Episode 13

Unforgiven (1992) WICK UNFORGIVEN - Part One

Analyzing 'Unforgiven' (1992)

A must-listen for movie buffs and aspiring screenwriters! Chris and Jerome dig into the thematic elements of Clint Eastwood’s 'Unforgiven' in this first of a two-part series that explores a "once a killer theme". Jerome provides an insightful breakdown using Blake Snyder's storytelling structure, while Chris shares entertaining anecdotes and whiskey pairings. The episode features lively discussions, trivia, character analyses, and a humorous take on Chris' wife's aversion to violent films. Closing it out, they tease an upcoming 'Six Degrees of Separation' challenge and encourage listeners to support local cinemas.

00:00 Introduction and Hosts' Excitement

01:06 Movie Selections: Unforgiven and John Wick

02:30 Drinks and Personal Stories

05:37 Unforgiven: Movie Details and Initial Thoughts

14:47 Unforgiven: Themes and Character Analysis

35:03 Myth vs. Reality: The Final Example

35:11 Foreshadowing the Ending

36:14 Will's Transformation Begins

37:56 Midpoint: A False Defeat

40:15 The Final Myth vs. Reality Moment

42:43 The Kid's Breakdown

44:27 Will's Return to Violence

47:03 The Climactic Showdown

52:59 Character Analysis and Final Thoughts

Buy or Rent Unforgiven

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Transcript
Chris:

You are listening to the Silver Screen Happy Hour.

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I'm Chris Wiegand, along

with my brother Jerome.

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We do have some, some drinks to pair

with these movies and I'm gonna have

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to intermix it with some water cause

it's just whiskey today, folks.

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Jerome: Oh, hell yeah.

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Chris: Well, Jerome, you might

have some lightsaber backup.

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You usually do.

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Jerome: I always do.

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I know I do.

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Yeah, no, I'm excited about today.

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I haven't been I'm excited for every

episode, to be honest with you.

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Chris: Yeah.

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Jerome: Even if I'm gonna set it up with

Even when we decide on movies that I'm not

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100 percent in love with, like, we'll have

movies that are topical, and I'm like, oh,

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those are good movies, we could do that.

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By the time I'm done with

the notes, I'm fired up.

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Because I learn more,

right, about the movies.

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And even if it's movies that I've seen,

like, Silence of the Lambs, I've loved

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for years, and I've seen a million times,

but when I really broke it down by notes,

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I was like, God, I love it even more now.

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So, but this one?

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This one I was particularly excited for

and after the notes I'm, I'm, I'm I'm

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lit up like a fucking Christmas tree.

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Chris: Alright, so what are the

movies we're talking about today?

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Jerome: We are doing the 1992

Unforgiven starring Clint Eastwood

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and the I believe it's 2014?

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Yep.

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Is that what it is?

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2014, John Wick, the first

one, starring Keanu Reeves.

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The reason we picked these

movies is they both kind of serve

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this I was once a killer theme.

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You know, where they're kind of

in retirement for whatever reason.

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And they come out of

retirement for, for something.

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Something pulls them back into the life.

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So I was intrigued by

doing these two movies.

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I know that it's a common theme,

actually, when you think of a lot of

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movies that have ex assassins taken

as another example of a, you know,

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a CIA operative or whatever, who's

now retired and in the normal life.

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And something happens where he has to

get back into it and kick everybody's

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ass that gets in front of him.

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So we love these movies because we,

you know, we, we see themselves as

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these guys like, Oh, you know, with

the things you'll do to, you know,

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to right the wrongs of the world.

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So we were very much excited about

the concept of once a killer.

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Chris: My son, Josh was over and he was

watching John Wick with me this time.

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He's like, We were talking about

it and he's like, man, you know, I

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mean, I know he was an assassin and

stuff, but someone killed my dog that

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my wife, my dead wife just gave me.

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I've become a killer too.

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Jerome: Well, we're going to talk

about, we got a lot to talk about

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with John Wick and we got a lot to

talk about with Unforgiven, but let's

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start off with what are you drinking?

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Chris: Well, I'm just went to I'm calling

it generic whiskey because the brand of

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whiskey has nothing to do with the movie.

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So I'm going with an Irish whiskey.

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Hold on, let me get

the audio of this pour.

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Jerome: Ooh!

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Chris: Oh yeah.

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There we go, a little Jameson simply

because it's a lazy day and I didn't

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I didn't get the bottle that I wanted.

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I think you got the bottle

that I would have wanted.

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Jerome: Okay, so, first I gotta,

I gotta, a comment on yours.

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Alright.

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My brother has a big jug of Jameson.

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Oh, it's a Sam's Club

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Chris: jug.

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Jerome: Right, so let me guess

well, of course, cost of living

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in Michigan's a little bit more

reasonable than California.

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In California, that's a 50 bottle.

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Yeah, it's about the same here.

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Is that, is that about the same?

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Okay, so it's 50 at Costco.

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So here's the story.

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Yeah.

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I recently had my 49th birthday, the

tender age of 49, and my wife was like,

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you know what get whatever you want, You

know, I don't really know what to get you.

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So, I'll give you a hundred dollar

budget to get a bottle of your choosing.

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Nice.

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Happy birthday.

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So, I go to Costco where

the prices are the best.

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And I see that Jameson's jug for

50 bucks and I'm like, you know,

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I could just get two bottles of

Jameson's and meet the budget.

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But then I was like, nah, fuck that,

I'm gonna get something really nice.

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I ended up getting, this isn't

it, or this is a different story.

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I ended up getting myself 85 bottles.

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dollar bottle of Macallan.

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It was very nice scotch.

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Yeah.

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Yeah.

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And and I brought it home to

find that my wife, while I was at

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Costco getting this bottle through

a little surprise party for me.

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So I had all my neighbors over.

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Nice.

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And one of 'em e my buddy Eric,

who lives down the street, him and

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his lady Siri, who are engaged they

actually got me this Blanton's nice

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original single barrel bourbon whiskey.

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And it's the exact bottle from John Wick.

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They had no idea.

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It just happens to be,

this is just serendipitous.

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Yeah, that's great.

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It's the bottle that's, it's the bottle

that, for those of you seen the movie,

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Keanu Reeves calls up, you know, he's, he

needs to be stitched up by the doctor and

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they give him bourbon as a pain reliever.

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And this is the bottle they send up.

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So it's a very nice Blanton's

whiskey from the movie.

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And I am going to open up mine now.

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So I normally don't use rocks.

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You know me, I have a thing

against ice, but John wick had

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ice in his glass when he drank it.

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Yep.

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So you, if Keanu can't go wrong.

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Then I can't go wrong.

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Here we go.

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You ready?

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Chris: Nice.

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Jerome: I want to go more than

that, but I probably shouldn't.

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Chris: Have you tried this stuff yet?

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Jerome: I have never had it before.

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Chris: Okay.

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Jerome: So introductory sip.

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Here we go.

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Oh boy, that'll put hair on your balls.

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Chris: It's gonna be a good show, people.

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Jerome: Very nice, it's gonna

be a really good show, people.

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Alright, what do you want to start with?

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I kind of wanted to go with

Unforgiven, like chronological.

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Chris: Yeah, let's go chronological.

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Jerome: All right, so I'll

give you the specs here.

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Unforgiven 1992 directed by Clint

Eastwood, written by David Webb.

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People's running time is two hours,

10 minutes, and a budget of 14.

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4 million.

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It was released on my 17th

th,:

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It made over 101 million domestic,

which is good for 11th place that year.

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Just behind the number 10 film.

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A league of their own at 107 million.

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Guess what the number

one movie as of 92 was

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Chris: 92.

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Oh man.

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I don't know.

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What was

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Jerome: it?

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And it's funny that today like the

number one movies are always movies

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that top a billion dollars That's

the top grossing movie of:

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was at 217 million domestically.

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Wow it was aladdin Aladdin.

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No

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Chris: kidding.

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Okay.

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Jerome: Yeah.

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All right.

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Unforgiven was nominated for nine Academy

Awards and won four of them, including

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Best Picture, Clint for Best Director.

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His first Oscar.

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He now has four, by the

way, but that was his first.

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It also won for Joel Cox's film editing

and Best Supporting Actor, Gene Hackman.

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His second Oscar.

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His first was for Best Actor for

the French Connection back in 71.

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Side note.

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Side note, Clint was also

nominated for Best Actor for this

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movie, but he lost to Al Pacino.

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In Son of a Woman, which was Al's

first and only Oscar, which many

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felt was a makeup award for all the

years he got dicked over in the 70s.

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Okay.

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It stars Clint Eastwood as William Money,

Gene Hackman as little Bill Daggett Morgan

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Freeman as Ned Logan, Richard Harris as

English Bob as well as co stars Francis

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Fisher, who was dating Clint at the time.

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Another little funny story there.

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I think I have it in the trivia.

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So we'll get to it later.

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She plays strawberry Alice James

Wolvette as the Schofield kid.

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That's literally his character's name.

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They don't ever say

what his name is, right?

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It's just the Schofield kid Saul

Ruben Eck is WWE Bo champ and Anna

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Thompson as Delilah Fitzgerald Yeah,

the physically assaulted prostitute

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Chris: who is also in a movie.

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We just did

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Jerome: wait, wait, wait,

wait, wait, wait, wait.

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And your God, you fucking

jumped the gun here.

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I was literally about to say a few

connections to the previous podcast.

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We just did Saul Ruben Eck, who

plays WW boat champ and Anna

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Thompson, who plays Delilah.

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We're both in true romance.

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Yeah.

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Which is the film we covered before this.

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And of course, Gene Hackman

was in Bonnie and Clyde.

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So actually, three of them.

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Which we also covered

on a previous episode.

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Yep.

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Another almost kind of bizarre weird

connection, if you could call it that.

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The character of the Schofield kid in

Unforgiven is played by James Wolvet.

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But when I first saw the movie,

I remember thinking that it was

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Christian Slater at first sight.

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Oh, cause of the eyes?

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Yeah.

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Because he looks a lot like him.

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Until I realized it wasn't him.

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But, Kristen Slater was

also in True Romance.

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So, if it was Kristen

Slater, we'd have a trifecta.

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Right.

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Okay, when did you first see this movie?

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Chris: Oh man, I probably

saw it at the theater.

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I was thinking about this

and I could not remember.

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I remember it was really hyped up in 92.

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And, You know, I mean, I don't know.

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I know I saw it in 92.

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I think I saw it at the theater.

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And I've seen it a bunch of times.

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We had it on DVD, I think.

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Man, I couldn't find the DVD when I

was preparing for this, and thankfully

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it was on sale with It was like half

off on Amazon Prime, so I just bought

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it for like seven bucks or something.

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So, yeah, I've seen it several times.

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I know I saw it in 92.

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Something funny about the name,

I guess this is trivia, but

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I'm gonna throw it in here now.

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So this came out what

month did it come out?

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Do you remember?

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Jerome: August 7th.

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It came out on

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Chris: your birthday.

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So, August 7th, 92.

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A few months earlier, in 91 a song that

was playing on the radio in 92 came

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out called The Unforgiven by Metallica.

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And it was just coincidental

timing, I think.

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And it just so happened that you

had this number one song on the

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radio and a number one movie at

the box office at the same time.

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So, it's kinda cool.

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Yeah.

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Jerome: I was actually going to

mention that as well because uh,

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Metallica's black album came out.

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One year before, I want to

say it was August of 91.

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So almost exactly a year before,

but by the time the Unforgiven

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single was hitting the radio, the

hype for this movie was coming out.

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And I remember thinking they made

a movie out of this song already.

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And then I realized,

Oh no, it's a Western.

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It has nothing to do with

the mood with the song.

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But I still thought.

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Like, before I'd even seen the

movie or anything and knew really

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what it was about, I didn't

really know what it was about.

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I was like, I bet you

that song's in the movie.

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I bet you it's in the

closing credits or something.

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So, I couldn't have been more wrong

and I'm glad that I was way off.

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Because that wouldn't have fit at all.

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Right, right.

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But yeah, kind of funny that

like you said, the number one

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movie and the number one song.

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I saw it, again, also in the theater.

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And, ah, man, I just I was

floored then, but I wasn't as

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big into Westerns at the time.

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That might've been actually, dad made

me watch a fistful of dollars when

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I was like 10 years old and and I

was like, yeah, that's kind of cool.

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But you know, I was

into star Wars and shit.

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So I'm like, eh, it's

not really my cup of tea.

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I didn't get into

Westerns till I get older.

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And I want to say this might've

been the movie that did it

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because after this movie.

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I went back and watched fuckin Outlaw

Josie Wales and High Plains Drifter.

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I really got into Clint's older movies.

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Well,

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Chris: and I remember Dad

liked those spaghetti westerns.

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Yeah.

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Jerome: And,

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Chris: you know, like, When one

was on cable, if he was channel

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serving, he was going to stop.

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Yeah.

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And so I saw parts of a bunch of them.

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Yeah.

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But just because dad stopped, you

know, on a, on a Sunday scroll.

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Jerome: It's like what you and I would

do now if we're flipping through and

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like Roadhouse is on, you know, like,

like I know that Vivi's going to grow

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up someday and tell people like, yeah.

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If you know, Top Gun happened to be

on TBS, that's what we were watching.

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You know what I mean?

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Like, whatever.

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Of course everything's streaming now.

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I think

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Chris: this was probably the first,

like, modern day like produced Western

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that I saw because, you know, I mean,

Westerns weren't a big, I don't think

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they were a very big genre in Hollywood.

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Right.

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That's why they're there.

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They could film them cheap in, in Italy.

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That's why they call them a

spaghetti Westerns, right?

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Yeah.

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This one actually

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Jerome: was shot in Canada, but

yeah, all the older North America.

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Chris: Yeah.

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Jerome: Yeah, all of Clint's

older ones, yeah, were shot in

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Italy because it was cheaper.

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Yeah.

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And so yeah, I mean, he made a

lot of them, and I went back and

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watched, like, all of them, man.

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I wanted to really, this

movie got me so into it that I

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started to watch all of them.

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You know what?

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I actually take that back.

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Young Guns was probably the

first Western I actually watched.

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When did that come out?

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Um, That was like late 80s, I want

to say 88, 87, something like that.

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Chris: Oh.

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Jerome: You'll have to look that up.

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Do you have it in front of you?

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Chris: I will in a moment.

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Jerome: Okay, well while you're looking

that up yeah, so, but Unforgiven

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really got me into Clint's Westerns.

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Oh, you're right,

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Chris: 88.

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Jerome: 88, so, but, but, like I said,

so when I got into Clint, man, I went

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back and watched all those old ones, and

I really fell in love with I think the

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good and the bad, the ugly might be one

of the, the greatest westerns of all time.

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Unforgiving is up there though, man.

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Yeah.

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Unforgiving is up there.

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Yeah.

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Another one

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Chris: that came to mind was

Tombstone, which actually came

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out the following year 93.

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Jerome: Yeah.

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And you know what?

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I wouldn't be surprised if the pushes

by the, if the push by the studios

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to get something like that out was

because of unforgiving and its success.

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Right?

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Yeah.

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Right.

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You know?

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Because I mean, look what

happened after gladiator came out.

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I mean, all of a sudden you had sword

and sandal shit all over the place and

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they were making HBO series, you know,

about it and all of a sudden everybody

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was in the Spartacus again, you know,

so I wouldn't doubt that tombstone,

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you know, although it was probably in

production anyway, they rushed that shit.

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Once best picture was announced,

they're like, we got to get

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tombstone in theaters like ASAP.

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Chris: And wasn't there, there were like

two studios did Westerns in 93 tombstone

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and what else, what was the other one?

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Jerome: Well, there was Wyatt Earp.

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I thought that was a year later though.

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I thought, I thought that was in 94.

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I look, I think

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Chris: I thought they were, I thought

they came out around the same time.

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Jerome: I think, yeah.

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Kevin Coster did his

version of White Earp.

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I thought they were a year apart,

but I, I could be wrong on that.

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I thought Wyatt Earp came out in 94.

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Oh, you're right.

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Chris: It was, for some reason, I

thought they were the same time.

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Jerome: But, but I mean, think about that.

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Like, now talk about getting

that rushed, you know.

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I mean, after Unforgiven, everybody

was like, all of a sudden we have

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to have all these Westerns now.

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Chris: Yeah, yep.

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Jerome: So alright.

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Log me.

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Chris: Retired Old West gunslinger William

Money reluctantly takes on one last job

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With the help of his old partner Ned

Logan and a young man, the Schofield Kid.

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Jerome: Alright, so I like it.

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Yeah, it's nice

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Chris: and tidy.

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Jerome: So a little side note on

this former killer stuff that we're

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going to talk about today along with

John wick while both characters try

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to tell themselves and the audience.

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Throughout the whole film pretty much that

they're not back quote unquote, you know,

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right, right, right Well into their into

their old world world of killing They both

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and they both seemingly got out because

of a woman I don't know if you notice

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that they're both like both in both films.

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Oh a good woman came along Yeah,

and straighten these guys out And

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gave him good lives and of course,

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Chris: what Clint Eastwood say,

show me the error of my ways.

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Yeah, yeah, he uses,

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Jerome: he uses wickedness a lot.

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Yeah, yeah, yeah.

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My days, my days of wickedness.

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And and of course both wives pass on.

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So they're now left with

themselves pretty much.

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And I thought it was interesting

that we're going to get to John Wick,

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but really only William Money kind

of goes back to his normal life.

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Without ruining the ending of

John Wick, you do know it has

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three sequels, so you can guess.

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Chris: Before the end of John

Wick, the one we're talking about

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he announces that, yes, I'm back.

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Jerome: Yeah, so I mean, yeah, so

even if you hadn't seen the movie

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and you didn't want me to ruin

it, there's four John Wick movies.

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So, you know, they don't all

take place in the same day.

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But alright.

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Okay, we have the beats.

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Opening image, the sun is setting in

the distance, a silhouette of William

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Money burying his wife with an on

screen crawl setting up who Will is

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and that his wife has recently died.

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Inciting incident, the four point push

starts pretty quickly in this movie,

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two minutes in as a matter of fact,

on a rainy night in a small town, a

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fictitious small town of Big Whiskey,

Wyoming, a couple of cowboys rough

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up and cut up a prostitute after she

laughed at the size of his penis.

392

:

This not only introduces the prostitute

girls, or I should just say prostitutes

393

:

Strawberry Alice, Delilah, Kate,

Faith, Silky, and Little Sue, but

394

:

also saloon owner Skinny, the cowboys

Quick Mike and Davey, and ultimately

395

:

the town sheriff Little Bill Daggett.

396

:

So there's a lot of setup in

this first inciting incident.

397

:

And it's just a few minutes

in not just the actions, but

398

:

the characters themselves.

399

:

And so we're going to do a little, we're

going to do a little exercise here.

400

:

One for you beginning writers.

401

:

This is a good exercise for you.

402

:

I call it late to the movies.

403

:

Okay.

404

:

For you beginning writers, if someone

is going to go see your movie and

405

:

they're running late and they had

to stop for popcorn and a Coke and

406

:

they didn't get into their seat

until 10 minutes into the movie, ask

407

:

yourself, did they miss any setup?

408

:

Okay.

409

:

If the answer is no, they didn't miss

anything, then, for a beginning writer,

410

:

you're going to want to go back to that

early first ten pages of your first

411

:

act and tighten the shit out of it.

412

:

Put some setup in there.

413

:

Don't make it so boring.

414

:

If the answer is yes, they would miss

a lot, then you're on the right track.

415

:

And if

416

:

Chris: not, then you might

have lost a few people.

417

:

They might've walked out.

418

:

Jerome: Yeah, this is, and

this is one of those movies.

419

:

If you walk in 10 minutes late

to unforgiven, man, you fucking

420

:

missed a lot because they cram

a lot into the first 10 minutes.

421

:

Okay.

422

:

So, and then the next morning

is a little bit of setup here.

423

:

The girls get together and they

come up with a thousand dollar

424

:

bounty for revenge on the cowboys.

425

:

Because little Bill, the sheriff, comes

and doesn't really punish them at all.

426

:

He fines them a couple of horses each.

427

:

Okay.

428

:

Theme stated.

429

:

Real intro to William Money Now.

430

:

A father and hog farmer.

431

:

Also intro to Pete Sotho's

nephew, the Schofield kid.

432

:

Eight minutes in, the kid says to Will,

You don't look like no rootin tootin son

433

:

of a bitch and cold blooded assassin.

434

:

And this is going to be the running

theme throughout the entire film.

435

:

Not just with Will adjusting to his

post assassin life, but with all the

436

:

characters and the thematic element, and

we're going to talk about this a lot,

437

:

Myth versus reality, that's the theme.

438

:

The stories told versus

what really happened.

439

:

There are 13 different instances of this,

and I'm gonna number them off as we go.

440

:

That's the first one.

441

:

For Will, it is his personal theme.

442

:

Will he be the old killer he used to be?

443

:

That's the, that's the, the

emotional tug of war he's going

444

:

to struggle with the whole movie.

445

:

And, and, there is a terrifyingly

sad reality to his spiritual goal

446

:

that we're going to get to, we're

going to come across at the end.

447

:

Catalyst, another myth versus

reality happens in the next scene,

448

:

the very next scene, when they're

having coffee inside Will's place.

449

:

And the kid tells the story

of what happened to Delilah

450

:

at the hands of the cowboys.

451

:

But his version is embellished

over what really happened, right?

452

:

He cut off her teats, they cut

her face off, like, I mean,

453

:

the story just keeps Yeah,

454

:

Chris: every time the story gets

told it gets worse and worse.

455

:

Jerome: It gets worse and worse.

456

:

Chris: Cut her eyes out.

457

:

Jerome: Yeah, yeah.

458

:

Then he repeats that Will doesn't seem to

physically match the stories he's heard.

459

:

And he says, quote, Uncle Pete says

you was the meanest goddamn son

460

:

of a bitch alive on account that

you're as cold as the snow and you

461

:

don't have no weak nerve nor fear.

462

:

So again, this is all early in

the film, and it's setting up

463

:

in the first 10 minutes that

something bad happened to a girl.

464

:

And what seems to be an old broken down

hog farmer used to be the biggest badass.

465

:

That walked North America Another element

to this myth versus reality in most cases

466

:

the reality is nothing like the story

that's being told However in William

467

:

money's case, we're gonna find throughout

the film that his reality was actually

468

:

worse than the stories The stories

they tell about will money Are almost

469

:

tame compared to what really happened.

470

:

Yeah.

471

:

And we're gonna get to that too.

472

:

So in any case, that's

the catalyst moment.

473

:

At the 11 minute mark is the kid

asking Will to join him on his job.

474

:

Yeah.

475

:

To take the two cowboys

that cut up Delilah.

476

:

Debate begins at the 13 minute mark.

477

:

We see the debate.

478

:

Will is, you know, His continued

failures as a hog farmer.

479

:

I think they show him falling down twice

trying to, you know, separate these hogs.

480

:

At one point he stands at the fence

and he watches the school field

481

:

kid right off in the distance.

482

:

This is what Blake Snyder would

call the stasis equals death.

483

:

You know, if he stays in this place,

he's going to die just like that.

484

:

An old broken down hog farmer.

485

:

he doesn't seem very prosperous.

486

:

The kid even says that.

487

:

You don't seem very prosperous.

488

:

He's not.

489

:

He needs this money.

490

:

You know, he could really use the money.

491

:

Chris: by comparison John Wick

just comes out of retirement.

492

:

He's ready to go, right?

493

:

By comparison, there's been some

time that has passed since since Bill

494

:

Money had been an active, you know,

assassin or whatever he, whatever,

495

:

hit, hit man, whatever he had done.

496

:

He can't even ride a horse.

497

:

Jerome: Yeah, I, I like that you

brought that up because it is important.

498

:

They do allude that about

a decade has gone by and

499

:

Chris: he's kind of in his later years.

500

:

Jerome: John Wick, like maybe

three or four years have gone by.

501

:

That's it.

502

:

Like three, maybe, you know what I mean?

503

:

Shit.

504

:

That's nothing really.

505

:

Right.

506

:

You know?

507

:

But anyway, yeah.

508

:

And, and, and that's the other thing.

509

:

I didn't write it down in the notes, but

I did like when I was writing my pen notes

510

:

and I was writing it in pen, I wrote age.

511

:

Real small and circled it

every time they showed a moment

512

:

where he was showing his age.

513

:

He falls twice with the hogs.

514

:

He falls off the horse

at least five times.

515

:

In fact, every time he tries to get

on the horse in this movie, he falls.

516

:

Like, I mean, he just, I

mean, they just constantly are

517

:

showing that he's an old man.

518

:

Okay.

519

:

So then next scene to

see if he still has it.

520

:

He does some practice shooting to

find that he probably has gotten old.

521

:

Cause he can't even hit a goddamn

coffee can with his revolver.

522

:

Now here's the funny thing.

523

:

There's a rule of three here.

524

:

We've talked about it in previous

podcasts, the rule of three.

525

:

And this one is going to be Senator

on whether or not he is back.

526

:

Okay.

527

:

This is stage one, firing a gun

for the first time in a decade.

528

:

The fact that he even finds his

gun, he was looking for it and

529

:

he finds it and he's going to go

outside and practice shooting.

530

:

That's the first stage of, is he back?

531

:

Okay.

532

:

There's going to be two

more key ones later.

533

:

Chris: Yeah.

534

:

Okay.

535

:

Isn't he right?

536

:

Jerome: Is he or isn't he?

537

:

So break into two.

538

:

The final stage in the four point

push by the way, there is a little

539

:

comedic moment with that, by the way,

he misses every shot with the handgun.

540

:

And instead of, Oh, geez, maybe

I should reload and try again.

541

:

He's so pissed that he goes back

into his house and grabs a shotgun

542

:

and he comes out and annihilates

the coffee can with a shotgun.

543

:

And the little girl, the daughter,

says to the older son, Oh, he's

544

:

got two kids by the way, if I

didn't, if I buried that lead.

545

:

He's got two little kids now,

and the little girl says to the

546

:

brother, Did Paw used to kill folks?

547

:

Or maybe she says shoot.

548

:

I don't know, maybe she says,

Did Paul used to shoot folks?

549

:

I don't know.

550

:

Um, But he's so mad at the goddamn coffee

can that he comes out with his shotgun.

551

:

Alright, break into two.

552

:

The final stage of the four point push is

the decision to jump into the second act.

553

:

Chris: Yeah.

554

:

Jerome: Now it's usually a strong beat.

555

:

Something happens that is actionable.

556

:

It's intense, and we can clearly see,

and we say to ourselves, that's it.

557

:

We're now in act two.

558

:

This one's interesting.

559

:

It doesn't really have one of those.

560

:

In fact, the break into two and the break

into three are more mental decisions

561

:

for money, you know, for William Money.

562

:

He doesn't really like shoot

somebody and be like, now I'm back.

563

:

You know what I mean?

564

:

Like it's, it's like, it's just

something that's going on in his head.

565

:

We assume he's made the decision

the morning that he's shaving.

566

:

Right.

567

:

Like that's when you get the idea that,

yeah, he's decided he's going to do this.

568

:

But there wasn't anything really

actionable that made us know that

569

:

we just sort of knew it, you know?

570

:

So, and that is roughly at the 18 minute

mark is when he makes that decision.

571

:

We know that because like I

said, he's shaving, he's getting

572

:

dressed, and he takes flowers

out to his dead wife's grave.

573

:

Chris: I love this scene

when he leaves his kids.

574

:

Jesse was watching it with

me and she's like, Oh my God.

575

:

Cause how old are these kids?

576

:

Jerome: The kid can't be more

than what, 11, 12 years old.

577

:

Chris: Oh, the oldest kid.

578

:

Yeah.

579

:

And then there's the younger one.

580

:

Jerome: The little girl's

gotta be six or seven.

581

:

Chris: If you get hungry,

kill a chicken or something.

582

:

Jerome: I mean, think about how fucking,

how times were different back then.

583

:

He's just like, you know, I'll

have a Ned's, you know, Indian

584

:

wife Sally Two Trees, I'll have her

look in on you every now and again.

585

:

If you get hungry, kill a chicken.

586

:

And, and keep those damn hogs

separated, you know what I mean?

587

:

Like, what the fuck?

588

:

And, and the son, at no point is the

son like, Dad, you're leaving us?

589

:

He's just like, alright, I got it, I

got the, I got the ranch from here.

590

:

Like, you were a man at

twelve back in those days.

591

:

In this case, 11, 11 years old,

and you're a man of the house.

592

:

And I always thought it was funny to

completely unrelated, but I always liked

593

:

the line in interview with the vampire,

when Brad Pitt is telling his story to

594

:

oddly enough, Christian Slater already

mentioned, we've mentioned him twice on an

595

:

episode that has nothing to do with him.

596

:

Right.

597

:

He tells him he, he was telling

the story of in the:

598

:

first got bit and became a vampire.

599

:

He says, he goes.

600

:

I was 17 or 18 years old, but

I was times were different.

601

:

I was a man at that age.

602

:

I already had my own plantation,

you know what I mean?

603

:

Like So I always liked that line

about how times have changed.

604

:

And then you watch this movie and

you're like, No, you're a man at eleven.

605

:

Not seventeen.

606

:

You're a man at eleven.

607

:

Alright, fun and games.

608

:

Now that we're in act two, we start

with Skinny finding out about the

609

:

bounty, slapping around Alice and

going to little Bill to tell him.

610

:

Myth versus reality number three.

611

:

When skinny approaches Bill's

house, he says, quote, I heard

612

:

you did the roof yourself to that

or rather offended bill replies.

613

:

I practically built the whole damn

thing myself, which is another example

614

:

of the theme story moves around

town, but you know, it's hardly true.

615

:

And this is just another, just again,

a seemingly meaningless throwaway line

616

:

of dialogue actually is serving and

supporting the theme of the movie.

617

:

There's no fat to trim in this script.

618

:

Every word counts.

619

:

And that's why it's one of,

it's an amazing screenplay.

620

:

Um, On his journey, roughly

around the 28 minute mark.

621

:

Usually the B story enters

around 30 minutes in.

622

:

Will stops at the ranch of his old

friend, Ned Logan and his wife, Sally,

623

:

two trees and recruits him to join

him on the job myth versus reality.

624

:

Number four, as Will relays the

story of what happened to Delilah

625

:

to Ned, he's embellishing even more.

626

:

Now.

627

:

What does he say when no, I think he

says is when her eyes got cut out.

628

:

So first first the kid says

he they cut off her teats And

629

:

now he's like cut her teats.

630

:

They cut her eyes out.

631

:

Like I mean, it's getting even worse now

632

:

Chris: I love like with every gruesome

detail the the the expression on

633

:

Clint Eastwood's face Where he

squints and he's like, Oh hell.

634

:

Jerome: Yeah, he got, you can almost

hear him go, Jesus, you know what I mean?

635

:

Like every time.

636

:

So Ned serves as the B story

because he will ultimately drive

637

:

will to his spiritual goal.

638

:

Ned agrees to join him and they set off

you know, after their tangible goal, which

639

:

is to find the cowboys who cut up Delilah.

640

:

Okay, more fun and games.

641

:

Intro to English Bob and his biographer W.

642

:

W.

643

:

Beauchamp.

644

:

By the way, I love every moment

that Richard Harris is on screen.

645

:

Absolutely.

646

:

I fucking love him in this movie.

647

:

And he's only got like four scenes.

648

:

Chris: Yeah.

649

:

Jerome: But he is so fun

in this movie to watch.

650

:

They're on a train to Wyoming.

651

:

Myth versus reality number five.

652

:

The folks on the train have heard

of English Bob and another example

653

:

of how his reputation precedes him

as he challenged them to pheasant

654

:

shooting and he wins easily.

655

:

Here's an interesting part.

656

:

Remember when I said the

stories about William Money?

657

:

The stories don't match reality,

that the reality is actually worse?

658

:

This is another one of those.

659

:

They only know the story of

English Bob because he shoots

660

:

Chinamen off the railroads.

661

:

But when he gets out there to shoot

pheasants, he hits, what, eight?

662

:

Eight out of ten?

663

:

Flying birds?

664

:

With a handgun?

665

:

So again, they are not only corrected

on their, on their thoughts about

666

:

English Bob, they're more impressed.

667

:

because it was a contest and the only

guy what hit one, he hit one bird.

668

:

So, yeah.

669

:

Where did I lost my place here?

670

:

Okay starting to get the idea that when

it's a cold blooded killer like English

671

:

Bob and William Money, the realities are

usually accurate or worse than the myths.

672

:

After they arrive in Big

Whiskey, he has a comical, though

673

:

timely, line in a barbershop.

674

:

Where he's talking about how nobody

would be able to assassinate a

675

:

king or queen because you would

stand in awe in their presence.

676

:

And then he says as he's leaving,

smiling, now a president, well, I

677

:

mean, why not shoot a president?

678

:

Now in and of itself, it's a funny line.

679

:

I realized.

680

:

It's not that funny right now.

681

:

So when I first saw it I was watching

that scene and that line came up I

682

:

remembered the line and laughed and

then I was like Oh, I don't know if we

683

:

can put that in a podcast Cause it's

a little negatively timely but Still,

684

:

it was a funny line, just the way he

delivers it, you know what I mean?

685

:

Yeah, it was funny.

686

:

Why not?

687

:

Why not shoot a president?

688

:

Myth versus reality, number

six, seven, and eight!

689

:

All come in back to back scenes

as the deputies are gearing up to

690

:

take on English Bob and the stories

about how tough little Bill is, or

691

:

was, and whether or not he's afraid.

692

:

of somebody like English Bob come up.

693

:

When they're face to face

with little Bill, Bob tells

694

:

him he's heard that he died.

695

:

Well, first of all, let

me, I'm jumping ahead.

696

:

So, the myth vs.

697

:

reality number six.

698

:

The first part is Clyde comes in, one

armed Clyde, which is another funny

699

:

scene because he wants to reload his

own gun, and the guy that loaded it for

700

:

him is like, Clyde, what are you doing?

701

:

I already loaded that!

702

:

Then he's like, Christ, you got

three guns and only one arm!

703

:

So um, anyway, so in that scene, Clyde

tells all these guys are like, oh, I

704

:

don't know if little bill can handle it.

705

:

He's never gone against

guys like this before.

706

:

Did he seem scared?

707

:

And Clyde's like, guys, he

worked those old towns in Kansas.

708

:

You know what I mean?

709

:

Like he starts telling little

bill's story, you know?

710

:

So And then they go to face little

English Bob by the way, I'm going to trip

711

:

over some of my words because Bill and

Bob and Will are the three main guys.

712

:

Will, Bill and Bob are

the three main guys.

713

:

So forgive me if I fucked

this up a little bit.

714

:

So when they get face to face

with a little Bill, Bob tells him.

715

:

English Bob tells him, I heard that you

died and you can kind of tell him the

716

:

way he delivers the line that he really

meant to say hoped because he does

717

:

seem worried when he sees little bill.

718

:

He was not afraid of these deputies

at all, but when he comes out of that

719

:

barbershop and he sees a little bill, he

says to himself, I don't know if you could

720

:

tell, cause he says it under his breath.

721

:

He goes shit and fried eggs.

722

:

And WWE boat champ just sort of looks at

him like, what, like, what's the big deal?

723

:

Yeah.

724

:

So anyway, to which Bill

replies, I heard that one myself.

725

:

So another example, again, these

are just meaningless throwaway

726

:

lines, but they're supporting that

theme about how stories travel.

727

:

Yeah.

728

:

Right.

729

:

Then biographer WW Bo champ, here's

the name, little Bill Daggett,

730

:

and he's obviously impressed.

731

:

Even he has heard of him

and likely his reputation.

732

:

Again, the script is literally With

these, these stories, these reputations,

733

:

these fables, this is about 39 minutes

in, and we've already talked about

734

:

eight instances where stories traveled

to areas, you know what I mean?

735

:

And people built up their own myths

in their mind based on those stories.

736

:

Another funny setup of dialogue

is when Little Bill hears that W.

737

:

W.

738

:

is a writer.

739

:

The first thing he says

is, letters and such?

740

:

Ha ha ha ha ha ha ha ha ha ha ha

No, wait, the reason I'm laughing

741

:

is this is gonna pay off at the end.

742

:

Because this is a setup and it

gets paid off at the end, but The

743

:

funny thing about it is, why would

that be the first thing you ask?

744

:

When somebody's a writer,

you say, letters and such?

745

:

That would be like today if I

told somebody I was a writer and

746

:

they're like, Oh, like emails?

747

:

Like, no!

748

:

You know what I mean?

749

:

Alright, so anyway, it doesn't end

well for English Bob in this scene,

750

:

as Bill beats the shit out of him, and

then they arrest him at the end of it.

751

:

Back to Ned and Will.

752

:

They meet up with the Schofield kid

and discover he can't see for shit.

753

:

There's a lot of comedic

moments there as well.

754

:

Rejoin.

755

:

Now we go back to Bill.

756

:

He's now in the jail

house with WW and Bob.

757

:

He's reading the book.

758

:

The biographer wrote called the Duke

of death which is another, yeah, which

759

:

is another funny moment where he keeps

fucking up the name, calling it the

760

:

duck of death myth versus reality.

761

:

Example number nine, since the book is

mostly BS uh, perhaps you know, Kind of

762

:

shit is how these stories got started,

is because of books like this, right?

763

:

Immediately followed by Myth vs.

764

:

Reality number 10, where he tells

the story of Two Gun Corky Corcoran.

765

:

And why he was really named Two Gun Corky.

766

:

And, you know, the stories, it

was because he carried two guns.

767

:

Well, it wasn't.

768

:

He carried one gun, but had a huge dick.

769

:

That's why he was called Two Gun Corker.

770

:

Two Two Gun Corky.

771

:

Again, myth versus reality.

772

:

Back to will Ned and the kid at

the campfire myth versus reality.

773

:

Number 11, where the kid lies his

ass off about how many people he

774

:

killed, just to sound impressive

the next day while riding.

775

:

Okay.

776

:

So the kid does ask him I heard

you killed those two, you killed

777

:

two County deputies or something.

778

:

The next day here's myth versus reality.

779

:

Number 12, they're riding along.

780

:

And Ned says to to will.

781

:

Hey, you know that story

the kid told last night?

782

:

It wasn't two.

783

:

Didn't you kill three deputies

or something like that?

784

:

And he's like, I don't remember.

785

:

I was drunk.

786

:

But again, this is a perfect

example of how even the story

787

:

Chris: changes.

788

:

Yeah.

789

:

Jerome: But not only that, the

reality was worse than the story.

790

:

Chris: Yeah.

791

:

Jerome: The story was that

he killed two officers.

792

:

He killed three.

793

:

You know what I mean?

794

:

All right.

795

:

So again, everybody else's stories are

getting embellished while his stories are

796

:

actually getting diminished from reality.

797

:

Okay, so we've hit 12 examples

of myth versus reality before

798

:

we even hit the damn midpoint.

799

:

Okay?

800

:

There's only gonna be one more.

801

:

Remember I said there's 13.

802

:

There's gonna be one

more, but it comes later.

803

:

Alright, back at the jailhouse now.

804

:

Bill gives W.

805

:

W.

806

:

the chance to shoot him

and take off with Bob.

807

:

It doesn't go the way English Bob hoped.

808

:

But why this is important is he basically

explains the whole ending of the film.

809

:

It's pure foreshadowing.

810

:

It's clever because the fear I'm sure the

filmmakers might have had and the writer

811

:

himself was that the audience isn't going

to buy the ending for the whole movie.

812

:

We've set up this broken down old

man and he's going to walk into a

813

:

room filled with, you know, people

with guns and take everybody out.

814

:

The reason it works is because of this

scene, because a little bill takes the

815

:

time to explain if you're cool headed.

816

:

It doesn't matter how fast you are.

817

:

Everybody else that is rushing and they're

nervous and they're scared are gonna

818

:

take their guns out and fire wildly and

they're gonna miss most of the time.

819

:

If you keep your head and you

calmly fire your weapon, you'll

820

:

hit your target every time.

821

:

He basically gives foreshadowing

to how the movie ends.

822

:

Because everybody else will

be panicking and he won't.

823

:

Okay, second sign Will is coming back.

824

:

Remember the first sign was that

he was doing target practice.

825

:

Second sign of him coming back

to his old self, when sick and

826

:

tired, he curses at the horse.

827

:

Remember, he said earlier that

his wife cured him of cursing

828

:

and drinking and wickedness.

829

:

Well, at this point, when he's,

yeah, he's starting to slip back.

830

:

Again, three points here.

831

:

So, you know.

832

:

What was the part?

833

:

Oh, yeah.

834

:

So it's raining and he's sick and he's

tired and he falls off the horse again.

835

:

And he says, he calls the horse something

like a no good pig fucker or something.

836

:

Like, it's like, So, and I'm, well, I'm

watching it and I had to write it down.

837

:

I was like, oh my God, that's

the first time he's cursed.

838

:

It's the first time he's

cursed yet because he said

839

:

his wife cured him of that.

840

:

So that's the second point.

841

:

He does immediately apologize, though.

842

:

Like, right after he gets on

the horse, he's all, I'm sorry.

843

:

But the words flew out of his mouth,

probably like they did in the old days.

844

:

Alright, so that was part

two of the Rule of Three.

845

:

Alright, Bob is sent out of

town as Will is arriving.

846

:

There's a moment where they're at

the train, you know, where they're

847

:

waiting for the train to pass.

848

:

And you can see English Bob on the train.

849

:

As they're arriving in Big Whiskey.

850

:

W.

851

:

W.

852

:

Beauchamp decides to

stay with Little Bill.

853

:

His stories are better.

854

:

The protagonist makes it to Greeley's

to meet with Strawberry Alice.

855

:

Will is sick, but he refuses to drink.

856

:

And I tell people this all the time.

857

:

Back in the 1800s, they

didn't have NyQuil.

858

:

So you drank whiskey if

you had the fever, right?

859

:

If you had a fever, you drank

whiskey because it warmed your

860

:

esophagus and made you sweat.

861

:

It made you sweat out the fever.

862

:

He refuses to drink because his wife,

dead wife Claudia, cured him of drinking.

863

:

So he refuses.

864

:

That only makes him sicker.

865

:

He's just sitting there, soaking

wet from the rain, getting sick.

866

:

Alright, midpoint scene.

867

:

About an hour and twelve minutes into a

two hour ten minute film, Bill meets Will

868

:

for the first time, and he beats the shit

out of him just like he did English Bob.

869

:

His two friends escape and collect him

outside and they begin his recovery.

870

:

This is a tangible goal.

871

:

They somewhat achieved the tangible goal.

872

:

They at least found the

place and met with Alice.

873

:

I want you to realize

why this is important.

874

:

No, they didn't kill the cowboys, but

with all the stories set up about these

875

:

BS stories going around, it's very

likely they could have gotten there to

876

:

find out there was no cut prostitute.

877

:

There wasn't even a bounty.

878

:

You know what I mean?

879

:

Like, that could have just

been a story they heard.

880

:

They don't have the internet.

881

:

They can't fact check this shit.

882

:

So they just rode for a week and a half,

or however long it took to get there.

883

:

They could have got there and then found

out, oh, it was another embellished story.

884

:

Right.

885

:

But they don't.

886

:

They get there, they find

Greeley's, they find Strawberry

887

:

Alice, they find that it's true.

888

:

This is Delilah and we're gonna

offer money like they realize.

889

:

So in a sense, that is achieving

part of your tangible goal.

890

:

They get there and they know

what they got to do, right?

891

:

We talked about how the midpoint is

usually the false victory, right?

892

:

It's a false victory.

893

:

And then the second half of the

movie, everything goes to shit.

894

:

That all is lost is usually the

opposite of the false victory, right?

895

:

It's a false defeat.

896

:

Sometimes they're swapped.

897

:

Whichever one your midpoint scene

is, the all is lost is the opposite.

898

:

So if your midpoint is a false victory,

then your all is lost is a false defeat.

899

:

They swap in this one.

900

:

And we talked about it before.

901

:

It doesn't happen often, right?

902

:

But we talked about it in the Fablemans.

903

:

We felt that that was a

swap to the midpoint here, I

904

:

believe is not a false victory.

905

:

It's a false defeat.

906

:

And the defeat is that little bill

seemingly thwarts their plans by

907

:

beating the shit out of them, beating

bill within an inch of his life.

908

:

And if that didn't do it, the

fever might kill him, right?

909

:

He might have died from the fever.

910

:

He's in a bad state, right?

911

:

He's close to death.

912

:

He's bleeding.

913

:

He's got to get stitched up.

914

:

But things are about to turn around.

915

:

So I call that a false defeat.

916

:

Bad guys closing in sometime passes

about three days actually, where Ned

917

:

and the kid are scouting the Cowboys.

918

:

They're nursing will back to health.

919

:

They're boning the prostitutes.

920

:

You know, like I said,

it's been three days.

921

:

The final myth versus reality moment.

922

:

Number 13 happens when Will's fever breaks

and he wakes up and he sees Delilah.

923

:

He sees that she only has

a few scars on her face.

924

:

The stories were horrendous.

925

:

But when he sees her, he's like,

you just only have a few scars.

926

:

You know?

927

:

It kind of reminded me, watching it

again, again I've seen this movie

928

:

hundreds of times, but when I watched

it this time, as a little side

929

:

note, it reminded me of there's this

scene, you're Thrones guy, are you?

930

:

Chris: No, never got into it.

931

:

Jerome: Is Jesse, is Jesse at all?

932

:

Chris: No, no.

933

:

Jerome: So there's a scene where

Tyrion, who's played by Peter

934

:

Dinklage, there's this story that

a guy tells him, like, you're the

935

:

biggest disappointment I've ever heard.

936

:

And that sounds offensive.

937

:

But then the guy goes into the story.

938

:

He's like, cause when I was

a kid, I came to see you.

939

:

You were just been born.

940

:

You were a baby.

941

:

And we all heard these stories about how

you had a tail and claws and a red eye.

942

:

And your head was twice the size of your

body and blah, blah, blah, blah, blah.

943

:

And he goes, and then when we

got there, we looked at you.

944

:

And.

945

:

There was no tail.

946

:

There was no claws.

947

:

No red eye.

948

:

He goes, your head was a tad large

and your arms and legs were tad small.

949

:

But he says, he's talking

to, he's talking to him.

950

:

He's telling this and he said, I told

your sister, that's not a monster.

951

:

That's just a baby.

952

:

You know what I mean?

953

:

So it's like, it reminded me of that when

he wakes up and he sees the Lila and all

954

:

of a sudden he's like, she's just a girl.

955

:

She's just a girl.

956

:

She's got some scars on her face.

957

:

That's it.

958

:

So.

959

:

That is the final myth versus

reality moment number 13.

960

:

When they find the cowboys, the

young Davey is the first to go.

961

:

Unfortunately, Ned, I say, unfortunately,

cause Davey really seems like a nice kid.

962

:

He seems very like, like he really

didn't do any of the cutting.

963

:

And he seems really remorseful the

whole movie about what happened.

964

:

And so unfortunately he's the first to go.

965

:

But Ned falters when it matters the most

and Will has to step in to do the killing.

966

:

Will, Little Bill finds out about this.

967

:

Ned quits and heads south.

968

:

He couldn't take it anymore.

969

:

The Barty boys catch up with

him and take him prisoner.

970

:

Will and the kid don't know about any

of this and they continue scouting

971

:

for the second cowboy, Quick Mike.

972

:

They kill him.

973

:

You realize I'm rushing through

the whole second act here because

974

:

these are just like points.

975

:

These are just points that happen.

976

:

They kill him, specifically the kid

kills him while he's sitting in the

977

:

shitter, and they make their escape.

978

:

And they're waiting at their rendezvous

point as little little Sue approaches

979

:

by horseback with their money.

980

:

So this is an hour and 45 minutes

in, and the kid is breaking down.

981

:

This is the, he admits this is

the first time he's ever killed

982

:

anybody and he can't handle it.

983

:

Right.

984

:

And again, this is happening mere.

985

:

after Ned couldn't

handle killing somebody.

986

:

Right.

987

:

Right?

988

:

Like, these two guys, one at the end

of his career, one at the beginning

989

:

of his career as supposed killers, and

they both buckle under the pressure.

990

:

That's gonna be important

when it comes to Will, right?

991

:

But anyway, there's a

line of dialogue here.

992

:

This is probably one of the

most famous scenes of the movie.

993

:

While they're waiting for little

Sue to approach them on horseback.

994

:

I'm just going to read the dialogue.

995

:

The kid, it don't seem real how he

ain't never going to breathe again.

996

:

Never how he's dead.

997

:

And the other one too, all on account

of pulling a trigger will, it's

998

:

a hell of a thing, killing a man.

999

:

You take away all he's got and all

he's ever going to have the kid.

:

00:43:38,414 --> 00:43:38,694

Yeah.

:

00:43:38,764 --> 00:43:39,974

Well, I guess they had it coming.

:

00:43:40,254 --> 00:43:42,014

Will we all have it coming kid.

:

00:43:43,174 --> 00:43:46,704

That was the clip they showed at the

Oscars when this movie was presented as

:

00:43:46,704 --> 00:43:48,124

one of the nominees for best picture.

:

00:43:48,504 --> 00:43:49,624

Okay, all is lost.

:

00:43:49,624 --> 00:43:51,294

One hour, 50 minutes in.

:

00:43:51,384 --> 00:43:55,594

Little Sue delivers the money and

the bad news about Ned, who was

:

00:43:55,604 --> 00:43:57,004

beaten to death by Little Bill.

:

00:43:57,014 --> 00:44:02,714

Now, again, I, I actually, before,

before we hear about Ned, it's a

:

00:44:02,724 --> 00:44:07,524

false it's a false It's not a false

defeat, as all is lost normally is.

:

00:44:07,524 --> 00:44:09,984

It's opposite of the midpoint,

so it's a false victory.

:

00:44:10,344 --> 00:44:13,874

The reason why it's a false

victory is, they got their money.

:

00:44:13,964 --> 00:44:15,264

They killed the cowboys.

:

00:44:15,364 --> 00:44:16,424

They got their money.

:

00:44:16,524 --> 00:44:19,034

They're getting ready to get

on their horses and head south.

:

00:44:19,544 --> 00:44:20,494

They're gonna go home.

:

00:44:20,584 --> 00:44:21,244

They won.

:

00:44:21,674 --> 00:44:27,394

But it's a false victory because,

they find out, Ned was killed.

:

00:44:27,894 --> 00:44:32,884

When Will finds out that Ned was killed

by Little Bill, Switch is flipped.

:

00:44:33,154 --> 00:44:35,764

Yeah, he's back now, right?

:

00:44:36,174 --> 00:44:39,484

Remember I said the rule

of three, the three points.

:

00:44:39,494 --> 00:44:41,574

The first one was target practice.

:

00:44:41,724 --> 00:44:43,454

The second one was he cursed.

:

00:44:43,754 --> 00:44:44,094

Guess what?

:

00:44:44,094 --> 00:44:48,699

The third one is He grabs the bottle

of whiskey from the Schofield kit

:

00:44:48,719 --> 00:44:52,419

and starts, At that moment you

know, you're in the theater like, Oh

:

00:44:52,419 --> 00:44:54,889

fuck, shit's about to go down now!

:

00:44:55,219 --> 00:44:56,499

Dude's drinking again!

:

00:44:56,589 --> 00:44:59,209

Like at that moment you're like,

Yeah cause they hyped it up

:

00:44:59,219 --> 00:44:59,899

Chris: perfectly.

:

00:45:00,109 --> 00:45:00,829

Jerome: Right, right!

:

00:45:00,869 --> 00:45:03,559

And you're sitting there thinking,

I wouldn't trade places, I wouldn't

:

00:45:03,559 --> 00:45:06,259

trade places with Little Bill right

now for all the whiskey in Ireland.

:

00:45:06,499 --> 00:45:09,179

Like, that's fucking,

you know it's on now.

:

00:45:09,179 --> 00:45:10,159

It's fucking on.

:

00:45:10,719 --> 00:45:10,799

I don't know.

:

00:45:11,169 --> 00:45:13,739

And that kind of closes out

the whole myth versus reality.

:

00:45:13,779 --> 00:45:14,899

Oh, oh, wait, no.

:

00:45:15,359 --> 00:45:16,429

That's that he is back.

:

00:45:16,439 --> 00:45:19,109

What closes out the misperth

myth versus reality?

:

00:45:19,409 --> 00:45:22,949

Little Sue starts rambling off all

this other shit that he had done

:

00:45:23,089 --> 00:45:24,739

that the kid didn't even know about.

:

00:45:24,739 --> 00:45:25,609

Chris: While he's drinking.

:

00:45:25,819 --> 00:45:27,679

While he's drinking like

more and we're gonna get

:

00:45:27,849 --> 00:45:29,329

Jerome: there's there's

more on that later.

:

00:45:29,359 --> 00:45:30,269

I'm gonna get to that later.

:

00:45:30,299 --> 00:45:32,289

Chris: It made that whole scene so great.

:

00:45:32,749 --> 00:45:33,609

Jerome: Oh my god.

:

00:45:33,639 --> 00:45:35,289

It's the best scene of the whole movie.

:

00:45:35,789 --> 00:45:37,109

Okay, Dark Knight of the Soul.

:

00:45:37,109 --> 00:45:40,139

As discussed in many other episodes,

the Dark Knight of the Soul, it

:

00:45:40,139 --> 00:45:43,079

could be two seconds, it could be

two minutes, it could be two scenes.

:

00:45:43,339 --> 00:45:47,709

It's the bridge from where the

protagonist learns the bad news and then

:

00:45:47,719 --> 00:45:49,749

makes the decision to jump into Act 3.

:

00:45:50,169 --> 00:45:51,219

This is another quick one.

:

00:45:51,219 --> 00:45:53,899

We talked about the one in Jaws

only lasted a few seconds too.

:

00:45:54,769 --> 00:45:55,829

This one's a quick one too.

:

00:45:56,339 --> 00:45:59,389

You could argue him reaching for the

bottle of whiskey and starting to

:

00:45:59,389 --> 00:46:01,279

drink is his dark night of the soul.

:

00:46:01,359 --> 00:46:03,769

Like, that could have been

that moment of debate.

:

00:46:04,009 --> 00:46:06,749

Because right then he's

thinking, what am I gonna do?

:

00:46:07,839 --> 00:46:11,529

And you know that like, once he starts

drinking, that decision is made.

:

00:46:11,939 --> 00:46:12,999

He knows what he's gonna do.

:

00:46:13,669 --> 00:46:14,799

Alright, break into three.

:

00:46:14,799 --> 00:46:17,789

As previously mentioned in the break

into two, there doesn't seem to be a

:

00:46:17,889 --> 00:46:23,819

big sort of plot point here you know,

that catapults them into act three, like

:

00:46:23,819 --> 00:46:25,369

you would see a big scene or anything.

:

00:46:25,369 --> 00:46:27,379

It's again, it's a more

of a mental decision.

:

00:46:27,899 --> 00:46:31,119

It's a, it's a mental and emotional

decision that, that that William

:

00:46:31,129 --> 00:46:33,249

money makes to jump into act three.

:

00:46:33,264 --> 00:46:35,944

So Well, the catalyst

:

00:46:36,684 --> 00:46:39,774

Chris: was his buddy being

killed and put on display.

:

00:46:40,344 --> 00:46:43,594

Jerome: Yeah, well, again, I was

gonna say, you could argue if

:

00:46:43,594 --> 00:46:45,014

there is a break in to 3 at all.

:

00:46:45,014 --> 00:46:46,914

But no, but see, he's

already made the decision.

:

00:46:46,964 --> 00:46:48,044

Yeah, he's already made the decision.

:

00:46:48,404 --> 00:46:52,954

Chris: But I guess, maybe, maybe it

was when he finally saw him on display.

:

00:46:54,079 --> 00:46:55,899

Jerome: I think he was already

there to kill everybody.

:

00:46:56,249 --> 00:46:57,779

I think that just pissed

him off even more.

:

00:46:58,779 --> 00:46:59,927

You know what I mean?

:

00:46:59,927 --> 00:47:03,069

So what my brother's alluding to, and

we're gonna get to that right now.

:

00:47:03,449 --> 00:47:04,709

The five point finale.

:

00:47:04,709 --> 00:47:05,359

Here we go.

:

00:47:05,379 --> 00:47:06,409

Gathering the team.

:

00:47:06,419 --> 00:47:08,109

Will gives instructions to the kid.

:

00:47:08,119 --> 00:47:09,339

Take the money, head back.

:

00:47:09,499 --> 00:47:13,739

If I don't come back, give my share

and Ned's share to Sally Two Trees

:

00:47:13,749 --> 00:47:15,139

so that she can give it to my kids.

:

00:47:15,429 --> 00:47:16,529

And you can keep the rest.

:

00:47:16,979 --> 00:47:19,059

But if I do come back, I'll

see you in a couple of weeks.

:

00:47:19,459 --> 00:47:21,119

So that's him loading up the team.

:

00:47:21,129 --> 00:47:25,019

And there's a scene where he throws the

empty bottle of whiskey onto the ground.

:

00:47:25,269 --> 00:47:27,589

You know, now the bottle

of whiskey is gone.

:

00:47:27,889 --> 00:47:28,839

You know what that means?

:

00:47:28,929 --> 00:47:30,369

Shit's about to go down, right?

:

00:47:30,739 --> 00:47:36,449

He's, he rides himself to Greeley's with

zero fucks left to give at this point.

:

00:47:37,019 --> 00:47:38,059

Execution of the plan.

:

00:47:38,069 --> 00:47:39,179

He establishes.

:

00:47:40,244 --> 00:47:41,984

He goes in, he walks right in.

:

00:47:41,984 --> 00:47:45,014

While everybody else in there

is armed, it's a posse that

:

00:47:45,014 --> 00:47:46,604

are going to look for him.

:

00:47:46,784 --> 00:47:46,874

Right.

:

00:47:46,874 --> 00:47:49,304

That's what they're, that's

what they're there for, is to

:

00:47:49,304 --> 00:47:51,194

posse up and to go look for him.

:

00:47:51,194 --> 00:47:54,344

And he walks in there and

says, who owns this shit hole,

:

00:47:57,374 --> 00:48:01,364

which is again one of my favorite

lines where you hear him cock his gun.

:

00:48:01,424 --> 00:48:01,664

Yeah.

:

00:48:01,664 --> 00:48:03,764

And the prostitutes are watching.

:

00:48:04,069 --> 00:48:08,129

And all the gunmen are watching, and

the deputies, they all turn, and they

:

00:48:08,129 --> 00:48:11,579

see him stand with a gun, and the first

line he says is, Who owns this shithole?

:

00:48:11,609 --> 00:48:12,099

I love it.

:

00:48:12,509 --> 00:48:15,169

So he sees Skinny, Skinny

says, I own this establishment.

:

00:48:15,339 --> 00:48:17,919

Actually, first, nobody wants

to answer, and he points the

:

00:48:17,919 --> 00:48:19,739

gun at the one deputy, Fatty.

:

00:48:19,869 --> 00:48:22,249

That's, I'm not being mean,

that's literally his name.

:

00:48:22,649 --> 00:48:24,279

His name is Fatty, if

you look at the credits.

:

00:48:25,069 --> 00:48:27,169

He looks at him and he

goes, You fat man, speak up.

:

00:48:28,239 --> 00:48:31,199

And that's when Skinny says,

I own this establishment.

:

00:48:31,749 --> 00:48:32,419

And then he shoots him.

:

00:48:33,409 --> 00:48:35,759

It just shoots an unarmed man.

:

00:48:36,049 --> 00:48:38,409

I have thoughts on this too, but we're

going to get to that in a second.

:

00:48:38,409 --> 00:48:40,119

I don't want to rush this

five point plan here.

:

00:48:40,519 --> 00:48:42,029

So he kills Skinny.

:

00:48:42,579 --> 00:48:47,389

And again, he, the next, the plan

next is to kill Little Bill, right?

:

00:48:47,569 --> 00:48:50,659

Which, at this point, the room is,

again, it's filled with armed deputies

:

00:48:50,659 --> 00:48:53,949

and mercenaries, and they're all shell

shocked about what just happened.

:

00:48:54,229 --> 00:48:55,869

And they're all just

standing there, right?

:

00:48:55,899 --> 00:48:56,209

Chris: Right.

:

00:48:56,924 --> 00:49:00,004

Jerome: Will aims his gun at Bill

and still nobody's doing anything.

:

00:49:00,004 --> 00:49:02,144

They're all just standing there

like, Holy fuck, what's this?

:

00:49:02,144 --> 00:49:03,994

I've never seen this in real life before.

:

00:49:04,524 --> 00:49:06,364

High tower surprise, the gun jams.

:

00:49:06,584 --> 00:49:08,524

He was going to take out Bill right then.

:

00:49:08,554 --> 00:49:08,974

Right.

:

00:49:09,304 --> 00:49:10,264

And the gun jams.

:

00:49:10,984 --> 00:49:15,104

Now he's about to be in a real shootout

with Bill and everybody in the room.

:

00:49:15,954 --> 00:49:20,094

By the way, because the gun jammed,

he only has left a handgun, which we

:

00:49:20,094 --> 00:49:25,284

saw earlier in the movie, his poor

shooting with the handgun, right?

:

00:49:25,724 --> 00:49:26,994

Chris: But he was sober then.

:

00:49:27,874 --> 00:49:29,914

Jerome: And he couldn't, he

couldn't hit a coffee can, right?

:

00:49:29,914 --> 00:49:32,384

We're talking about two hours earlier, he

couldn't hit a coffee can, he was sober.

:

00:49:32,854 --> 00:49:33,814

Alright, dig down deep.

:

00:49:33,824 --> 00:49:36,504

Without much of a chance to think about

it, again, there's a lot of movies

:

00:49:36,504 --> 00:49:39,354

that dig down deep is also a thing

that could happen within seconds.

:

00:49:39,774 --> 00:49:43,419

Not having the luxury of time

to think about it, Will throws

:

00:49:43,419 --> 00:49:45,109

his shotgun right at Bill.

:

00:49:45,419 --> 00:49:48,359

That throws off his timing

and his rhythm, right?

:

00:49:48,359 --> 00:49:50,249

Because Bill was going to

reach for his handgun, but now

:

00:49:50,249 --> 00:49:51,389

he's got a gun flying at him.

:

00:49:51,389 --> 00:49:52,909

He's got to kind of get

out of the way of it.

:

00:49:53,589 --> 00:49:56,739

It allows Will to pull out his gun.

:

00:49:56,959 --> 00:50:00,189

And while everybody in the place

is panicking and firing all over

:

00:50:00,189 --> 00:50:05,479

God's green earth, he's calmly

picking people off one at a time.

:

00:50:05,619 --> 00:50:05,939

Right.

:

00:50:06,039 --> 00:50:11,179

So, and that's a funny scene, too, where

they show, like Deputy Fatty and Deputy

:

00:50:11,219 --> 00:50:13,179

Andy are standing next to each other.

:

00:50:13,339 --> 00:50:15,539

They're firing and they're

hitting, like, the bar and the

:

00:50:15,539 --> 00:50:16,809

bottles that are on the bar.

:

00:50:16,869 --> 00:50:19,069

They're like, they're not

even coming close to the will.

:

00:50:19,839 --> 00:50:20,159

Right?

:

00:50:20,359 --> 00:50:21,699

And he's just one at a time.

:

00:50:21,699 --> 00:50:23,929

He gets, he gets little

Bill first in the gut.

:

00:50:24,109 --> 00:50:24,489

Boom.

:

00:50:24,719 --> 00:50:26,739

And then he takes out, boom, boom, boom.

:

00:50:26,989 --> 00:50:28,509

Boom, he starts taking dudes out.

:

00:50:28,929 --> 00:50:31,849

After the initial killing is done,

execution of the new plan was that,

:

00:50:31,849 --> 00:50:34,869

by the way, but after, the plan's not

done yet because Bill's still alive.

:

00:50:34,929 --> 00:50:38,699

Not that he knows it yet, but he

suggests everyone else flee out the

:

00:50:38,709 --> 00:50:40,029

back if they don't want to get killed.

:

00:50:40,079 --> 00:50:41,549

And they all listen!

:

00:50:42,499 --> 00:50:45,579

A room filled with armed dudes and

they're all like Alright, you got it, sir.

:

00:50:45,589 --> 00:50:47,019

And they all go out the back door.

:

00:50:47,459 --> 00:50:48,639

Get the fuck out of there.

:

00:50:48,989 --> 00:50:51,339

Nobody wants anything to

do with him at this point.

:

00:50:52,274 --> 00:50:53,584

Then Will meets W.

:

00:50:53,584 --> 00:50:53,864

W.

:

00:50:53,864 --> 00:50:57,404

Beauchamp, the biography,

the biographer, by the way.

:

00:50:58,834 --> 00:51:01,004

And that's when he realizes

Bill is still alive.

:

00:51:01,404 --> 00:51:04,664

At this point, he kills him at point

blank range with a Spencer rifle.

:

00:51:04,964 --> 00:51:06,224

There is a funny moment there.

:

00:51:06,374 --> 00:51:09,414

I, when I thought was going to

happen in theater, didn't happen.

:

00:51:09,414 --> 00:51:13,894

And this could have been Clint Eastwood's

little dig on the myth versus reality.

:

00:51:13,894 --> 00:51:16,084

What you think is going to

happen versus what does happen.

:

00:51:16,824 --> 00:51:19,594

He sees biographer is all, I'm not armed.

:

00:51:19,594 --> 00:51:20,154

I'm not armed.

:

00:51:20,164 --> 00:51:21,884

The first thing he says

is pick up that rifle.

:

00:51:23,114 --> 00:51:26,904

And I'm like, Oh man, he's going to

pick up that rifle and he's going

:

00:51:26,904 --> 00:51:32,304

to shoot him just so he can say he

didn't shoot another unarmed guy, but

:

00:51:32,304 --> 00:51:35,384

he doesn't, he doesn't, he picks up

the rifle and he just tells him, you

:

00:51:35,384 --> 00:51:36,894

know, give it to me so I can reload it.

:

00:51:37,094 --> 00:51:37,384

Yeah.

:

00:51:37,464 --> 00:51:39,924

And then, you know, more

of the myth versus reality.

:

00:51:40,274 --> 00:51:41,574

But this is all reality.

:

00:51:41,584 --> 00:51:41,604

Yeah.

:

00:51:42,534 --> 00:51:42,804

W.

:

00:51:42,804 --> 00:51:42,994

W.

:

00:51:42,994 --> 00:51:44,244

Bochamp is impressed.

:

00:51:44,244 --> 00:51:45,524

He's like, you killed five people.

:

00:51:45,524 --> 00:51:46,494

Who'd you kill first?

:

00:51:46,494 --> 00:51:47,034

You know what I mean?

:

00:51:47,364 --> 00:51:47,724

Did you kill it?

:

00:51:47,754 --> 00:51:48,724

Did you kill bill first?

:

00:51:49,264 --> 00:51:51,124

So anyway, and he gets

another good line too.

:

00:51:51,124 --> 00:51:53,234

He goes, all I know is

who's going to be last.

:

00:51:54,984 --> 00:51:57,654

The biographer basically shits

his pants and runs out of there.

:

00:51:58,194 --> 00:52:01,774

All right, so resolution as he's

leaving he he drops the threats to

:

00:52:01,774 --> 00:52:06,244

all the town and the onlookers and the

and the Prostitutes that are watching.

:

00:52:06,554 --> 00:52:11,084

Yeah, he's basically like treat

your women better give Ned a proper

:

00:52:11,094 --> 00:52:14,644

burial You know do this do that or

I'm gonna come back and kill all you

:

00:52:14,664 --> 00:52:19,194

sons of bitches Actually, before that,

he says, Alright, I'm coming out.

:

00:52:19,194 --> 00:52:21,084

Anyone takes a shot at

me, I'm gonna kill him.

:

00:52:21,274 --> 00:52:22,974

And not just that, I'm

gonna kill his wife.

:

00:52:23,264 --> 00:52:24,184

Burn his damn house down.

:

00:52:25,514 --> 00:52:26,844

Chris: Right, I love that line.

:

00:52:30,094 --> 00:52:34,664

Jerome: So anyway, Great final moment for

him as he rides off into the rainy night.

:

00:52:35,064 --> 00:52:38,164

And then of course the closing image is

a perfect bookend from the beginning.

:

00:52:38,174 --> 00:52:40,934

It's another Will

silhouette to the sunset.

:

00:52:41,274 --> 00:52:43,384

This time he's standing

at Claudia's grave.

:

00:52:43,384 --> 00:52:43,709

And that's it.

:

00:52:44,089 --> 00:52:48,499

And the closing crawl details how he

moved to San Francisco and prospered

:

00:52:48,499 --> 00:52:53,129

in dry goods and the picture of

Will Money, I believe, disappears.

:

00:52:53,129 --> 00:52:55,609

Like he fades when that crawl is going on.

:

00:52:56,269 --> 00:52:57,949

Alright, we got a lot to unpack here.

:

00:52:57,949 --> 00:52:58,409

We're not done yet.

:

00:52:58,419 --> 00:52:59,339

That was just the beats.

:

00:52:59,349 --> 00:53:01,149

Now notes on character.

:

00:53:01,719 --> 00:53:02,109

Okay.

:

00:53:02,814 --> 00:53:05,864

So I mentioned this already, several

moments were shown that depict Will's age.

:

00:53:05,864 --> 00:53:07,314

I didn't think I put it in

the notes, but I guess I did.

:

00:53:07,584 --> 00:53:10,994

He falls not once but twice while

trying to wrangle the feverish hogs,

:

00:53:11,214 --> 00:53:14,074

and there's countless times where he

stumbles trying to get on the damn horse.

:

00:53:14,514 --> 00:53:18,194

As mentioned, when Will is still in

the debate stage in the first act,

:

00:53:18,334 --> 00:53:21,654

he does the target practice where he

tries to hit the coffee can, right?

:

00:53:21,914 --> 00:53:26,314

He misses every shot, he gets mad, grabs

the shotgun, we already talked about that.

:

00:53:26,604 --> 00:53:29,714

However, in the climactic scene,

the only other time he uses a

:

00:53:29,714 --> 00:53:30,739

revolver, he uses a revolver.

:

00:53:31,229 --> 00:53:33,329

He's dead on and spot on in every shot.

:

00:53:33,859 --> 00:53:37,169

This I believe signifies is not just

cause he was drunk and he was his old

:

00:53:37,169 --> 00:53:41,819

self again, but it is, it signifies

to me the killer instinct in him.

:

00:53:42,589 --> 00:53:47,479

If he's aiming at a coffee can, his brain

is not invested in hitting the target.

:

00:53:47,569 --> 00:53:48,259

You know what I mean?

:

00:53:48,689 --> 00:53:51,929

But if it's a person, particularly

an assailant who's shooting back at

:

00:53:51,929 --> 00:53:56,369

you, his instinct takes over and his

brain targets the shot perfectly.

:

00:53:56,459 --> 00:53:58,119

He's dead on, on every shot.

:

00:53:58,639 --> 00:53:59,099

What's he say?

:

00:53:59,129 --> 00:54:01,889

Oh, even after the killings, even

after the shooting, when he's at the

:

00:54:01,899 --> 00:54:04,099

bar, he says, I've always been lucky.

:

00:54:04,149 --> 00:54:04,379

No, no.

:

00:54:04,379 --> 00:54:06,039

He says, I was lucky in the order.

:

00:54:06,179 --> 00:54:08,499

I've always been lucky when

it comes to killing folks.

:

00:54:09,109 --> 00:54:09,559

Right?

:

00:54:09,599 --> 00:54:14,129

So that kind of explains how, even when

he was drunk out of his mind, He was the

:

00:54:14,129 --> 00:54:17,589

deadliest guy around because his brain

would kick in on that killer instinct.

:

00:54:18,279 --> 00:54:22,739

Grillie's owner, Skinny, is another

interesting dissect, because at

:

00:54:22,739 --> 00:54:25,689

first he comes off kind of like

a good guy at the very beginning.

:

00:54:25,689 --> 00:54:29,419

He has his own little save the cat

moment when he saves Delilah, right?

:

00:54:29,419 --> 00:54:32,349

The guy's cutting her up and he

puts a gun to his head and says, get

:

00:54:32,349 --> 00:54:35,924

off of her cowboy, you know, like,

So you're thinking, oh Skinny is

:

00:54:35,924 --> 00:54:37,324

really protective of these girls.

:

00:54:37,584 --> 00:54:41,934

But as the movie goes on, we kind of find

out that Skinny is a piece of shit, right?

:

00:54:41,934 --> 00:54:45,874

Like, he calls them whores, he calls

them bitches, he smacks them around,

:

00:54:45,874 --> 00:54:47,534

he treats them like they're property.

:

00:54:48,034 --> 00:54:51,764

And he, he's otherwise

kind of a shitty dude.

:

00:54:52,084 --> 00:54:56,489

And the reason they do this is because

is so that you can forgive Will for

:

00:54:56,569 --> 00:54:58,779

killing him when he was unarmed, right?

:

00:54:59,149 --> 00:55:02,149

Especially they show, they, like I

said, they throw that part in, like

:

00:55:02,149 --> 00:55:05,799

you said, they throw that part at

the end where he put Ned out front.

:

00:55:06,059 --> 00:55:06,389

Chris: Right.

:

00:55:06,479 --> 00:55:10,329

Jerome: So if for no other reason,

we've spent two hours lessening our

:

00:55:10,329 --> 00:55:15,469

like for Skinny, but in those same two

hours, we enhanced our like for Ned.

:

00:55:16,169 --> 00:55:19,489

And when Will says he shoulda

armed himself if he's gonna

:

00:55:19,489 --> 00:55:22,929

decorate his saloon with my friend,

at that point we forgive him.

:

00:55:23,389 --> 00:55:25,019

We're like, okay, yeah,

you can kill Skinny.

:

00:55:25,079 --> 00:55:25,499

That's fine.

:

00:55:25,829 --> 00:55:26,119

Right?

:

00:55:26,799 --> 00:55:27,959

Like, nobody's mad at that, right?

:

00:55:28,419 --> 00:55:32,719

Similarly, going back to Will,

despite his reputation, we only see

:

00:55:32,719 --> 00:55:34,579

him as someone we would root for.

:

00:55:35,639 --> 00:55:37,379

He's a good dad at the beginning.

:

00:55:37,399 --> 00:55:38,409

Like, this is what we see.

:

00:55:38,849 --> 00:55:39,439

He's a good dad.

:

00:55:39,449 --> 00:55:41,149

He's a, he's a, he's a widower.

:

00:55:41,149 --> 00:55:45,469

I guess I would say he's a good widower

because he wants to stay true to his wife.

:

00:55:45,499 --> 00:55:48,219

He doesn't go get a girl of

his own or anything like that.

:

00:55:48,229 --> 00:55:49,539

He doesn't cuss anymore.

:

00:55:49,879 --> 00:55:51,599

He doesn't drink anymore.

:

00:55:51,989 --> 00:55:54,899

These are all the things

that we like about him.

:

00:55:55,944 --> 00:55:58,704

And he defends Ned, right?

:

00:55:58,704 --> 00:56:02,004

When Ned first meets the kid and the kid's

like, I'm not splitting my money with him.

:

00:56:02,004 --> 00:56:03,154

I don't want to go along with him.

:

00:56:03,524 --> 00:56:05,134

He says, all right, well

then we're going back.

:

00:56:05,204 --> 00:56:05,774

You know what I mean?

:

00:56:05,774 --> 00:56:10,194

Like he needs this money, but he's

not gonna, you know, refuse Ned.

:

00:56:10,324 --> 00:56:11,364

He's going to stick up for him.

:

00:56:11,504 --> 00:56:11,814

Chris: Yeah.

:

00:56:11,874 --> 00:56:15,604

Jerome: So, and again, when Davey

is shot, And screaming in pain for

:

00:56:15,604 --> 00:56:18,834

some water, which is another kind

of, although it's sad for Davey,

:

00:56:18,834 --> 00:56:20,094

it's kind of a comical scene.

:

00:56:20,954 --> 00:56:23,454

Will yells out, we give him

some water, God damn it.

:

00:56:23,464 --> 00:56:24,374

We ain't going to shoot.

:

00:56:25,934 --> 00:56:30,374

So you see that even as a killer,

he has moments of heart, right?

:

00:56:30,924 --> 00:56:34,244

So here's where I get to the sad

reality of his spiritual journey.

:

00:56:35,499 --> 00:56:39,409

He mentions several times that he

barely remembers any of the killings

:

00:56:39,459 --> 00:56:43,399

or any of his stories of the past

because he, you know, whatever, he was

:

00:56:43,399 --> 00:56:45,209

too drunk or he doesn't remember them.

:

00:56:45,969 --> 00:56:51,369

If his wife Claudia cured him of drinking

in wickedness, as he put it, and gave him

:

00:56:51,399 --> 00:56:56,609

two loving children, then he was never

really punished for any of his past sins.

:

00:56:57,699 --> 00:56:59,689

Claudia eventually dying of smallpox?

:

00:57:00,334 --> 00:57:03,724

Eh, that's not a punishment to him,

because it wasn't at his hands.

:

00:57:03,804 --> 00:57:04,344

Right.

:

00:57:04,664 --> 00:57:05,074

Right?

:

00:57:05,524 --> 00:57:09,114

The opening crawl suggests it was not

at his hands, she died a smallpox.

:

00:57:09,474 --> 00:57:13,184

He didn't do anything that he would feel

guilty about when it comes to Claudia.

:

00:57:13,744 --> 00:57:16,424

That is why this journey had to happen.

:

00:57:16,814 --> 00:57:18,254

Will has to suffer.

:

00:57:18,454 --> 00:57:20,434

He has to pay for his sins.

:

00:57:20,754 --> 00:57:24,104

This time, he recruits his

best friend Ned to go along.

:

00:57:24,574 --> 00:57:26,334

Ned never makes it back alive.

:

00:57:26,334 --> 00:57:27,004

Yeah.

:

00:57:27,389 --> 00:57:32,259

That's because of will will is going to

fill that guilt for the rest of his life.

:

00:57:32,714 --> 00:57:36,524

That he got Ned into this and

Ned was, and he didn't just die.

:

00:57:36,604 --> 00:57:38,314

He was whipped to death.

:

00:57:38,954 --> 00:57:41,334

It was a bad death, right?

:

00:57:41,764 --> 00:57:44,484

That's his punishment

that he now has to endure.

:

00:57:44,724 --> 00:57:46,214

Because of him, Ned is dead.

:

00:57:46,514 --> 00:57:47,954

This is supported throughout the film.

:

00:57:47,974 --> 00:57:51,884

Specifically when he's dying, he

says that he sees visions and ghosts.

:

00:57:52,174 --> 00:57:56,864

These spirits of his victims are the angel

of death coming to collect for his past.

:

00:57:57,434 --> 00:57:58,294

Killing him!

:

00:57:58,509 --> 00:58:01,379

Particularly at that moment,

like from the fever, that would

:

00:58:01,379 --> 00:58:03,039

have been too humane for Will.

:

00:58:03,339 --> 00:58:04,439

He needs to suffer.

:

00:58:04,709 --> 00:58:07,719

The guilt of being responsible

for Ned's death is going to

:

00:58:07,729 --> 00:58:09,079

cut deeper than any death.

:

00:58:09,379 --> 00:58:12,649

The angel of death was certainly

there, but it wasn't coming for him.

:

00:58:12,649 --> 00:58:13,619

It was coming for Ned.

:

00:58:14,729 --> 00:58:18,249

Eventually, Ned suffers again, like

I said, the most brutal of deaths,

:

00:58:18,699 --> 00:58:21,009

and that's his payment for his sins.

:

00:58:21,079 --> 00:58:23,479

That's Ned's payment for the

sins that he did in the past.

:

00:58:25,414 --> 00:58:29,384

Within the killing of the young Davy

scene, Ned fails to do the killing

:

00:58:29,644 --> 00:58:32,074

this losing his nerve and falters.

:

00:58:32,114 --> 00:58:33,914

This is emasculating for him.

:

00:58:34,324 --> 00:58:36,314

He was a once hardened killer himself.

:

00:58:36,534 --> 00:58:42,334

Now he feels that he's forced to quit, you

know, almost out of embarrassment, right?

:

00:58:43,594 --> 00:58:51,714

And like, in a way, he at that

point, quitting and leaving should

:

00:58:51,714 --> 00:58:53,074

have saved him, but it didn't.

:

00:58:53,104 --> 00:58:54,454

The boys caught up to him and killed him.

:

00:58:54,944 --> 00:58:56,194

So, that's on Will.

:

00:58:56,844 --> 00:59:00,424

Another side point, the rain serves as

a driving factor throughout the film.

:

00:59:00,684 --> 00:59:02,574

First, it's dark and mysterious.

:

00:59:02,734 --> 00:59:06,354

You know, most of the film, the

brutal scenes happen when it rains.

:

00:59:06,444 --> 00:59:08,604

English Bob's beatdown

is the only exception.

:

00:59:09,084 --> 00:59:10,544

That happened in the broad daylight.

:

00:59:10,874 --> 00:59:13,304

But everything else the

cowboy's cutting Delilah.

:

00:59:13,709 --> 00:59:14,989

In the beginning, it's raining.

:

00:59:15,009 --> 00:59:17,289

When Will gets sick and gets

the shit kicked out of him

:

00:59:17,289 --> 00:59:18,699

by little Bill, it's raining.

:

00:59:19,119 --> 00:59:22,439

And of course the ending scene where

he kills five people, it's raining.

:

00:59:22,989 --> 00:59:27,559

Also almost comically, the rain serves

as a metaphor when the biographer

:

00:59:27,559 --> 00:59:31,529

is back at little Bill's house and

Bill's filling these pages that he's

:

00:59:31,529 --> 00:59:35,349

writing down with this load of BS that

little Bill's giving him about how

:

00:59:35,349 --> 00:59:37,539

great he is and what a bad ass he is.

:

00:59:37,549 --> 00:59:37,799

Right.

:

00:59:37,849 --> 00:59:39,449

The rain's coming through the roof.

:

00:59:39,769 --> 00:59:43,699

So that's a metaphor that there's

holes in this story, right?

:

00:59:44,609 --> 00:59:48,819

That as much as he's telling about

how great he is, it's bullshit.

:

00:59:48,859 --> 00:59:50,709

And that's why the roof

is leaking all the water.

:

00:59:50,709 --> 00:59:52,779

And he has that funny moment

where he's like, Oh, maybe you

:

00:59:52,779 --> 00:59:54,169

should just hang the carpenter.

:

00:59:55,469 --> 00:59:58,069

Little Bill gets pissed

because he was the carpenter.

:

00:59:58,149 --> 00:59:58,479

Yeah.

:

00:59:58,639 --> 00:59:59,199

All right.

:

00:59:59,329 --> 01:00:01,009

Few more points of

trivia before we move on.

:

01:00:01,009 --> 01:00:05,889

A thousand dollar bounty in:

is worth nearly 31 grand today.

:

01:00:06,389 --> 01:00:07,689

Shot in Alberta, Canada.

:

01:00:07,699 --> 01:00:09,539

The town of Big Whiskey is fictional.

:

01:00:09,939 --> 01:00:19,029

Clint has directed 16 feature films before

Unforgiven, and another 23 films after.

:

01:00:19,519 --> 01:00:24,509

Unforgiven, his 17th film,

was the first of his to garner

:

01:00:24,579 --> 01:00:26,739

any acting nominations ever.

:

01:00:26,879 --> 01:00:27,299

Wow.

:

01:00:27,579 --> 01:00:29,269

And a Best Picture nomination.

:

01:00:29,509 --> 01:00:34,299

For the 24 films since Unforgiven,

Eleven acting roles had Oscar

:

01:00:34,299 --> 01:00:35,819

nominations and four of them won.

:

01:00:36,339 --> 01:00:39,789

Here are the supporting roles

in Clint directed movies.

:

01:00:40,519 --> 01:00:42,809

Gene Hackman in Unforgiven, that

was the first one, and he won.

:

01:00:43,229 --> 01:00:45,339

Tim Robbins, Mystic River, he won as well.

:

01:00:45,349 --> 01:00:46,289

That's two in a row.

:

01:00:46,909 --> 01:00:49,519

Marcia Gay Harden, Mystic

River, also was nominated.

:

01:00:49,559 --> 01:00:50,149

She didn't win.

:

01:00:50,159 --> 01:00:53,209

Morgan Freeman, Million

Dollar Baby,:

:

01:00:53,359 --> 01:00:56,089

So that's three Oscars in

the Best Supporting Category

:

01:00:56,099 --> 01:00:57,489

in Clint directed films.

:

01:00:57,989 --> 01:01:02,509

Matt Damon, nominated for Best Supporting

:

:

01:01:02,509 --> 01:01:05,039

s for Rich in Richard Jewell,:

:

01:01:06,019 --> 01:01:08,389

Also, here's the leading roles.

:

01:01:08,979 --> 01:01:09,999

Clint was the first.

:

01:01:09,999 --> 01:01:12,629

He directed himself to a

Best Actor nomination in 92.

:

01:01:12,779 --> 01:01:13,499

That was the first one.

:

01:01:13,799 --> 01:01:17,119

Meryl Streep, nominated for Best

Actress in:

:

01:01:17,299 --> 01:01:20,079

Sean Penn, Mystic River,

:

:

01:01:20,409 --> 01:01:24,079

Hilary Swank, Million

Dollar Baby,:

:

01:01:24,189 --> 01:01:25,749

So that's back to back years.

:

01:01:26,249 --> 01:01:29,269

Where the lead role in a Clint

directed movie won the Oscar.

:

01:01:29,979 --> 01:01:31,829

Clint Eastwood was also

nominated for Million Dollar

:

01:01:31,829 --> 01:01:33,359

Baby in:

:

01:01:33,389 --> 01:01:37,659

Angelina Jolie, nominated for Best

Actress in Changeling,:

:

01:01:37,919 --> 01:01:41,179

Morgan Freeman, nominated Best

Actor in Invictus,:

:

01:01:41,459 --> 01:01:46,259

And finally, Bradley Cooper, nominated

for American Sniper,:

:

01:01:46,749 --> 01:01:47,899

But, isn't that crazy?

:

01:01:48,129 --> 01:01:48,279

Yeah.

:

01:01:48,279 --> 01:01:51,329

That he had directed, it's almost

like he took those 16 films to really

:

01:01:51,329 --> 01:01:52,799

figure out how to work with actors.

:

01:01:53,049 --> 01:01:53,379

Chris: Yeah.

:

01:01:53,439 --> 01:01:55,789

Jerome: And then once Unforgiven

hit, everything after that

:

01:01:55,789 --> 01:01:57,239

was fuckin Oscar gold.

:

01:01:57,429 --> 01:01:58,809

Chris: Yeah, that's awesome.

:

01:01:59,399 --> 01:02:01,689

Jerome: Clinton himself has four

Oscars, two for directing, two

:

01:02:01,689 --> 01:02:02,759

for producing a Best Picture.

:

01:02:02,909 --> 01:02:05,049

Two for Unforgiven, two

for Million Dollar Baby.

:

01:02:05,099 --> 01:02:05,979

No acting Oscars.

:

01:02:06,349 --> 01:02:09,369

The screenplay floated around

Hollywood for nearly 20 years.

:

01:02:09,379 --> 01:02:10,259

Chris: Isn't that crazy?

:

01:02:10,379 --> 01:02:12,989

Jerome: Yeah, and it reminds me of

how, you know, there's that story

:

01:02:12,989 --> 01:02:15,899

that the book for Schindler's List

was in Spielberg's drawer for 11

:

01:02:15,909 --> 01:02:18,669

years before he decided to make it.

:

01:02:18,899 --> 01:02:21,919

It's just funny to me how these things

sort of linger, you know what I mean?

:

01:02:21,929 --> 01:02:22,319

Chris: Yeah.

:

01:02:22,379 --> 01:02:25,179

Jerome: And they don't ever get

made, or when they do finally

:

01:02:25,179 --> 01:02:26,859

get made, they're masterpieces.

:

01:02:26,919 --> 01:02:27,259

Right.

:

01:02:27,599 --> 01:02:30,189

You know, and it likely went

through a lot of rewrites.

:

01:02:30,279 --> 01:02:34,499

In fact, there's one version of Unforgiven

where the Schofield kid is so guilt

:

01:02:34,509 --> 01:02:35,939

ridden at the end, he drowns himself.

:

01:02:35,939 --> 01:02:41,469

Uh, As stated earlier, the film was

th,:

:

01:02:41,479 --> 01:02:44,799

birthday, Frances Fisher, who plays

strawberry Alice and just dating

:

01:02:44,799 --> 01:02:49,038

Clint at the time, she was four months

pregnant at the Academy Awards when the

:

01:02:49,109 --> 01:02:53,999

movie won best picture her and Clint's

daughter, Francesca was later born on.

:

01:02:54,413 --> 01:02:59,094

th,:

:

01:02:59,094 --> 01:02:59,604

Chris: Crazy.

:

01:03:00,324 --> 01:03:02,854

Jerome: You see how Unforgiven

and Clint and Francis Fisher,

:

01:03:02,884 --> 01:03:03,904

it all comes back to me.

:

01:03:03,954 --> 01:03:04,254

Yeah.

:

01:03:04,904 --> 01:03:10,324

Two credits are incorrectly swapped in the

closing credit sequence on IMDb as well

:

01:03:10,324 --> 01:03:13,004

because IMDb follows what's on screen.

:

01:03:13,534 --> 01:03:15,264

But two of the prostitutes are wrong.

:

01:03:15,274 --> 01:03:19,964

It says Faith, who was actually played

by Beverly Elliott, says that she

:

01:03:19,964 --> 01:03:21,804

played Beverly Elliott played Silky.

:

01:03:21,944 --> 01:03:22,744

And Silky.

:

01:03:23,484 --> 01:03:26,594

was actually played by Lisa Repo Martel.

:

01:03:26,654 --> 01:03:28,004

It says that she played Faith.

:

01:03:28,304 --> 01:03:28,714

Hmm.

:

01:03:29,324 --> 01:03:33,474

The get it wrong on the film, like whoever

was doing the credits got it wrong.

:

01:03:33,494 --> 01:03:34,134

Wow.

:

01:03:34,234 --> 01:03:34,374

That's crazy.

:

01:03:34,374 --> 01:03:37,264

And again, IMDB follows what's on screen.

:

01:03:37,384 --> 01:03:40,904

They also have it wrong, but if you look

at both of those actresses individual

:

01:03:40,904 --> 01:03:45,674

pages on the trivia part, it mentions

that, that they are incorrectly credited.

:

01:03:45,804 --> 01:03:46,244

Chris: Interesting.

:

01:03:46,274 --> 01:03:46,814

Jerome: Yeah, I know.

:

01:03:46,844 --> 01:03:47,234

So cool.

:

01:03:47,264 --> 01:03:48,344

First time I ever saw that.

:

01:03:48,344 --> 01:03:50,874

First time I ever saw that

somebody got the credits wrong.

:

01:03:51,304 --> 01:03:52,194

How do you fuck that up?

:

01:03:52,194 --> 01:03:53,244

You had one job, dude.

:

01:03:53,404 --> 01:03:54,364

You had one job.

:

01:03:54,913 --> 01:03:58,494

Alright, last thing on Unforgiven before

I turn it over to you on Final Thoughts.

:

01:03:58,724 --> 01:04:01,454

There's a fan theory

going around the internet.

:

01:04:02,459 --> 01:04:06,359

That the character, Clint Eastwood's

character, Dirty Harry, is a

:

01:04:06,399 --> 01:04:07,819

descendant of William Money.

:

01:04:08,399 --> 01:04:12,479

And here's why, not only because it's

played by the same guy, but they have a

:

01:04:12,479 --> 01:04:17,538

similar savvy with a gun, with a handgun,

they're ruthless to criminals, but most

:

01:04:17,538 --> 01:04:22,089

importantly, the end crawl of Unforgiven

states that he moved to San Francisco,

:

01:04:22,089 --> 01:04:24,459

where he prospered in dry goods.

:

01:04:24,919 --> 01:04:30,439

Dirty Harry movies all take place in

San Francisco, where Harry can't land.

:

01:04:30,619 --> 01:04:34,339

Is an inspector for the San

Francisco Police Department.

:

01:04:34,619 --> 01:04:35,249

That's great.

:

01:04:35,829 --> 01:04:36,059

I love it.

:

01:04:36,079 --> 01:04:39,189

Well I, well I finished my whiskey,

give me your final thoughts here.

:

01:04:40,288 --> 01:04:41,319

Chris: Well, as usual.

:

01:04:41,329 --> 01:04:41,889

How much of

:

01:04:41,889 --> 01:04:44,809

Jerome: this, well yeah, but how

much of this that I just rattled

:

01:04:44,809 --> 01:04:47,894

off did you notice and see when

you were watching the movie?

:

01:04:47,984 --> 01:04:49,934

Are you at the point now where

you're watching a movie like this

:

01:04:49,944 --> 01:04:51,154

and you're like, Oh, all is lost.

:

01:04:51,374 --> 01:04:51,544

Oh,

:

01:04:51,574 --> 01:04:52,284

Chris: there's the midpoint.

:

01:04:52,284 --> 01:04:53,034

Yeah, actually.

:

01:04:53,034 --> 01:04:53,604

Yeah.

:

01:04:53,604 --> 01:04:54,154

A lot of that.

:

01:04:54,154 --> 01:04:54,774

I did see.

:

01:04:54,774 --> 01:04:55,194

Yeah.

:

01:04:55,224 --> 01:04:56,234

Especially now.

:

01:04:56,274 --> 01:04:58,184

I mean, not probably

the first time I saw it.

:

01:04:58,224 --> 01:04:58,554

Right.

:

01:04:58,614 --> 01:05:00,574

But I'm watching it.

:

01:05:00,594 --> 01:05:02,174

Yeah, I, I do that all the time.

:

01:05:02,174 --> 01:05:03,163

I'll nudge Jesse.

:

01:05:03,163 --> 01:05:04,674

I'm like, Oh, all is lost right here.

:

01:05:07,374 --> 01:05:07,904

Shut up.

:

01:05:08,074 --> 01:05:08,924

Watch the movie.

:

01:05:09,244 --> 01:05:09,264

How

:

01:05:09,514 --> 01:05:10,374

Jerome: did Jesse like it?

:

01:05:10,494 --> 01:05:11,614

Was that the first time she'd seen it?

:

01:05:12,014 --> 01:05:16,674

Chris: No, and she fell asleep because

that's what she does in action films.

:

01:05:16,884 --> 01:05:17,604

Oh my god.

:

01:05:17,964 --> 01:05:22,639

I know, but the next day she was like,

Why, why are you guys doing these

:

01:05:22,639 --> 01:05:29,038

movies because she watched she walked

in on wick also She's like, oh, oh,

:

01:05:29,038 --> 01:05:36,899

no, you know And when Jesse says, oh,

oh no that kind of sums up her review

:

01:05:37,959 --> 01:05:40,339

Jerome: Anyone that needs to

know about our Fargo episode

:

01:05:40,339 --> 01:05:41,499

go back and listen to that

:

01:05:42,989 --> 01:05:44,269

Chris: She was kind of horrified.

:

01:05:44,279 --> 01:05:47,719

She's like, what do you guys see in

these movies are just so violent.

:

01:05:48,259 --> 01:05:51,844

Jerome: Yes, but they're great

movies They're great movies.

:

01:05:51,874 --> 01:05:52,224

Okay.

:

01:05:52,474 --> 01:05:55,394

Chris: Well, before we move on, I was

going to say, we're going to do six

:

01:05:55,394 --> 01:05:57,784

degrees at the end of the next episode.

:

01:05:57,834 --> 01:06:02,144

You want, you want to just give a tease on

what the, what the six degrees will be on.

:

01:06:02,144 --> 01:06:06,004

That way if our listener wants to

try to figure it out before the

:

01:06:06,004 --> 01:06:07,294

next episode, they can get a shot.

:

01:06:07,874 --> 01:06:10,384

Jerome: I like how we still

say listener as singular.

:

01:06:11,684 --> 01:06:12,144

Chris: Well,

:

01:06:14,034 --> 01:06:14,904

Jerome: We have one listener.

:

01:06:14,934 --> 01:06:15,304

Yeah,

:

01:06:15,394 --> 01:06:16,494

Chris: we know who you are.

:

01:06:16,884 --> 01:06:17,784

Thanks, mom.

:

01:06:17,904 --> 01:06:18,084

No.

:

01:06:18,264 --> 01:06:18,864

Jerome: Anyway.

:

01:06:19,224 --> 01:06:19,913

Anyway, yeah.

:

01:06:19,913 --> 01:06:21,954

So uh, my brother uh, perfect.

:

01:06:21,954 --> 01:06:22,614

True to form.

:

01:06:22,944 --> 01:06:26,094

Tried to pick two people

that are hardly in anything.

:

01:06:26,094 --> 01:06:26,184

Yep.

:

01:06:26,719 --> 01:06:32,359

And uh, uh, Aline Lavasseur,

who plays William Money's

:

01:06:32,359 --> 01:06:34,149

youngest young daughter, Penny.

:

01:06:34,159 --> 01:06:35,229

Chris: Penny, Penny Money.

:

01:06:35,269 --> 01:06:39,219

Jerome: Uh, In uh, Penny Money

in uh, which is kind of funny.

:

01:06:39,249 --> 01:06:40,829

Penny, Money, Penny Money.

:

01:06:41,239 --> 01:06:42,538

Uh, In Unforgiven.

:

01:06:42,949 --> 01:06:48,799

Uh, With Bridget uh, Reagan, who

plays Addie, the bartender of

:

01:06:48,799 --> 01:06:50,739

the Continental, in John Wick.

:

01:06:50,829 --> 01:06:52,419

So he wanted me to connect those two.

:

01:06:53,469 --> 01:06:55,499

Chris: And she hasn't

been in a lot either, so.

:

01:06:55,999 --> 01:06:57,439

Jerome: Right this was a fun one.

:

01:06:57,469 --> 01:06:58,029

So yeah, we're

:

01:06:58,029 --> 01:07:01,089

Chris: gonna, we're gonna solve

this at the end of the next episode.

:

01:07:02,239 --> 01:07:06,919

Well, as we always say at the end of each

episode first of all, thanks for listening

:

01:07:06,949 --> 01:07:09,619

and uh, go support your local cinema.

:

01:07:09,799 --> 01:07:10,959

Jerome: Keep drinking and keep watching.

About the Podcast

Show artwork for Silver Screen Happy Hour
Silver Screen Happy Hour
With the Wiegand Brothers

About your hosts

Profile picture for Jerome Wiegand

Jerome Wiegand

Born and raised in Metro Detroit, Michigan. Graduate of Columbia College Chicago with a degree in Film/Screenwriting. Have lived in California since 2001. I enjoy screenwriting, script consulting and film analysis.
Profile picture for Chris Wiegand

Chris Wiegand