Episode 6

Silence Of The Midsommar Part 1

PARENTAL ADVISORY!

NOTE: THERE ARE SPOILERS!

There was just WAY too much to say and get it in one episode, so this month is divided into two parts! In this episode, Silence of the Midsommar Part One< we mainly cover Midsommar (2019). We will release Part Two on HALLOWEEN 2023 which will mainly cover Silence of the Lambs (1991)!

Unveiling Script Structure Secrets: Join us as we explore the intricacies of script structure in this episode. From unexpected plot twists to intricate character development, we meticulously dissect the craft, providing valuable insights for both aspiring and seasoned screenwriters.

Tune in for another exciting episode of Silver Screen Happy Hour, where we blend passion and precision to explore the fascinating world of cinema. Your cinematic journey continues here! 🍿🎬 #SilverScreenHappyHour #MovieAnalysis #ScriptStructure #Filmmaking

Wiegand brothers, Jerome & Chris, love movies, and they are fascinated by human nature and the art of great storytelling. Have you ever wondered how great stories connect? Listen to the Silver Screen Happy Hour - a podcast for movie lovers!

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https://www.instagram.com/silverscreenhappyhour/

Transcript
Speaker:

Don't give me another scene.

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Don't try to explain

anything with another scene.

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Just go to black, and I want

to see All I want to see right

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now is directed by Ari Aster.

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That's all I want to see!

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Give it to me, give it to me,

give it to me, give it And

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they did, and I was like, YES!

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And I looked at mom and I

said, I fucking loved it!

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Mom's like, WHAT?

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Mom's horrified, right?

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Poor mom has no fucking clue

what I just went through as a

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film lover and a screenwriter.

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Mom's terrified!

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She's mortified!

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You are listening to the

Silver Screen Happy Hour.

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I'm Chris Wiegand, along

with my brother, Jerome.

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And I can honestly say that I

think we had more fun on this

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episode than any other to date.

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There's probably a couple

of reasons for that.

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We recorded it earlier in the

year, just anticipating that we

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would release it on Halloween.

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We got into this and Midsommar

and Silence of the Lambs are two

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of my brother's favorite movies.

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I, you know, I think he talks about, uh,

the ranking of both in the podcast, but,

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uh, you'll, you'll hear it in his voice.

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He's just downright giddy as soon as

we started recording and I enjoyed it.

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I just.

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I don't know, I think he nearly broke

me, uh, in Silence of the Lambs, um.

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We recorded so long that as soon

as we finished Midsommar, we

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realized we were way too long.

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So we decided this had to come

out as a part one and part two.

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So instead of releasing them both

on Halloween, we decided to release

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part one, Silence of the Midsommar

part one, uh, which covers Midsommar.

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That's this episode.

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On Friday the 13th.

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And in a couple of weeks, we

will release part two of Silence

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of the Midsommar on Halloween.

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And that one we will cover

Silence of the Lambs.

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with that said, I'm gonna get

the recording of our conversation

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on the film reel for you.

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And I just want to ask

you to do one thing.

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If you are enjoying our show, share

it with somebody and let us know.

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We would absolutely appreciate it.

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Alright, so what are the movies for today?

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And what are we drinking?

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Uh, well the movies, usually

you're the one that...

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Let me just hand it back to you

because you've been like chomping

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at the bit dying for this day.

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There is, there is no bit left to chomp.

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It's gone.

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I've swallowed it.

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That's how much I've been

chomping at the bit for this day.

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This might rival the excitement I had

for the Star Wars anniversary podcast.

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Um, today we are discussing

two utter gems for me.

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Um, 1991's Silence of the Lambs,

rected by Jonathan Demme, and:

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Midsommar, directed by Ari Aster.

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Um, I have to say that

these are two of my...

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Favorite films.

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Um, well I wouldn't say Midsommar's

cracked like, like my top ten

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in any way, I don't think.

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Um, but it was certainly

my favorite film of:

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And I could not tell you how disappointed

I was when it got zero Oscar nominations.

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Um, and, and, You know, recently

I went back and looked at the

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Oscar nominations for that year.

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And I remember thinking it

should have got a Best Picture

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nomination instead of that film.

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Or it should have gotten screenplay

at least instead of that film.

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You know, I'm not gonna say which ones.

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But I definitely thought

it deserved to be in there.

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And Florence Pugh should

have been nominated for Best

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Actress in there somewhere.

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And I'm not saying she wins any of these.

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I'm not saying it wins at all.

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But to completely snub this film

on an Oscar front is just...

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Yeah, so it's very fresh for me

because I watched it twice yesterday,

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and I've been very disturbed today

because I couldn't sleep last night.

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So were this the first

two times watching it?

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Yeah, yeah, I had never saw it before.

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Oh my god.

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I, uh, so, let's start off by, well, let's

start off with, what are we drinking?

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Let's do that first.

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Okay, alright, so I, um, I have to preface

this by saying, I am backing up with beer.

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I do have beer today.

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Oh, don't mix.

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Don't mix.

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No, no, no.

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It's not about mixing.

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It's about in case this doesn't work out.

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Because I have...

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Wait, let me get it.

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Let me get it.

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Okay, I have in my possession,

in honor of Silence of the Lambs,

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I bought a bottle of Chianti.

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A nice Chianti.

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From the famous line, A census

taker once tried to test me.

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I ate his liver with some

fava beans and a nice Chianti.

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Unfortunately, this is not a nice Chianti.

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This was on clearance

at CVS Pharmacy for 5.

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97.

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Probably worth every penny.

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You're Full disclosure.

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I'm not a wine guy.

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I'm really not.

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Shocker.

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So I don't, I don't expect

this to turn out well.

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I'm going to have a glass and

we'll see if I can even finish it.

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Um, but I do have my

backup Mic Ultras ready.

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My, uh, my lightsabers.

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Um, so what are you drinking?

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So, I went with...

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Uh, one of my favorite breweries here

in Michigan, Shorts Brewing Company.

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We've had them on before.

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Um, they should be paying us.

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I'm actually going to their

brewery, uh, in June with Jesse and

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about four or six of our friends.

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And, uh, it's gonna be fun.

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But this beer is called Evil Urges.

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A Belgian, I wish it was

Swedish, but it's not.

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It's a Belgian dark, uh, Belgian

style dark ale brewed with amber.

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Candy sugar, whatever that is.

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So, it sounds sweet.

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We're gonna see.

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Oh, that sounded...

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I don't know what the ABV is.

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It doesn't say on the

can, which is unusual.

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It's a very dark beer.

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Oh, that sounds thick.

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That's very thick.

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Very nice head.

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Oh man, it is sweet.

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Sounded like, like, like lecter just now.

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Oh, that is frickin tasty.

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Is it good?

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Oh, yeah.

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Mmm.

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I think it's a high ABV.

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I don't know what this is.

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I'm gonna have to look it up.

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Come on.

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I heard the pop.

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Did you get it?

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Yeah.

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Alright, now let's do a...

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Holy crap.

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What we would call a drone pour.

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Half the bottle.

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I really, I really shouldn't, not knowing

what I'm getting myself into here.

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You probably, I don't know.

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You probably like them

sweet, I bet, but...

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Is Chianti sweet?

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I don't know.

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I've never had Chianti before.

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I believe, I believe it's a dry red.

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I'm gonna go out on a limb and

see if it wasn't for Salsa Lems.

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I don't know if I'd ever

know what Chianti was.

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Taste it.

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Tell me, tell me.

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Okay, you ready?

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Let's take our first drink.

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You just went with yours.

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Oh, yeah.

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Alright, I'm going to try the Hannibal.

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I'm surprised that on my

beer app, it only has a 3.

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6 average rating.

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Shocks me.

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Okay.

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I would definitely give it over a four.

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Oh, I did.

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I've rated this before.

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I forgot I've had it.

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So I ra, I gave it a 4.25 , so

my taste hasn't changed.

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Okay, here we go.

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Are you ready?

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Mm-hmm.

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. This is for Hannibal Lecter.

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Now the look on your face, , I can't

tell you if it's good or not because

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you don't know because I'm not a

wine drinker, so it's not sweet.

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Right.

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To me, this could taste

like absolute shit.

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I don't know.

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Compared to communion

wine, what do you think?

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It tastes a lot like communion wine.

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Are you telling me they've been

giving me Hannibal Lecter style

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Chianti in church every Sunday

since I, since I had communion?

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Oh, I better not comment

because I'll go to hell.

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Um, it's actually not bad.

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Now they said I did look up to whether

or not to have it chilled or not and

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it said Chianti should be chilled.

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So I, I had.

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The bottle, and I kept it on its side

to keep the cork moist, of course.

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You wine drinkers know

what I'm talking about.

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Put it in the cooler,

get it nice and cool.

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I even chilled my wine

glass before I poured it in.

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So, you know, uh, it's one

of those that it's, um, um,

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So, I don't know if I'm...

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The look on your face!

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We got...

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I don't know if I'm

gonna finish the glass.

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I'm certainly not going to finish the

bottle, I could tell you that much.

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I will eventually switch to

beer, in which case you will

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hear the cracking of my can open.

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Um, but I had to, in honor of

Lector, I had to give it a try.

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Yeah, absolutely.

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Um, where do we start?

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Because, let me, let's

start with some disclaimers.

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Uh, if you've been traumatized by a

serial killer, you might be triggered.

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Um, if you have a friend in a

cult, you might be triggered.

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Uh, in the, there's, we're

going to talk about suicide.

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That's a trigger.

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I mean, it's, it's, and who's

not affected by suicide now?

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Um, so there's a lot of things.

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Especially.

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How graphic this one goes.

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Oh, so yeah, let's do you

want to start with Midsommar?

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Actually.

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Yeah, that's fine.

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I don't care I really don't care.

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Let's start with Midsommar.

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Before you jump in Let me just let me

just say out the gate cuz I just watched

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it So I passively watched it the first

time I was busy doing other things while

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it was on But I was I was trying to take

some in knowing I was gonna rewatch it

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later And then I rewatched it knowing

what I was in for Probably not the best

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way to take in a movie, but um, But I

was able to, I was able to catch some

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things the second time that I missed.

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I was gonna say, it's better

the second time around.

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Yeah, um, but I, I would So, I told

you I was texting you, and uh, I said,

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I gave it an F, and then I said, oh,

the, I meant F, E F F, it was EFT.

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It was an EFT movie.

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When I first got that message

from you, I give it an F, I was

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like, is he out of his mind?

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Are we watching the same movie?

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So, here's the thing though.

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It is an effed up movie.

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Yes.

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I'm censoring myself here.

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I don't know why it's an effed up movie.

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It demands the F word.

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Um, I will do that for you.

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So, but, I will, I agree with you.

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That it was snubbed 100%.

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It was snubbed at the Oscars.

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I, I don't know why it wasn't nominated.

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Cause I, I do believe

it's a horror masterpiece.

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I mean, it's, it's, it was brilliant.

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I mean, the directing, the sound.

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So many, even the visuals when they

were on their highs, their trips.

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Yeah, yeah.

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There's some mushroom trips.

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Oh, here's another thing.

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Yeah, so if you've been triggered

by a bad acid trip or a bad mushroom

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trip, don't watch this movie.

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I'm just going to tell you right

now, do not watch this movie.

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I did acid in high school and I

was like, I was having flashbacks

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of like some rough trip bad.

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Will, Will, Will Poulter's

character is, uh, Um, I hope I'm,

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I hope I'm pronouncing that right.

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I hope, uh, cause, uh, I, I

believe, uh, I, I, is he European?

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I think he's European in real life.

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But, so, I might be, I mean, he might

have a European sounding last name, but

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Will Poulter for, as far as, It's written.

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Um, he's, he's the comic relief

of this movie pretty much.

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And when he's like, they're having

their trip and he's all, oh man,

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there's a new person coming.

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I can't take any more new people.

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And that is 100 percent real.

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Anyone that's done, anyone that's

done hallucinogens knows you can't,

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you can't add a new person to a trip.

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It's just, it's just, it'll go bad.

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Yeah.

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Oh my gosh.

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So.

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But yeah, I, I think in, like, um,

the visuals, like you said, like, um,

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so to have a horror movie that is 100

percent set in the daytime is unusual.

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It's bright and sunny in

just about every scene.

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I mean, there's some indoor

scenes that aren't as bright.

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Or actually, I should,

I should take that back.

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In the very beginning

of the movie, it's dark.

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Well, and there's, and, and,

there is a nighttime scene.

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Yeah, but it's, But almost

virtually nothing happens.

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No, no, I mean when she has her nightmare,

it's dark out, but it's all of, it's all

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of a two minute nightmare that she has.

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And I, and I want to say, well,

no, no, no, there is another part.

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Um, uh, we'll, we'll get to it.

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It's, it's one of the,

it's one of the murders.

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But anyway, um, again, full disclosure,

we're going to have to talk endings.

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Oh, we got to spoil this one.

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So if you, if you plan on watching

this, just shut it off right now.

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Go watch it and come back to the podcast

because we're going to ruin it for

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you if you, if you want to surprise.

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And as far as Sons of Lambs goes, I mean,

come on, that's what, 30 years ago now?

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Yes, long time ago.

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So, so you, you obviously everyone has,

should have seen it or at least knows.

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The gist of what happens in the movie,

um, also, uh, it's fair to mention

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that, um, we've brought up Midsommar in

previous podcasts, and I remember saying,

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uh, when we talk about great writing

and like how it ends and you know when

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the ending is, it's perfect, it's so

perfect that remember you saying that,

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so when it happened, I'm like, yep.

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That, that was perfect.

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Credits roll.

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Roll the credits now.

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Don't add another scene.

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Roll the credits right now.

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It's perfect.

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And it ends so, I mean, God,

what, and talk about a coming

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out party for Florence Pugh.

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Uh, she was also in the, uh, a remake

of the film Little Women that year.

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Jesse reminded me of that.

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And that just splashed

her all over the map.

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So, I mean, and of course now she's, you

know, she's in Marvel movies now, and

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now she's going to be in the Dune sequel.

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Another person I did not know that

was in this, because I hadn't seen it,

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William Jackson Harper, who also is

in The Good Place, loved that show.

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Our family loves that show.

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That's made by the, what's his name, who

made the, The Office and Parks and Rec.

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Oh right, um, the guy who plays Mose?

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Yeah, he plays Mose, yeah.

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But anyways, William Jackson

Harper, great actor, and he

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played a great part in this movie.

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And he is, uh, he, he's, um,

what's his name in the movie?

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What's his name in the movie?

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It is, uh, Josh.

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They just call him Josh.

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Oh right, he plays Josh.

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No, he, yeah, that's right.

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He plays Josh.

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So there are, uh, for anyone that

doesn't know, we'll recap this basically.

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There's, um, there's these four friends.

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Christian, Josh, Uh, Pele and, uh,

Will Poulter's character, Mark.

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Mark.

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Every time I mention him he's

funny because he brings so

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much comedy to the movie.

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Yeah.

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But, so, they are planning this.

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I bet he pissed on the ancestral tree.

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The ancestral tree.

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That guy's gonna kill me, isn't he?

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Yeah.

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Later, Ulf, Ulf is staring him down.

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He's like, looks like somebody's

still pissed about the ancestral tree.

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Um.

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And he's like, is he gonna kill me?

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Anyway, um, so, oddly enough, he

had no idea how true that was.

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So, um, so these four guys

are planning the Swedish trip.

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The movie opens, though, the movie

is not from their point of view.

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It's, it's Danny Arter,

uh, Danielle Arter.

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She is played by Florence Pugh.

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She's the lead in the film.

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She suffers a, a tragic event.

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Like, it can all, we'll

get into it in a second.

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But, uh, the most, uh,

horrific way to open a film.

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Um, and, and then...

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She finds out that her boyfriend,

her rather uncaring boyfriend, who's

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been planning on breaking up with

her, behind her back, he talks to

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his friends about how he's wanted to

break up with her for about a year.

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He's quite a douche.

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Yeah, the trauma she goes through at the

beginning now is going to affect that.

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It's a bummer for Christian

now, he can't break up with her.

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You know, like, it's all, you

know, oh no, now I can't break

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up with her, I have to...

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Be there for her or whatever.

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Well, I'll add, I'll add also like

his friends were also kind of, I

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mean, they're, they weren't jerks.

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They seem like decent guys.

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They're a bunch of college college kids

or, you know, probably in graduate school.

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I think they were talking about

dissertations for their, their graduate

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degree or whatever, but, um, but

they, they were pretty shallow and

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like, they were just kind of cold

about his, his relationship with her.

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So they, so they set the tone right

at that beginning about them kind

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of shit talking her, you know, her.

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Yeah, she's emotional and all this stuff.

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So they kind of had a bro thing

going on and you kind of felt like

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oh, yeah, they don't They're not

in it for the relationship, right?

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There's, there's even a line

in there that I believe Mark

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gives when they're at the bar.

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And he says, just drop her or something.

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And he goes, and then you know what, maybe

you'll meet a chick who likes to have sex.

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And it's just one line.

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It's a throwaway line.

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It's a loaded line.

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But you start to get the sense

that, you know, Florence Pugh's

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character, Danny, she has trouble.

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Opening up, you know, has

trouble with, trouble with, uh,

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uh, affection and closeness.

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Maybe she has trouble

opening up with douchebags.

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Yeah, and, and maybe just a tad,

and maybe just a tad prudish or

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maybe even on the virgin side.

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We don't know.

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It's just a line that indicates that

the sexual history between her and her

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boyfriend Christian is non existent,

if not, uh, uh, flawed in whatever way.

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It's not existent enough for

Christian, that's for sure.

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Um, but anyway, so, uh, she

decides that she wants to go

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with them on this Swedish trip.

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Or he asks her, sort of like,

expecting her to say no.

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:

She doesn't.

395

:

Talk about that for a second.

396

:

They all planned the trip and

he didn't even talk to her and

397

:

tell her that they were gonna go.

398

:

Right.

399

:

Until they're at a party.

400

:

She found out two weeks

before they were gonna leave.

401

:

Yeah.

402

:

For a month, mind you.

403

:

For a bunch of dicks.

404

:

I mean, that's just a, that's a dick move

to not even talk to your girlfriend about,

405

:

Hey, I'm leaving for a month or two.

406

:

For a month, yeah.

407

:

Yeah.

408

:

So, that was just...

409

:

But they did a good job, so

that's, that's another thing about

410

:

the writing and the directing.

411

:

They did a great job setting the stage.

412

:

Of the, of the dynamic of

these relationships before

413

:

they enter the, the next scene.

414

:

Because they are all so important.

415

:

And, and again, how this film did not get

a screenplay nomination, I don't know.

416

:

Um, because it all ties in.

417

:

It's like a perfectly woven quilt with

every thread having its own meaning.

418

:

And you just blend it all together.

419

:

Um.

420

:

Which is what great writing is.

421

:

But anyway, so she decides

to go on this trip with them.

422

:

And of course, then it starts to take

a turn into somewhat of a horror film.

423

:

Uh, where they're at this,

uh, this cult like commune.

424

:

And, um, they meet some

other Swedish people.

425

:

It's in Sweden.

426

:

Uh, one of the guys has brought

two of his guests from Europe.

427

:

I can't remember if they

said, was it London?

428

:

Okay, I was going to say London

or Paris, where Connie and,

429

:

uh, oh, what's the other guy?

430

:

Uh, the two, yeah, the

two, the, the, the couple.

431

:

I'm sorry, that Ingmar brought,

Ingmar was the name of Pele's friend.

432

:

Pele is the one that takes him to this,

by the way, because he's from there.

433

:

It's his family.

434

:

Is it Simon and Connie?

435

:

I'm looking at the cast list.

436

:

Simon.

437

:

It is, it's Simon.

438

:

So Simon and Connie were brought

by Ingmar, who is Pele's friend.

439

:

Uh, and Pele brought three,

or sorry, four Americans.

440

:

So it's, it's like they, they get

to bring people to this thing.

441

:

And this specific version of the Midsummer

event takes place once every 90 years.

442

:

What Pele leaves out is that there's

going to be some sacrificing of people.

443

:

Um, What's crazy about that though,

what really blew me away is they,

444

:

they played it off like, I think

it was halfway through the movie

445

:

before I realized, oh my god, he, he

brought them here to be sacrificed.

446

:

Yep.

447

:

Yeah, and because like, At first,

you're like, wow, that's so, like, so

448

:

let's get into the, the, the, what,

what happens, like, the day, the first

449

:

full day they're there, the day after

they trip, and they're, you know,

450

:

they get there, and, uh, they have

that ceremony that you were just about

451

:

to start that, but there's the...

452

:

I forgot what they called it, but

it's basically a ceremonial suicide,

453

:

um, with, uh, 72 year olds, right?

454

:

Wait, yeah, let's get it.

455

:

We're getting ahead of ourselves now.

456

:

Well, okay.

457

:

But, but what I'm, I guess the only

reason I brought that up is, um, You

458

:

have that trauma early in the movie,

and you're like, wow, so it kind of

459

:

dis, disorients you a little bit,

and you're like, holy crap, this is

460

:

a weird commune, but this is just a

weird aspect of their, their tradition.

461

:

Well, it's, it's not too early.

462

:

It's right before the midpoint scene.

463

:

Isn't that late, far?

464

:

Yeah, it's right before halfway.

465

:

Okay.

466

:

And it's important that it lands there.

467

:

Um, but, it lands there.

468

:

No pun intended.

469

:

Sorry.

470

:

For the two old sorry 72 year olds.

471

:

That lady face planted, man.

472

:

I was gonna say, who

meet their untimely doom.

473

:

But it's very timely.

474

:

Oh no.

475

:

And, hey, no.

476

:

Hey, for the record,

the lady does it right.

477

:

It's the guy that screws it up.

478

:

I know.

479

:

The guy fights it up again.

480

:

Why did he go feet first?

481

:

Because he was a pussy at the end.

482

:

He ended up being a pussy.

483

:

And he, and he jumped so half heartedly

falls slash jumps off the clip.

484

:

All right, it's so, so traumatizing.

485

:

In this commune, your life

goes in seasons, okay?

486

:

And I believe I wrote it down here so

I wouldn't forget the actual seasons.

487

:

Um, oh jeez, where is it?

488

:

Where is it?

489

:

Where is it?

490

:

Um, oh man.

491

:

Oh, okay.

492

:

So, zero to eighteen is spring.

493

:

That's where you're a child and you're

coming of age and learning shit.

494

:

Thirteen I'm sorry, eighteen

to thirty six is summer.

495

:

It's what they call your pilgrimage.

496

:

It's where you go to this festival.

497

:

Right?

498

:

Between eighteen and thirty six.

499

:

And then thirty six to fifty four is fall.

500

:

That's what they call your working age.

501

:

That's where you, you know, take care

of the commune and you do all your shit.

502

:

54 to 72, you're called mentor.

503

:

So that's where you mentor people, and

you're basically retired and whatever.

504

:

And then, Danny has a line in there

where she's like, What happens after 72?

505

:

And Pelly just sort of looks at her and

laughs, and he's, And then he does the

506

:

thing, you know, with the, the throat.

507

:

Yeah, he pulls his hand across his throat

like he's gonna get, like he'd die.

508

:

Yeah, like he'd die.

509

:

And nobody says anything!

510

:

I know!

511

:

They just kind of laugh.

512

:

They think he's joking, whatever.

513

:

And then they go to the ceremony, where

two old people have apparently reached 72.

514

:

And it's time for them to go.

515

:

And they go up to this cliff.

516

:

It's very ceremonial.

517

:

They cut their palms and they write

their blood on this ceremonial stone.

518

:

And everybody's chanting

and blah, blah, blah.

519

:

And they're all in robes.

520

:

And they get up there.

521

:

And the Americans and the couple

from London are watching this like,

522

:

Wow, I wonder what's going to happen.

523

:

And the woman just fucking falls over.

524

:

Swan dives.

525

:

Like she's going to

belly flop into a pool.

526

:

And she lands face first on this

fuckin rock, and her head just fuckin

527

:

explodes, just like, like a piΓ±ata,

just shit, just flies everywhere.

528

:

And then, and everybody's mortified,

except the commune people, right?

529

:

Because they do this shit all the

time, so they're like, whatever.

530

:

But the Americans are horrified,

and the couple from London

531

:

is absolutely losing it.

532

:

Like, Simon is absolutely losing it.

533

:

And here's why this

works as a horror film.

534

:

I mean, if that were to happen in

like, I don't know, something about

535

:

the setting being so bright and happy

and shiny and, and all the people

536

:

are, this is just, this is just what

we do, you know, it's just normal.

537

:

Yeah.

538

:

Yeah.

539

:

And that, with the juxtaposition

of all the, the, the western,

540

:

the, the, you know, the, The

people from, uh, London and the U.

541

:

S.

542

:

are just in horror.

543

:

Absolute horror.

544

:

Um, I mean, it was, it

was stark, you know, so.

545

:

Yeah, it was, it was fantastic.

546

:

And then, of course, the old man,

it's his turn now, the husband.

547

:

And he just wimps out at the last second.

548

:

Doesn't want to land on

his face, apparently.

549

:

What he wanted to do...

550

:

Was laying on his feet.

551

:

Like a fucking cat.

552

:

Unfortunately, he's not a cat.

553

:

He's a brutal 72 year old man.

554

:

So his feet look like, his legs

end up looking like a pretzel

555

:

by the time he hits the ground.

556

:

They're all mangled and shit

and bones are sticking out

557

:

and blood's flying everywhere.

558

:

Screaming, writhing in pain.

559

:

And they're prepared for this.

560

:

Oh yeah.

561

:

Because apparently this shit might

happen a lot, where they chicken out at

562

:

the last moment, and they don't go face

first onto the rock, they go feet first.

563

:

They know it's gonna jack them

up anyway, so they're prepared.

564

:

They bring a big ass mallet with them.

565

:

Where they proceed to

crush this dude's skull.

566

:

This is like a wild e coyote mallet.

567

:

Folks, folks, folks, I

implore you, listen to me.

568

:

If you think this is one of those

movies that don't show it...

569

:

Oh no.

570

:

Where they're about, they're

about to swing the mallet and

571

:

then the camera cuts away.

572

:

This isn't one of those movies.

573

:

No, not one of those.

574

:

You're gonna see what a mallet

does to an old man's face.

575

:

Okay?

576

:

Not what does to his skull.

577

:

I mean.

578

:

Yeah, like just completely crushes it in.

579

:

And they're not done, they pass it to

each other and they all take a lick.

580

:

Everyone gets a whack at it.

581

:

Everyone gets a whack.

582

:

It's tradition.

583

:

It's what we do.

584

:

So, so.

585

:

Alright, so, alright, so, so, uh, I have

to say, before we continue, One of the

586

:

things that made me want to go see this

movie originally was, I was reading...

587

:

And wait a minute, hold on, let me

just tell the audience right now, You

588

:

took our mother to see this movie!

589

:

Yes, it's fair to say, now wait,

before we even get to that...

590

:

I can't believe you took mine to see this!

591

:

So I was reading...

592

:

My poor mother, for anyone that's

listening to this, I have taken my

593

:

mother to see Leaving Las Vegas.

594

:

Wait, wasn't she 72 when she saw it?

595

:

Uh, maybe?

596

:

No, wait.

597

:

Not even, it came out in 19, right?

598

:

Right, and then she's one of 48.

599

:

She turned 70 in 18, so she was 71.

600

:

She was gonna turn 72 that year.

601

:

She's 71, yeah.

602

:

She was in her final year of mentorship.

603

:

Dude, that's so messed up.

604

:

So I've taken my mother

to sea leaving Las Vegas.

605

:

I've taken my mother to sea I've

taken my mother to see all kinds

606

:

of horrific films that a young lad

should not take his mother to see.

607

:

Oh no.

608

:

This was one of them.

609

:

I took my mother to see Midsommar.

610

:

And the reason I wanted to

see it was Jordan Poole.

611

:

Uh, Peele, I'm sorry, Jordan Peele.

612

:

Jordan Peele, um, from, everyone knows

him comically from Key and Peele.

613

:

Yeah.

614

:

He's also a writer director, he did,

uh, Get Out, and, um, the most recent

615

:

one, uh, Nope, and, uh, other, there was

another one, I think it was called Us?

616

:

Yeah, I've not seen any of them,

and I, I really need to, cause I've

617

:

heard such great things about them.

618

:

Yeah, oh yeah, they're great,

but you should watch them.

619

:

In order of, of, when they came out.

620

:

None of them are connected, but you can

see Jordan Peele's sort of progression.

621

:

As a writer, director, his

films get creepier as they go.

622

:

And, uh, so we start with Get Out.

623

:

Uh, it was the one who won the

Oscar for best screenplay for it.

624

:

He said in an interview, I

had no idea about Midsommar,

625

:

I'd never even heard of it.

626

:

I might have saw a trailer, or not

even a trailer, just a billboard or

627

:

something of the girl crying where you

said it looks like Leonardo DiCaprio.

628

:

So that picture, that picture was

on a billboard somewhere, so I

629

:

only knew of it by a billboard.

630

:

Jordan Peele said in some sort of

interview or whatever, It's the

631

:

greatest horror film he's ever seen.

632

:

Or, it's, it's the quintessential

horror film, or something like that.

633

:

He gave it some high praise.

634

:

Right.

635

:

And I remember watching Get Out and

loving it and thinking, If Jordan

636

:

Peele thinks Midsommar is that

good, I gotta go fuckin see it.

637

:

Yeah.

638

:

So I took Mom.

639

:

Zero regrets.

640

:

Zero regrets.

641

:

So, I, I was trying to figure out, like,

did I get some unrated version because...

642

:

There were no filters when it came

to nudity and, you know, I mean, did

643

:

they show all that in the theater?

644

:

Yep.

645

:

I mean, there was a lot of dicks.

646

:

Christian's red dick from

having sex with a virgin girl.

647

:

Oh my god, it was horrible.

648

:

Red dick flopping around

as he's running around.

649

:

I don't know, I'm just a prude

I guess, but I'm not used

650

:

to seeing that in a movie.

651

:

It's Sweden, Chris.

652

:

It's Sweden.

653

:

That's how shit rolls over there, I guess.

654

:

God.

655

:

Anyway, so...

656

:

Hey, hey, real quick, real quick.

657

:

Can you either...

658

:

I don't know if you can scoot

your seat back a little or

659

:

turn down the mic a little.

660

:

It's turning red a lot.

661

:

That's what she said.

662

:

How about there?

663

:

Is that a little better?

664

:

I think so, but you're gonna get animated

again, and it's probably gonna get loud.

665

:

Well, I fucking take offense to that.

666

:

Anyway, do you believe this, people?

667

:

He says I get animated.

668

:

Anyway, so, I'll tell

you how animated I am.

669

:

I'm gonna pour another

glass of this Chianti.

670

:

Cause see, here's what's happening now.

671

:

My taste buds are being fried off, so I

no longer even really taste it anymore.

672

:

Let's get myself another

healthy pour there.

673

:

You know what, I might finish this bottle.

674

:

That's the beauty about wine bottles.

675

:

There's only about four

glasses in each one.

676

:

Well, two if you're drinking like you are.

677

:

Two and a half.

678

:

I am not offended by that.

679

:

These are, these are, hashtag true story.

680

:

Okay, so, so we're getting way,

we're fucking jumping around here.

681

:

We gotta go back to the beginning.

682

:

Theme.

683

:

We always talk about great writing, right?

684

:

What's the theme?

685

:

Okay, did you pick up what the theme was?

686

:

So, for me, so, I didn't flesh

this out in my own thought process,

687

:

but, I mean, uh, what's your name?

688

:

Danny.

689

:

Danny's the lead.

690

:

And she, she went through this

trauma and, but her relationship

691

:

with, not just with her boyfriend,

but with his friends is what I would

692

:

call sort of a dysfunctional one.

693

:

She's, she's like, it's like she's

needy in a way that's not healthy

694

:

with them because she, she submits

in a way that like she should stand

695

:

when she should stand up for herself.

696

:

In a couple of scenes in the beginning.

697

:

So, she, her, her journey, she needs

to learn to stand up for herself.

698

:

And needs to, you know, uh,

value, you know, her own person.

699

:

And, and, oh boy, does she.

700

:

At the very end.

701

:

Right, so, so, so here's what I got.

702

:

There's an actual line.

703

:

And we always talk about, you know,

five or six minutes into the film.

704

:

Literally six minutes into the movie.

705

:

Keep in mind the first

five minutes of this film.

706

:

Yeah hard to watch.

707

:

Yeah, very very hard to watch very

hard Well, you didn't even say what

708

:

it was, but she lost her parents

because of her sister bipolar sister

709

:

Murdered them and took her own life.

710

:

Yeah, so and and not just oh I found

out that my sister killed herself and my

711

:

parents they show how she did it basically

how she did it and it is Grotesque, okay?

712

:

It is, um, uh, And what's, what I

thought was ironic, and maybe this is,

713

:

uh, Maybe sort of a, uh, a director's

point for the rest of the film.

714

:

You mentioned how it's always daylight.

715

:

All this horror happens at daylight.

716

:

All these freaky, scary things are going

on in the middle of the fucking day.

717

:

In a place that seems so, uh,

beautiful and benign to danger and

718

:

just happiness and people are happy.

719

:

There's flowers in their

hair and all this shit.

720

:

The contrast there, the method of suicide

was, uh, carbon monoxide poisoning.

721

:

from a car.

722

:

And for anyone that knows, if you put

your car in the garage and turn it

723

:

on, you could die of carbon monoxide

poisoning because the gas can't get out.

724

:

And you generally will pass

out or die in your sleep.

725

:

As the father does.

726

:

It appears when they're putting

the bodies in a body bag that

727

:

the mother woke and was gasping.

728

:

Because she dies with her face frozen.

729

:

Yeah, I didn't even catch that.

730

:

In that, in that sort of like, you

know, with eyes open, mouth open.

731

:

But the father, as they're putting

the father in the body bag...

732

:

He's no expression.

733

:

He's asleep.

734

:

He died in his sleep.

735

:

Yeah, so you get the I guess what I'm

what I'm going for here Is the idea if

736

:

you were going to this is a horrific

obviously subject to talk about but if

737

:

you're going to kill yourself one might

assume dying by carbon monoxide poisoning

738

:

would be Sort of the EAs, I don't wanna

say easiest way, but, um, less likely for,

739

:

I don't know, destruction, pain, blood.

740

:

You know what I mean?

741

:

You're not blowing your

brains out with a gun.

742

:

Um, you know, some people that have

the fear of choking to death, you know,

743

:

for some, I guess if you want to kill

yourself, you're gonna go either way.

744

:

Just, it doesn't matter what you do,

um, but hanging yourself or jumping

745

:

off of a building or jumping off of a

bridge, This has an added element of

746

:

fear, I think, to somebody who's already

going through life with a lot of pain.

747

:

So somebody that might choose carbon

monoxide poisoning as a way of death,

748

:

you would think they're choosing that

as a sort of an easier way to drift, to

749

:

just go to sleep and you don't wake up.

750

:

Yet, as the rest of the movie is,

that contrast is there that this

751

:

carbon monoxide poisoning was violent.

752

:

It was the way she had the tubes going

from the car, she duct taped everything,

753

:

and the, and the closing shot of it is

the tube going into her mouth, the sister,

754

:

duct taped so that even if she started to

panic, she wouldn't pull it out, you know?

755

:

And, and if, I couldn't tell, with her

hands bound, I'd have to watch it again.

756

:

It looks like her hands are at her side,

but you can see vomit all over her shirt.

757

:

Right?

758

:

So it's like, God, what a way.

759

:

Yeah, it was so traumatic, I

kind of backed away from the

760

:

TV with my hand over my face.

761

:

Yeah, if you...

762

:

I actually purposefully

didn't study the scene.

763

:

If you thought at all...

764

:

That that would be, you know, again,

there's obviously get help if you've

765

:

ever had these kinds of thoughts,

but if you ever thought that carbon

766

:

monoxide poisoning was, well, if I

had to do it, that's the way to go.

767

:

You will think differently

after you watch this movie.

768

:

Because...

769

:

And it's traumatic for those who have

to see the aftermath as well, so.

770

:

My God, yes.

771

:

Exactly.

772

:

Like, it's just, what a horrific

opening five minutes to a movie.

773

:

This does have an interesting

connection to Silence of the

774

:

Lambs, though, I wanted to mention.

775

:

Hmm.

776

:

Okay, we always talk about...

777

:

Uh, script structure.

778

:

That Chianti's hittin ya.

779

:

That second, second glass, baby.

780

:

That second glass is kickin in!

781

:

Um, ha ha.

782

:

Script structure, that you usually open

with your main character, and you kind of

783

:

show Their life as it regularly is, right?

784

:

The usually the first 10 15 minutes

of a movie is what Blake Snyder used

785

:

to call at work, at home, at play.

786

:

You show them a day on the job.

787

:

You show them maybe at home.

788

:

What do they do when they're at home

when they get home from their a long day?

789

:

And then maybe show them doing something

recreational, you know, something at play.

790

:

Maybe they play racquetball or something.

791

:

The point is you're setting up

this person's regular life before

792

:

any shit hits the fan, which

would catapult them into act two.

793

:

Both Sons of the Lambs and

Midsommar sort of flip that.

794

:

They give you the craziness

right off the bat.

795

:

Clarice meets with Starling in the

first ten minutes of the movie.

796

:

Like...

797

:

We meet Clarice Starling, and boom, she's

told right off the bat by Jack Crawford,

798

:

Hey, you're gonna go meet the psychopath

in this cell today, go talk to him.

799

:

We haven't even met Clarice, we

don't know anything about her yet.

800

:

And yet, that's the bludgeoning we

get in the first ten minutes of the

801

:

movie is her meeting with Lecter.

802

:

We don't know anything about

him, other than he's a cannibal.

803

:

We don't know anything about

her, other than she's a trainee.

804

:

Same thing in Midsommar.

805

:

We haven't even met Danny.

806

:

We don't know what the

fuck's going on yet.

807

:

Right, right.

808

:

And we're met with this

traumatic opening five minutes.

809

:

Both films, before you get

to that second turning point,

810

:

then slow down a little bit.

811

:

They give you the trauma up front.

812

:

I wouldn't say it sounds like it's

just trauma, but meeting, uh, Lecter

813

:

for the first time is very unsettling.

814

:

And then they pull back a little bit.

815

:

Then we get to see Clarice.

816

:

We'll talk about this later.

817

:

But we, then we get to see

Clarice is sort of like at work,

818

:

at home, at play kind of thing.

819

:

And then Danny.

820

:

Uh, is, more of her, is, how

to, I'm just dealing with this

821

:

now, you know what I mean?

822

:

I'm, I'm, I'm sleeping all day, I'm

not going to class anymore, I, I've

823

:

just been suffering for, I, because the

movie takes place, it's winter time.

824

:

Yeah.

825

:

When the movie opens, and then

by the time the sweetest thing

826

:

is coming out, it's summer time.

827

:

Yeah.

828

:

So for a good five, six months,

she's just been sort of shitty.

829

:

Surviving, right?

830

:

Right, like, just, I, this

is a shitty way to live.

831

:

Did you like the picture,

the screenshot I sent?

832

:

Yes.

833

:

What was that ding?

834

:

Why is that not?

835

:

Let me silence my phone.

836

:

Sorry about that, everybody.

837

:

Silence your phone?

838

:

Silence of the phone.

839

:

Yeah, so I sent you a screenshot of

a scene, I paused it, where Danny's

840

:

laying in bed, just grieving.

841

:

And, uh, there's a big picture

on her wall above her bed.

842

:

And it's of, uh, looks like

a little girl kissing a bear.

843

:

Which is so genius.

844

:

And I sent you, I looked it up, I

did a Google search on that painting.

845

:

This film was loaded with foreshadowing.

846

:

Loaded with foreshadowing.

847

:

So, just, I mean, I don't know if we have

to jump ahead, but, um, There's a scene

848

:

late in the movie where there is a bear.

849

:

No, no, no, no, shut up!

850

:

We'll get to that.

851

:

Don't fucking ruin it now.

852

:

We'll ruin it later.

853

:

Now, so...

854

:

So, um...

855

:

But what was cool, that painting

was made by a Swedish painter.

856

:

Uh, a writer.

857

:

Did he write, did he write and, did

he write the book that he painted?

858

:

He wrote children's books

and did the illustrations.

859

:

Illustration, and he's from Sweden, so.

860

:

So, okay, so six minutes in after this

traumatic, uh, I, uh, thing, Um, and

861

:

you know me now, every time I watch

a movie I'm listening for, what?

862

:

Come on, somebody say something to the

main character that, to me, signifies.

863

:

Yeah, so what'd they say?

864

:

In the six minute mark.

865

:

So, in the six minute mark, she's on

the phone with one of her girlfriends,

866

:

and she's complaining about Christian.

867

:

And the fucking girl on the

phone says, He needs to be

868

:

there for you, or good riddance.

869

:

Ha ha ha ha ha ha.

870

:

Yeah, that's foreshadowing

if I ever saw it.

871

:

So, so, uh, yeah, so I'm like,

oh, boom, there it fucking is.

872

:

It just hit me like a, and again,

I've seen this movie like ten times.

873

:

But now preparing for this podcast, I

was watching it again, and this thing

874

:

hit me in the face like a ton of bricks.

875

:

Just, my God, there it is.

876

:

If he's not there for me...

877

:

Good riddance.

878

:

Good riddance.

879

:

And the whole rest of the movie,

she, like you said, she, she needs

880

:

to stand up for herself, right?

881

:

That's all part of it.

882

:

That's all part of it.

883

:

Yeah, being able to assert

herself in this relationship.

884

:

That theme kept coming up because

when I first got there, like his

885

:

friends wanted to do some mushrooms.

886

:

Yeah, she didn't feel like she

was a little uneasy about it.

887

:

She wanted to settle in first,

but then because of the peer

888

:

pressure She's like, okay, you

know, and then she had a bad trip.

889

:

That's what I wrote down I wrote down

that the emotional tug of war for

890

:

her is when to assert myself, right?

891

:

There are some times she's like,

no I don't like this And there's

892

:

times where she's like, okay, fine.

893

:

You know what I mean?

894

:

She doesn't know when to assert

herself with Christian and his friends.

895

:

Sort of unsure of herself.

896

:

And yeah, right.

897

:

So.

898

:

I actually wrote down the battle

she endures is do I smother him or

899

:

not because she says on the phone

I feel like I'm smothering him.

900

:

That's what she tells the friend

Yeah, the friend's like he needs to

901

:

be there for you or good riddance She

goes, but I feel like I'm smothering

902

:

him, you know, and So, okay, so it's

clear to me and here's where we get

903

:

into tangible spiritual goals, right?

904

:

God, I fucking love this

part This is the part.

905

:

This is what I love most about

Midsommar So tangible spiritual goals.

906

:

What do we always say the tangible goal?

907

:

You, is what you want.

908

:

Right?

909

:

The spiritual goal is what

you don't know you needed.

910

:

It's what you need,

but you didn't know it.

911

:

Right.

912

:

Right?

913

:

And by going through your journey,

you achieve it at the end.

914

:

Now, the tangible goal is what you

think you want, and you usually

915

:

get that at the midpoint scene.

916

:

Yeah.

917

:

Right?

918

:

And halfway through.

919

:

So, let me, the midpoint scene is

when Pele is talking to Danny, right?

920

:

Yes!

921

:

Yeah.

922

:

Exactly at the midpoint scene.

923

:

Now, here's what's important about that.

924

:

Okay?

925

:

So, her tangible goal is to

feel support and comfort.

926

:

Right.

927

:

To be held.

928

:

And she got it there.

929

:

To be held.

930

:

Yep.

931

:

Right?

932

:

And that's exactly what he asked her.

933

:

Right?

934

:

Yeah.

935

:

Do you feel held by Christian?

936

:

Like, have you, and he's telling the

story about how his parents, by the

937

:

way he says his parents died in a fire.

938

:

I didn't even think about that!

939

:

Something to think about.

940

:

Something to think about.

941

:

Uh, he says his parents died in a fire.

942

:

But he's, he, and she doesn't want

to hear, she's like, she's crying,

943

:

she doesn't want to hear any of this.

944

:

But when he says, the difference between

you and I is I had a family here.

945

:

This family.

946

:

They held me when I needed it.

947

:

You've had nobody.

948

:

Right?

949

:

Like, and she knows what he's

saying, because she even says

950

:

Christian could walk in any moment.

951

:

He's like, I don't give a shit.

952

:

But yeah, and he even asked her,

so when you're with Christian,

953

:

do you feel like you're at home?

954

:

Right.

955

:

Do you feel, right, do you feel home?

956

:

Yeah, and he says something

else that's very interesting.

957

:

I wanted you to come more than

anything, more than anyone.

958

:

Right?

959

:

He's been planning this shit.

960

:

You know Pele's been planning this shit.

961

:

Now, he probably didn't

plan for her to come.

962

:

He probably just thought, I'm

gonna bring my American friends,

963

:

and maybe I'll sacrifice them,

because they're all assholes.

964

:

But, but, but when he met Dani, he

probably thought, this, this could

965

:

be, there could be something here.

966

:

I want her to come to this.

967

:

Because she needs this.

968

:

Right?

969

:

Um, so, okay, so we get into Act

2, the act, obviously Act 1 is the

970

:

turning point, which takes you from

Act 2 to Act 1 is her deciding to go.

971

:

And it's, uh, another conversation

with Pele, obviously, it's interesting

972

:

enough that he shows up at the turn,

first turning point, the midpoint

973

:

scene, and the third turning point.

974

:

So, um, actually, actually, It's not

really the third turn, uh, the second

975

:

turning point, which takes you into Act 3.

976

:

It's, uh, we'll, we'll get to that.

977

:

But he's at the first turning

point because he's telling her...

978

:

You know when they're sitting on the

couch and he's uh, oh, I just want to

979

:

tell you I was so sorry What happened

your family she freaks out right?

980

:

She's not ready to talk about it

And there's a great shot that r.

981

:

a.

982

:

esther does where she says I got to

use the bathroom And she goes to the

983

:

bathroom when she closes the door.

984

:

She's in the plane Yeah, she's in

the plane on her way to sweden.

985

:

I I I it's funny because I was

passively watching it I didn't catch

986

:

that the first time But I actually, I

did because I didn't, I didn't catch

987

:

the whole scene because I looked

down and I'm like, Oh, she's in the

988

:

plane now, but I didn't get the whole

impact of how that scene unfolded.

989

:

And it was really, it was a great shot.

990

:

Yeah.

991

:

Yeah.

992

:

It's a great edit cut.

993

:

Yes.

994

:

And, um, so she's on the plane now.

995

:

And so now you're in

the second act, right?

996

:

Because it's a mirror flip of act one.

997

:

It's, it's, uh, it's, I'm in a

stranger in a strange land, right?

998

:

It's now a new thing.

999

:

Um.

:

00:46:16,395 --> 00:46:19,245

What also is interesting, Ari Aster

does, now again, I know we always talk

:

00:46:19,255 --> 00:46:21,735

about screenwriting, but sometimes

we throw in nice little moments of

:

00:46:21,735 --> 00:46:24,355

directing, when they're in the car.

:

00:46:26,075 --> 00:46:28,175

As they're driving in

the car, what does R.

:

00:46:28,175 --> 00:46:28,275

E.

:

00:46:28,275 --> 00:46:28,445

S.

:

00:46:28,505 --> 00:46:29,275

do with the camera?

:

00:46:30,495 --> 00:46:34,385

It almost, it like goes up to show

the sign as they're passing it by.

:

00:46:34,395 --> 00:46:34,635

Oh yeah, that was cool.

:

00:46:35,295 --> 00:46:37,635

And then it goes completely upside down.

:

00:46:38,115 --> 00:46:38,825

Yeah, that was freaking awesome.

:

00:46:38,965 --> 00:46:43,225

To where the car is upside down

and the whole world is upside down.

:

00:46:43,225 --> 00:46:45,725

So what did that say to

you when that happened?

:

00:46:45,785 --> 00:46:50,285

Again, that's almost

exactly saying we are now...

:

00:46:50,745 --> 00:46:55,535

In the upside down version of act

one, everything seemed to be, uh,

:

00:46:55,535 --> 00:46:57,285

where our characters were in act one.

:

00:46:57,285 --> 00:46:59,685

Now they're in something,

they have no idea.

:

00:46:59,725 --> 00:47:02,795

Like this is what they're getting

into now is completely upside down.

:

00:47:02,865 --> 00:47:03,165

Yeah.

:

00:47:03,395 --> 00:47:04,305

That was brilliant.

:

00:47:04,375 --> 00:47:06,055

And again, brilliant.

:

00:47:06,055 --> 00:47:06,945

I mean, that's all.

:

00:47:07,240 --> 00:47:08,640

In the directing, right?

:

00:47:08,640 --> 00:47:08,940

Yes.

:

00:47:09,000 --> 00:47:09,390

I mean...

:

00:47:09,400 --> 00:47:13,940

Now, I want to, are you ready to fuckin

blow your nuts off again, right now?

:

00:47:14,730 --> 00:47:19,060

When they first get to the commune,

and they meet Father Odd, Which,

:

00:47:19,060 --> 00:47:21,100

by the way, great name, Father Odd!

:

00:47:21,140 --> 00:47:22,030

Yeah, I know, right?

:

00:47:22,350 --> 00:47:22,990

Father Odd!

:

00:47:23,000 --> 00:47:24,730

He's fuckin odd!

:

00:47:25,410 --> 00:47:31,850

He's, he says, hello, or hi, to every

single one of them, except Danny.

:

00:47:32,990 --> 00:47:33,880

You know what he says?

:

00:47:33,890 --> 00:47:34,340

to Danny?

:

00:47:34,935 --> 00:47:35,535

What's he say?

:

00:47:35,745 --> 00:47:36,895

You can hear, you can hear it.

:

00:47:36,905 --> 00:47:38,635

If you watch it again, it's clear as day.

:

00:47:39,475 --> 00:47:40,425

He says, welcome home.

:

00:47:41,655 --> 00:47:42,955

Yeah, I do remember that now.

:

00:47:42,955 --> 00:47:43,435

Yeah.

:

00:47:43,435 --> 00:47:46,395

Yeah, he says welcome home

to Danny as he hugs her.

:

00:47:46,755 --> 00:47:48,555

He hugs her, by the way.

:

00:47:49,015 --> 00:47:51,295

He shakes the hands of

everybody else, says, oh, hello.

:

00:47:51,315 --> 00:47:51,555

Hi.

:

00:47:51,555 --> 00:47:51,825

Hi.

:

00:47:51,845 --> 00:47:54,025

And when he gets to Danny, he

hugs her and says, welcome home.

:

00:47:55,075 --> 00:47:56,755

How creepy is that fucking shit?

:

00:47:57,765 --> 00:48:02,095

So, Okay, so now we're in Act 2.

:

00:48:02,375 --> 00:48:04,765

A bunch of other crazy

shit's about to go down here.

:

00:48:04,785 --> 00:48:10,055

So then, there is a moment,

a scene where there is a lot

:

00:48:10,055 --> 00:48:11,595

of info being thrown at you.

:

00:48:11,895 --> 00:48:16,805

Now keep in mind that the

redhead, uh, uh, uh, Maha?

:

00:48:16,855 --> 00:48:17,425

Maha?

:

00:48:17,585 --> 00:48:18,035

Mahi?

:

00:48:18,125 --> 00:48:18,685

Maha.

:

00:48:19,740 --> 00:48:20,240

The redhead.

:

00:48:20,360 --> 00:48:21,640

The one that, with the pubes.

:

00:48:22,890 --> 00:48:25,490

Okay, that, alright, that's

odd to describe somebody, but

:

00:48:25,510 --> 00:48:26,730

you'll understand in a minute.

:

00:48:26,740 --> 00:48:29,530

If you have not seen this movie,

you're like, what the hell?

:

00:48:31,860 --> 00:48:33,180

The one with the pubes.

:

00:48:33,910 --> 00:48:35,220

I guess it's ma ha.

:

00:48:35,450 --> 00:48:35,690

Ma ha.

:

00:48:36,280 --> 00:48:41,630

In Spanish, the J's a H sound, but I

don't know, they're Swedish, I don't know.

:

00:48:42,160 --> 00:48:44,050

But they say it in the movie,

but I can't remember now.

:

00:48:44,060 --> 00:48:47,060

I've seen this movie now, over

ten times, and I can't remember

:

00:48:47,060 --> 00:48:48,430

if it's, I think it's Maja?

:

00:48:49,110 --> 00:48:50,260

Maybe it's Maja.

:

00:48:50,260 --> 00:48:50,449

Maja.

:

00:48:50,450 --> 00:48:50,860

Maja.

:

00:48:50,860 --> 00:48:51,610

It might be Maja.

:

00:48:51,960 --> 00:48:52,120

Maja.

:

00:48:52,400 --> 00:48:52,560

Maja.

:

00:48:52,600 --> 00:48:52,930

Okay.

:

00:48:53,130 --> 00:48:56,210

So, Maja's the redhead, and she's

already marked Christian at this point.

:

00:48:56,240 --> 00:48:56,420

Right.

:

00:48:56,670 --> 00:48:59,110

They've already been dancing around,

she's already kicked him in the side.

:

00:48:59,635 --> 00:49:00,825

And Danny noticed.

:

00:49:00,925 --> 00:49:01,705

Danny noticed.

:

00:49:01,715 --> 00:49:02,795

Like, what the fuck?

:

00:49:03,205 --> 00:49:07,465

Um, but then there's this really weird

segment where they're all walking and

:

00:49:07,655 --> 00:49:09,795

a lot of information is poured out.

:

00:49:10,145 --> 00:49:10,655

Okay?

:

00:49:10,885 --> 00:49:12,855

So, let me, let me just go through it.

:

00:49:13,625 --> 00:49:18,225

Ingmar says he met Connie and Simon

when he and Connie were dating.

:

00:49:19,955 --> 00:49:21,535

And Connie corrects him.

:

00:49:21,535 --> 00:49:25,285

She's like, We went on one date

and it was more like two friends.

:

00:49:26,210 --> 00:49:29,570

And, you know, I met Simon shortly

after that, or whatever, and Ingmar

:

00:49:29,600 --> 00:49:32,390

backtracks, he's like, Oh, right,

right, right, I'm sorry, I forgot.

:

00:49:32,990 --> 00:49:37,390

So now you get the idea that Ingmar

has wanted Connie, And because she

:

00:49:37,390 --> 00:49:41,670

got with Simon instead, That's why

he chose THEM to come to Midsommar,

:

00:49:41,840 --> 00:49:44,310

Cause he's gonna sacrifice these

two fuckin assholes, right?

:

00:49:44,580 --> 00:49:47,860

Like, he's bitter, he's bitter

that he didn't get Connie, right?

:

00:49:48,545 --> 00:49:50,405

It's obvious he has infatuation.

:

00:49:50,575 --> 00:49:53,085

I wrote in parenthesis, I write,

is this why he brought them?

:

00:49:53,515 --> 00:49:59,075

So, um, and then they talk about

the yellow triangle hut, that they

:

00:49:59,075 --> 00:50:00,835

can't go inside, it's ceremonial.

:

00:50:01,155 --> 00:50:04,255

And then Christian doesn't know how long

he's been with Danny, when they're like,

:

00:50:04,255 --> 00:50:05,375

how long have you two been together?

:

00:50:05,375 --> 00:50:06,895

And he's like, uh, I don't know.

:

00:50:07,670 --> 00:50:07,950

Two?

:

00:50:07,950 --> 00:50:08,250

Two and a half?

:

00:50:08,310 --> 00:50:08,800

Two years?

:

00:50:08,800 --> 00:50:09,210

Two and a half?

:

00:50:09,420 --> 00:50:11,340

And Danny's all, hello, three years?

:

00:50:11,610 --> 00:50:13,530

And he's all, oh, sorry, you know?

:

00:50:13,850 --> 00:50:14,330

Again, douchebag.

:

00:50:15,480 --> 00:50:17,010

It's right, it's obvious he's a douche.

:

00:50:17,300 --> 00:50:20,600

When the scene ends, they

show the bear in a cage.

:

00:50:20,920 --> 00:50:21,360

Yes.

:

00:50:21,370 --> 00:50:21,750

Right?

:

00:50:22,040 --> 00:50:22,780

And they're like, what the?

:

00:50:23,140 --> 00:50:23,900

Is that a bear?

:

00:50:24,640 --> 00:50:26,200

Or they're like, actually someone said.

:

00:50:26,685 --> 00:50:28,165

Are we not going to talk

about there's a bear here?

:

00:50:28,165 --> 00:50:31,115

Right, nobody's going to talk about the

fact there's a bear in a cage over there.

:

00:50:31,955 --> 00:50:34,735

It was a grizzly bear, it

wasn't just a little brown bear,

:

00:50:34,735 --> 00:50:35,725

I mean a little black bear.

:

00:50:35,955 --> 00:50:40,825

And as the camera pans away of those,

of everyone leaving, there's a drawing,

:

00:50:40,825 --> 00:50:44,845

a picture that's like held up by tree

branches or held up like a banner almost.

:

00:50:45,265 --> 00:50:48,755

It basically is dictating

what's about to happen next.

:

00:50:49,215 --> 00:50:56,820

It's a drawing of a girl who's infatuated,

who trims her pubes, Puts it in food

:

00:50:56,820 --> 00:51:02,230

for her man to eat, the man that she

wants, she puts her pubes in his food.

:

00:51:02,830 --> 00:51:05,210

And then, and by the way,

there's a drawing of a twat.

:

00:51:05,240 --> 00:51:08,520

Did we give a disclaimer about

how disturbing this movie is?

:

00:51:08,620 --> 00:51:11,960

I think we did, but we should

continue, well, it's too late now.

:

00:51:11,990 --> 00:51:15,560

There's literally a picture

drawing of scissors cutting

:

00:51:15,590 --> 00:51:17,340

pubes off of a hairy twat.

:

00:51:18,390 --> 00:51:20,900

And the hair is cooked into food.

:

00:51:21,160 --> 00:51:22,670

But wait, it doesn't end there.

:

00:51:23,010 --> 00:51:24,830

She takes her period blood.

:

00:51:25,805 --> 00:51:27,215

And puts it in his drink.

:

00:51:27,305 --> 00:51:29,605

Oh, yeah.

:

00:51:29,695 --> 00:51:31,435

And all this is in the drawing.

:

00:51:31,885 --> 00:51:35,905

And the end panel of the drawing is

that the man becomes infatuated, right?

:

00:51:36,145 --> 00:51:41,775

So, ladies, if you're listening, if

you want a guy All you have to do...

:

00:51:41,925 --> 00:51:42,505

Oh, come on.

:

00:51:44,955 --> 00:51:46,825

Don't even finish the sentence, man.

:

00:51:46,835 --> 00:51:48,045

Is trim off some pubes.

:

00:51:49,505 --> 00:51:50,895

Somehow put it in his food.

:

00:51:51,175 --> 00:51:55,975

You gotta mix a cocktail of

some kind of hallucinogen drug.

:

00:51:56,735 --> 00:51:59,115

And then put some of your

period blood in his drink.

:

00:51:59,115 --> 00:52:03,145

Now if you could pull those two things

off without him noticing, He's yours.

:

00:52:03,485 --> 00:52:04,085

He is yours.

:

00:52:04,355 --> 00:52:04,865

He's yours.

:

00:52:04,875 --> 00:52:05,625

That's so nasty.

:

00:52:05,995 --> 00:52:06,585

You own him.

:

00:52:06,955 --> 00:52:07,545

So anyway...

:

00:52:07,910 --> 00:52:09,520

So all that is dictated out.

:

00:52:09,660 --> 00:52:11,630

After that, they talk about the seasons.

:

00:52:11,820 --> 00:52:12,160

Yeah.

:

00:52:12,390 --> 00:52:16,000

Uh, what happens after 72, and

then the next day is this ceremony.

:

00:52:16,230 --> 00:52:16,670

Okay?

:

00:52:16,710 --> 00:52:16,940

Yeah.

:

00:52:17,380 --> 00:52:20,970

Um, b by the way, I h I wrote

down one little note about Mark

:

00:52:20,970 --> 00:52:22,670

being the the comete, that comedy.

:

00:52:23,460 --> 00:52:28,250

Um, right after they talk about the

seasons, and right before they say,

:

00:52:28,250 --> 00:52:33,210

Okay, let's go to bed, cause tomorrow's

this big ceremony, Uh, Paley's sister

:

00:52:33,210 --> 00:52:35,960

comes in, and gives Mark a look.

:

00:52:37,065 --> 00:52:40,035

And then when she leaves, Mark's

all, Oh my god, you guys saw that?

:

00:52:40,055 --> 00:52:40,725

You saw that, right?

:

00:52:40,725 --> 00:52:41,195

You saw that?

:

00:52:41,465 --> 00:52:41,765

The way she left?

:

00:52:42,145 --> 00:52:44,875

And then as she leaves, he goes,

Man, I wanna give her a bath.

:

00:52:46,005 --> 00:52:47,025

I know, that's so weird.

:

00:52:47,295 --> 00:52:49,175

I wanna give her a bath!

:

00:52:50,925 --> 00:52:51,255

Yeah.

:

00:52:52,095 --> 00:52:57,225

So anyway, so we get to the,

uh, uh, horrific, uh, scene.

:

00:52:57,645 --> 00:52:58,045

Right?

:

00:52:59,085 --> 00:53:03,125

Something about that scene that

didn't, uh, I didn't understand.

:

00:53:03,770 --> 00:53:09,170

They said that it's, uh, it's been 90

years since the last great feast and

:

00:53:09,170 --> 00:53:11,180

it'll be 90 years till the next one.

:

00:53:11,440 --> 00:53:16,130

So, do they do these sacrifices,

like, every year, just not

:

00:53:16,130 --> 00:53:17,480

when there's a great feast?

:

00:53:17,620 --> 00:53:20,800

So, here's, here's, here's

where, uh, I'm curious.

:

00:53:20,870 --> 00:53:24,130

Because they made it seem like they

do these sacrifices every 90 years.

:

00:53:24,430 --> 00:53:28,020

But, if Pele's parents

were in that fire...

:

00:53:28,480 --> 00:53:29,240

Well, yeah.

:

00:53:29,350 --> 00:53:31,470

Then the last time they

did this was 20 years ago.

:

00:53:31,560 --> 00:53:32,060

Yeah.

:

00:53:32,150 --> 00:53:32,450

Right?

:

00:53:32,830 --> 00:53:33,890

Right, so younger.

:

00:53:33,890 --> 00:53:37,500

Yeah, so I don't know it's it's

unclear how many times they murder

:

00:53:37,500 --> 00:53:42,610

people but but What's interesting

is how they pick the people?

:

00:53:43,395 --> 00:53:44,815

Without it coming back to them.

:

00:53:44,815 --> 00:53:46,675

You'd think cops would be

all over that place by now.

:

00:53:46,955 --> 00:53:48,535

I know, what I mean?

:

00:53:49,305 --> 00:53:51,775

Why does everyone that comes

and visits your commune never

:

00:53:51,775 --> 00:53:52,735

makes it out alive, right?

:

00:53:52,745 --> 00:53:53,685

They never come home.

:

00:53:54,135 --> 00:53:58,805

But, but it's almost like Pele

and, and Ingmar and anybody else

:

00:53:58,815 --> 00:54:01,965

knows they have to select people

who have no family of their own.

:

00:54:02,115 --> 00:54:03,955

No, no parents that are going

to come looking for them.

:

00:54:03,955 --> 00:54:04,955

No one that's going to miss them.

:

00:54:04,955 --> 00:54:06,755

Nobody's going to miss them.

:

00:54:06,785 --> 00:54:07,635

Right, that's weird.

:

00:54:07,635 --> 00:54:08,324

Like, this might be a...

:

00:54:09,865 --> 00:54:10,785

That's the creepy part.

:

00:54:11,035 --> 00:54:15,065

So anyway, so there's all this other

shit going on where Christian decides

:

00:54:15,065 --> 00:54:17,075

he wants to do his thesis paper.

:

00:54:17,115 --> 00:54:20,855

Now, after seeing the old people

die, Christian decides he wants to

:

00:54:20,855 --> 00:54:23,725

do his thesis paper on Midsommar,

which is why Josh is there.

:

00:54:23,915 --> 00:54:27,255

So of course they have this conflict

now, they get in this big argument,

:

00:54:27,655 --> 00:54:29,265

it leads to the midpoint scene.

:

00:54:29,265 --> 00:54:32,745

Now the midpoint scene that we already

talked about is Pele and Dani sitting

:

00:54:32,745 --> 00:54:35,185

on the bed, and he, he hits her with it.

:

00:54:35,510 --> 00:54:37,140

Do you feel held by Christian?

:

00:54:37,150 --> 00:54:37,710

You know what I mean?

:

00:54:37,710 --> 00:54:42,790

Like, and it's obvious the way she's

crying at the beginning of the scene and

:

00:54:42,790 --> 00:54:45,280

the way she's not at the end of the scene.

:

00:54:45,290 --> 00:54:45,540

Yeah.

:

00:54:45,940 --> 00:54:50,800

Is very, uh, it's very telling

about how she feels about Pele,

:

00:54:50,810 --> 00:54:54,070

or at least that she's getting

sucked into what he's selling.

:

00:54:55,575 --> 00:54:58,255

Um, that what he's selling,

she's, she's buying.

:

00:54:58,565 --> 00:55:02,505

So now we're in the second part

of Act 2, past the midpoint scene,

:

00:55:02,505 --> 00:55:05,605

where you know what happens there

every time we talk about these films.

:

00:55:05,955 --> 00:55:10,155

What happens, uh, midpoints being seen

is supposed to be your false victory.

:

00:55:10,505 --> 00:55:11,325

I got what I wanted.

:

00:55:11,325 --> 00:55:13,655

She finally felt that there was

somebody there that cared about her.

:

00:55:13,855 --> 00:55:14,135

Yeah.

:

00:55:14,645 --> 00:55:16,425

But you know the second half of the movie?

:

00:55:16,580 --> 00:55:20,290

Everything goes to shit, everything

falls apart, and it doesn't,

:

00:55:20,330 --> 00:55:21,730

this movie is no different.

:

00:55:21,790 --> 00:55:22,940

Oh boy, does it.

:

00:55:22,960 --> 00:55:29,160

Yeah, yeah, yeah, so, um, so it

starts off, this whole second part

:

00:55:29,160 --> 00:55:31,460

of the second act, the whole second

half of the film starts off with

:

00:55:31,470 --> 00:55:33,810

Mark pissing on the ancestral tree.

:

00:55:34,290 --> 00:55:40,650

Which couldn't have been a bigger mistake

on his part, he has no idea, but you know

:

00:55:40,720 --> 00:55:42,980

to his point He's like, it's just a tree.

:

00:55:43,390 --> 00:55:44,120

It's a dead tree.

:

00:55:44,300 --> 00:55:45,310

I had to take a piss.

:

00:55:45,530 --> 00:55:47,690

How could I know and he's right?

:

00:55:47,710 --> 00:55:48,840

Nobody fucking told him.

:

00:55:48,980 --> 00:55:52,990

There's no signs, but everybody loses

their shit including especially Ulf.

:

00:55:53,260 --> 00:55:55,720

And they have signs everywhere

Wasn't there a sign?

:

00:55:55,840 --> 00:55:56,980

I don't remember a sign.

:

00:55:57,030 --> 00:55:57,890

I don't remember a sign.

:

00:55:58,110 --> 00:56:00,600

If it was, it was in like

hieroglyphics or something that

:

00:56:00,600 --> 00:56:02,110

nobody fucking understood but them.

:

00:56:02,350 --> 00:56:02,660

Right.

:

00:56:02,690 --> 00:56:07,280

But Ulf is a commune member,

a friend of Ingmar and Pele's,

:

00:56:07,330 --> 00:56:08,480

and he's the one that loses it.

:

00:56:08,490 --> 00:56:09,200

He freaks out.

:

00:56:09,200 --> 00:56:10,850

He wants to beat the

shit out of Mark, right?

:

00:56:11,390 --> 00:56:12,850

Um, and then...

:

00:56:13,600 --> 00:56:14,710

Put your dick away!

:

00:56:14,840 --> 00:56:16,210

Yes, put your dick away!

:

00:56:16,290 --> 00:56:18,160

You're pissing on our ancestors!

:

00:56:18,690 --> 00:56:19,170

So...

:

00:56:19,915 --> 00:56:21,165

So, bad scene for Mark.

:

00:56:21,375 --> 00:56:23,915

I think he called it his dirty dick away.

:

00:56:24,305 --> 00:56:26,125

So, a bad scene for Mark.

:

00:56:26,545 --> 00:56:30,725

Immediately after that, Connie

has found that Simon is missing.

:

00:56:31,495 --> 00:56:34,265

Now, Simon was the one that

made a big fuss at the ceremony

:

00:56:34,265 --> 00:56:35,085

of the old people dying.

:

00:56:35,795 --> 00:56:37,335

Like, he called, he called them out.

:

00:56:37,345 --> 00:56:38,885

He was like, you're all fucking sick.

:

00:56:39,155 --> 00:56:40,275

You all, you know, this is insane.

:

00:56:40,275 --> 00:56:41,235

You're all fucked.

:

00:56:41,245 --> 00:56:42,635

He just said it over

and over and over again.

:

00:56:42,635 --> 00:56:45,045

Yeah, and he's like, you're all fucked,

you're all fucked, this is fucked.

:

00:56:45,065 --> 00:56:46,015

Why aren't the cops here?

:

00:56:46,015 --> 00:56:46,924

This is fucked.

:

00:56:46,925 --> 00:56:49,065

So, obviously, they're

like, this is a problem.

:

00:56:49,485 --> 00:56:51,055

And this is how we deal with problems.

:

00:56:51,465 --> 00:56:52,515

Simon goes missing.

:

00:56:52,545 --> 00:56:55,655

And they tell her, they tell Connie,

Oh, he went back to the train

:

00:56:55,655 --> 00:56:56,895

station, we'll be back to pick you up.

:

00:56:57,215 --> 00:56:59,155

And she's like, he wouldn't

have left without me!

:

00:56:59,845 --> 00:57:02,285

We came together like,

Yeah, he left without you.

:

00:57:05,145 --> 00:57:06,065

Obviously they're alike.

:

00:57:07,245 --> 00:57:11,200

But the funny thing is, when Danny

goes to tell Christian, Simon just left

:

00:57:11,200 --> 00:57:12,550

without Connie, can you believe that?

:

00:57:13,000 --> 00:57:14,560

Christian's all, wow, that's crazy.

:

00:57:14,640 --> 00:57:16,180

So tell me again more about this commune.

:

00:57:16,220 --> 00:57:19,570

Like, he's like, he's just

fucking, it's another example of

:

00:57:19,570 --> 00:57:21,090

where he's not listening to her.

:

00:57:21,630 --> 00:57:23,220

He doesn't care about her.

:

00:57:23,390 --> 00:57:24,790

Right, he's not there for her.

:

00:57:25,170 --> 00:57:25,820

Um.

:

00:57:26,290 --> 00:57:27,940

Hold on, I gotta fix something.

:

00:57:28,640 --> 00:57:29,130

Alright.

:

00:57:31,740 --> 00:57:32,250

There we go.

:

00:57:32,420 --> 00:57:35,230

You know, I'm actually

drinking this Chianti now.

:

00:57:35,300 --> 00:57:36,350

I'm fucking drinking it.

:

00:57:37,070 --> 00:57:38,520

I didn't think I was going to, but I am.

:

00:57:42,060 --> 00:57:42,540

Oh yeah.

:

00:57:44,120 --> 00:57:44,550

So.

:

00:57:47,595 --> 00:57:51,345

So, right after Simon Goes Missing,

are we back on yet or not yet?

:

00:57:51,575 --> 00:57:51,895

Hmm?

:

00:57:53,955 --> 00:57:54,625

Go for it, man.

:

00:57:54,865 --> 00:57:55,775

I'm, I'm listening.

:

00:57:57,555 --> 00:57:58,825

As he sucks on his head.

:

00:57:59,315 --> 00:57:59,945

Uh, alright.

:

00:58:01,205 --> 00:58:04,145

That came out a little wrong, but he

was drinking the head of his beer.

:

00:58:04,155 --> 00:58:05,325

You weren't wrong, but...

:

00:58:05,455 --> 00:58:06,565

I wasn't wrong at all.

:

00:58:06,775 --> 00:58:07,585

That just sounded wrong.

:

00:58:07,625 --> 00:58:11,495

Okay, so right after

Simon Goes Missing, um...

:

00:58:12,905 --> 00:58:14,175

They're making a meat tart.

:

00:58:14,305 --> 00:58:15,985

They're making meat tarts, right?

:

00:58:16,035 --> 00:58:18,625

And they invite Danny to come in

and help them make meat tarts.

:

00:58:18,905 --> 00:58:22,935

It seems clear to me that the

meat tart is fucking Simon.

:

00:58:23,305 --> 00:58:23,695

Oh.

:

00:58:24,195 --> 00:58:25,505

So now they're making a meat tart.

:

00:58:25,505 --> 00:58:26,715

I didn't even make that connection.

:

00:58:27,215 --> 00:58:28,505

So they're making a meat tart, right?

:

00:58:28,725 --> 00:58:31,705

The next scene, they're all sitting

around eating these meat tarts and

:

00:58:31,705 --> 00:58:36,075

what does Christian pull out of his

teeth while eating his meat tart?

:

00:58:36,465 --> 00:58:36,845

A pube.

:

00:58:37,605 --> 00:58:39,325

So, everything is starting

to go to shit here.

:

00:58:39,325 --> 00:58:42,325

And if you didn't notice that

it was a pube, who said it?

:

00:58:42,385 --> 00:58:43,045

Is that a pube?

:

00:58:43,655 --> 00:58:44,115

It's Mark.

:

00:58:44,115 --> 00:58:45,055

Of course it's Mark.

:

00:58:45,435 --> 00:58:46,255

It's always Mark, right?

:

00:58:46,315 --> 00:58:47,455

It's always Mark.

:

00:58:47,875 --> 00:58:49,735

Mark says, dude, is that a pube?

:

00:58:50,635 --> 00:58:52,525

And that's the same scene where he says...

:

00:58:53,015 --> 00:58:55,335

Uh, where Ulf is starin him

down, bad doggin him, and he's

:

00:58:55,335 --> 00:58:58,135

like, Looks like somebody's still

pissed about the ancestral tree.

:

00:58:58,665 --> 00:58:58,685

Yeah.

:

00:58:58,715 --> 00:59:00,635

And then, and then he

says, Is he gonna kill me?

:

00:59:00,645 --> 00:59:01,445

Is he gonna kill me?

:

00:59:02,145 --> 00:59:02,485

Right.

:

00:59:02,815 --> 00:59:06,135

So, and then, and then the girl that he's

hot for, that he wants to give a bath

:

00:59:06,145 --> 00:59:07,725

to, Pele's sister, comes and gets him.

:

00:59:07,865 --> 00:59:08,315

Mm hmm.

:

00:59:08,595 --> 00:59:11,105

Hey, Mark, come here, I wanna show

you somethin He's all, Hell yeah!

:

00:59:11,135 --> 00:59:12,085

She's gonna show me.

:

00:59:13,165 --> 00:59:13,535

Yeah.

:

00:59:14,015 --> 00:59:15,445

He has no idea what's coming next.

:

00:59:15,465 --> 00:59:15,815

So...

:

00:59:16,910 --> 00:59:19,570

Though they don't show

that scene, Mark dies.

:

00:59:19,610 --> 00:59:20,370

Mark dies.

:

00:59:20,400 --> 00:59:23,420

They kill Mark in that, in that scene.

:

00:59:23,930 --> 00:59:27,120

Um, and then they cut to that night.

:

00:59:27,130 --> 00:59:29,010

I wonder if that's a deleted scene.

:

00:59:30,220 --> 00:59:33,010

I, no, I don't think so because

here's, the next scene after

:

00:59:33,010 --> 00:59:34,100

that is the creepiest one.

:

00:59:34,400 --> 00:59:38,200

So this is one scene that does take place

in the dark, in the dark, at night time.

:

00:59:38,280 --> 00:59:39,290

Oh, right.

:

00:59:39,440 --> 00:59:44,310

Josh has crept out of their sleeping place

to go take pictures of the ancestral book.

:

00:59:44,310 --> 00:59:45,860

He's not supposed to go fucking near.

:

00:59:45,900 --> 00:59:46,590

Right.

:

00:59:46,800 --> 00:59:48,120

He's not supposed to

take pictures of this.

:

00:59:48,120 --> 00:59:49,470

Cheating from the good place.

:

00:59:50,540 --> 00:59:51,190

Yes.

:

00:59:51,460 --> 00:59:57,600

And he goes in there and you

see the, uh, deformed child.

:

00:59:58,200 --> 00:59:59,860

That's sleeping off to the side.

:

01:00:00,210 --> 01:00:01,910

He walks right past him, by the way.

:

01:00:02,260 --> 01:00:03,960

And he starts taking

pictures with his phone.

:

01:00:04,840 --> 01:00:07,570

He sees a reflection in the mirror

of somebody standing in the doorway.

:

01:00:07,930 --> 01:00:09,930

He turns around and he

believes that it's Mark.

:

01:00:10,690 --> 01:00:12,180

And he says, Mark, what

are you doing here?

:

01:00:12,180 --> 01:00:12,980

You're not supposed to be here.

:

01:00:13,260 --> 01:00:15,510

Now, when the camera goes up...

:

01:00:15,760 --> 01:00:18,410

And you see the reflection

in the, in the glass.

:

01:00:18,910 --> 01:00:22,340

When he spins around to yell

at who he believes is Mark.

:

01:00:22,400 --> 01:00:22,750

Right.

:

01:00:22,870 --> 01:00:24,150

The camera follows.

:

01:00:24,170 --> 01:00:25,020

It doesn't cut.

:

01:00:25,130 --> 01:00:26,160

It follows.

:

01:00:26,440 --> 01:00:28,040

When it follows, watch it again.

:

01:00:28,170 --> 01:00:29,440

Pele's standing in the corner.

:

01:00:30,550 --> 01:00:31,090

Wow.

:

01:00:31,490 --> 01:00:32,720

Pele's standing in the corner.

:

01:00:33,280 --> 01:00:34,690

It goes by so fast, though.

:

01:00:34,780 --> 01:00:34,960

I missed that, yeah.

:

01:00:34,960 --> 01:00:39,610

Even if you pause it, all you really

see is a figure wearing Pele's

:

01:00:39,650 --> 01:00:41,630

clothes, and dark hair, white guy.

:

01:00:41,640 --> 01:00:42,180

Wow.

:

01:00:42,210 --> 01:00:43,110

You assume it's Pele.

:

01:00:43,490 --> 01:00:44,800

The camera moves so fast.

:

01:00:45,785 --> 01:00:48,765

So, he's arguing, Mark,

what are you doing here?

:

01:00:48,765 --> 01:00:49,555

You're not supposed to be in here.

:

01:00:49,555 --> 01:00:50,015

Blah, blah, blah.

:

01:00:50,025 --> 01:00:51,705

He gets bludgeoned over the head.

:

01:00:51,895 --> 01:00:52,125

Oh yeah.

:

01:00:52,145 --> 01:00:53,515

Pele, Pele kills him.

:

01:00:54,195 --> 01:00:54,595

Okay.

:

01:00:55,975 --> 01:00:57,865

So, and then it's off.

:

01:00:58,485 --> 01:01:02,935

Which, you don't know this by watching

the film, but I read it on Reddit sometime

:

01:01:02,935 --> 01:01:04,305

later when I first saw this movie.

:

01:01:04,925 --> 01:01:08,175

Ulf has killed Mark, or at least

the sister has killed Mark.

:

01:01:08,485 --> 01:01:11,535

Ulf has decided to

dress up in Mark's skin.

:

01:01:12,925 --> 01:01:18,715

So he's wearing Mark's face when he

leans over Josh and he's moaning.

:

01:01:18,855 --> 01:01:20,615

Right, that's so disturbing.

:

01:01:20,970 --> 01:01:22,680

Creepy as fuck.

:

01:01:23,560 --> 01:01:27,590

Next day, everything seems

normal, except we can't find

:

01:01:27,590 --> 01:01:29,770

Mark, and we can't find Josh.

:

01:01:29,940 --> 01:01:34,450

And by the way, the scene opens

with Danny and Christian waking up.

:

01:01:35,470 --> 01:01:36,220

Watch it again.

:

01:01:36,500 --> 01:01:38,270

Bailey's in the background

changing his shirt.

:

01:01:39,090 --> 01:01:39,600

Wow.

:

01:01:39,870 --> 01:01:42,740

So, something that, I mean, one

of the, another reason, I mean,

:

01:01:42,740 --> 01:01:46,420

it was just disturbing on its own

merit, but what, another reason it

:

01:01:46,420 --> 01:01:48,990

was disturbing for me, so like...

:

01:01:49,465 --> 01:01:52,595

I, I don't, I was listening to a podcast

and I don't know, I don't remember

:

01:01:52,595 --> 01:01:56,545

where I heard it, but I guess when

you have a, a traumatic head injury,

:

01:01:57,155 --> 01:02:02,325

one of the common, like, uh, responses

that your body does, basically you

:

01:02:02,395 --> 01:02:08,595

involuntary, you make a snoring sound,

like a, a gruntal, like snoring sound.

:

01:02:08,985 --> 01:02:14,925

And what kind of creeped me out

about that is, um, gosh, it was 20.

:

01:02:15,925 --> 01:02:20,005

Twenty years, twenty three years

ago, um, my wife Jessie was in a car

:

01:02:20,005 --> 01:02:24,995

accident, and Caitlin, one of our

kids, was in the car, along with three

:

01:02:24,995 --> 01:02:29,775

of our kids, and Jessie was pregnant,

and no one got hurt, except mostly, I

:

01:02:29,775 --> 01:02:34,615

mean, there was some minor injuries,

but Caitlin had a Fractured skull.

:

01:02:35,045 --> 01:02:37,135

And when I, I was, I

saw the accident happen.

:

01:02:37,165 --> 01:02:39,545

I didn't know she fractured

her skull in that accident.

:

01:02:39,565 --> 01:02:40,675

Oh yes, it was scary as hell.

:

01:02:40,745 --> 01:02:45,255

Uh, I got to the scene, Caitlin's

unconscious, and she was making

:

01:02:45,255 --> 01:02:49,155

this I thought it was like a labored

breathing sound, but after I heard

:

01:02:49,155 --> 01:02:52,825

this podcast I was like, oh wait,

it sounded like she was snoring.

:

01:02:53,070 --> 01:02:57,100

Which was a really weird sound because

I never heard her make that sound before

:

01:02:57,430 --> 01:03:02,770

and that reminded me of the accident I had

a flashback of when Caitlin was injured

:

01:03:02,810 --> 01:03:07,980

Wow car accident 23 years ago and Josh

is laying there sort of like Shaking.

:

01:03:08,090 --> 01:03:08,890

Yeah, you know what I mean?

:

01:03:08,890 --> 01:03:12,870

Like his head head injury was way worse

than Caitlin's was because it killed

:

01:03:12,870 --> 01:03:17,760

him You know, but right but but yeah,

it took me right back to this little

:

01:03:17,760 --> 01:03:20,435

girl in a car seat With a head injury.

:

01:03:20,465 --> 01:03:21,795

It was like, it messed me up.

:

01:03:21,795 --> 01:03:22,605

I was like, God.

:

01:03:23,035 --> 01:03:25,545

So, yeah, now I'm sharing

my trauma with the world.

:

01:03:25,555 --> 01:03:25,575

Wow.

:

01:03:27,425 --> 01:03:29,155

As if we didn't have

enough on our plate today.

:

01:03:29,175 --> 01:03:32,565

Thankfully, Caitlin, you know,

after three days in the hospital...

:

01:03:32,920 --> 01:03:33,610

She was fine.

:

01:03:34,400 --> 01:03:34,900

. It was scary.

:

01:03:34,900 --> 01:03:38,890

Well, I mean, you and I are , we

disagree on the definition of fine.

:

01:03:39,100 --> 01:03:39,610

Just kidding.

:

01:03:39,610 --> 01:03:42,660

Caitlyn, you know, I love

her . I love Caitlyn.

:

01:03:42,720 --> 01:03:48,060

All right, so anyway, . So , uh,

we like to give our family members

:

01:03:48,060 --> 01:03:49,560

little digs every now and again.

:

01:03:50,010 --> 01:03:51,480

Uh, Caitlyn join the club.

:

01:03:51,600 --> 01:03:51,960

Okay?

:

01:03:51,960 --> 01:03:55,260

So, uh, and, and to say nothing to

the effect on how many digs we give

:

01:03:55,260 --> 01:03:56,440

mom, whenever we do these podcast.

:

01:03:58,015 --> 01:03:59,395

Well, she's our biggest fan, you know.

:

01:03:59,435 --> 01:04:00,155

Yes, yes.

:

01:04:00,235 --> 01:04:03,565

So then, okay, so the next morning,

Paley's Ching is changing his shirt.

:

01:04:04,875 --> 01:04:09,665

Christian is summoned by Siv, who, he

has to go in and talk, Siv is like the

:

01:04:09,665 --> 01:04:14,655

leading, like the, like the maternal, sort

of like the mother of this land, right?

:

01:04:15,480 --> 01:04:19,790

And she's explaining to Christian

all about, he goes, I think she

:

01:04:19,790 --> 01:04:22,500

fed me one of her pubes, and she

goes, yeah, that sounds about right.

:

01:04:22,500 --> 01:04:25,270

I know, I start cracking up.

:

01:04:25,850 --> 01:04:30,070

Oh, and by the way, about the drinking

the menstrual blood, in that scene

:

01:04:30,070 --> 01:04:34,290

where he eats the pube, if you look at

everybody's glass, it's all light colored

:

01:04:34,290 --> 01:04:36,060

like it's orange juice, his is darker.

:

01:04:37,120 --> 01:04:37,760

His is dark.

:

01:04:37,760 --> 01:04:38,850

Christian's is darker.

:

01:04:38,850 --> 01:04:40,670

It's almost like a dark, dark juice.

:

01:04:40,670 --> 01:04:42,340

I don't ever want to watch

this movie ever again.

:

01:04:43,600 --> 01:04:46,840

No, you got, see, that's the beauty

of this one is you catch more shit.

:

01:04:47,420 --> 01:04:50,850

Watching this movie is like the horror

film version of airplane where every

:

01:04:50,850 --> 01:04:55,110

time you watch it, you catch something

else you never caught before, right?

:

01:04:55,460 --> 01:04:56,630

That's what Midsommar is.

:

01:04:57,060 --> 01:05:00,570

So anyway, so, so then they invite.

:

01:05:00,765 --> 01:05:02,985

Danny to do the midsummer dance, right?

:

01:05:02,985 --> 01:05:07,665

To do the, the, uh, the, the May Queen

midsummer dance where it's, uh, it's

:

01:05:07,675 --> 01:05:13,175

about 30 girls and they dance around

this structure until you dance until

:

01:05:13,175 --> 01:05:18,625

you fall over and anyone that's left

standing is crowned May Queen, right?

:

01:05:19,555 --> 01:05:21,465

And they give you a little

bit of drugs before you start.

:

01:05:21,495 --> 01:05:22,154

I mean, why not?

:

01:05:22,575 --> 01:05:22,845

Right?

:

01:05:22,985 --> 01:05:23,365

Right.

:

01:05:23,435 --> 01:05:32,785

Um, so, some shit's going on about, um,

Christian is, is being seduced, uh, and,

:

01:05:32,815 --> 01:05:35,785

and influenced to deflower the redhead.

:

01:05:36,154 --> 01:05:36,505

Right?

:

01:05:36,925 --> 01:05:37,495

Maja.

:

01:05:38,355 --> 01:05:43,645

Um, it's almost like he was,

he was pinpointed from day one.

:

01:05:43,665 --> 01:05:45,575

Like, the first day he got

there, he was targeted.

:

01:05:45,675 --> 01:05:45,985

Right.

:

01:05:46,355 --> 01:05:47,815

She put the thing under his bed.

:

01:05:49,000 --> 01:05:52,900

Fed him her pubes, he drank

her menstrual water, a regu uh,

:

01:05:52,900 --> 01:05:54,120

you know, a day in the office.

:

01:05:54,250 --> 01:06:01,700

So, um, anyway, so while all this shit's

going on, Danny wins the May Queen.

:

01:06:02,040 --> 01:06:03,860

She outlasts everybody.

:

01:06:03,920 --> 01:06:05,760

Everybody falls but her.

:

01:06:06,220 --> 01:06:07,400

The outsider.

:

01:06:08,680 --> 01:06:12,500

And, I don't, I mean I'd have to watch

it again for like the twelfth time.

:

01:06:13,740 --> 01:06:16,480

I don't think they threw that contest.

:

01:06:16,480 --> 01:06:18,380

Like, I don't think they did

it on purpose for her to win.

:

01:06:18,380 --> 01:06:22,210

Yeah, I think the last two to fall

ran into each other by accident.

:

01:06:22,220 --> 01:06:22,970

Yeah, by accident.

:

01:06:23,040 --> 01:06:25,520

I mean, they didn't make it

look like they, they threw it.

:

01:06:26,020 --> 01:06:26,680

Right, right.

:

01:06:26,700 --> 01:06:28,310

Like, she wins this shit.

:

01:06:28,390 --> 01:06:29,240

She just wins it.

:

01:06:29,290 --> 01:06:29,660

Right.

:

01:06:30,135 --> 01:06:34,645

Um, and then, uh, there's this big thing

where they carry her around, and they

:

01:06:34,645 --> 01:06:36,345

put her in a chariot, and all this shit.

:

01:06:36,705 --> 01:06:38,305

And then, the all is lost.

:

01:06:38,335 --> 01:06:41,805

Now, we all know what the all is

lost is, is where the main character

:

01:06:41,815 --> 01:06:43,335

has hit complete rock bottom.

:

01:06:43,435 --> 01:06:43,855

Right.

:

01:06:44,315 --> 01:06:49,105

She already is very nervous about

leaving Christian alone, while they take

:

01:06:49,105 --> 01:06:50,045

her off on this little parade thing.

:

01:06:50,045 --> 01:06:52,235

Their relationship's

basically hanging by a thread.

:

01:06:52,265 --> 01:06:55,395

It's by a thread, like a

very, very thin thread.

:

01:06:55,885 --> 01:06:56,975

She gets back.

:

01:06:57,570 --> 01:06:59,700

And she says, what's

going on in that room?

:

01:06:59,860 --> 01:07:01,360

Or what's going on in that cabin?

:

01:07:01,660 --> 01:07:04,470

And they're like, oh no, no,

no, no, you don't want to go

:

01:07:04,470 --> 01:07:05,820

there, you know, whatever.

:

01:07:06,330 --> 01:07:07,720

She's like, no, I gotta go.

:

01:07:07,730 --> 01:07:09,950

So she goes and looks, and

of course, what does she see?

:

01:07:10,180 --> 01:07:13,830

Which is probably the most unsettling

sex scene I've ever seen in a movie.

:

01:07:14,000 --> 01:07:16,840

And that includes, and that

includes porn, by the way.

:

01:07:18,550 --> 01:07:19,180

Christian!

:

01:07:19,560 --> 01:07:22,890

You just got down butt naked!

:

01:07:22,890 --> 01:07:24,680

Hold on, wait, before you describe it.

:

01:07:24,910 --> 01:07:28,970

So Jessie was on her way home from a

thing last night, and she called, or,

:

01:07:29,070 --> 01:07:33,080

yeah, she called me, and like, the

movie's playing in the background, you

:

01:07:33,090 --> 01:07:35,529

know, I didn't even pause it, because

I kind of knew what was going on, and

:

01:07:35,529 --> 01:07:39,540

I'm like, oh, hey, by the way, when

you walk in the door, you might...

:

01:07:39,915 --> 01:07:43,745

What be walking in and to like in the

middle of like what look may look like an

:

01:07:43,755 --> 01:07:52,095

orgy It's not but it's really weird So all

the like the elders the old mentor ladies

:

01:07:52,195 --> 01:07:59,065

are standing in a half circle around the

fuck pit and Through there to sort of

:

01:07:59,065 --> 01:08:04,230

cheer on And this is a good, this is a

good time to describe that at this moment

:

01:08:04,260 --> 01:08:08,570

you get the realization that, um, It

happened a little bit when the old people

:

01:08:08,570 --> 01:08:11,200

died, but this really made it clear.

:

01:08:11,730 --> 01:08:14,930

They have a way of feeling

what they are feeling.

:

01:08:14,930 --> 01:08:17,130

Yeah, they share the emotions.

:

01:08:17,140 --> 01:08:18,245

They share the feelings!

:

01:08:19,795 --> 01:08:23,825

So while this fucking is going on, all

the old ladies are, like, orgasming.

:

01:08:24,685 --> 01:08:26,415

Like, they're, like, they're feeling it.

:

01:08:26,734 --> 01:08:31,745

One lady even gets behind Christian and

starts pushing his bare ass, naked ass.

:

01:08:32,774 --> 01:08:34,404

And he's looking like, what the fuck?

:

01:08:34,404 --> 01:08:39,615

Like, I'm trying to have sex with

this obvious minor, I might add.

:

01:08:39,944 --> 01:08:40,725

I'm having sex.

:

01:08:40,975 --> 01:08:45,904

I had sex with this girl, which is

a crime, and yet there's an old lady

:

01:08:45,904 --> 01:08:48,335

behind me pushing my ass to go deeper.

:

01:08:48,345 --> 01:08:49,795

It was bad, it was so bad.

:

01:08:49,795 --> 01:08:52,024

So, and here's the thing, he was drugged.

:

01:08:52,024 --> 01:08:52,975

Yeah, he was drugged.

:

01:08:52,984 --> 01:08:55,024

He was drugged, and...

:

01:08:56,649 --> 01:09:00,890

So basically he was drugged and

they told him that, well, he

:

01:09:00,890 --> 01:09:02,559

actually voluntarily drank it.

:

01:09:03,050 --> 01:09:03,309

Yep.

:

01:09:03,410 --> 01:09:04,710

She gave it to him.

:

01:09:04,720 --> 01:09:07,580

She said it'll reduce your

inhibitions and whatever.

:

01:09:07,620 --> 01:09:07,819

Yep.

:

01:09:08,050 --> 01:09:09,300

And he drank it.

:

01:09:09,470 --> 01:09:11,069

He wanted to fuck Maja.

:

01:09:11,069 --> 01:09:12,080

That's all there is to it.

:

01:09:12,190 --> 01:09:12,510

Right?

:

01:09:12,819 --> 01:09:13,460

So you can't...

:

01:09:13,684 --> 01:09:16,865

You can't get around it, but you

can seduce as much as you want.

:

01:09:16,865 --> 01:09:17,645

It's so messed up.

:

01:09:17,645 --> 01:09:17,734

Yeah.

:

01:09:17,734 --> 01:09:22,444

He wanted to do this because again,

what did we say at the beginning?

:

01:09:22,654 --> 01:09:28,725

Danny doesn't have sex, or at least

her affection level isn't that high.

:

01:09:28,785 --> 01:09:31,694

He comes to this place with this

little red head, is literally

:

01:09:31,694 --> 01:09:33,315

throwing herself at him.

:

01:09:34,095 --> 01:09:34,305

Yeah.

:

01:09:34,335 --> 01:09:35,625

And he's seduced by that.

:

01:09:35,625 --> 01:09:38,595

He's seduced by the idea

of somebody that wants me.

:

01:09:38,774 --> 01:09:39,165

Right?

:

01:09:39,285 --> 01:09:39,434

Yeah.

:

01:09:39,524 --> 01:09:43,395

So, I'm in a three year relationship,

three, four year relationship

:

01:09:43,395 --> 01:09:46,395

with Danny who doesn't appear

at all like she wants me.

:

01:09:46,745 --> 01:09:54,565

This redhead, I'm here five days, whatever

it is, and it's clear that she wants me.

:

01:09:54,575 --> 01:09:57,485

He's drawn to that manhood thing.

:

01:09:57,905 --> 01:10:00,745

So anyway, cut to the, uh, uh,

make it a long story short.

:

01:10:01,934 --> 01:10:03,125

When he comes...

:

01:10:04,065 --> 01:10:08,035

She starts lifting up her knees and she's

like, you know, I can feel the baby.

:

01:10:08,035 --> 01:10:09,175

I can feel the baby.

:

01:10:09,455 --> 01:10:11,345

And he's like weirded out now.

:

01:10:11,415 --> 01:10:13,585

He's like, you know what?

:

01:10:13,765 --> 01:10:16,605

Me having sex with an obvious minor

with a bunch of old people standing

:

01:10:16,605 --> 01:10:18,295

around watching was bad enough.

:

01:10:18,575 --> 01:10:22,065

But her saying, I can feel the

baby, that's where I draw the line.

:

01:10:22,075 --> 01:10:26,330

So he runs out, he runs out in disgust,

butt naked with his red jacket.

:

01:10:26,730 --> 01:10:27,380

Bloody dick.

:

01:10:27,380 --> 01:10:28,260

Oh, God.

:

01:10:28,490 --> 01:10:30,610

Running around, and then

he has nowhere to go.

:

01:10:30,610 --> 01:10:34,230

Of course, he stumbles into a

different cabin that has Simon's

:

01:10:34,230 --> 01:10:35,850

dead body hanging from a ceiling.

:

01:10:36,600 --> 01:10:38,320

Well, that was it for the elders.

:

01:10:38,330 --> 01:10:43,650

They blew dust in his face and paralyzed

him permanently from head to toe.

:

01:10:43,970 --> 01:10:46,090

So, well, I would say from neck down.

:

01:10:46,100 --> 01:10:49,165

Yeah, because his eyes could

move, and that was about it.

:

01:10:49,955 --> 01:10:54,845

Yeah, okay, so talk so that is Danny's

all is lost and of course we always

:

01:10:54,845 --> 01:10:59,255

talk about dark night of the soul which

is the moment between the all is lost

:

01:10:59,725 --> 01:11:10,290

and the main character's decision to

propel into act three right so So, to

:

01:11:10,290 --> 01:11:14,210

me, that Dark Night of the Soul, that

moment, Dani goes into the cabin with

:

01:11:14,220 --> 01:11:19,290

all the sisters, and she's crying, and

they're all there with her, remember?

:

01:11:19,420 --> 01:11:22,330

And they're all huddled over, and

she's tr they try to lay her down on

:

01:11:22,330 --> 01:11:25,460

the bed, but she just wants to get

to the floor, and they're all around

:

01:11:25,460 --> 01:11:27,545

her, and they're all Feeling her pain.

:

01:11:27,545 --> 01:11:27,605

Yeah.

:

01:11:27,725 --> 01:11:29,555

As she cries, they cry.

:

01:11:29,735 --> 01:11:30,605

As she goes, ah.

:

01:11:31,684 --> 01:11:36,065

They go, ah, yeah, they're, it

was, was creepy, but in sync.

:

01:11:36,155 --> 01:11:36,395

Yeah.

:

01:11:36,400 --> 01:11:37,355

It was creepy.

:

01:11:37,360 --> 01:11:42,735

But at the same time, I could

understand like psychologically

:

01:11:42,765 --> 01:11:49,625

how this, it would comfort a

person that doesn't have support.

:

01:11:50,465 --> 01:11:51,035

You know what I mean?

:

01:11:51,035 --> 01:11:51,125

Mm-hmm.

:

01:11:51,485 --> 01:11:54,605

like her, like this is

the answer to her need.

:

01:11:54,605 --> 01:11:54,695

Right.

:

01:11:55,245 --> 01:11:57,285

Someone that is there with her.

:

01:11:58,515 --> 01:12:02,295

Experiencing, you know, what she's

feeling with her, something she

:

01:12:02,295 --> 01:12:03,795

wasn't getting from her boyfriend.

:

01:12:04,455 --> 01:12:08,934

So, as weird as it was, I

mean, the commune is twisted,

:

01:12:09,245 --> 01:12:10,955

but it was filling a need.

:

01:12:10,965 --> 01:12:17,405

Yeah, so, so her jump to Act 3, of course,

she's put in charge to decide who...

:

01:12:17,434 --> 01:12:19,115

She's made, like, queen or something.

:

01:12:19,305 --> 01:12:22,695

Yeah, she's the mate queen,

and she gets to decide what's

:

01:12:22,695 --> 01:12:23,655

going to happen to Christian.

:

01:12:24,485 --> 01:12:25,115

Um...

:

01:12:25,985 --> 01:12:28,145

Well, she could have, she

could have chose someone else.

:

01:12:28,245 --> 01:12:29,805

Yeah, surprise to nobody.

:

01:12:30,945 --> 01:12:31,605

Fuck you, Christian.

:

01:12:32,175 --> 01:12:32,405

Right?

:

01:12:32,745 --> 01:12:34,125

They stuff him in a bear.

:

01:12:34,934 --> 01:12:36,035

We're in Act 3 now.

:

01:12:36,075 --> 01:12:39,415

Well, first they show him,

like, disemboweling the bear.

:

01:12:39,695 --> 01:12:43,555

Yeah, they disembowel the bear.

:

01:12:43,555 --> 01:12:44,955

Yeah, they shove his ass up in there.

:

01:12:45,205 --> 01:12:48,045

And then they talk about

the nine sacrifices.

:

01:12:48,045 --> 01:12:50,835

So, the two old people that already died.

:

01:12:51,275 --> 01:12:55,045

And that they cremated, they created

these weird little paper mache

:

01:12:55,265 --> 01:12:58,885

with twigs and shit to signify

those two, so those two are there.

:

01:12:59,645 --> 01:13:02,785

That confused me, were their heads real?

:

01:13:04,065 --> 01:13:05,055

I don't think so, not of those two.

:

01:13:05,065 --> 01:13:09,545

But the bodies, but the bodies weren't,

cause it looked, they looked real,

:

01:13:09,555 --> 01:13:13,065

like a real dead head on the fake body.

:

01:13:13,075 --> 01:13:15,785

Right, but their, but their faces

were mangled in real life, like

:

01:13:15,785 --> 01:13:16,934

they were completely caved in.

:

01:13:17,275 --> 01:13:17,565

I don't know.

:

01:13:17,565 --> 01:13:19,855

Oh, yeah, it couldn't

have been the real heads.

:

01:13:20,015 --> 01:13:21,975

Well, no, I'm talking

about their friends though.

:

01:13:22,115 --> 01:13:23,175

Like, oh, no, no.

:

01:13:23,245 --> 01:13:23,515

Oh, yeah.

:

01:13:23,515 --> 01:13:23,905

Yeah.

:

01:13:23,905 --> 01:13:23,925

Yeah.

:

01:13:23,925 --> 01:13:24,385

Yeah.

:

01:13:24,395 --> 01:13:25,225

So we'll get to that.

:

01:13:25,255 --> 01:13:28,315

So the first two of the nine are

the two old people that died.

:

01:13:28,325 --> 01:13:31,425

Yeah, but they're made up in

like sort of like models with

:

01:13:31,465 --> 01:13:33,095

twigs as hands and everything.

:

01:13:33,105 --> 01:13:34,405

Yeah, they stick them in there.

:

01:13:34,805 --> 01:13:40,635

Uh, the next two is of course, Connie

and Uh, Simon, and yes, like, they

:

01:13:40,635 --> 01:13:45,385

have these, they're like flowers for

eyes and shit, and it's like they used

:

01:13:45,385 --> 01:13:49,895

their face and their, their skin to

create these dummies, so to speak.

:

01:13:50,605 --> 01:13:53,315

Um, they do the same thing with

Mark, they put him in like, almost

:

01:13:53,315 --> 01:13:56,665

like a, like a clown outfit,

because he's the clown, right?

:

01:13:56,755 --> 01:13:57,025

Yeah.

:

01:13:57,385 --> 01:14:01,575

And, and all, obviously taking his face

off, because he's wearing his face.

:

01:14:02,335 --> 01:14:07,815

Josh was there, and Josh and Mark, so

that's two, four, so that's six, and then

:

01:14:07,825 --> 01:14:11,985

seven, eight is the, uh, the volunteers.

:

01:14:12,055 --> 01:14:14,295

Ingmar and Ulf.

:

01:14:14,695 --> 01:14:15,065

Yeah.

:

01:14:15,145 --> 01:14:17,515

Volunteer to be two of the ones that go.

:

01:14:19,125 --> 01:14:22,725

So, and this is another way of maybe

why they get away with it all the time.

:

01:14:23,100 --> 01:14:25,880

Because the people that are luring

them are the ones that sacrifice

:

01:14:25,880 --> 01:14:30,640

themselves, with the exception of

Billy, uh, Ingmar sacrifices himself.

:

01:14:30,860 --> 01:14:33,400

So if any cops ever came and said,

hey, have you ever seen this guy,

:

01:14:33,400 --> 01:14:36,100

they'd be like, nope, go ahead,

look around, check, you might

:

01:14:36,100 --> 01:14:38,440

find his ashes, but nothing else!

:

01:14:38,750 --> 01:14:43,890

So anyway, Ingmar and Ulf represent

themselves, and then she has to decide.

:

01:14:44,360 --> 01:14:49,240

They draw like a fucking

lottery, like it's the, uh, uh...

:

01:14:50,835 --> 01:14:54,895

They draw a lottery ball, again

with a bunch of hieroglyphic symbols

:

01:14:54,895 --> 01:14:56,925

on it, I don't know, they pick it

up and they're like, Ah, Frank!

:

01:14:56,934 --> 01:14:57,725

We picked Frank!

:

01:14:57,735 --> 01:14:58,315

You know, whatever.

:

01:14:58,505 --> 01:15:01,655

So a guy comes walking up, and

he's the guy, and she has to decide

:

01:15:01,655 --> 01:15:05,445

between this guy and Christian,

who's paralyzed at this point.

:

01:15:06,375 --> 01:15:07,805

Of course she picked Christian, right?

:

01:15:08,125 --> 01:15:12,985

So, Christian goes, gets

stuffed in the bear, and then,

:

01:15:13,055 --> 01:15:14,925

uh, and they place him inside.

:

01:15:15,260 --> 01:15:15,660

The thing.

:

01:15:17,440 --> 01:15:17,510

Hit that.

:

01:15:17,510 --> 01:15:17,850

Excuse me.

:

01:15:17,850 --> 01:15:19,910

This is Chianti, man.

:

01:15:19,910 --> 01:15:20,440

I'm telling you.

:

01:15:21,500 --> 01:15:25,030

The final scene is they set this

fucking thing on fire as one big

:

01:15:25,030 --> 01:15:30,630

sacrifice, and everybody starts feeling

their pain when Ulf catches fire.

:

01:15:30,800 --> 01:15:31,870

Yeah, he starts screaming.

:

01:15:32,085 --> 01:15:34,684

He starts screaming, and they're,

and all the people are like going

:

01:15:34,684 --> 01:15:37,505

like this outside, like they can

feel Yeah, they start rubbing

:

01:15:37,505 --> 01:15:39,115

their skin and start screaming.

:

01:15:39,475 --> 01:15:42,175

Right, like they're, like they're

trying to get the fire off of them.

:

01:15:42,455 --> 01:15:46,105

So they could almost feel what the,

what Ingmar and Ulf are feeling.

:

01:15:46,695 --> 01:15:48,555

And so does Dani.

:

01:15:48,605 --> 01:15:48,905

Yeah.

:

01:15:49,065 --> 01:15:51,815

She's writhing in pain, screaming.

:

01:15:52,305 --> 01:15:58,285

And then the final You could tell her,

her pain, though, was, was more of a,

:

01:15:58,825 --> 01:16:03,095

you know, she was grieving that her, she

just lit her boyfriend on fire, you know?

:

01:16:03,225 --> 01:16:04,115

I don't know!

:

01:16:04,755 --> 01:16:07,135

Well, I think it was part of it.

:

01:16:07,235 --> 01:16:09,065

I think she had become like them.

:

01:16:09,255 --> 01:16:10,465

Yeah, I mean, so...

:

01:16:10,565 --> 01:16:12,175

And she was feeling it.

:

01:16:12,175 --> 01:16:13,575

Finish your point, because

the final scene is...

:

01:16:13,745 --> 01:16:15,755

Well, wait, wait, wait, actually,

before we get to the final scene,

:

01:16:16,195 --> 01:16:17,135

one thing I forgot to mention.

:

01:16:17,295 --> 01:16:21,085

When she wins the May Queen, and

everyone's celebrating, did you

:

01:16:21,085 --> 01:16:22,915

notice PelΓ© comes up and kisses her?

:

01:16:23,380 --> 01:16:24,470

No, I didn't notice it.

:

01:16:24,520 --> 01:16:28,370

He comes up, takes her both

hands on her face and kisses her.

:

01:16:28,400 --> 01:16:29,260

Wow.

:

01:16:29,320 --> 01:16:31,010

And then just keeps going

along with the crowd.

:

01:16:31,050 --> 01:16:31,530

Yeah.

:

01:16:32,380 --> 01:16:32,780

I miss it.

:

01:16:32,780 --> 01:16:33,360

You know what I mean?

:

01:16:33,430 --> 01:16:33,740

Yeah.

:

01:16:33,760 --> 01:16:39,760

So it's almost like she is going to, he

and her are destined to be a thing, right?

:

01:16:39,800 --> 01:16:40,559

To be together.

:

01:16:40,860 --> 01:16:41,880

She's the May Queen.

:

01:16:42,250 --> 01:16:46,260

He brought her so he gets to

be the courtship, the guy.

:

01:16:47,640 --> 01:16:48,380

Final scene.

:

01:16:49,315 --> 01:16:49,675

Final scene.

:

01:16:51,315 --> 01:16:54,795

She achieves her spiritual goal.

:

01:16:55,045 --> 01:16:56,065

Yeah, she's in.

:

01:16:57,005 --> 01:17:04,295

Now, so, no, no, remember I said tangible

goal was, uh, to, to just be held, right?

:

01:17:04,495 --> 01:17:04,805

Yeah.

:

01:17:04,865 --> 01:17:08,434

Well, to me, the spiritual

goal, wait, where is it?

:

01:17:08,475 --> 01:17:09,175

I wrote this down.

:

01:17:10,465 --> 01:17:14,325

Her spiritual goal is to be...

:

01:17:14,655 --> 01:17:16,905

Uh, important, right?

:

01:17:16,905 --> 01:17:20,025

To be an important member of the

family, to be a leader in the

:

01:17:20,025 --> 01:17:22,115

family, to be somebody of importance.

:

01:17:22,355 --> 01:17:23,835

Her whole life, nobody's cared about her.

:

01:17:24,225 --> 01:17:26,965

Her sister doesn't care about her,

her parents don't care about her,

:

01:17:26,965 --> 01:17:28,295

her boyfriend didn't care about her.

:

01:17:29,265 --> 01:17:31,845

Every time, uh uh, and they,

and they allude to it with

:

01:17:31,845 --> 01:17:33,045

little lines of dialogue.

:

01:17:33,045 --> 01:17:34,905

Like, oh, your sister

always does this to you.

:

01:17:35,175 --> 01:17:35,595

You know what I mean?

:

01:17:36,615 --> 01:17:37,125

, you know what I mean?

:

01:17:37,125 --> 01:17:40,005

Like just say they say shit

like that in the whole movie.

:

01:17:40,010 --> 01:17:43,835

You get the idea that she's not only never

been held, she's never been important.

:

01:17:43,865 --> 01:17:45,635

She's never been seen as important.

:

01:17:45,725 --> 01:17:46,225

Right, right.

:

01:17:46,565 --> 01:17:47,465

Final shot.

:

01:17:47,705 --> 01:17:49,475

She's the fucking May queen.

:

01:17:49,684 --> 01:17:49,925

Yep.

:

01:17:50,525 --> 01:17:54,635

And this whole ceremony of sacrificing

these people is in her honor.

:

01:17:54,815 --> 01:17:55,025

Yep.

:

01:17:55,795 --> 01:17:57,085

And the camera fades out.

:

01:17:57,809 --> 01:17:59,400

With her smiling.

:

01:17:59,450 --> 01:18:00,510

Smiling, yeah.

:

01:18:00,880 --> 01:18:01,210

Yep.

:

01:18:01,309 --> 01:18:07,540

And when I was in the theater, I, I,

I don't know if I said it out loud.

:

01:18:07,730 --> 01:18:08,520

I might have.

:

01:18:09,020 --> 01:18:11,275

But in my head I'm all Stop it.

:

01:18:11,275 --> 01:18:11,320

Close it now.

:

01:18:11,330 --> 01:18:12,050

Fade to black.

:

01:18:12,050 --> 01:18:12,780

Fade to black.

:

01:18:12,780 --> 01:18:13,230

Fade to black.

:

01:18:13,230 --> 01:18:13,650

Fade to black.

:

01:18:13,650 --> 01:18:14,010

Fade to black.

:

01:18:14,440 --> 01:18:14,760

Fade to black.

:

01:18:15,150 --> 01:18:16,100

Don't give me another scene.

:

01:18:16,120 --> 01:18:18,710

Don't try to explain

anything with another scene.

:

01:18:18,990 --> 01:18:19,720

Just go to black.

:

01:18:19,720 --> 01:18:22,730

And I want to see, all I want to see

right now is directed by Ari Aster.

:

01:18:22,900 --> 01:18:23,720

That's all I want to see.

:

01:18:23,830 --> 01:18:24,250

Give it to me.

:

01:18:24,250 --> 01:18:24,610

Give it to me.

:

01:18:24,610 --> 01:18:24,950

Give it to me.

:

01:18:24,950 --> 01:18:25,100

Give it.

:

01:18:25,290 --> 01:18:25,910

And they did.

:

01:18:25,930 --> 01:18:26,910

And I was like, YES!

:

01:18:27,230 --> 01:18:29,215

And I looked at mom and I

said I fucking loved it.

:

01:18:29,225 --> 01:18:30,285

Mom's like, what?

:

01:18:30,805 --> 01:18:32,065

Mom's horrified, right?

:

01:18:34,545 --> 01:18:38,875

Poor mom has no fucking clue

what I just went through as a

:

01:18:39,195 --> 01:18:41,005

film lover and a screenwriter.

:

01:18:41,325 --> 01:18:42,535

Mom's terrified.

:

01:18:42,975 --> 01:18:43,735

She's horrified.

:

01:18:43,785 --> 01:18:44,675

Unbelievable.

:

01:18:44,705 --> 01:18:45,115

So...

:

01:18:46,445 --> 01:18:51,465

Here's the thing, um, I think we

need to make this a two parter.

:

01:18:52,065 --> 01:18:56,085

We can continue recording, but

I think we should release this

:

01:18:56,095 --> 01:18:57,815

in two separate recordings.

:

01:18:57,815 --> 01:19:00,495

Because this is, we're

at 80 minutes right now.

:

01:19:01,175 --> 01:19:02,275

On the first movie.

:

01:19:05,405 --> 01:19:06,285

It's worth it!

:

01:19:09,415 --> 01:19:10,385

So, um...

:

01:19:10,405 --> 01:19:11,605

We're normally done like...

:

01:19:16,934 --> 01:19:17,665

Let me see here.

:

01:19:17,684 --> 01:19:21,395

If there's any other notes I

wanted to add, I don't think so.

:

01:19:21,455 --> 01:19:22,555

I think I got everything.

:

01:19:22,855 --> 01:19:23,725

I'm with you though, man.

:

01:19:23,745 --> 01:19:26,805

I don't know how Florence

Pugh did not get nominated.

:

01:19:26,845 --> 01:19:29,385

Oh, she not, she was so great.

:

01:19:29,395 --> 01:19:30,715

She was so great.

:

01:19:30,985 --> 01:19:35,175

I mean, as you went through that

again, I'm recounting how many times

:

01:19:35,295 --> 01:19:40,870

she had to like, Not just cry, but

full body cry, you know what I mean?

:

01:19:40,880 --> 01:19:46,270

Like, full emotion in, I mean, because

that's, I don't know, it's like...

:

01:19:46,440 --> 01:19:49,550

Her pain is, feels so real, you know?

:

01:19:49,550 --> 01:19:50,790

Like, good God.

:

01:19:50,790 --> 01:19:55,670

And like, when she was crying, um,

after her parents were killed, and

:

01:19:55,670 --> 01:20:00,840

her sister died, like, you could

hear, like, her voice was hoarse.

:

01:20:01,270 --> 01:20:06,809

Yeah, evident and like signifying

that she had been wailing for a long

:

01:20:06,860 --> 01:20:11,620

time Because you could hear like it

sounded like she had laryngitis because

:

01:20:11,620 --> 01:20:18,200

usually It's actually it's actually

more than that when before it happens

:

01:20:21,215 --> 01:20:22,865

She's talking to Christian on the phone.

:

01:20:23,075 --> 01:20:25,684

And she's saying, I got this

cryptic message from my sister.

:

01:20:25,825 --> 01:20:28,205

And that's when he's on the phone going,

well, she always does this to you.

:

01:20:28,205 --> 01:20:29,745

You know, blah, blah, blah, blah, blah.

:

01:20:29,745 --> 01:20:30,815

She leans over.

:

01:20:30,825 --> 01:20:34,465

Her, almost her whole face

takes up the frame of the film.

:

01:20:35,065 --> 01:20:39,355

And you see, Bags under her eyes

like you like like it's obvious.

:

01:20:39,355 --> 01:20:40,205

She's been crying.

:

01:20:40,205 --> 01:20:41,495

So leading up to this.

:

01:20:41,505 --> 01:20:43,835

She had already been

going through hell Right.

:

01:20:43,835 --> 01:20:45,945

So you I mean, yes, you

could say well that's makeup.

:

01:20:46,005 --> 01:20:51,075

Okay, but it's still acting sure because

She can't keep herself from tearing up.

:

01:20:51,095 --> 01:20:52,315

Just talking to christian.

:

01:20:52,445 --> 01:20:55,950

Well anyone that knows someone

or has a family member even

:

01:20:55,950 --> 01:20:58,290

more with a head that's bipolar.

:

01:20:59,250 --> 01:21:03,250

Um, this is, I mean, again, they're

probably not going to want to watch

:

01:21:03,250 --> 01:21:05,010

this movie because it's so triggering.

:

01:21:05,020 --> 01:21:09,280

It's so, because they did such a

good job just in that brief, it

:

01:21:09,280 --> 01:21:11,040

was only like five minutes, right?

:

01:21:11,040 --> 01:21:15,790

The beginning of the movie where they,

they unfold that, that whole scenario.

:

01:21:16,365 --> 01:21:19,934

But if someone has, I bet you

people walked out of the theater.

:

01:21:19,975 --> 01:21:23,775

I bet you people, people who, who

lived with people with bipolar

:

01:21:24,385 --> 01:21:27,755

probably said, Nope, this one's

not for me because it's too real.

:

01:21:28,385 --> 01:21:29,065

You know what I mean?

:

01:21:29,415 --> 01:21:30,645

It was, it was nuts.

:

01:21:31,730 --> 01:21:32,290

Yeah.

:

01:21:32,650 --> 01:21:35,220

Okay, so let's, assuming that

we're going to cut this into

:

01:21:35,220 --> 01:21:37,790

two parts, let's start part two.

:

01:21:37,900 --> 01:21:38,450

Okay.

:

01:21:38,520 --> 01:21:39,630

Wait, wait, wait, wait, wait.

:

01:21:40,920 --> 01:21:44,309

Before we do that, any closing

thoughts on Midsommar other than it got

:

01:21:44,309 --> 01:21:47,210

completely robbed at the:

:

01:21:47,460 --> 01:21:52,520

Yeah, honestly, I'm, I'm a little bitter

that it got, it got totally snubbed.

:

01:21:52,630 --> 01:21:53,910

Now what did I fucking tell you?

:

01:21:53,910 --> 01:21:55,230

I told you a long time ago.

:

01:21:55,410 --> 01:22:00,530

I said that every year a movie will come

out that I love more than any other movie.

:

01:22:01,105 --> 01:22:03,475

And sometimes it wins Best Picture,

and when it doesn't, it's great.

:

01:22:04,434 --> 01:22:08,455

But, there, I remember I always tell

the famous story about, in:

:

01:22:08,455 --> 01:22:13,365

was such a big fan of Braveheart,

that in early 96 at the Oscars, uh,

:

01:22:13,375 --> 01:22:17,405

Braveheart wins Best Picture, and

MOM CALLED ME TO CONGRATULATE ME!

:

01:22:18,025 --> 01:22:20,665

I HAVE NOTHING TO DO WITH THE MOVIE!

:

01:22:22,945 --> 01:22:26,485

I was in, I was in college at

the time, and all my college

:

01:22:26,485 --> 01:22:29,385

roommates are like, Did your mom

just call you to congratulate you?

:

01:22:29,385 --> 01:22:33,015

Like, like you have no, I had fucking

nothing to do with Braveheart.

:

01:22:33,485 --> 01:22:37,434

But, it was a movie that I championed,

like the whole year I was like, Guys,

:

01:22:37,485 --> 01:22:38,615

this is the best movie of the year.

:

01:22:38,665 --> 01:22:39,645

This is the best movie of the year.

:

01:22:39,665 --> 01:22:40,855

And I kept telling everyone.

:

01:22:41,125 --> 01:22:43,205

And they're like, no, Sense and

Sensibility is going to win.

:

01:22:43,215 --> 01:22:44,815

No, Apollo 13 is going to win.

:

01:22:45,115 --> 01:22:48,955

And it was like, when it came to

Oscar night, the odds were on either

:

01:22:48,955 --> 01:22:50,775

Apollo 13 or Sense and Sensibility.

:

01:22:51,075 --> 01:22:51,565

That was it.

:

01:22:51,825 --> 01:22:55,365

Now, everyone knew that Mel was going

to win Best Director, because it was

:

01:22:55,365 --> 01:22:56,715

the best directed movie of the year.

:

01:22:56,885 --> 01:22:58,575

But everyone's like, but Best

Picture is going to go to

:

01:22:58,575 --> 01:22:59,955

either Sense and Sensibility.

:

01:23:00,210 --> 01:23:00,970

Or Apollo 13.

:

01:23:01,160 --> 01:23:08,530

Oh, wait, Braveheart, what my mom called,

like, I had just won the fucking Oscar.

:

01:23:10,559 --> 01:23:10,930

Anyway.

:

01:23:10,930 --> 01:23:13,540

She's like, great acceptance speech.

:

01:23:13,750 --> 01:23:14,020

Right.

:

01:23:14,100 --> 01:23:14,410

Right.

:

01:23:14,450 --> 01:23:15,620

I should have given my speech.

:

01:23:15,860 --> 01:23:16,870

So that's a point.

:

01:23:16,880 --> 01:23:19,630

That's a point I want to make about how,

like, every year there's a movie that

:

01:23:19,660 --> 01:23:21,290

I love and I tell everybody about it.

:

01:23:21,610 --> 01:23:23,160

And sometimes it wins best picture.

:

01:23:23,200 --> 01:23:24,220

Sometimes it doesn't.

:

01:23:24,440 --> 01:23:25,050

It's a letdown.

:

01:23:26,070 --> 01:23:30,330

:

was Midsommar, and it's not even close.

:

01:23:30,410 --> 01:23:30,660

Yeah.

:

01:23:30,710 --> 01:23:31,540

And it wasn't.

:

01:23:31,675 --> 01:23:37,095

Even nominated and I just, it

just, it, it, it, it hurts.

:

01:23:39,235 --> 01:23:44,495

Ari Aster, you got robbed, my

friend, uh, robbed, robbed.

:

01:23:44,515 --> 01:23:46,934

He could have gotten best

director, best screenplay.

:

01:23:47,315 --> 01:23:48,775

Uh, it should have been

nominated for best.

:

01:23:48,775 --> 01:23:51,355

But I'm not saying it's going to

win these, but it would have at

:

01:23:51,355 --> 01:23:52,915

least should have got nominated.

:

01:23:53,940 --> 01:23:56,559

Okay, that's where we landed

the plane on this one.

:

01:23:56,809 --> 01:23:58,540

It is kind of an abrupt cut.

:

01:23:58,590 --> 01:24:01,760

We just kind of rambled on a bit

about how long it was going and

:

01:24:01,760 --> 01:24:03,309

how we needed bathroom breaks.

:

01:24:04,059 --> 01:24:05,800

So, I spared you that.

:

01:24:06,100 --> 01:24:10,440

Um, but yeah, the six degrees of

separation that we normally do

:

01:24:10,440 --> 01:24:15,170

at the end of each episode will

be at the end of our Silence 2.

:

01:24:16,315 --> 01:24:19,055

And again, if you're enjoying

this show, please share it with

:

01:24:19,055 --> 01:24:22,295

somebody and let us know, and let

us know where you're listening.

:

01:24:22,305 --> 01:24:23,245

We'd like to hear from you.

:

01:24:23,595 --> 01:24:26,835

So until next time, cheers

and go watch some movies.

About the Podcast

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Silver Screen Happy Hour
With the Wiegand Brothers

About your hosts

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Jerome Wiegand

Born and raised in Metro Detroit, Michigan. Graduate of Columbia College Chicago with a degree in Film/Screenwriting. Have lived in California since 2001. I enjoy screenwriting, script consulting and film analysis.
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Chris Wiegand