 00:56:09,315

uses the street name Heisenberg.

:

00:56:09,375 --> 00:56:09,865

Right, right.

:

00:56:10,655 --> 00:56:11,635

Chris: Say my name.

:

00:56:12,635 --> 00:56:16,825

Jerome: By the way, I mentioned in

the notes here, there's a scene where

:

00:56:16,825 --> 00:56:21,235

Oppenheimer puts his hat on for the first

time, that actual hat, his signature hat.

:

00:56:21,395 --> 00:56:25,215

And it reminded me of the time when Walter

White puts his hat on for the first time.

:

00:56:25,215 --> 00:56:26,145

Chris: And becomes Heisenberg.

:

00:56:26,145 --> 00:56:26,705

Jerome: And becomes Heisenberg.

:

00:56:27,135 --> 00:56:29,535

I remember watching that going,

is that Christopher Nolan doing

:

00:56:29,535 --> 00:56:31,315

an homage to Breaking Bad?

:

00:56:31,345 --> 00:56:32,865

Cause that would be awesome if it was.

:

00:56:33,135 --> 00:56:39,340

But anyway, it's, it's, it was really

not about, I mean, it was masked as,

:

00:56:39,370 --> 00:56:42,110

I want to save America, so we got

to get the bomb before Germany does.

:

00:56:42,420 --> 00:56:44,180

He was really competing

against Heisenberg.

:

00:56:44,400 --> 00:56:47,490

And that scene I was talking about, when

they first meet each other, Heisenberg

:

00:56:47,500 --> 00:56:49,470

says, why are you going back to America?

:

00:56:49,750 --> 00:56:51,670

There's no physicist program there.

:

00:56:51,790 --> 00:56:53,540

You should stay here,

where all the action is.

:

00:56:53,580 --> 00:56:55,700

And what does Oppenheimer say?

:

00:56:55,880 --> 00:56:56,990

That's why I got to go back.

:

00:56:56,990 --> 00:56:59,420

Because I want to, I

got to create it, right?

:

00:56:59,480 --> 00:57:00,400

I mean, think about it.

:

00:57:00,430 --> 00:57:03,770

He, he almost single handedly

built the physicist program.

:

00:57:04,320 --> 00:57:06,730

That we know of at Berkeley

and probably in America.

:

00:57:07,150 --> 00:57:11,940

Einstein had his theories, but

Oppenheimer was like, I have to make them.

:

00:57:13,820 --> 00:57:18,710

You know, the physics in America

important again, you know what I mean?

:

00:57:18,710 --> 00:57:23,170

Like he, he almost saw himself as

the counterpart to Heisenberg that he

:

00:57:23,170 --> 00:57:24,890

had to be the Heisenberg of America.

:

00:57:24,980 --> 00:57:25,300

Yeah.

:

00:57:25,420 --> 00:57:25,780

Right.

:

00:57:25,820 --> 00:57:27,160

Where everybody in the country would turn.

:

00:57:27,190 --> 00:57:27,770

Chris: It is funny.

:

00:57:27,770 --> 00:57:31,030

I remember that scene where he put

his hat on and I totally see it now.

:

00:57:31,030 --> 00:57:35,790

I didn't, I didn't get that link,

you know, when I first saw it, but.

:

00:57:37,050 --> 00:57:43,360

I can't, can't help but wonder, was that

not only a, like a nod to Breaking Bad,

:

00:57:43,370 --> 00:57:50,340

but it could be interpreted as when Walter

White put that on and became Heisenberg,

:

00:57:50,470 --> 00:57:57,175

I mean, well, yeah, so is he saying that

Is he equating that some of the morality

:

00:57:57,175 --> 00:58:00,435

of Heisenberg is, is, is on his head too?

:

00:58:00,585 --> 00:58:03,405

Jerome: You're way, you're,

we're with me on this.

:

00:58:03,485 --> 00:58:06,416

I have something at the end

when we get to the beats.

:

00:58:06,416 --> 00:58:07,718

Okay, okay, good, good, good.

:

00:58:07,718 --> 00:58:09,540

On where, on where this is going.

:

00:58:09,540 --> 00:58:09,800

Alright.

:

00:58:09,800 --> 00:58:10,321

I'm so

:

00:58:10,321 --> 00:58:12,925

proud of you, you're starting

to pick up spiritual goals.

:

00:58:12,925 --> 00:58:13,245

Alright.

:

00:58:14,095 --> 00:58:14,505

Let's go.

:

00:58:14,535 --> 00:58:16,595

We have the beats.

:

00:58:17,255 --> 00:58:18,175

Opening image.

:

00:58:18,445 --> 00:58:22,145

Oppie, by the way, this is one of

the best examples of opening and

:

00:58:22,145 --> 00:58:23,865

closing images bookending each other.

:

00:58:24,785 --> 00:58:28,265

Opening image, Oppie watches the

raindrops land on puddles, right?

:

00:58:28,930 --> 00:58:30,760

And you know what he's looking at, right?

:

00:58:30,780 --> 00:58:34,560

That's what it looks like when nuclear

bombs are dropping on different cities.

:

00:58:35,690 --> 00:58:39,670

The raindrops hitting puddles is gonna

happen several times in the movie.

:

00:58:40,050 --> 00:58:41,360

Even when there's no rain!

:

00:58:41,600 --> 00:58:43,670

There's a scene where he's looking

at the map and he's just sort

:

00:58:43,670 --> 00:58:45,520

of envisioning it being water.

:

00:58:45,630 --> 00:58:46,190

Yeah, yeah.

:

00:58:46,240 --> 00:58:48,630

And on the cities, the

raindrops are hitting.

:

00:58:48,950 --> 00:58:49,260

Right?

:

00:58:49,290 --> 00:58:51,240

It's symbolism, obviously,

for nuclear war.

:

00:58:51,720 --> 00:58:55,180

And it's such a perfect, because of the

bookend that happens later at the end.

:

00:58:55,560 --> 00:58:59,280

I also noted, The theme is, while the

theme will be presented at the six

:

00:58:59,280 --> 00:59:06,970

minute mark, this might be the only time

I remember that a theme's ideology is

:

00:59:07,020 --> 00:59:08,560

put right in the front of the script.

:

00:59:08,960 --> 00:59:09,840

On the title card.

:

00:59:10,720 --> 00:59:14,230

Before the title of the movie,

all you see is fire, right?

:

00:59:14,790 --> 00:59:20,000

And the title card comes up that

says, quote, Prometheus stole fire

:

00:59:20,020 --> 00:59:21,640

from the gods and gave it to man.

:

00:59:21,920 --> 00:59:25,060

For this, he was chained to a

rock and tortured for eternity.

:

00:59:25,100 --> 00:59:25,550

Yeah.

:

00:59:25,610 --> 00:59:29,140

Is that not fucking Oppenheimer's theme

throughout the whole fucking movie?

:

00:59:29,480 --> 00:59:32,010

That no matter what I do,

they're coming after me.

:

00:59:32,030 --> 00:59:32,280

Yeah.

:

00:59:32,950 --> 00:59:35,520

I put, that's about as close to

a theme as you can get without

:

00:59:35,520 --> 00:59:36,690

it actually being the theme.

:

00:59:36,940 --> 00:59:39,020

The real theme comes six minutes in.

:

00:59:39,380 --> 00:59:41,970

Oppy meets Niels Bohr, who's

played by Kenneth Branagh.

:

00:59:42,310 --> 00:59:45,620

Niels tells Oppy, quote, You can

lift the stone without being ready

:

00:59:45,620 --> 00:59:46,920

for the snake that's revealed.

:

00:59:47,160 --> 00:59:47,570

Hmm.

:

00:59:47,800 --> 00:59:48,620

That's his theme.

:

00:59:48,740 --> 00:59:51,360

It's basically the same thing

as what I just read, right?

:

00:59:51,900 --> 00:59:56,260

About, no matter how, how high you

go, no matter what you achieve,

:

00:59:56,685 --> 01:00:00,315

There's going to be the serpents

that come for you after, right?

:

01:00:00,995 --> 01:00:03,595

It's, it's very telling no matter

the success of snakes, we'll

:

01:00:03,595 --> 01:00:07,445

always try to get them still in the

setup mode of a lengthy first act.

:

01:00:07,505 --> 01:00:10,495

Remember it's a three hour

film, a lengthy first act.

:

01:00:10,505 --> 01:00:16,035

We jump from lateral timeline to

future, which in still in color, but

:

01:00:16,035 --> 01:00:20,685

it's Oppenheimer's security clearance

deposition while he's applying to

:

01:00:20,685 --> 01:00:22,305

get his security clearance continued.

:

01:00:22,790 --> 01:00:26,610

And the black and white future, which

actually takes place five years after

:

01:00:26,630 --> 01:00:31,010

the security clearance deposition,

which is mostly of Senator Louis

:

01:00:31,010 --> 01:00:35,970

Strauss, played by Robert Downey

Jr., telling his side of the story.

:

01:00:36,260 --> 01:00:37,420

So here's a little interesting thing.

:

01:00:37,420 --> 01:00:39,050

Remember I told you I

write the scenes down?

:

01:00:40,020 --> 01:00:44,790

When I did the scene breakdown for

this film, I went, my daughter's Vivi,

:

01:00:44,800 --> 01:00:49,320

who's seven, I went into her arts and

crafts thing that we got her, and I

:

01:00:49,330 --> 01:00:53,390

found a pen that has, remember the

old pens we used to use in high school

:

01:00:53,390 --> 01:00:54,560

that had like the different colors?

:

01:00:54,560 --> 01:00:55,780

Yeah, yeah, yeah.

:

01:00:55,780 --> 01:00:56,590

She has one of those.

:

01:00:57,380 --> 01:01:00,850

I used it, and everything in

black was lateral storytelling.

:

01:01:00,850 --> 01:01:04,383

Anything that was in red Okay.

:

01:01:04,383 --> 01:01:06,150

Was the future.

:

01:01:06,290 --> 01:01:07,770

In color deposition.

:

01:01:08,310 --> 01:01:12,290

Anything in purple was the future

black and white Robert Downey Jr.

:

01:01:12,300 --> 01:01:12,730

story.

:

01:01:13,180 --> 01:01:17,250

So I did that so that I could keep

track of how, you know, how it laid out.

:

01:01:17,290 --> 01:01:17,500

Right.

:

01:01:17,500 --> 01:01:20,170

And I'm glad I did because when you

look at it from a whole, just flipping

:

01:01:20,170 --> 01:01:24,360

the pages, by the way, I showed V, I

was like, normally when I do a scene

:

01:01:24,360 --> 01:01:25,590

breakdown, it's a page and a half.

:

01:01:26,290 --> 01:01:28,760

Oppenheimer's like four

pages long of scenes.

:

01:01:29,140 --> 01:01:31,390

Because remember I said they're

quick, they're quick scenes,

:

01:01:31,400 --> 01:01:32,280

so there's a lot of them.

:

01:01:32,760 --> 01:01:35,310

So, but there's a lot of them,

and they're all different colors.

:

01:01:35,670 --> 01:01:37,850

Like it looks kinda cool on the

page, I'll have to text it to you.

:

01:01:38,280 --> 01:01:41,240

But anyway, alright, so Couple of

interesting moments, specifically at

:

01:01:41,240 --> 01:01:44,770

the 22 minute mark When he meets and

starts his affair with Jean Tatlock

:

01:01:45,070 --> 01:01:50,420

Played by my favorite Florence Pugh

There's a line of dialogue, And now I've

:

01:01:50,420 --> 01:01:52,530

become Death, the destroyer of worlds.

:

01:01:52,835 --> 01:01:54,815

This, of course, is Oppy's biggest fear.

:

01:01:55,405 --> 01:02:00,975

One interesting note, if there is

a flaw in the script at all, I will

:

01:02:00,995 --> 01:02:06,925

concede that it's the cutaways To the

security clearance deposition scenes.

:

01:02:08,105 --> 01:02:11,955

They serve to tell the exposition

without having to show it in the

:

01:02:11,955 --> 01:02:13,655

scene of it happening in real time.

:

01:02:14,265 --> 01:02:17,985

The problem with that is that

they're still just talking.

:

01:02:18,165 --> 01:02:18,485

Yeah.

:

01:02:18,545 --> 01:02:21,545

So they're masking

exposition with exposition.

:

01:02:22,325 --> 01:02:24,985

So, kind of counterproductive.

:

01:02:25,075 --> 01:02:29,895

But but I still think, here's how I,

why I justified that it still worked.

:

01:02:30,305 --> 01:02:34,235

Was that it gave him a chance to tell

the audience what he was thinking.

:

01:02:34,455 --> 01:02:36,465

Or what the board was thinking, right?

:

01:02:36,605 --> 01:02:39,375

Like, in a scene, he might be

doing one of those stare offs

:

01:02:39,375 --> 01:02:40,665

that you complained about.

:

01:02:41,365 --> 01:02:41,645

Right?

:

01:02:41,845 --> 01:02:42,765

He will do a stare off.

:

01:02:42,785 --> 01:02:45,865

But then in a deposition, he'll be

like, My biggest fear was this or that.

:

01:02:45,865 --> 01:02:46,215

You know what I mean?

:

01:02:46,215 --> 01:02:47,915

Like, he's telling you

what he was thinking.

:

01:02:48,795 --> 01:02:52,175

So, it's exposition, but it's

masked by more exposition.

:

01:02:52,745 --> 01:02:53,035

Okay.

:

01:02:53,055 --> 01:02:53,755

Inciting incident.

:

01:02:53,845 --> 01:02:54,805

28 minutes in.

:

01:02:54,815 --> 01:02:58,145

The first mention that a bomb could

be made from their physics findings.

:

01:02:58,635 --> 01:03:00,875

The fact that they were, you know,

talking about the atom and they were

:

01:03:00,875 --> 01:03:05,295

discussing the atom at 28 minute

markers where they first say You

:

01:03:05,295 --> 01:03:06,665

could make, or wait, what was it?

:

01:03:06,675 --> 01:03:10,165

One of them says to Oppenheimer,

well, you know what that means, right?

:

01:03:10,165 --> 01:03:11,315

And he's like, yeah, we can make a bomb.

:

01:03:11,695 --> 01:03:16,185

Like, that's the first, that's the

first mention is 28 minutes in, but this

:

01:03:16,215 --> 01:03:18,835

isn't enough to propel us into act two.

:

01:03:19,355 --> 01:03:20,615

This is just the inciting incident.

:

01:03:20,725 --> 01:03:21,475

B story.

:

01:03:22,260 --> 01:03:25,370

Chris, about what time

does the B Story come in?

:

01:03:26,620 --> 01:03:27,690

Chris: 30 minutes in.

:

01:03:28,370 --> 01:03:30,120

Jerome: 31 minute mark!

:

01:03:30,750 --> 01:03:34,900

Oppie meets Kitty, his future

wife, at Richard's party.

:

01:03:35,080 --> 01:03:38,130

He'll eventually marry her, and

Kitty serves as the B Story because

:

01:03:38,130 --> 01:03:40,910

she's the one that's going to

help Oppie to his spiritual goal.

:

01:03:41,565 --> 01:03:44,515

Catalyst at the 43 minute mark,

which is practically right

:

01:03:44,515 --> 01:03:45,795

on for a three hour movie.

:

01:03:45,795 --> 01:03:48,815

It's a little late in normal

films, but for a three hour film,

:

01:03:48,815 --> 01:03:50,875

43 minute mark Catalyst is fine.

:

01:03:51,175 --> 01:03:55,005

It's intro to Lieutenant Groves,

played by Matt Damon, and his

:

01:03:55,005 --> 01:03:56,705

plan for the Manhattan Project.

:

01:03:57,015 --> 01:03:57,595

Boom.

:

01:03:57,915 --> 01:03:58,575

This is it.

:

01:03:58,810 --> 01:04:00,340

It catapults us into Act 2.

:

01:04:00,820 --> 01:04:03,040

Break into 2, the creation of Los Alamos.

:

01:04:03,080 --> 01:04:05,220

This is a city out in the

desert that they built.

:

01:04:05,920 --> 01:04:07,740

We are now in the mirror flip of Act 1.

:

01:04:07,770 --> 01:04:10,820

Oppy and his companions are in the

upside down world now as they are

:

01:04:10,820 --> 01:04:14,930

sort of like separated from society

in this little town that they've built

:

01:04:15,170 --> 01:04:17,200

with one purpose and one purpose only.

:

01:04:17,500 --> 01:04:18,290

To make the bomb.

:

01:04:18,529 --> 01:04:20,690

The Manhattan Project is on its way.

:

01:04:21,080 --> 01:04:21,750

Fun and games.

:

01:04:21,750 --> 01:04:24,390

Montage of trailer moments

as we deliver on the premise.

:

01:04:25,290 --> 01:04:28,180

In this segment we see Oppie put

the hat on for the first time.

:

01:04:28,210 --> 01:04:28,380

Yep.

:

01:04:28,590 --> 01:04:29,450

I wrote that on there.

:

01:04:29,880 --> 01:04:33,120

I even put on here almost like an

homage to Walter White in Breaking Bad.

:

01:04:33,720 --> 01:04:36,360

Also in this segment we meet

some of the other key players.

:

01:04:36,480 --> 01:04:41,279

Teller, Fuchs, and his relationship with

Chevalier, his friend, and the hint that

:

01:04:41,279 --> 01:04:42,770

they might want him to commit treason.

:

01:04:43,210 --> 01:04:47,540

There's a scene with the big glass bowl

that they have to fill up with marbles.

:

01:04:47,950 --> 01:04:50,200

This is an interesting

technique that Nolan does here.

:

01:04:51,420 --> 01:04:53,850

This is what's called the,

the, the ticking clock, right?

:

01:04:53,880 --> 01:04:57,520

In some movies where there's time

as a factor, they might say, you

:

01:04:57,520 --> 01:05:01,110

know, like, we got 48 hours left to

save the girl, you know what I mean?

:

01:05:01,110 --> 01:05:02,240

Like, commando, right?

:

01:05:02,279 --> 01:05:03,930

He's, the flight is 11 hours.

:

01:05:04,060 --> 01:05:07,610

So Schwarzenegger has 11 hours to go

find his daughter before they kill her.

:

01:05:08,435 --> 01:05:10,375

Most films will have an

obvious ticking clock.

:

01:05:10,395 --> 01:05:11,565

This one's very clever.

:

01:05:11,825 --> 01:05:13,605

It's a big glass bowl.

:

01:05:14,055 --> 01:05:16,925

And when they start at Los Alamos,

he throws in like three marbles.

:

01:05:16,925 --> 01:05:18,375

He's like, that's all we have right now.

:

01:05:19,375 --> 01:05:21,795

So you know as the movie

goes on, they use that.

:

01:05:22,225 --> 01:05:25,205

To show the audience how close they're

getting to completing the bomb.

:

01:05:25,575 --> 01:05:27,735

The fuller that bowl gets, right?

:

01:05:27,745 --> 01:05:28,605

That bowl gets.

:

01:05:28,745 --> 01:05:30,154

You know that they're close to getting it.

:

01:05:30,415 --> 01:05:33,445

Very clever technique by

Nolan for a ticking clock.

:

01:05:33,945 --> 01:05:35,625

A lot more development fleshed out here.

:

01:05:35,665 --> 01:05:39,095

Oppie goes to Chicago to meet

with physicists Szilard and Fermi.

:

01:05:39,595 --> 01:05:41,955

Also meets David Hill,

played by Rami Malek.

:

01:05:42,225 --> 01:05:42,475

Yeah.

:

01:05:42,535 --> 01:05:44,095

From Bohemian Rhapsody fame.

:

01:05:44,615 --> 01:05:47,565

Well, and many other things, but

you know, Bohemian Rhapsody is

:

01:05:48,135 --> 01:05:49,265

one of my favorite films of his.

:

01:05:49,685 --> 01:05:52,185

And he's gonna be huge later, so

that's where he gets introduced.

:

01:05:52,505 --> 01:05:55,735

While briefing Groves at Los Alamos,

Oppie says, quote, Hard to put a

:

01:05:55,735 --> 01:05:58,404

price on it, and Groves replies,

Not really, just add up the bills.

:

01:05:58,945 --> 01:06:00,395

Chris: Yeah, right, I like that part.

:

01:06:02,245 --> 01:06:05,535

Jerome: In one security clearance

deposition scene, Oppie tells, of

:

01:06:05,535 --> 01:06:10,085

the last time he saw Gene Tetlock

and Kitty can't help but visually see

:

01:06:10,085 --> 01:06:12,395

them having sex right in front of her.

:

01:06:12,685 --> 01:06:17,575

Like, he's naked, in her eyes,

he's naked in the deposition, and

:

01:06:17,575 --> 01:06:19,685

Gene's on him, like, straddling him.

:

01:06:19,695 --> 01:06:20,775

Yeah, that was, like, shocking.

:

01:06:20,775 --> 01:06:23,055

Staring at her, staring at her, right?

:

01:06:23,055 --> 01:06:23,265

Right.

:

01:06:23,265 --> 01:06:26,605

Like, so you know that that's

been burning in Kitty's brain.

:

01:06:26,935 --> 01:06:27,255

Right.

:

01:06:27,265 --> 01:06:27,955

For what?

:

01:06:28,240 --> 01:06:30,290

At this point, how many years had gone by?

:

01:06:30,300 --> 01:06:30,830

You know what I mean?

:

01:06:30,830 --> 01:06:33,410

Like, she's still not

ever gonna let that go.

:

01:06:33,420 --> 01:06:33,440

Yeah.

:

01:06:33,440 --> 01:06:33,529

Yeah.

:

01:06:33,529 --> 01:06:35,970

That he was cheating with Gene Datlock.

:

01:06:36,910 --> 01:06:39,300

Midpoint scene, 1 hour 27 minutes in.

:

01:06:39,310 --> 01:06:42,500

Almost exactly an hour and a half

into a 3 hour film, mind you.

:

01:06:43,200 --> 01:06:47,410

Niles Bohr comes to visit to the Christmas

party at Los Alamos and tells Oppie

:

01:06:47,410 --> 01:06:51,020

some important news that Heisenberg

had taken a wrong turn in his research.

:

01:06:51,540 --> 01:06:54,270

And now that likely cost him months.

:

01:06:54,840 --> 01:06:57,840

of time in behind, and

Oppie says we're now ahead.

:

01:06:58,180 --> 01:07:00,820

Remember, up until this moment,

they'd been behind the Germans.

:

01:07:01,340 --> 01:07:03,800

Oppie even says earlier, I keep

calling him Oppie, because that's

:

01:07:03,800 --> 01:07:04,590

what they call him in the movie.

:

01:07:04,610 --> 01:07:05,210

Right, right.

:

01:07:05,370 --> 01:07:05,700

Just, yeah.

:

01:07:06,140 --> 01:07:10,650

So, earlier, Oppie said, like, they have

a two year head start on us, or a six

:

01:07:10,650 --> 01:07:13,380

month head start on us, or whatever, like,

they're still six months ahead, they're

:

01:07:13,380 --> 01:07:14,620

still three months ahead, whatever.

:

01:07:14,980 --> 01:07:17,160

At this point, It's a false victory.

:

01:07:17,160 --> 01:07:18,070

It seems like a victory.

:

01:07:18,810 --> 01:07:21,370

He's like, oh my god, we're ahead now.

:

01:07:21,410 --> 01:07:22,000

They're behind.

:

01:07:22,010 --> 01:07:23,430

It's gonna take them months to catch up.

:

01:07:23,720 --> 01:07:25,840

Where we're at, we're

gonna finish before them.

:

01:07:26,470 --> 01:07:26,890

Huge.

:

01:07:26,990 --> 01:07:27,460

Victory.

:

01:07:27,475 --> 01:07:29,263

And why is it a false victory?

:

01:07:29,263 --> 01:07:31,705

Cause we know in the second

half everything goes to shit.

:

01:07:31,955 --> 01:07:32,705

As usual.

:

01:07:33,395 --> 01:07:35,485

False victory.

:

01:07:35,495 --> 01:07:36,645

Bad guys closing in.

:

01:07:36,645 --> 01:07:41,085

What happens almost immediately at

the end of that scene where Niles Boer

:

01:07:41,115 --> 01:07:45,445

comes to tell him that they're now ahead

because Heisenberg made a wrong turn.

:

01:07:45,755 --> 01:07:46,785

How does that scene end?

:

01:07:46,835 --> 01:07:47,375

Do you remember?

:

01:07:47,775 --> 01:07:48,625

I can't remember.

:

01:07:48,625 --> 01:07:49,135

Mr.

:

01:07:49,135 --> 01:07:49,645

Dr.

:

01:07:49,645 --> 01:07:52,025

Oppenheimer, you have a

call from San Francisco?

:

01:07:53,885 --> 01:07:54,605

Gene's dead.

:

01:07:56,115 --> 01:07:57,765

That ends that scene.

:

01:07:57,765 --> 01:08:02,715

So talk about how quickly the bad guys

closing in happens after you, you reach

:

01:08:02,715 --> 01:08:06,585

that false victory, that moment of

happiness, how fast it can turn to shit.

:

01:08:06,975 --> 01:08:07,515

She's dead.

:

01:08:08,035 --> 01:08:11,265

And there's a scene of

how she killed herself.

:

01:08:11,925 --> 01:08:17,625

And as disputed by the way, in real life,

in the book and on Wikipedia, because

:

01:08:17,625 --> 01:08:20,765

I looked it up, there is one shot.

:

01:08:21,300 --> 01:08:24,760

That Nolan puts in there, of a

gloved hand holding her head down

:

01:08:25,390 --> 01:08:28,810

to suggest that she was killed,

not suicide, that she was murdered.

:

01:08:29,090 --> 01:08:32,399

Chris: Yeah, I noticed that, and it

was kind of confusing, because it was

:

01:08:32,399 --> 01:08:36,130

looking like a suicide, and then all

of a sudden, it's like, what the heck?

:

01:08:36,460 --> 01:08:36,479

Yeah,

:

01:08:36,500 --> 01:08:37,250

Jerome: and it's just one shot.

:

01:08:37,270 --> 01:08:39,050

He just throws one shot

in there of a hand.

:

01:08:39,149 --> 01:08:39,410

Yeah.

:

01:08:39,740 --> 01:08:44,120

And, and, you know, Oliver Stone

did the same thing in JFK with the

:

01:08:44,130 --> 01:08:45,830

Joe Pesci's character death scene.

:

01:08:46,604 --> 01:08:48,325

Where it's an obvious suicide, right?

:

01:08:48,415 --> 01:08:51,955

But there's a shot where he's being chased

around his apartment and then held down

:

01:08:51,955 --> 01:08:53,484

while he's forced to take these pills.

:

01:08:53,865 --> 01:08:56,585

And you're like, oh fuck, so he

didn't kill himself, he was murdered.

:

01:08:57,065 --> 01:08:59,865

They don't say that that's what

happened, they're just giving

:

01:08:59,865 --> 01:09:01,505

a suggestion to the audience.

:

01:09:02,085 --> 01:09:04,365

What if that's what really happened?

:

01:09:04,575 --> 01:09:05,145

You know what I mean?

:

01:09:05,545 --> 01:09:07,755

So much so, it's disputed,

like I said in the book.

:

01:09:07,865 --> 01:09:08,745

They don't really know.

:

01:09:08,745 --> 01:09:10,865

They think it's a suicide,

but nobody knows for sure.

:

01:09:11,465 --> 01:09:14,645

So I put here, almost immediately at

the end of the scene, Oppy finds out

:

01:09:14,645 --> 01:09:16,694

about Jean, the call from San Francisco.

:

01:09:17,404 --> 01:09:19,015

While ruled a suicide,

it looks like death.

:

01:09:19,075 --> 01:09:22,595

As Oppy is in despair, this is one of

my favorite moments, right after that

:

01:09:22,595 --> 01:09:25,404

scene, he's out with Kitty's trying

to find him on the horse, right?

:

01:09:25,415 --> 01:09:26,434

She's riding her horse to find him.

:

01:09:27,005 --> 01:09:28,665

She finds him in complete despair.

:

01:09:29,575 --> 01:09:34,024

She says a great line, as he's trying

to like, he's falling apart, she's

:

01:09:34,024 --> 01:09:34,904

trying to hold him back together.

:

01:09:34,925 --> 01:09:36,234

Again, Kitty's the B story.

:

01:09:36,475 --> 01:09:39,005

She's serving as, you need to

fight, you need to pull yourself

:

01:09:39,005 --> 01:09:42,234

together and, you know, pull

yourself up by your bootstraps, shit.

:

01:09:42,245 --> 01:09:43,934

You know, that's her

throughout the whole movie.

:

01:09:43,944 --> 01:09:44,315

Right, right.

:

01:09:44,315 --> 01:09:45,135

That's her B story.

:

01:09:45,365 --> 01:09:48,475

She grabs him and says, quote,

You don't get to commit the sin

:

01:09:48,484 --> 01:09:51,135

and then have us all feel sorry

for you that it had consequences.

:

01:09:51,444 --> 01:09:53,805

Yeah, and then she stands

another great line.

:

01:09:53,965 --> 01:09:58,355

Yeah, this movie's littered with great

moments like that And then she stands

:

01:09:58,355 --> 01:09:59,465

up and she's about to walk away.

:

01:09:59,465 --> 01:10:01,835

She's like you need to pull yourself

together Like, you know what I mean?

:

01:10:01,845 --> 01:10:03,645

Like get it together man.

:

01:10:03,825 --> 01:10:07,305

Like move on Which to your point?

:

01:10:07,665 --> 01:10:09,835

You wish he would have done that early.

:

01:10:10,255 --> 01:10:11,635

Like, just move on.

:

01:10:11,635 --> 01:10:12,275

Get on with it.

:

01:10:12,495 --> 01:10:13,355

You know what you're doing.

:

01:10:14,625 --> 01:10:16,855

Alright, more bad guys closing in moments.

:

01:10:16,855 --> 01:10:19,415

Teller quits, though Oppie

talks him into staying.

:

01:10:19,835 --> 01:10:21,255

The Borden introduction.

:

01:10:21,255 --> 01:10:24,875

This is the guy that directly

sent to be sicked on Oppenheimer

:

01:10:24,875 --> 01:10:26,125

to dig up dirt on him.

:

01:10:26,715 --> 01:10:29,705

And it's in that scene that Oppie

sees the raindrops on the map.

:

01:10:29,990 --> 01:10:31,760

Again, so it's like kind of revisiting.

:

01:10:32,290 --> 01:10:36,260

Oppy stumbles upon a private meeting

ran by Lily Hornig that seems to

:

01:10:36,270 --> 01:10:38,460

be against the bomb, anti bomb.

:

01:10:38,460 --> 01:10:41,390

Where all of a sudden, remember he

just happened to see that flyer?

:

01:10:42,050 --> 01:10:42,970

And he's like, what the hell is this?

:

01:10:42,980 --> 01:10:45,260

So he goes to the meeting and it's

all these people that are like,

:

01:10:45,260 --> 01:10:46,700

yes, we shouldn't do the bomb!

:

01:10:46,710 --> 01:10:49,585

And he's like, The fuck we've been

doing here this whole time we're

:

01:10:49,595 --> 01:10:53,145

building the bomb, but it's interesting

to note that they mentioned in that

:

01:10:53,145 --> 01:10:58,025

scene Hitler had already killed himself

the war with germany was over right?

:

01:10:58,045 --> 01:11:01,795

So they're saying we don't need it anymore

and he was adamant Like, no, no, no.

:

01:11:01,805 --> 01:11:02,385

We still need it.

:

01:11:02,385 --> 01:11:02,785

We still need it.

:

01:11:02,815 --> 01:11:04,065

The Japs aren't gonna surrender.

:

01:11:04,425 --> 01:11:06,215

The Japanese aren't gonna surrender.

:

01:11:06,515 --> 01:11:07,934

They're gonna, you know, stay in this.

:

01:11:07,934 --> 01:11:09,465

We need to still continue the war.

:

01:11:09,555 --> 01:11:11,715

Or the, the, the building of the bomb.

:

01:11:12,315 --> 01:11:16,275

Physicist Sillard from Chicago is

also now openly against the bomb.

:

01:11:16,285 --> 01:11:17,735

These are all bad guys closing in.

:

01:11:18,500 --> 01:11:22,110

Interesting structure that Nolan does

he interrupts the bad guys closing in

:

01:11:22,150 --> 01:11:25,450

because there's like a meat of the bad

guys closing in and Then another meat

:

01:11:25,650 --> 01:11:30,559

but smacked right dab in the middle

is actually some good stuff And that

:

01:11:30,559 --> 01:11:32,640

is the ignition of the test bomb.

:

01:11:32,680 --> 01:11:34,390

Yeah that whole scene, right?

:

01:11:35,000 --> 01:11:38,900

It's interrupted by the positive

sequence test bomb ignition and

:

01:11:38,900 --> 01:11:43,390

huge success Groves asks about the

possibility of Oppie's fears that the

:

01:11:43,390 --> 01:11:47,730

atomic explosion would start a chain

reaction that sets fire to the entire

:

01:11:47,730 --> 01:11:50,110

atmosphere and destroys the world.

:

01:11:50,490 --> 01:11:52,870

And Oppie says, it's near zero.

:

01:11:53,660 --> 01:11:54,570

Near zero.

:

01:11:54,630 --> 01:11:55,510

Near zero.

:

01:11:55,510 --> 01:11:58,550

And he says, what do you

want with a theory like this?

:

01:11:58,930 --> 01:12:00,690

And he goes, well, zero would be nice.

:

01:12:02,970 --> 01:12:03,780

Another great line.

:

01:12:04,040 --> 01:12:04,840

Another great moment.

:

01:12:05,440 --> 01:12:07,170

It doesn't happen, obviously.

:

01:12:07,170 --> 01:12:08,840

The test bomb goes off without a hitch.

:

01:12:08,840 --> 01:12:09,680

It's perfect.

:

01:12:10,020 --> 01:12:12,280

They, of course, then take two bombs.

:

01:12:12,650 --> 01:12:15,630

Follow which is, of course, the

Hiroshima and Nagasaki bombs.

:

01:12:15,670 --> 01:12:17,385

As Grove says, we do two.

:

01:12:17,934 --> 01:12:18,555

This is a quote.

:

01:12:18,765 --> 01:12:20,515

One, to show what we can do.

:

01:12:20,565 --> 01:12:22,355

The other, to show we can

do whatever we want to.

:

01:12:22,934 --> 01:12:25,345

The Japanese of course

surrender after those two bombs.

:

01:12:26,205 --> 01:12:29,925

Conversation with Teller, Oppie

says, Once it's used, nuclear war,

:

01:12:29,925 --> 01:12:32,425

perhaps all war, becomes unthinkable.

:

01:12:32,695 --> 01:12:35,215

Teller replies, until

someone builds a bigger bomb.

:

01:12:36,155 --> 01:12:37,205

Again, very telling.

:

01:12:37,205 --> 01:12:40,925

Oppenheimer's almost naive at this point.

:

01:12:41,345 --> 01:12:44,315

Cause he's almost like, I just

want to build the bomb, I want to

:

01:12:44,325 --> 01:12:47,885

beat Heisenberg to it, but just

building it should be enough.

:

01:12:48,785 --> 01:12:50,575

That all world war would end.

:

01:12:50,815 --> 01:12:53,735

Because we would have the one

weapon that ends all wars, so who

:

01:12:53,735 --> 01:12:54,765

would ever want to fight again?

:

01:12:55,025 --> 01:13:00,075

Not realizing the naivete is that other

countries will then build their own bombs.

:

01:13:00,325 --> 01:13:00,815

Right.

:

01:13:01,095 --> 01:13:02,645

And it'll never end.

:

01:13:02,655 --> 01:13:03,905

War will never end.

:

01:13:03,915 --> 01:13:05,315

How naive can you be?

:

01:13:05,335 --> 01:13:11,775

Okay, so now that that little happy moment

of the bomb was a success and we won the

:

01:13:11,775 --> 01:13:13,725

war, Japanese have surrendered, is over.

:

01:13:14,155 --> 01:13:15,875

Bad guys continue to close in.

:

01:13:16,155 --> 01:13:19,095

A few more elements here as

we pick back up in there.

:

01:13:19,455 --> 01:13:22,105

Oppie meets Truman, the

famous Truman scene.

:

01:13:22,675 --> 01:13:23,895

It doesn't go well.

:

01:13:26,505 --> 01:13:29,535

Oppie thinks the program should be

stopped now that they've got the bomb.

:

01:13:29,535 --> 01:13:32,625

Of course, Truman wants to keep

going and he wants to actually

:

01:13:32,625 --> 01:13:35,055

build the H bomb in addition to it.

:

01:13:36,260 --> 01:13:38,330

And then of course there's the

whole blood on my hands scene,

:

01:13:38,400 --> 01:13:41,630

he hands him a tissue, and says I

have twice the blood as you have.

:

01:13:42,650 --> 01:13:45,490

One of the other key lines

here, which I think, actually

:

01:13:45,490 --> 01:13:46,760

this line happens before that.

:

01:13:47,210 --> 01:13:49,090

This is what starts to

rub Truman the wrong way.

:

01:13:50,020 --> 01:13:52,840

Truman says I hear you're leaving Los

Alamos, what should we do with it?

:

01:13:53,265 --> 01:13:55,215

Oppy replies, give it back to the Indians.

:

01:13:56,195 --> 01:13:58,055

Truman did not like that answer at all.

:

01:13:59,575 --> 01:13:59,985

Right.

:

01:14:00,665 --> 01:14:03,815

And then of course the scene after

that, Strauss tells Oppy at that

:

01:14:03,815 --> 01:14:07,615

wedding that Fuchs was the one that

was the Russian spy the whole time.

:

01:14:08,020 --> 01:14:10,090

Delivering information back

to the Russians, right?

:

01:14:10,370 --> 01:14:14,660

Which is another interesting

element to this whole story is

:

01:14:14,660 --> 01:14:18,100

that their idea is that they want

to beat the Russians to the bomb.

:

01:14:18,280 --> 01:14:22,610

The Russians were our allies at the

time, but they almost refused to

:

01:14:22,620 --> 01:14:24,390

give information to the Russians.

:

01:14:24,770 --> 01:14:26,570

The Russians were like, Hey

man, tell us what you got.

:

01:14:26,570 --> 01:14:27,670

You know, we're in on this together.

:

01:14:27,670 --> 01:14:31,920

And America was like,

you're our friend now.

:

01:14:32,200 --> 01:14:32,420

Chris: Yeah.

:

01:14:32,420 --> 01:14:35,870

They knew, I mean, they knew

who Stalin was, so he was,

:

01:14:36,460 --> 01:14:38,309

he was an ally by necessity.

:

01:14:39,835 --> 01:14:42,934

Jerome: Right, so they were,

they almost flat out refused

:

01:14:43,595 --> 01:14:45,145

to let them in on anything.

:

01:14:45,545 --> 01:14:50,085

And the fact that this Fuchs

physicist was a spy and was delivering

:

01:14:50,085 --> 01:14:51,135

information to the Russians.

:

01:14:51,620 --> 01:14:56,020

You know is a huge huge point which

leads of course to the all is lost

:

01:14:56,680 --> 01:15:01,440

Api sees footage of hiroshima or

hiroshima Aftermath and is nauseated.

:

01:15:01,450 --> 01:15:02,410

He can't even look at it.

:

01:15:02,410 --> 01:15:03,300

Remember that scene where yeah,

:

01:15:03,300 --> 01:15:04,170

Chris: and that's another scene.

:

01:15:04,170 --> 01:15:07,370

I got angry I was like look at it, dude.

:

01:15:07,390 --> 01:15:09,434

Look at it You need to look at it, man.

:

01:15:09,455 --> 01:15:10,425

You gotta look at it.

:

01:15:10,595 --> 01:15:11,705

Jerome: He starts to.

:

01:15:11,745 --> 01:15:14,555

He watches the beginning of it,

but then he's just so thrown off.

:

01:15:14,565 --> 01:15:15,625

Chris: Yeah, doesn't watch anymore.

:

01:15:16,434 --> 01:15:19,405

Jerome: Meanwhile, Strauss feeds

the hit story to Time Magazine.

:

01:15:19,405 --> 01:15:22,995

It was Strauss who hired

Borden to sick him on Oppie.

:

01:15:23,275 --> 01:15:29,515

And at the 2 hour, 25 minute mark,

Strauss discrediting plan is shown in

:

01:15:29,525 --> 01:15:34,375

lateral timeline, and it completely

destroys Oppenheimer's stature and legacy.

:

01:15:34,595 --> 01:15:39,565

And as Strauss puts it, as quote,

Amateurs seek the sun, get eaten.

:

01:15:39,855 --> 01:15:41,305

Power stays in the shadows.

:

01:15:42,255 --> 01:15:44,885

Dark Night of the Soul, while it is

clear that the security clearance

:

01:15:44,885 --> 01:15:49,655

deposition was rigged from the start,

Oppie perfectly plays the victim, Kitty,

:

01:15:49,695 --> 01:15:53,155

ever so strongly delivering on her role

as the B story to deliver him to his

:

01:15:53,165 --> 01:15:55,515

spiritual goal, keeps urging him to fight.

:

01:15:56,640 --> 01:15:57,480

Break into three.

:

01:15:57,480 --> 01:16:01,450

They decide to fight, and the rigged

security clearance deposition by hiring

:

01:16:01,450 --> 01:16:05,930

one of the best lawyers to serve Oppie's

legacy, that's of course, five point

:

01:16:05,930 --> 01:16:09,950

finale, starts off with that, gathering

the team, they hire the best lawyer,

:

01:16:09,950 --> 01:16:13,100

and they get as many witnesses to speak

on their half, and they get several.

:

01:16:13,660 --> 01:16:14,730

Execution of the plan.

:

01:16:14,760 --> 01:16:19,280

Battling Roger Robb and the testimonies

during the deposition and calling

:

01:16:19,280 --> 01:16:21,020

out when things appear rigged.

:

01:16:21,190 --> 01:16:24,130

The defense attorney didn't get

documents ahead of time, right?

:

01:16:24,130 --> 01:16:24,510

Right, right.

:

01:16:24,550 --> 01:16:26,750

Like he kept saying, you guys

all have this, can I get a copy?

:

01:16:26,750 --> 01:16:27,900

Oh, you can, it's classified.

:

01:16:28,530 --> 01:16:29,140

Chris: Yeah, yeah.

:

01:16:29,160 --> 01:16:31,470

Jerome: Like, how can I do

my job if you're not letting

:

01:16:31,490 --> 01:16:32,410

me look at any of this shit?

:

01:16:32,410 --> 01:16:33,240

Chris: Yeah, it was a sham.

:

01:16:33,840 --> 01:16:35,010

Jerome: He can't object.

:

01:16:35,030 --> 01:16:36,830

He can't strike things from the record.

:

01:16:36,860 --> 01:16:39,390

I mean, he's completely powerless,

but they're still there.

:

01:16:39,390 --> 01:16:40,200

They're still digging in.

:

01:16:40,200 --> 01:16:40,960

They're still fighting.

:

01:16:41,240 --> 01:16:42,360

High tower surprise.

:

01:16:42,610 --> 01:16:44,280

The Borden deposition.

:

01:16:44,460 --> 01:16:45,520

Oh my God.

:

01:16:45,780 --> 01:16:49,980

He flat out calls Oppie a Russian

spy and a traitor to his country.

:

01:16:50,390 --> 01:16:51,650

That is crippling.

:

01:16:51,930 --> 01:16:55,830

Dig down deep, intercut with Strauss,

confront Strauss's confirmation hearing.

:

01:16:56,190 --> 01:16:59,020

David Hill, Rami Malek

comes to save the day.

:

01:16:59,660 --> 01:17:01,559

The physicists from Chicago just.

:

01:17:02,200 --> 01:17:04,460

Barry Strauss at the Senate hearing.

:

01:17:04,510 --> 01:17:05,260

Yeah, that was great.

:

01:17:05,850 --> 01:17:07,130

Execution of the new plan.

:

01:17:07,140 --> 01:17:10,950

Suddenly more battling back begins

with Vannevar Bush played by Matthew

:

01:17:10,950 --> 01:17:13,559

Medin is testifying in Oppie's favor.

:

01:17:13,570 --> 01:17:14,640

Chris: Isn't it Matthew Modine?

:

01:17:15,240 --> 01:17:15,710

Jerome: What'd I say?

:

01:17:16,000 --> 01:17:16,570

Chris: Medin.

:

01:17:17,075 --> 01:17:18,125

Jerome: Modine, whatever.

:

01:17:19,165 --> 01:17:20,625

Testifies against Strauss.

:

01:17:20,985 --> 01:17:29,675

Teller and Groves both say that in, by

the current rules of the AEC that, which

:

01:17:29,675 --> 01:17:33,890

is the Atomic Energy Commission, by

the way by those current standards that

:

01:17:34,380 --> 01:17:39,700

Oppy probably wouldn't be cleared for

security, but they both go out of their

:

01:17:39,700 --> 01:17:41,830

way to say he's not a traitor to America.

:

01:17:41,990 --> 01:17:43,610

He loves America first.

:

01:17:43,900 --> 01:17:44,150

Right.

:

01:17:44,160 --> 01:17:47,590

So while they say that, Hey, under

oath or whatever, like, yeah,

:

01:17:47,590 --> 01:17:50,600

by today's rules, he probably

wouldn't be cleared for clearance.

:

01:17:51,110 --> 01:17:52,250

He's still not a traitor.

:

01:17:52,270 --> 01:17:55,780

He's still an American and he should

be treated as an American hero.

:

01:17:55,790 --> 01:17:59,110

Chris: Yeah, and they noted those

rules didn't exist when he was clear.

:

01:17:59,110 --> 01:18:00,750

Jerome: Right, right, exactly.

:

01:18:01,430 --> 01:18:05,390

Climax, right about the time David

Hills is metaphorically putting the

:

01:18:05,390 --> 01:18:07,550

final nails in Strauss's coffin.

:

01:18:08,080 --> 01:18:11,559

Actually, I wrote here, he's taking straws

out to the woodshed in the Senate hearing.

:

01:18:11,660 --> 01:18:12,160

Right.

:

01:18:12,360 --> 01:18:16,070

Kitty takes the stand in the deposition

and wipes the floor with Roger Robb.

:

01:18:16,630 --> 01:18:20,580

While Oppie has ultimately denied

his security clearance, it is said

:

01:18:20,590 --> 01:18:22,630

out loud by all the board members.

:

01:18:23,335 --> 01:18:27,535

That they believe him to be an honorable

American and that he wasn't a traitor.

:

01:18:28,175 --> 01:18:30,065

The next scene, Strauss

is denied his seat.

:

01:18:30,725 --> 01:18:33,155

So, that's about a perfect

climax as you can get.

:

01:18:33,175 --> 01:18:33,575

Right.

:

01:18:33,605 --> 01:18:34,535

Resolution.

:

01:18:34,585 --> 01:18:39,055

Oppie is eventually awarded his medal

and his legacy is restored in the later

:

01:18:39,055 --> 01:18:40,545

years when they show him as an old man.

:

01:18:41,555 --> 01:18:42,255

Great scene.

:

01:18:42,315 --> 01:18:45,165

Kitty refuses to shake Teller's

hand when he puts it out to her.

:

01:18:45,365 --> 01:18:45,385

Yeah.

:

01:18:45,645 --> 01:18:49,775

Now, in the movie, he reaches his

hand out, she refuses to shake it.

:

01:18:49,785 --> 01:18:51,135

He understands why.

:

01:18:51,900 --> 01:18:53,150

And he just sort of walks away.

:

01:18:53,180 --> 01:18:57,010

In the book, they said

factually that happened.

:

01:18:57,030 --> 01:18:58,100

He went up to shake her hand.

:

01:18:58,100 --> 01:18:58,990

She refused to shake his hand.

:

01:18:58,990 --> 01:18:59,840

He started crying.

:

01:19:00,530 --> 01:19:01,080

Wow.

:

01:19:01,300 --> 01:19:01,880

I know.

:

01:19:02,830 --> 01:19:03,059

Wow.

:

01:19:03,059 --> 01:19:04,380

That's intense.

:

01:19:04,380 --> 01:19:04,550

Wow.

:

01:19:05,250 --> 01:19:05,990

The guilt.

:

01:19:06,559 --> 01:19:06,950

Right?

:

01:19:07,190 --> 01:19:07,809

Wow.

:

01:19:08,440 --> 01:19:11,530

And of course the, the last thing

resolution, Oppie and Einstein.

:

01:19:11,540 --> 01:19:13,100

What they were really talking about.

:

01:19:13,100 --> 01:19:15,800

Strauss was so much into belief

that he was talking shit about him.

:

01:19:15,840 --> 01:19:16,059

Right, right.

:

01:19:16,059 --> 01:19:17,540

They weren't talking about Strauss at all.

:

01:19:17,815 --> 01:19:19,415

Chris: Yeah, he was self consumed.

:

01:19:19,755 --> 01:19:22,865

Jerome: Yeah they were setting up

the possibility of nuclear war.

:

01:19:22,865 --> 01:19:25,684

If we build this, what

will come next, right?

:

01:19:26,045 --> 01:19:30,945

And of course, that's the closing image,

where you've got the, the, what do you

:

01:19:30,945 --> 01:19:34,155

call it, the vapor trails of all the

nuclear missiles that had dropped, which

:

01:19:34,155 --> 01:19:38,184

is, goes inside with the opening image

of the raindrops falling on the map.

:

01:19:38,265 --> 01:19:38,805

Yep, yep.

:

01:19:38,845 --> 01:19:41,795

And, and that's how the movie

ends, bookending a perfect,

:

01:19:42,085 --> 01:19:43,155

perfect closing image.

:

01:19:43,335 --> 01:19:44,875

So again, like Midsommar,

that's Midsommar.

:

01:19:45,770 --> 01:19:48,050

When I told you that story where

I was like cut to black, cut to

:

01:19:48,050 --> 01:19:49,460

black, cut to black, cut to black.

:

01:19:49,790 --> 01:19:54,090

Same thing here when I saw those vapor

trails and I remember the opening image.

:

01:19:54,120 --> 01:19:55,300

I'm like, oh dude, just end it right here.

:

01:19:55,350 --> 01:19:55,770

Just end it.

:

01:19:55,830 --> 01:19:56,240

Just end it.

:

01:19:56,280 --> 01:19:57,350

I just want to see Oppenheimer.

:

01:19:57,500 --> 01:19:58,820

I don't want to see any title cards.

:

01:19:59,080 --> 01:20:00,850

I don't want to see ten years later.

:

01:20:00,850 --> 01:20:04,870

He died in 19 Don't tell me, just give me

just Get me directed by Christopher Nolan.

:

01:20:04,880 --> 01:20:05,320

You know what I mean?

:

01:20:05,320 --> 01:20:06,510

Like, and it happened.

:

01:20:06,590 --> 01:20:09,850

And that's, that's when I walk out a

movie saying that's, that's, that's it.

:

01:20:09,870 --> 01:20:10,990

That's my favorite movie of the year.

:

01:20:11,520 --> 01:20:14,340

So character arc, Oppy's

tangible goal obviously was to

:

01:20:14,340 --> 01:20:15,420

build a bomb for the Germans.

:

01:20:15,420 --> 01:20:19,010

His spiritual goal was to fight for

his legacy, something he would never

:

01:20:19,040 --> 01:20:20,860

thought he needed to do at the beginning.

:

01:20:20,860 --> 01:20:20,950

Right?

:

01:20:21,090 --> 01:20:21,250

Right.

:

01:20:21,250 --> 01:20:21,420

Right.

:

01:20:21,430 --> 01:20:24,550

He, by the way, remind, we kind

of buried the lead on that.

:

01:20:24,559 --> 01:20:27,740

The whole movie, he's surprised

anyone's even coming after him.

:

01:20:28,290 --> 01:20:30,730

He's like, do you know

what I've done for America?

:

01:20:30,840 --> 01:20:31,090

Right.

:

01:20:31,270 --> 01:20:31,559

Right.

:

01:20:31,620 --> 01:20:31,890

Right.

:

01:20:31,890 --> 01:20:31,960

Right.

:

01:20:32,180 --> 01:20:36,280

Who cares if I fucked a communist

and was, had communist friends?

:

01:20:36,290 --> 01:20:37,090

I mean, who cares?

:

01:20:37,110 --> 01:20:38,110

I wasn't in the party.

:

01:20:38,270 --> 01:20:41,330

He just couldn't understand

that that wasn't enough.

:

01:20:41,380 --> 01:20:41,710

Right.

:

01:20:41,880 --> 01:20:46,450

That politics in America at that time was,

no, no, no, no, but you knew communists.

:

01:20:46,500 --> 01:20:47,800

That's bad enough.

:

01:20:48,450 --> 01:20:51,500

You were fucking one behind your

wife's back for God's sakes.

:

01:20:52,020 --> 01:20:53,330

Like, I mean, that was enough.

:

01:20:53,330 --> 01:20:55,010

So okay.

:

01:20:55,030 --> 01:20:58,420

So before we get to that end that you

were touching on I do want to put in one,

:

01:20:58,450 --> 01:20:59,860

one other piece that I thought was funny.

:

01:21:00,010 --> 01:21:00,210

Yeah.

:

01:21:00,220 --> 01:21:01,520

That was in the end.

:

01:21:02,105 --> 01:21:06,275

When they're trying to, the

lawyer is trying to combat their

:

01:21:06,275 --> 01:21:07,635

witnesses with his witnesses.

:

01:21:07,684 --> 01:21:07,875

Huh.

:

01:21:07,915 --> 01:21:08,795

And they mention Dr.

:

01:21:08,795 --> 01:21:09,285

Lawrence.

:

01:21:09,575 --> 01:21:09,895

Dr.

:

01:21:09,895 --> 01:21:12,495

Lawrence, who's played by Josh

Hartnett, by the way, was one of

:

01:21:12,495 --> 01:21:14,205

his confidants throughout the movie.

:

01:21:14,805 --> 01:21:17,675

But he realized he was going

to be testifying against him.

:

01:21:18,255 --> 01:21:19,175

And he was like, why?

:

01:21:19,175 --> 01:21:19,995

Why would he do that?

:

01:21:20,035 --> 01:21:23,475

And the lawyer says, like,

I, I, I don't have it quoted.

:

01:21:23,475 --> 01:21:24,355

I should have written this down.

:

01:21:24,355 --> 01:21:28,105

But he says something along

the lines of, Well, he thinks

:

01:21:28,115 --> 01:21:30,105

you were fucking Tolman's wife.

:

01:21:30,770 --> 01:21:35,660

That's why he became depressed, died of a

broken heart, and he blames you for that.

:

01:21:36,300 --> 01:21:40,700

And and Aki goes, well that's not

true and the lawyer goes, which part?

:

01:21:40,730 --> 01:21:42,360

ANd Ami goes, he never found out.

:

01:21:43,640 --> 01:21:48,410

Hahahahaha, Yeah So he was fucking

that woman, so you get the sense?

:

01:21:48,410 --> 01:21:53,515

And goddamn dude he's married to Kitty

and he was fucking Gene Tatlock And

:

01:21:53,515 --> 01:21:55,385

then he's fuckin some other guy's wife!

:

01:21:55,385 --> 01:21:58,050

Like, like, like, Jesus, dude!

:

01:21:58,050 --> 01:21:58,288

He

:

01:21:58,288 --> 01:22:00,055

Chris: had a little Bill Clinton problem.

:

01:22:00,575 --> 01:22:03,298

Jerome: Dude, he's packin a tree

trunk down there or somethin

:

01:22:03,298 --> 01:22:04,391

Chris: God.

:

01:22:04,391 --> 01:22:07,255

Jerome: Anyway, he's the Pete

Davidson of the physicist world.

:

01:22:07,255 --> 01:22:07,765

Chris: Oh, God.

:

01:22:09,865 --> 01:22:13,184

Jerome: Anyway, so, I thought

that, that little part was funny.

:

01:22:13,335 --> 01:22:17,655

Because after he says that, the lawyer

kinda gets him a look like Oh no, it

:

01:22:17,655 --> 01:22:20,934

wasn't the lawyer, it was the guy that

David Krumhals plays what's his name?

:

01:22:20,985 --> 01:22:22,135

Fuck, I forget his name.

:

01:22:22,385 --> 01:22:24,745

But it was one, Robbie, Robbie, it was Dr.

:

01:22:24,745 --> 01:22:25,065

Robbie.

:

01:22:25,265 --> 01:22:26,815

So, Robbie is the one that says it.

:

01:22:27,215 --> 01:22:28,605

But it was just funny the way he said it.

:

01:22:28,615 --> 01:22:30,735

He was like, oh, he believes

all of these things.

:

01:22:30,735 --> 01:22:31,565

Well, that's not true.

:

01:22:34,684 --> 01:22:35,215

Did you hear that?

:

01:22:35,625 --> 01:22:35,905

Yeah.

:

01:22:36,975 --> 01:22:37,665

At which part?

:

01:22:37,665 --> 01:22:38,615

He's like, oh, just the one part.

:

01:22:38,725 --> 01:22:39,505

Alright, so.

:

01:22:43,315 --> 01:22:43,535

Wow.

:

01:22:44,675 --> 01:22:46,175

I can't even get a word in here.

:

01:22:46,505 --> 01:22:48,925

Chris: This could be a,

a White Claw commercial.

:

01:22:53,720 --> 01:22:54,590

Jerome: I gotta keep up here.

:

01:22:55,440 --> 01:23:00,130

Alright, so, so, here's the

part that you were touching on.

:

01:23:00,140 --> 01:23:00,490

Yeah.

:

01:23:00,490 --> 01:23:00,840

Go for it.

:

01:23:00,840 --> 01:23:02,290

I put in the, in the arcs.

:

01:23:03,470 --> 01:23:06,840

Here's another element to the

theme of the opening title card.

:

01:23:06,930 --> 01:23:09,910

And the not, before the raindrops,

about the Prometheus thing.

:

01:23:09,960 --> 01:23:10,210

Huh.

:

01:23:11,190 --> 01:23:16,880

Was Oppie's real spiritual goal something

darker and more sinister than he thought?

:

01:23:17,290 --> 01:23:22,335

That because of him We have the

capacity for nuclear war today, right?

:

01:23:23,455 --> 01:23:27,115

I think he realizes this right before

the closing credits, where he gives off

:

01:23:27,115 --> 01:23:28,825

one of those stares you hate so badly.

:

01:23:28,875 --> 01:23:30,475

But he's got the tears in his eyes.

:

01:23:31,105 --> 01:23:34,405

And that's when he starts to have

the images of the vapor trails of

:

01:23:34,405 --> 01:23:35,805

the nuclear bombs and everything.

:

01:23:35,905 --> 01:23:36,684

Right, right, right.

:

01:23:36,785 --> 01:23:38,595

And the raindrops and all that comes back.

:

01:23:39,125 --> 01:23:42,765

Was Oppie's spiritual goal

really not to survive?

:

01:23:43,440 --> 01:23:50,170

Secure his legacy as an American hero,

but was it to be the angel of death?

:

01:23:51,480 --> 01:23:55,470

Right the destroyer of worlds

as he said earlier in the movie.

:

01:23:55,670 --> 01:23:58,070

Yeah, was that not his spiritual goal?

:

01:23:58,070 --> 01:24:00,220

Is that not what Oppenheimer created?

:

01:24:00,930 --> 01:24:04,450

You know, so something dark there when

you said about putting on the hat and he's

:

01:24:04,450 --> 01:24:06,480

kind of channeling the evil sinisterness.

:

01:24:06,500 --> 01:24:08,580

That was Eisenberg.

:

01:24:08,850 --> 01:24:12,780

Chris: Yeah, and i'm glad i'm glad

that I don't feel like they tried to

:

01:24:12,780 --> 01:24:16,980

candy coat history at all, showing

him with all his warts and flaws

:

01:24:16,990 --> 01:24:19,800

and, you know, cheating on his wife.

:

01:24:19,960 --> 01:24:20,630

Oh dude.

:

01:24:20,920 --> 01:24:21,340

Jerome: Yeah.

:

01:24:21,340 --> 01:24:24,740

In fact, the only admirable

thing you can say was that he

:

01:24:24,750 --> 01:24:26,240

wanted to win world war two.

:

01:24:27,210 --> 01:24:30,990

Everything else in this movie

is very much detrimental.

:

01:24:31,240 --> 01:24:35,250

His communist eyes, like you

said, his affairs on his wife.

:

01:24:35,270 --> 01:24:38,730

Like he wasn't a very easy

person to get along with.

:

01:24:39,280 --> 01:24:40,990

He wasn't a very nice guy.

:

01:24:41,260 --> 01:24:44,420

His friend, his only best friend in

the movie, Chevalier, he sells him

:

01:24:44,559 --> 01:24:46,110

down the river later on in the movie.

:

01:24:46,490 --> 01:24:49,260

Like, he's just, he wasn't a good guy.

:

01:24:49,940 --> 01:24:52,640

He just did the most polarizing thing.

:

01:24:53,960 --> 01:24:58,850

A, win World War II, but also

look where it got us to today.

:

01:24:58,850 --> 01:25:03,660

I mean, it's again, could you say that

there's a nuclear program because of J.

:

01:25:03,660 --> 01:25:05,460

Robert Oppenheimer, right?

:

01:25:05,630 --> 01:25:05,970

Chris: Yeah.

:

01:25:07,190 --> 01:25:07,450

Yep.

:

01:25:07,530 --> 01:25:09,680

And I guess, and that's my biggest thing.

:

01:25:09,680 --> 01:25:16,750

It's like, I, I kind of wonder how much

of his portrayed PTSD or, you know,

:

01:25:16,770 --> 01:25:20,170

mental, Trauma was real like in real life.

:

01:25:20,260 --> 01:25:22,220

Did the real man Oppenheimer?

:

01:25:22,500 --> 01:25:25,750

Struggle to the extent

that this character did.

:

01:25:26,240 --> 01:25:26,870

I don't know.

:

01:25:26,910 --> 01:25:30,020

I don't know You know, I don't know

the history and and and all that

:

01:25:30,400 --> 01:25:33,309

Jerome: I think he did only because from

what I read about the other things I told

:

01:25:33,309 --> 01:25:37,280

you that were in the book Yeah, yeah that

Nolan tried to be as true as he could to

:

01:25:37,500 --> 01:25:42,920

the struggle that this guy had realizing

that his ego to succeed as a physicist

:

01:25:43,410 --> 01:25:47,350

was met harshly when he realized that

his invention killed 200, 000 people.

:

01:25:47,550 --> 01:25:47,920

Yeah,

:

01:25:47,980 --> 01:25:49,520

Chris: and potentially millions more.

:

01:25:49,800 --> 01:25:50,830

Millions more, right.

:

01:25:50,840 --> 01:25:50,900

Or billions more.

:

01:25:50,900 --> 01:25:51,820

Yeah, yeah.

:

01:25:51,830 --> 01:25:57,610

So, yeah, I mean, I, so I have, it was

hard for me to have any sympathy for,

:

01:25:57,620 --> 01:25:59,880

for him, you know, for the character.

:

01:26:00,420 --> 01:26:06,440

Because of what he did, you know, and,

and as you said, he, his character, he,

:

01:26:06,480 --> 01:26:08,420

you know, he wasn't a likable person.

:

01:26:08,420 --> 01:26:08,500

Mm hmm.

:

01:26:08,740 --> 01:26:10,050

Very hard to get along with.

:

01:26:10,520 --> 01:26:14,850

So, you know, as I saw him staring

off into space with PTSD, I was like,

:

01:26:15,250 --> 01:26:16,900

Yeah, go, go see a therapist, buddy.

:

01:26:16,980 --> 01:26:17,680

I don't, you know.

:

01:26:17,680 --> 01:26:21,170

Jerome: But here's how beautifully

it was constructed by Nolan.

:

01:26:21,290 --> 01:26:22,610

Why did we care?

:

01:26:23,059 --> 01:26:27,420

We cared because Because he

constructed the Robert Downey Jr.

:

01:26:27,420 --> 01:26:32,340

character to be such a villain that you

wanted to see that motherfucker lose.

:

01:26:32,570 --> 01:26:34,690

Chris: Yeah, yeah, because

he totally set him up.

:

01:26:35,870 --> 01:26:39,370

Totally set him up to be blacklisted.

:

01:26:40,110 --> 01:26:40,820

Jerome: Absolutely.

:

01:26:41,000 --> 01:26:45,076

So, that's kind of like those

movies where your hero is flawed.

:

01:26:45,355 --> 01:26:47,425

You gotta make the villain

even more unlikable.

:

01:26:47,505 --> 01:26:50,795

Chris: And we should say, like,

the, the, at least in the movie,

:

01:26:50,815 --> 01:26:56,785

the portrayed reason why he was

trying to blacklist him was pretty

:

01:26:56,785 --> 01:26:59,985

much because he was anti nuclear.

:

01:26:59,985 --> 01:27:05,925

Like, he was trying to call for more

control or, you know, the world to

:

01:27:05,925 --> 01:27:10,915

come around the idea of, you know,

anti proliferation of nuclear weapons.

:

01:27:11,160 --> 01:27:15,330

Jerome: But they hint that it's that it

was way weaker and pettier than that.

:

01:27:15,500 --> 01:27:19,440

It was that he embarrassed

them at the AEC hearing.

:

01:27:19,930 --> 01:27:21,590

That's why he held a grudge.

:

01:27:21,750 --> 01:27:23,910

Like think about that, how petty that is.

:

01:27:23,960 --> 01:27:27,610

Chris: Well, I think, yeah, maybe it was

that, that was, that was his said motive.

:

01:27:27,620 --> 01:27:31,250

That was like, that was what he

could, he could point to that.

:

01:27:31,680 --> 01:27:37,410

Yeah, because he was vocal with his

socialist views and, and ideas for,

:

01:27:37,760 --> 01:27:40,710

Jerome: But what did Oppenheimer say in

the hearing that really pissed him off?

:

01:27:40,710 --> 01:27:41,630

He was sitting in the back.

:

01:27:41,670 --> 01:27:44,460

Remember, he was sitting in the back

and he said something about a sandwich

:

01:27:44,470 --> 01:27:45,630

is more productive or something.

:

01:27:47,750 --> 01:27:47,900

Chris: Yeah.

:

01:27:48,130 --> 01:27:50,110

Jerome: He said something like, I'd

rather take a sandwich, you can get

:

01:27:50,110 --> 01:27:51,200

more out of it or something like that.

:

01:27:51,350 --> 01:27:52,020

Talking about straws.

:

01:27:52,020 --> 01:27:52,470

Yeah.

:

01:27:52,535 --> 01:27:56,455

And everybody laughs, and he was

completely humiliated, and it

:

01:27:56,455 --> 01:27:59,345

was like, that was his motivation

to bury this guy's legacy.

:

01:27:59,345 --> 01:28:00,695

Chris: Yeah, his ego

couldn't handle it, right?

:

01:28:00,695 --> 01:28:01,815

Jerome: Yeah, exactly.

:

01:28:02,075 --> 01:28:03,865

But then again, neither

could Oppenheimer's ego.

:

01:28:03,865 --> 01:28:07,395

He could have just played nice,

but he had to hammer Strauss and

:

01:28:07,395 --> 01:28:08,915

embarrass him in front of everybody.

:

01:28:09,785 --> 01:28:11,335

That's what you get, right?

:

01:28:11,455 --> 01:28:11,725

Yep.

:

01:28:11,865 --> 01:28:19,635

So, yeah, I mean, it's one of those where

you want to try to be truthful to real

:

01:28:19,635 --> 01:28:25,035

life At the same time, you gotta, you

know With this, Walk the Line was very

:

01:28:25,035 --> 01:28:29,005

similar, where the only way they would

do it is if they showed everything.

:

01:28:29,475 --> 01:28:31,875

They showed that Homeboy

was a drunk, you know?

:

01:28:32,005 --> 01:28:32,445

Yeah, yeah.

:

01:28:32,515 --> 01:28:35,049

You know, that he was Addicted to drugs.

:

01:28:35,049 --> 01:28:38,755

Addicted to drugs, he was a bastard

to live with, bastard to know.

:

01:28:38,805 --> 01:28:39,635

Cheated on his wife.

:

01:28:39,645 --> 01:28:41,075

Cheated on his wife, you know.

:

01:28:41,395 --> 01:28:44,765

So, I think that's kind of one of

those things where if you're gonna

:

01:28:44,775 --> 01:28:47,565

make yourself, if you're gonna,

if your lead is gonna be a flawed

:

01:28:47,565 --> 01:28:50,105

hero, the villain has to be worse.

:

01:28:50,655 --> 01:28:51,075

Chris: Yeah.

:

01:28:51,145 --> 01:28:52,985

Well, and this is about real people.

:

01:28:53,055 --> 01:28:57,305

So, you know, it's not a fictional

story where you get to make up your

:

01:28:57,305 --> 01:28:59,255

characters to be heroes and everything.

:

01:28:59,710 --> 01:29:02,330

Real people are flawed, you know?

:

01:29:02,340 --> 01:29:02,880

Absolutely, absolutely.

:

01:29:02,880 --> 01:29:09,090

And so I think he did a good job

trying to portray the, the various

:

01:29:09,090 --> 01:29:11,020

dimensions of these real people.

:

01:29:11,140 --> 01:29:11,550

You know?

:

01:29:12,260 --> 01:29:12,610

So, yeah.

:

01:29:12,610 --> 01:29:12,950

Jerome: Absolutely.

:

01:29:12,950 --> 01:29:14,680

So a couple other points in trivia here.

:

01:29:14,680 --> 01:29:18,930

The screenplay was actually

written in first person, which

:

01:29:18,930 --> 01:29:21,200

is rare and almost never happens.

:

01:29:21,530 --> 01:29:26,400

Screenplays are written very You know,

Chris comes in and grabs the glass of

:

01:29:26,410 --> 01:29:29,930

water, and then the dialogue will be

Chris says, Oh, this water is good.

:

01:29:29,950 --> 01:29:30,510

You know, whatever.

:

01:29:31,020 --> 01:29:33,840

The screenplay for Oppenheim was

written, I walked into the room

:

01:29:33,840 --> 01:29:34,950

and grabbed a glass of water.

:

01:29:34,950 --> 01:29:36,100

Like, it was written first person.

:

01:29:37,130 --> 01:29:39,360

Matt Damon said that when he

read the script, that's when he

:

01:29:39,360 --> 01:29:40,670

realized he wanted to do the movie.

:

01:29:40,670 --> 01:29:42,625

Because he had never seen it before.

:

01:29:43,365 --> 01:29:43,725

Yeah.

:

01:29:43,835 --> 01:29:48,585

In:

clearance was posthumously reinstated.

:

01:29:48,875 --> 01:29:51,275

He'd already been dead since:

:

01:29:52,955 --> 01:29:56,085

So why you're reinstating

his security clearance now,

:

01:29:56,395 --> 01:29:58,335

but in:

:

01:29:58,555 --> 01:30:00,395

This is the sixth film.

:

01:30:00,920 --> 01:30:03,640

That Cillian Murphy has worked

on with Christopher Nolan.

:

01:30:04,450 --> 01:30:08,020

Following Batman Begins, The

Dark Knight, Inception, The

:

01:30:08,020 --> 01:30:09,890

Dark Knight Rises, and Dunkirk.

:

01:30:10,059 --> 01:30:12,880

However, this is the first of

those where he was the lead.

:

01:30:14,170 --> 01:30:14,620

Yeah.

:

01:30:15,300 --> 01:30:16,030

That's all I got.

:

01:30:17,140 --> 01:30:18,820

Chris: I don't think I

have any more either.

:

01:30:18,850 --> 01:30:19,190

Jerome: So.

:

01:30:19,200 --> 01:30:19,900

I loved it, man.

:

01:30:19,920 --> 01:30:21,230

I loved both of these films.

:

01:30:21,230 --> 01:30:21,430

Yeah.

:

01:30:21,430 --> 01:30:22,110

And I, said.

:

01:30:22,110 --> 01:30:23,010

I'll watch it again,

:

01:30:23,010 --> 01:30:23,730

Chris: I think.

:

01:30:23,770 --> 01:30:25,090

But it's so long.

:

01:30:25,110 --> 01:30:25,620

God.

:

01:30:25,840 --> 01:30:30,915

Jerome: I, I just can't, I can't remember

if there ever was a year Where two films

:

01:30:30,915 --> 01:30:32,925

just completely owned the box office.

:

01:30:32,955 --> 01:30:36,225

Yeah, completely owned The Oscar

nominations were released on the

:

01:30:36,225 --> 01:30:37,875

same day, had the same budget.

:

01:30:38,545 --> 01:30:44,375

You know, one made $500 million more, but

it's not like one of 'em made nothing.

:

01:30:44,405 --> 01:30:48,425

One of 'em made 957 million,

the other one made 1.4 billion.

:

01:30:48,575 --> 01:30:53,795

Chris: You know, in hindsight, I'm

actually surprised Oppenheimer did as

:

01:30:53,795 --> 01:30:57,385

well as it did, considering its length.

:

01:30:57,835 --> 01:31:01,855

And, and how dialogue heavy,

and, and, I don't know.

:

01:31:02,635 --> 01:31:04,855

Jerome: Well, the visuals are also good.

:

01:31:04,995 --> 01:31:05,015

Yeah.

:

01:31:05,025 --> 01:31:07,745

And I think people went to go see the

visuals, particularly on the IMAX.

:

01:31:07,745 --> 01:31:11,155

But to your point, the reason

studios hate movies that long,

:

01:31:11,845 --> 01:31:13,405

there's not as many screenings.

:

01:31:13,475 --> 01:31:14,275

Yeah, yeah, yeah.

:

01:31:14,335 --> 01:31:14,605

Right?

:

01:31:14,605 --> 01:31:15,695

You can't make as much, normally.

:

01:31:15,695 --> 01:31:16,505

Right, right.

:

01:31:16,505 --> 01:31:19,675

And at daytime, you have

screenings normally start at what?

:

01:31:19,675 --> 01:31:20,535

What's the matinee show?

:

01:31:20,575 --> 01:31:21,255

11 AM?

:

01:31:21,265 --> 01:31:21,355

Yeah,

:

01:31:21,355 --> 01:31:24,155

Chris: every 90 minutes, get another

pack of people in there, right?

:

01:31:24,155 --> 01:31:24,525

Jerome: Right, like, yeah.

:

01:31:24,615 --> 01:31:28,530

Right, so when you have a long ass

movie It doesn't, you don't make

:

01:31:28,530 --> 01:31:32,750

as much, so for, for Oppenheimer

at three hours to make 957 million

:

01:31:32,750 --> 01:31:34,620

worldwide is pretty fucking impressive.

:

01:31:34,640 --> 01:31:35,270

Chris: Yeah, it is.

:

01:31:35,309 --> 01:31:37,230

100, yeah, 100 percent.

:

01:31:38,309 --> 01:31:39,530

Alright, six degrees.

:

01:31:40,280 --> 01:31:42,180

Jerome: Oh, I forgot we had a six degrees.

:

01:31:42,620 --> 01:31:46,945

Chris: Yeah, I, For the listener,

I didn't think we were going to be

:

01:31:46,945 --> 01:31:52,115

able to do this podcast today, but I

sent my brother a text just in case.

:

01:31:52,955 --> 01:31:54,695

I, I threw a couple names at him.

:

01:31:54,934 --> 01:31:58,405

Jerome: So again, for those of you that

want to know the character of my brother.

:

01:31:59,075 --> 01:31:59,605

What?

:

01:32:00,045 --> 01:32:00,805

What do you mean character?

:

01:32:00,805 --> 01:32:02,041

This is what he does.

:

01:32:02,041 --> 01:32:03,277

This is what he does.

:

01:32:03,277 --> 01:32:04,915

He picks two people.

:

01:32:05,115 --> 01:32:06,085

Now, let me just tell you.

:

01:32:07,005 --> 01:32:09,915

The guy from Oppenheimer, which by

the way, we're not allowed to use

:

01:32:09,915 --> 01:32:11,105

the movies that we're talking about.

:

01:32:11,195 --> 01:32:11,405

Yeah.

:

01:32:11,405 --> 01:32:11,605

Yeah.

:

01:32:15,325 --> 01:32:16,865

Petrie Willink?

:

01:32:17,485 --> 01:32:17,745

Yep.

:

01:32:19,184 --> 01:32:20,645

Guess who he was in Oppenheimer?

:

01:32:20,684 --> 01:32:22,595

He played Dutch student.

:

01:32:24,375 --> 01:32:24,835

Wow.

:

01:32:25,055 --> 01:32:25,415

Thanks.

:

01:32:26,145 --> 01:32:29,695

Looking at his IMDB, it's

filled with TV shows.

:

01:32:30,065 --> 01:32:33,085

I only found one feature that he was in.

:

01:32:33,825 --> 01:32:36,645

And it was called The

Great Alaskan Race in:

:

01:32:36,655 --> 01:32:37,425

Never heard of it.

:

01:32:38,345 --> 01:32:46,555

The other guy he picks is Oliver Hir , who

plays in Barbie get this businessman

:

01:32:49,775 --> 01:32:53,555

If you look at his IMDB,

it's mostly television.

:

01:32:53,615 --> 01:32:53,765

Yeah.

:

01:32:53,825 --> 01:32:55,505

And video games.

:

01:32:55,510 --> 01:32:57,815

The guy does voices for video games.

:

01:32:58,085 --> 01:33:04,355

In fact, I could only find one

feature film for him, . And that was

:

01:33:04,415 --> 01:33:07,595

film called The Baby Moon in:

:

01:33:08,580 --> 01:33:13,635

I only found, other than

Barbie and Oppenheimer.

:

01:33:13,695 --> 01:33:13,995

Yeah.

:

01:33:14,045 --> 01:33:16,715

These two people were in only one

other movie that I could find.

:

01:33:18,105 --> 01:33:20,145

Chris: So that makes, that's

what makes it interesting though,

:

01:33:20,184 --> 01:33:25,005

because as we say on every episode,

this isn't a stumped roam game.

:

01:33:25,015 --> 01:33:29,675

We actually want to find out

if it's possible that we cannot

:

01:33:29,675 --> 01:33:33,910

connect the Two actors within

six degrees, within six movies.

:

01:33:34,550 --> 01:33:37,090

And you've been able to do it every time.

:

01:33:37,090 --> 01:33:42,280

So in the last couple of episodes,

they've been pretty difficult.

:

01:33:42,420 --> 01:33:43,670

Jerome: They've been

getting tougher and tougher.

:

01:33:45,680 --> 01:33:46,570

Chris: So how'd we do?

:

01:33:47,780 --> 01:33:50,460

Jerome: Got it in four.

:

01:33:50,540 --> 01:33:50,980

Of course.

:

01:33:51,760 --> 01:33:59,870

So Oliver Vacker, Vacker, was in the

baby moon:

:

01:34:00,309 --> 01:34:01,580

Who was in Alive?

:

01:34:02,160 --> 01:34:02,780

Remember that?

:

01:34:02,790 --> 01:34:03,180

Yeah.

:

01:34:03,190 --> 01:34:05,750

That movie about the stranded

rugby, rugby players in the,

:

01:34:05,760 --> 01:34:07,130

in the what was it, the Andes?

:

01:34:07,240 --> 01:34:09,059

Chris: Yeah, didn't they eat, eat people?

:

01:34:09,110 --> 01:34:09,990

Jerome: Yeah, they eat each other.

:

01:34:09,990 --> 01:34:10,270

Yeah.

:

01:34:10,270 --> 01:34:10,360

Yeah.

:

01:34:12,059 --> 01:34:14,980

In that film was John Malkovich, who

not only did the narration, but he

:

01:34:14,980 --> 01:34:19,730

also appears in it as, you know, they

visually show him giving the dialogue.

:

01:34:20,440 --> 01:34:26,559

He was in Mulholland Falls in:

with Treat Williams, who was in the

:

01:34:26,559 --> 01:34:28,630

great, great, great Great Alaskan Race.

:

01:34:28,830 --> 01:34:29,070

Wow.

:

01:34:29,780 --> 01:34:32,290

:

:

01:34:32,510 --> 01:34:33,190

Willink?

:

01:34:33,290 --> 01:34:33,900

Willink?

:

01:34:34,139 --> 01:34:34,580

Willink.

:

01:34:34,650 --> 01:34:35,360

Chris: It's four.

:

01:34:35,920 --> 01:34:38,120

Jerome: So Babel Baby Moon, Alive.

:

01:34:38,130 --> 01:34:38,520

That's crazy, man.

:

01:34:38,520 --> 01:34:40,120

Maughan Falls, Great Alaskan Race.

:

01:34:40,160 --> 01:34:42,340

And we can thank Treat

Williams for this one.

:

01:34:42,360 --> 01:34:42,780

Yeah.

:

01:34:43,719 --> 01:34:47,540

Because that guy, Petrie

Willink, I couldn't find shit

:

01:34:47,559 --> 01:34:49,030

on him except that one movie.

:

01:34:49,930 --> 01:34:51,680

And thank God Treat Williams was in it.

:

01:34:52,740 --> 01:34:57,219

And because Oliver, his one moon,

his one movie, The Baby Moon,

:

01:34:57,730 --> 01:35:01,430

Michael DiLorenzo was the only one

I really knew in, that was in it.

:

01:35:01,590 --> 01:35:03,990

And he, other than Alive, I

don't know if you know, he

:

01:35:03,990 --> 01:35:07,030

famously played PFC William T.

:

01:35:07,030 --> 01:35:08,969

Santiago in A Few Good Men.

:

01:35:09,150 --> 01:35:09,450

Okay.

:

01:35:10,035 --> 01:35:11,795

So, I was gonna try to go there.

:

01:35:11,795 --> 01:35:13,105

I'm like, shit, that gives me an out.

:

01:35:13,115 --> 01:35:15,745

That's Jack, that's Demi

Moore, that's Tom Cruise.

:

01:35:15,815 --> 01:35:16,055

Right.

:

01:35:16,085 --> 01:35:16,925

Nothing.

:

01:35:17,125 --> 01:35:18,005

Nothing.

:

01:35:18,005 --> 01:35:18,975

I got dead ends.

:

01:35:20,915 --> 01:35:21,155

Wow.

:

01:35:21,165 --> 01:35:22,445

Thank God for a live.

:

01:35:22,505 --> 01:35:22,955

Jeez.

:

01:35:23,005 --> 01:35:23,635

That's fun.

:

01:35:23,635 --> 01:35:27,755

Chris: So, yeah, the last one was fun

too, cause the last one that's available

:

01:35:27,775 --> 01:35:29,205

now if you're listening to this.

:

01:35:29,255 --> 01:35:30,215

It's not available yet.

:

01:35:30,370 --> 01:35:34,160

As we record, but the last one,

you had two different actors on

:

01:35:34,180 --> 01:35:38,840

two different continents that only

did a couple of movies each, right?

:

01:35:38,840 --> 01:35:39,710

Yeah, and it wouldn't

:

01:35:39,710 --> 01:35:41,350

Jerome: have been done if

I couldn't use one of them.

:

01:35:41,350 --> 01:35:42,900

We had to break one of our own rules.

:

01:35:42,930 --> 01:35:44,550

Yeah, but that was cool.

:

01:35:44,550 --> 01:35:46,360

Chris: So listen to that

episode for that one.

:

01:35:46,360 --> 01:35:47,100

That was, that was.

:

01:35:48,505 --> 01:35:50,025

So, no, that's good, man.

:

01:35:50,075 --> 01:35:51,475

Good, good good pair up.

:

01:35:51,505 --> 01:35:52,085

It was fun.

:

01:35:52,745 --> 01:35:53,005

Dude,

:

01:35:53,365 --> 01:35:54,825

Jerome: I've been

looking for this episode.

:

01:35:54,855 --> 01:35:57,485

I tell you what, I was looking

forward to this since I saw

:

01:35:57,535 --> 01:35:59,485

Oppenheimer in the theater last July.

:

01:35:59,955 --> 01:36:03,594

Like, I was like, oh, dude, we got

to break this one down eventually.

:

01:36:03,875 --> 01:36:06,035

And I didn't know we'd

pair it with Barbie.

:

01:36:06,565 --> 01:36:07,085

Yeah.

:

01:36:07,655 --> 01:36:09,675

But, hey man, we took on two

of the heavy hitters, man.

:

01:36:09,675 --> 01:36:11,655

This is Apollo versus Rocky right here.

:

01:36:11,665 --> 01:36:12,045

Yeah.

:

01:36:12,045 --> 01:36:13,305

These, these are the two biggies.

:

01:36:13,325 --> 01:36:13,535

I mean,

:

01:36:13,535 --> 01:36:16,155

Chris: we're trying to get through

them so that we can, you know,

:

01:36:16,155 --> 01:36:20,245

at least go into Oscar night

having a few in the can, you know.

:

01:36:20,545 --> 01:36:24,875

Jerome: Yeah, I think Killers of the

Flower Moon The Holdover, The Holdovers,

:

01:36:25,264 --> 01:36:26,475

which is the Paul Giamatti one.

:

01:36:26,475 --> 01:36:26,915

Yeah, yeah.

:

01:36:27,280 --> 01:36:30,240

And maybe that, you said you

saw American Fiction, right?

:

01:36:30,300 --> 01:36:30,639

Mm hmm.

:

01:36:31,150 --> 01:36:32,090

See, I haven't seen it yet.

:

01:36:32,719 --> 01:36:35,590

But I think we gotta throw a few of

those in there and we'll be ready.

:

01:36:35,630 --> 01:36:36,280

We'll be ready.

:

01:36:36,320 --> 01:36:36,580

Yep.

:

01:36:36,719 --> 01:36:38,230

I haven't seen Maestro yet either.

:

01:36:38,300 --> 01:36:39,090

Yeah, me neither.

:

01:36:39,270 --> 01:36:40,770

It's on, it's streaming though.

:

01:36:40,770 --> 01:36:41,680

I think it's on Netflix.

:

01:36:41,690 --> 01:36:42,700

I think it's a Netflix movie.

:

01:36:42,710 --> 01:36:43,410

Chris: I think you're right.

:

01:36:44,059 --> 01:36:46,889

Jerome: Cause V, I think, was

watching it one, one night I

:

01:36:46,889 --> 01:36:48,219

came in and she was watching it.

:

01:36:48,350 --> 01:36:49,410

Again, she falls asleep.

:

01:36:50,264 --> 01:36:50,915

Chris: Yeah, I know.

:

01:36:50,945 --> 01:36:53,605

And I said I wanted to pair that

with Amadeus, but we're trying to

:

01:36:53,605 --> 01:36:55,325

pair up Oscar nominated movies.

:

01:36:55,325 --> 01:36:57,514

Jerome: Yeah, I say we just

pair them up with each other.

:

01:36:57,514 --> 01:36:57,995

Yeah.

:

01:36:58,014 --> 01:36:59,375

So we can get through them faster.

:

01:36:59,495 --> 01:36:59,795

Yeah.

:

01:36:59,815 --> 01:37:03,915

But yeah, I mean this yeah, so

far, I haven't seen them all,

:

01:37:04,115 --> 01:37:06,125

but so far Oppenheimer is still

my favorite movie of the year.

:

01:37:06,650 --> 01:37:08,610

I really liked Anatomy of the Fall, man.

:

01:37:08,790 --> 01:37:11,610

But I really liked it more with my ending.

:

01:37:11,650 --> 01:37:12,670

Yes, I know.

:

01:37:12,680 --> 01:37:13,820

I gotta rewatch it now.

:

01:37:13,830 --> 01:37:17,700

What, what I think happens at the

end, and then you go back and you

:

01:37:17,700 --> 01:37:21,880

relive all that symbolism with the

dog, I, I like it more that way.

:

01:37:21,889 --> 01:37:22,880

Yeah, yeah.

:

01:37:22,880 --> 01:37:25,389

So but yeah, that one,

that one was really cool.

:

01:37:25,440 --> 01:37:25,750

Yeah.

:

01:37:25,750 --> 01:37:26,120

I really liked that one.

:

01:37:26,130 --> 01:37:30,020

Chris: I gotta see it now to rewatch

it and see if it hits differently.

:

01:37:30,620 --> 01:37:31,700

With that in mind.

:

01:37:32,309 --> 01:37:33,350

Cause I bet you it will.

:

01:37:33,350 --> 01:37:37,020

Jerome: And all those little

moments where she's looking.

:

01:37:37,030 --> 01:37:39,350

Like I said, she's got the

look of both predator and prey.

:

01:37:39,490 --> 01:37:39,889

Yeah.

:

01:37:40,040 --> 01:37:43,860

There's times where I think

the director, Trie, makes you

:

01:37:43,870 --> 01:37:46,290

think she's guilty as fuck, man.

:

01:37:46,340 --> 01:37:47,080

Look at her eyes.

:

01:37:48,400 --> 01:37:51,800

So, watch it again thinking she's

guilty and it'll blow your mind.

:

01:37:52,995 --> 01:37:54,905

Cause I went into it

thinking she was guilty.

:

01:37:56,375 --> 01:37:59,040

So when it got to the end, I

was like, yeah, she's guilty.

:

01:37:59,040 --> 01:37:59,795

Guilty as fuck.

:

01:38:03,365 --> 01:38:04,955

But anyway, alright,

let's land this plane.

:

01:38:04,975 --> 01:38:06,255

Chris: Alright, this is a good one man.

:

01:38:06,395 --> 01:38:09,295

So, hey, support your local cinema.

:

01:38:09,405 --> 01:38:10,575

Jerome: Keep drinking and keep watching.

:

01:38:10,805 --> 01:38:11,575

Chris: See you next time.

:

01:38:11,755 --> 01:38:12,055

Jerome: Adios.

About the Podcast

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Silver Screen Happy Hour
With the Wiegand Brothers

About your hosts

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Jerome Wiegand

Born and raised in Metro Detroit, Michigan. Graduate of Columbia College Chicago with a degree in Film/Screenwriting. Have lived in California since 2001. I enjoy screenwriting, script consulting and film analysis.
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Chris Wiegand