Episode 6
Silence Of The Midsommar Part 1
PARENTAL ADVISORY!
NOTE: THERE ARE SPOILERS!
There was just WAY too much to say and get it in one episode, so this month is divided into two parts! In this episode, Silence of the Midsommar Part One< we mainly cover Midsommar (2019). We will release Part Two on HALLOWEEN 2023 which will mainly cover Silence of the Lambs (1991)!
Unveiling Script Structure Secrets: Join us as we explore the intricacies of script structure in this episode. From unexpected plot twists to intricate character development, we meticulously dissect the craft, providing valuable insights for both aspiring and seasoned screenwriters.
Tune in for another exciting episode of Silver Screen Happy Hour, where we blend passion and precision to explore the fascinating world of cinema. Your cinematic journey continues here! πΏπ¬ #SilverScreenHappyHour #MovieAnalysis #ScriptStructure #Filmmaking
Wiegand brothers, Jerome & Chris, love movies, and they are fascinated by human nature and the art of great storytelling. Have you ever wondered how great stories connect? Listen to the Silver Screen Happy Hour - a podcast for movie lovers!
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Transcript
Don't give me another scene.
2
:Don't try to explain
anything with another scene.
3
:Just go to black, and I want
to see All I want to see right
4
:now is directed by Ari Aster.
5
:That's all I want to see!
6
:Give it to me, give it to me,
give it to me, give it And
7
:they did, and I was like, YES!
8
:And I looked at mom and I
said, I fucking loved it!
9
:Mom's like, WHAT?
10
:Mom's horrified, right?
11
:Poor mom has no fucking clue
what I just went through as a
12
:film lover and a screenwriter.
13
:Mom's terrified!
14
:She's mortified!
15
:You are listening to the
Silver Screen Happy Hour.
16
:I'm Chris Wiegand, along
with my brother, Jerome.
17
:And I can honestly say that I
think we had more fun on this
18
:episode than any other to date.
19
:There's probably a couple
of reasons for that.
20
:We recorded it earlier in the
year, just anticipating that we
21
:would release it on Halloween.
22
:We got into this and Midsommar
and Silence of the Lambs are two
23
:of my brother's favorite movies.
24
:I, you know, I think he talks about, uh,
the ranking of both in the podcast, but,
25
:uh, you'll, you'll hear it in his voice.
26
:He's just downright giddy as soon as
we started recording and I enjoyed it.
27
:I just.
28
:I don't know, I think he nearly broke
me, uh, in Silence of the Lambs, um.
29
:We recorded so long that as soon
as we finished Midsommar, we
30
:realized we were way too long.
31
:So we decided this had to come
out as a part one and part two.
32
:So instead of releasing them both
on Halloween, we decided to release
33
:part one, Silence of the Midsommar
part one, uh, which covers Midsommar.
34
:That's this episode.
35
:On Friday the 13th.
36
:And in a couple of weeks, we
will release part two of Silence
37
:of the Midsommar on Halloween.
38
:And that one we will cover
Silence of the Lambs.
39
:with that said, I'm gonna get
the recording of our conversation
40
:on the film reel for you.
41
:And I just want to ask
you to do one thing.
42
:If you are enjoying our show, share
it with somebody and let us know.
43
:We would absolutely appreciate it.
44
:Alright, so what are the movies for today?
45
:And what are we drinking?
46
:Uh, well the movies, usually
you're the one that...
47
:Let me just hand it back to you
because you've been like chomping
48
:at the bit dying for this day.
49
:There is, there is no bit left to chomp.
50
:It's gone.
51
:I've swallowed it.
52
:That's how much I've been
chomping at the bit for this day.
53
:This might rival the excitement I had
for the Star Wars anniversary podcast.
54
:Um, today we are discussing
two utter gems for me.
55
:Um, 1991's Silence of the Lambs,
rected by Jonathan Demme, and:
56
:Midsommar, directed by Ari Aster.
57
:Um, I have to say that
these are two of my...
58
:Favorite films.
59
:Um, well I wouldn't say Midsommar's
cracked like, like my top ten
60
:in any way, I don't think.
61
:Um, but it was certainly
my favorite film of:
62
:And I could not tell you how disappointed
I was when it got zero Oscar nominations.
63
:Um, and, and, You know, recently
I went back and looked at the
64
:Oscar nominations for that year.
65
:And I remember thinking it
should have got a Best Picture
66
:nomination instead of that film.
67
:Or it should have gotten screenplay
at least instead of that film.
68
:You know, I'm not gonna say which ones.
69
:But I definitely thought
it deserved to be in there.
70
:And Florence Pugh should
have been nominated for Best
71
:Actress in there somewhere.
72
:And I'm not saying she wins any of these.
73
:I'm not saying it wins at all.
74
:But to completely snub this film
on an Oscar front is just...
75
:Yeah, so it's very fresh for me
because I watched it twice yesterday,
76
:and I've been very disturbed today
because I couldn't sleep last night.
77
:So were this the first
two times watching it?
78
:Yeah, yeah, I had never saw it before.
79
:Oh my god.
80
:I, uh, so, let's start off by, well, let's
start off with, what are we drinking?
81
:Let's do that first.
82
:Okay, alright, so I, um, I have to preface
this by saying, I am backing up with beer.
83
:I do have beer today.
84
:Oh, don't mix.
85
:Don't mix.
86
:No, no, no.
87
:It's not about mixing.
88
:It's about in case this doesn't work out.
89
:Because I have...
90
:Wait, let me get it.
91
:Let me get it.
92
:Okay, I have in my possession,
in honor of Silence of the Lambs,
93
:I bought a bottle of Chianti.
94
:A nice Chianti.
95
:From the famous line, A census
taker once tried to test me.
96
:I ate his liver with some
fava beans and a nice Chianti.
97
:Unfortunately, this is not a nice Chianti.
98
:This was on clearance
at CVS Pharmacy for 5.
99
:97.
100
:Probably worth every penny.
101
:You're Full disclosure.
102
:I'm not a wine guy.
103
:I'm really not.
104
:Shocker.
105
:So I don't, I don't expect
this to turn out well.
106
:I'm going to have a glass and
we'll see if I can even finish it.
107
:Um, but I do have my
backup Mic Ultras ready.
108
:My, uh, my lightsabers.
109
:Um, so what are you drinking?
110
:So, I went with...
111
:Uh, one of my favorite breweries here
in Michigan, Shorts Brewing Company.
112
:We've had them on before.
113
:Um, they should be paying us.
114
:I'm actually going to their
brewery, uh, in June with Jesse and
115
:about four or six of our friends.
116
:And, uh, it's gonna be fun.
117
:But this beer is called Evil Urges.
118
:A Belgian, I wish it was
Swedish, but it's not.
119
:It's a Belgian dark, uh, Belgian
style dark ale brewed with amber.
120
:Candy sugar, whatever that is.
121
:So, it sounds sweet.
122
:We're gonna see.
123
:Oh, that sounded...
124
:I don't know what the ABV is.
125
:It doesn't say on the
can, which is unusual.
126
:It's a very dark beer.
127
:Oh, that sounds thick.
128
:That's very thick.
129
:Very nice head.
130
:Oh man, it is sweet.
131
:Sounded like, like, like lecter just now.
132
:Oh, that is frickin tasty.
133
:Is it good?
134
:Oh, yeah.
135
:Mmm.
136
:I think it's a high ABV.
137
:I don't know what this is.
138
:I'm gonna have to look it up.
139
:Come on.
140
:I heard the pop.
141
:Did you get it?
142
:Yeah.
143
:Alright, now let's do a...
144
:Holy crap.
145
:What we would call a drone pour.
146
:Half the bottle.
147
:I really, I really shouldn't, not knowing
what I'm getting myself into here.
148
:You probably, I don't know.
149
:You probably like them
sweet, I bet, but...
150
:Is Chianti sweet?
151
:I don't know.
152
:I've never had Chianti before.
153
:I believe, I believe it's a dry red.
154
:I'm gonna go out on a limb and
see if it wasn't for Salsa Lems.
155
:I don't know if I'd ever
know what Chianti was.
156
:Taste it.
157
:Tell me, tell me.
158
:Okay, you ready?
159
:Let's take our first drink.
160
:You just went with yours.
161
:Oh, yeah.
162
:Alright, I'm going to try the Hannibal.
163
:I'm surprised that on my
beer app, it only has a 3.
164
:6 average rating.
165
:Shocks me.
166
:Okay.
167
:I would definitely give it over a four.
168
:Oh, I did.
169
:I've rated this before.
170
:I forgot I've had it.
171
:So I ra, I gave it a 4.25 , so
my taste hasn't changed.
172
:Okay, here we go.
173
:Are you ready?
174
:Mm-hmm.
175
:. This is for Hannibal Lecter.
176
:Now the look on your face, , I can't
tell you if it's good or not because
177
:you don't know because I'm not a
wine drinker, so it's not sweet.
178
:Right.
179
:To me, this could taste
like absolute shit.
180
:I don't know.
181
:Compared to communion
wine, what do you think?
182
:It tastes a lot like communion wine.
183
:Are you telling me they've been
giving me Hannibal Lecter style
184
:Chianti in church every Sunday
since I, since I had communion?
185
:Oh, I better not comment
because I'll go to hell.
186
:Um, it's actually not bad.
187
:Now they said I did look up to whether
or not to have it chilled or not and
188
:it said Chianti should be chilled.
189
:So I, I had.
190
:The bottle, and I kept it on its side
to keep the cork moist, of course.
191
:You wine drinkers know
what I'm talking about.
192
:Put it in the cooler,
get it nice and cool.
193
:I even chilled my wine
glass before I poured it in.
194
:So, you know, uh, it's one
of those that it's, um, um,
195
:So, I don't know if I'm...
196
:The look on your face!
197
:We got...
198
:I don't know if I'm
gonna finish the glass.
199
:I'm certainly not going to finish the
bottle, I could tell you that much.
200
:I will eventually switch to
beer, in which case you will
201
:hear the cracking of my can open.
202
:Um, but I had to, in honor of
Lector, I had to give it a try.
203
:Yeah, absolutely.
204
:Um, where do we start?
205
:Because, let me, let's
start with some disclaimers.
206
:Uh, if you've been traumatized by a
serial killer, you might be triggered.
207
:Um, if you have a friend in a
cult, you might be triggered.
208
:Uh, in the, there's, we're
going to talk about suicide.
209
:That's a trigger.
210
:I mean, it's, it's, and who's
not affected by suicide now?
211
:Um, so there's a lot of things.
212
:Especially.
213
:How graphic this one goes.
214
:Oh, so yeah, let's do you
want to start with Midsommar?
215
:Actually.
216
:Yeah, that's fine.
217
:I don't care I really don't care.
218
:Let's start with Midsommar.
219
:Before you jump in Let me just let me
just say out the gate cuz I just watched
220
:it So I passively watched it the first
time I was busy doing other things while
221
:it was on But I was I was trying to take
some in knowing I was gonna rewatch it
222
:later And then I rewatched it knowing
what I was in for Probably not the best
223
:way to take in a movie, but um, But I
was able to, I was able to catch some
224
:things the second time that I missed.
225
:I was gonna say, it's better
the second time around.
226
:Yeah, um, but I, I would So, I told
you I was texting you, and uh, I said,
227
:I gave it an F, and then I said, oh,
the, I meant F, E F F, it was EFT.
228
:It was an EFT movie.
229
:When I first got that message
from you, I give it an F, I was
230
:like, is he out of his mind?
231
:Are we watching the same movie?
232
:So, here's the thing though.
233
:It is an effed up movie.
234
:Yes.
235
:I'm censoring myself here.
236
:I don't know why it's an effed up movie.
237
:It demands the F word.
238
:Um, I will do that for you.
239
:So, but, I will, I agree with you.
240
:That it was snubbed 100%.
241
:It was snubbed at the Oscars.
242
:I, I don't know why it wasn't nominated.
243
:Cause I, I do believe
it's a horror masterpiece.
244
:I mean, it's, it's, it was brilliant.
245
:I mean, the directing, the sound.
246
:So many, even the visuals when they
were on their highs, their trips.
247
:Yeah, yeah.
248
:There's some mushroom trips.
249
:Oh, here's another thing.
250
:Yeah, so if you've been triggered
by a bad acid trip or a bad mushroom
251
:trip, don't watch this movie.
252
:I'm just going to tell you right
now, do not watch this movie.
253
:I did acid in high school and I
was like, I was having flashbacks
254
:of like some rough trip bad.
255
:Will, Will, Will Poulter's
character is, uh, Um, I hope I'm,
256
:I hope I'm pronouncing that right.
257
:I hope, uh, cause, uh, I, I
believe, uh, I, I, is he European?
258
:I think he's European in real life.
259
:But, so, I might be, I mean, he might
have a European sounding last name, but
260
:Will Poulter for, as far as, It's written.
261
:Um, he's, he's the comic relief
of this movie pretty much.
262
:And when he's like, they're having
their trip and he's all, oh man,
263
:there's a new person coming.
264
:I can't take any more new people.
265
:And that is 100 percent real.
266
:Anyone that's done, anyone that's
done hallucinogens knows you can't,
267
:you can't add a new person to a trip.
268
:It's just, it's just, it'll go bad.
269
:Yeah.
270
:Oh my gosh.
271
:So.
272
:But yeah, I, I think in, like, um,
the visuals, like you said, like, um,
273
:so to have a horror movie that is 100
percent set in the daytime is unusual.
274
:It's bright and sunny in
just about every scene.
275
:I mean, there's some indoor
scenes that aren't as bright.
276
:Or actually, I should,
I should take that back.
277
:In the very beginning
of the movie, it's dark.
278
:Well, and there's, and, and,
there is a nighttime scene.
279
:Yeah, but it's, But almost
virtually nothing happens.
280
:No, no, I mean when she has her nightmare,
it's dark out, but it's all of, it's all
281
:of a two minute nightmare that she has.
282
:And I, and I want to say, well,
no, no, no, there is another part.
283
:Um, uh, we'll, we'll get to it.
284
:It's, it's one of the,
it's one of the murders.
285
:But anyway, um, again, full disclosure,
we're going to have to talk endings.
286
:Oh, we got to spoil this one.
287
:So if you, if you plan on watching
this, just shut it off right now.
288
:Go watch it and come back to the podcast
because we're going to ruin it for
289
:you if you, if you want to surprise.
290
:And as far as Sons of Lambs goes, I mean,
come on, that's what, 30 years ago now?
291
:Yes, long time ago.
292
:So, so you, you obviously everyone has,
should have seen it or at least knows.
293
:The gist of what happens in the movie,
um, also, uh, it's fair to mention
294
:that, um, we've brought up Midsommar in
previous podcasts, and I remember saying,
295
:uh, when we talk about great writing
and like how it ends and you know when
296
:the ending is, it's perfect, it's so
perfect that remember you saying that,
297
:so when it happened, I'm like, yep.
298
:That, that was perfect.
299
:Credits roll.
300
:Roll the credits now.
301
:Don't add another scene.
302
:Roll the credits right now.
303
:It's perfect.
304
:And it ends so, I mean, God,
what, and talk about a coming
305
:out party for Florence Pugh.
306
:Uh, she was also in the, uh, a remake
of the film Little Women that year.
307
:Jesse reminded me of that.
308
:And that just splashed
her all over the map.
309
:So, I mean, and of course now she's, you
know, she's in Marvel movies now, and
310
:now she's going to be in the Dune sequel.
311
:Another person I did not know that
was in this, because I hadn't seen it,
312
:William Jackson Harper, who also is
in The Good Place, loved that show.
313
:Our family loves that show.
314
:That's made by the, what's his name, who
made the, The Office and Parks and Rec.
315
:Oh right, um, the guy who plays Mose?
316
:Yeah, he plays Mose, yeah.
317
:But anyways, William Jackson
Harper, great actor, and he
318
:played a great part in this movie.
319
:And he is, uh, he, he's, um,
what's his name in the movie?
320
:What's his name in the movie?
321
:It is, uh, Josh.
322
:They just call him Josh.
323
:Oh right, he plays Josh.
324
:No, he, yeah, that's right.
325
:He plays Josh.
326
:So there are, uh, for anyone that
doesn't know, we'll recap this basically.
327
:There's, um, there's these four friends.
328
:Christian, Josh, Uh, Pele and, uh,
Will Poulter's character, Mark.
329
:Mark.
330
:Every time I mention him he's
funny because he brings so
331
:much comedy to the movie.
332
:Yeah.
333
:But, so, they are planning this.
334
:I bet he pissed on the ancestral tree.
335
:The ancestral tree.
336
:That guy's gonna kill me, isn't he?
337
:Yeah.
338
:Later, Ulf, Ulf is staring him down.
339
:He's like, looks like somebody's
still pissed about the ancestral tree.
340
:Um.
341
:And he's like, is he gonna kill me?
342
:Anyway, um, so, oddly enough, he
had no idea how true that was.
343
:So, um, so these four guys
are planning the Swedish trip.
344
:The movie opens, though, the movie
is not from their point of view.
345
:It's, it's Danny Arter,
uh, Danielle Arter.
346
:She is played by Florence Pugh.
347
:She's the lead in the film.
348
:She suffers a, a tragic event.
349
:Like, it can all, we'll
get into it in a second.
350
:But, uh, the most, uh,
horrific way to open a film.
351
:Um, and, and then...
352
:She finds out that her boyfriend,
her rather uncaring boyfriend, who's
353
:been planning on breaking up with
her, behind her back, he talks to
354
:his friends about how he's wanted to
break up with her for about a year.
355
:He's quite a douche.
356
:Yeah, the trauma she goes through at the
beginning now is going to affect that.
357
:It's a bummer for Christian
now, he can't break up with her.
358
:You know, like, it's all, you
know, oh no, now I can't break
359
:up with her, I have to...
360
:Be there for her or whatever.
361
:Well, I'll add, I'll add also like
his friends were also kind of, I
362
:mean, they're, they weren't jerks.
363
:They seem like decent guys.
364
:They're a bunch of college college kids
or, you know, probably in graduate school.
365
:I think they were talking about
dissertations for their, their graduate
366
:degree or whatever, but, um, but
they, they were pretty shallow and
367
:like, they were just kind of cold
about his, his relationship with her.
368
:So they, so they set the tone right
at that beginning about them kind
369
:of shit talking her, you know, her.
370
:Yeah, she's emotional and all this stuff.
371
:So they kind of had a bro thing
going on and you kind of felt like
372
:oh, yeah, they don't They're not
in it for the relationship, right?
373
:There's, there's even a line
in there that I believe Mark
374
:gives when they're at the bar.
375
:And he says, just drop her or something.
376
:And he goes, and then you know what, maybe
you'll meet a chick who likes to have sex.
377
:And it's just one line.
378
:It's a throwaway line.
379
:It's a loaded line.
380
:But you start to get the sense
that, you know, Florence Pugh's
381
:character, Danny, she has trouble.
382
:Opening up, you know, has
trouble with, trouble with, uh,
383
:uh, affection and closeness.
384
:Maybe she has trouble
opening up with douchebags.
385
:Yeah, and, and maybe just a tad,
and maybe just a tad prudish or
386
:maybe even on the virgin side.
387
:We don't know.
388
:It's just a line that indicates that
the sexual history between her and her
389
:boyfriend Christian is non existent,
if not, uh, uh, flawed in whatever way.
390
:It's not existent enough for
Christian, that's for sure.
391
:Um, but anyway, so, uh, she
decides that she wants to go
392
:with them on this Swedish trip.
393
:Or he asks her, sort of like,
expecting her to say no.
394
:She doesn't.
395
:Talk about that for a second.
396
:They all planned the trip and
he didn't even talk to her and
397
:tell her that they were gonna go.
398
:Right.
399
:Until they're at a party.
400
:She found out two weeks
before they were gonna leave.
401
:Yeah.
402
:For a month, mind you.
403
:For a bunch of dicks.
404
:I mean, that's just a, that's a dick move
to not even talk to your girlfriend about,
405
:Hey, I'm leaving for a month or two.
406
:For a month, yeah.
407
:Yeah.
408
:So, that was just...
409
:But they did a good job, so
that's, that's another thing about
410
:the writing and the directing.
411
:They did a great job setting the stage.
412
:Of the, of the dynamic of
these relationships before
413
:they enter the, the next scene.
414
:Because they are all so important.
415
:And, and again, how this film did not get
a screenplay nomination, I don't know.
416
:Um, because it all ties in.
417
:It's like a perfectly woven quilt with
every thread having its own meaning.
418
:And you just blend it all together.
419
:Um.
420
:Which is what great writing is.
421
:But anyway, so she decides
to go on this trip with them.
422
:And of course, then it starts to take
a turn into somewhat of a horror film.
423
:Uh, where they're at this,
uh, this cult like commune.
424
:And, um, they meet some
other Swedish people.
425
:It's in Sweden.
426
:Uh, one of the guys has brought
two of his guests from Europe.
427
:I can't remember if they
said, was it London?
428
:Okay, I was going to say London
or Paris, where Connie and,
429
:uh, oh, what's the other guy?
430
:Uh, the two, yeah, the
two, the, the, the couple.
431
:I'm sorry, that Ingmar brought,
Ingmar was the name of Pele's friend.
432
:Pele is the one that takes him to this,
by the way, because he's from there.
433
:It's his family.
434
:Is it Simon and Connie?
435
:I'm looking at the cast list.
436
:Simon.
437
:It is, it's Simon.
438
:So Simon and Connie were brought
by Ingmar, who is Pele's friend.
439
:Uh, and Pele brought three,
or sorry, four Americans.
440
:So it's, it's like they, they get
to bring people to this thing.
441
:And this specific version of the Midsummer
event takes place once every 90 years.
442
:What Pele leaves out is that there's
going to be some sacrificing of people.
443
:Um, What's crazy about that though,
what really blew me away is they,
444
:they played it off like, I think
it was halfway through the movie
445
:before I realized, oh my god, he, he
brought them here to be sacrificed.
446
:Yep.
447
:Yeah, and because like, At first,
you're like, wow, that's so, like, so
448
:let's get into the, the, the, what,
what happens, like, the day, the first
449
:full day they're there, the day after
they trip, and they're, you know,
450
:they get there, and, uh, they have
that ceremony that you were just about
451
:to start that, but there's the...
452
:I forgot what they called it, but
it's basically a ceremonial suicide,
453
:um, with, uh, 72 year olds, right?
454
:Wait, yeah, let's get it.
455
:We're getting ahead of ourselves now.
456
:Well, okay.
457
:But, but what I'm, I guess the only
reason I brought that up is, um, You
458
:have that trauma early in the movie,
and you're like, wow, so it kind of
459
:dis, disorients you a little bit,
and you're like, holy crap, this is
460
:a weird commune, but this is just a
weird aspect of their, their tradition.
461
:Well, it's, it's not too early.
462
:It's right before the midpoint scene.
463
:Isn't that late, far?
464
:Yeah, it's right before halfway.
465
:Okay.
466
:And it's important that it lands there.
467
:Um, but, it lands there.
468
:No pun intended.
469
:Sorry.
470
:For the two old sorry 72 year olds.
471
:That lady face planted, man.
472
:I was gonna say, who
meet their untimely doom.
473
:But it's very timely.
474
:Oh no.
475
:And, hey, no.
476
:Hey, for the record,
the lady does it right.
477
:It's the guy that screws it up.
478
:I know.
479
:The guy fights it up again.
480
:Why did he go feet first?
481
:Because he was a pussy at the end.
482
:He ended up being a pussy.
483
:And he, and he jumped so half heartedly
falls slash jumps off the clip.
484
:All right, it's so, so traumatizing.
485
:In this commune, your life
goes in seasons, okay?
486
:And I believe I wrote it down here so
I wouldn't forget the actual seasons.
487
:Um, oh jeez, where is it?
488
:Where is it?
489
:Where is it?
490
:Um, oh man.
491
:Oh, okay.
492
:So, zero to eighteen is spring.
493
:That's where you're a child and you're
coming of age and learning shit.
494
:Thirteen I'm sorry, eighteen
to thirty six is summer.
495
:It's what they call your pilgrimage.
496
:It's where you go to this festival.
497
:Right?
498
:Between eighteen and thirty six.
499
:And then thirty six to fifty four is fall.
500
:That's what they call your working age.
501
:That's where you, you know, take care
of the commune and you do all your shit.
502
:54 to 72, you're called mentor.
503
:So that's where you mentor people, and
you're basically retired and whatever.
504
:And then, Danny has a line in there
where she's like, What happens after 72?
505
:And Pelly just sort of looks at her and
laughs, and he's, And then he does the
506
:thing, you know, with the, the throat.
507
:Yeah, he pulls his hand across his throat
like he's gonna get, like he'd die.
508
:Yeah, like he'd die.
509
:And nobody says anything!
510
:I know!
511
:They just kind of laugh.
512
:They think he's joking, whatever.
513
:And then they go to the ceremony, where
two old people have apparently reached 72.
514
:And it's time for them to go.
515
:And they go up to this cliff.
516
:It's very ceremonial.
517
:They cut their palms and they write
their blood on this ceremonial stone.
518
:And everybody's chanting
and blah, blah, blah.
519
:And they're all in robes.
520
:And they get up there.
521
:And the Americans and the couple
from London are watching this like,
522
:Wow, I wonder what's going to happen.
523
:And the woman just fucking falls over.
524
:Swan dives.
525
:Like she's going to
belly flop into a pool.
526
:And she lands face first on this
fuckin rock, and her head just fuckin
527
:explodes, just like, like a piΓ±ata,
just shit, just flies everywhere.
528
:And then, and everybody's mortified,
except the commune people, right?
529
:Because they do this shit all the
time, so they're like, whatever.
530
:But the Americans are horrified,
and the couple from London
531
:is absolutely losing it.
532
:Like, Simon is absolutely losing it.
533
:And here's why this
works as a horror film.
534
:I mean, if that were to happen in
like, I don't know, something about
535
:the setting being so bright and happy
and shiny and, and all the people
536
:are, this is just, this is just what
we do, you know, it's just normal.
537
:Yeah.
538
:Yeah.
539
:And that, with the juxtaposition
of all the, the, the western,
540
:the, the, you know, the, The
people from, uh, London and the U.
541
:S.
542
:are just in horror.
543
:Absolute horror.
544
:Um, I mean, it was, it
was stark, you know, so.
545
:Yeah, it was, it was fantastic.
546
:And then, of course, the old man,
it's his turn now, the husband.
547
:And he just wimps out at the last second.
548
:Doesn't want to land on
his face, apparently.
549
:What he wanted to do...
550
:Was laying on his feet.
551
:Like a fucking cat.
552
:Unfortunately, he's not a cat.
553
:He's a brutal 72 year old man.
554
:So his feet look like, his legs
end up looking like a pretzel
555
:by the time he hits the ground.
556
:They're all mangled and shit
and bones are sticking out
557
:and blood's flying everywhere.
558
:Screaming, writhing in pain.
559
:And they're prepared for this.
560
:Oh yeah.
561
:Because apparently this shit might
happen a lot, where they chicken out at
562
:the last moment, and they don't go face
first onto the rock, they go feet first.
563
:They know it's gonna jack them
up anyway, so they're prepared.
564
:They bring a big ass mallet with them.
565
:Where they proceed to
crush this dude's skull.
566
:This is like a wild e coyote mallet.
567
:Folks, folks, folks, I
implore you, listen to me.
568
:If you think this is one of those
movies that don't show it...
569
:Oh no.
570
:Where they're about, they're
about to swing the mallet and
571
:then the camera cuts away.
572
:This isn't one of those movies.
573
:No, not one of those.
574
:You're gonna see what a mallet
does to an old man's face.
575
:Okay?
576
:Not what does to his skull.
577
:I mean.
578
:Yeah, like just completely crushes it in.
579
:And they're not done, they pass it to
each other and they all take a lick.
580
:Everyone gets a whack at it.
581
:Everyone gets a whack.
582
:It's tradition.
583
:It's what we do.
584
:So, so.
585
:Alright, so, alright, so, so, uh, I have
to say, before we continue, One of the
586
:things that made me want to go see this
movie originally was, I was reading...
587
:And wait a minute, hold on, let me
just tell the audience right now, You
588
:took our mother to see this movie!
589
:Yes, it's fair to say, now wait,
before we even get to that...
590
:I can't believe you took mine to see this!
591
:So I was reading...
592
:My poor mother, for anyone that's
listening to this, I have taken my
593
:mother to see Leaving Las Vegas.
594
:Wait, wasn't she 72 when she saw it?
595
:Uh, maybe?
596
:No, wait.
597
:Not even, it came out in 19, right?
598
:Right, and then she's one of 48.
599
:She turned 70 in 18, so she was 71.
600
:She was gonna turn 72 that year.
601
:She's 71, yeah.
602
:She was in her final year of mentorship.
603
:Dude, that's so messed up.
604
:So I've taken my mother
to sea leaving Las Vegas.
605
:I've taken my mother to sea I've
taken my mother to see all kinds
606
:of horrific films that a young lad
should not take his mother to see.
607
:Oh no.
608
:This was one of them.
609
:I took my mother to see Midsommar.
610
:And the reason I wanted to
see it was Jordan Poole.
611
:Uh, Peele, I'm sorry, Jordan Peele.
612
:Jordan Peele, um, from, everyone knows
him comically from Key and Peele.
613
:Yeah.
614
:He's also a writer director, he did,
uh, Get Out, and, um, the most recent
615
:one, uh, Nope, and, uh, other, there was
another one, I think it was called Us?
616
:Yeah, I've not seen any of them,
and I, I really need to, cause I've
617
:heard such great things about them.
618
:Yeah, oh yeah, they're great,
but you should watch them.
619
:In order of, of, when they came out.
620
:None of them are connected, but you can
see Jordan Peele's sort of progression.
621
:As a writer, director, his
films get creepier as they go.
622
:And, uh, so we start with Get Out.
623
:Uh, it was the one who won the
Oscar for best screenplay for it.
624
:He said in an interview, I
had no idea about Midsommar,
625
:I'd never even heard of it.
626
:I might have saw a trailer, or not
even a trailer, just a billboard or
627
:something of the girl crying where you
said it looks like Leonardo DiCaprio.
628
:So that picture, that picture was
on a billboard somewhere, so I
629
:only knew of it by a billboard.
630
:Jordan Peele said in some sort of
interview or whatever, It's the
631
:greatest horror film he's ever seen.
632
:Or, it's, it's the quintessential
horror film, or something like that.
633
:He gave it some high praise.
634
:Right.
635
:And I remember watching Get Out and
loving it and thinking, If Jordan
636
:Peele thinks Midsommar is that
good, I gotta go fuckin see it.
637
:Yeah.
638
:So I took Mom.
639
:Zero regrets.
640
:Zero regrets.
641
:So, I, I was trying to figure out, like,
did I get some unrated version because...
642
:There were no filters when it came
to nudity and, you know, I mean, did
643
:they show all that in the theater?
644
:Yep.
645
:I mean, there was a lot of dicks.
646
:Christian's red dick from
having sex with a virgin girl.
647
:Oh my god, it was horrible.
648
:Red dick flopping around
as he's running around.
649
:I don't know, I'm just a prude
I guess, but I'm not used
650
:to seeing that in a movie.
651
:It's Sweden, Chris.
652
:It's Sweden.
653
:That's how shit rolls over there, I guess.
654
:God.
655
:Anyway, so...
656
:Hey, hey, real quick, real quick.
657
:Can you either...
658
:I don't know if you can scoot
your seat back a little or
659
:turn down the mic a little.
660
:It's turning red a lot.
661
:That's what she said.
662
:How about there?
663
:Is that a little better?
664
:I think so, but you're gonna get animated
again, and it's probably gonna get loud.
665
:Well, I fucking take offense to that.
666
:Anyway, do you believe this, people?
667
:He says I get animated.
668
:Anyway, so, I'll tell
you how animated I am.
669
:I'm gonna pour another
glass of this Chianti.
670
:Cause see, here's what's happening now.
671
:My taste buds are being fried off, so I
no longer even really taste it anymore.
672
:Let's get myself another
healthy pour there.
673
:You know what, I might finish this bottle.
674
:That's the beauty about wine bottles.
675
:There's only about four
glasses in each one.
676
:Well, two if you're drinking like you are.
677
:Two and a half.
678
:I am not offended by that.
679
:These are, these are, hashtag true story.
680
:Okay, so, so we're getting way,
we're fucking jumping around here.
681
:We gotta go back to the beginning.
682
:Theme.
683
:We always talk about great writing, right?
684
:What's the theme?
685
:Okay, did you pick up what the theme was?
686
:So, for me, so, I didn't flesh
this out in my own thought process,
687
:but, I mean, uh, what's your name?
688
:Danny.
689
:Danny's the lead.
690
:And she, she went through this
trauma and, but her relationship
691
:with, not just with her boyfriend,
but with his friends is what I would
692
:call sort of a dysfunctional one.
693
:She's, she's like, it's like she's
needy in a way that's not healthy
694
:with them because she, she submits
in a way that like she should stand
695
:when she should stand up for herself.
696
:In a couple of scenes in the beginning.
697
:So, she, her, her journey, she needs
to learn to stand up for herself.
698
:And needs to, you know, uh,
value, you know, her own person.
699
:And, and, oh boy, does she.
700
:At the very end.
701
:Right, so, so, so here's what I got.
702
:There's an actual line.
703
:And we always talk about, you know,
five or six minutes into the film.
704
:Literally six minutes into the movie.
705
:Keep in mind the first
five minutes of this film.
706
:Yeah hard to watch.
707
:Yeah, very very hard to watch very
hard Well, you didn't even say what
708
:it was, but she lost her parents
because of her sister bipolar sister
709
:Murdered them and took her own life.
710
:Yeah, so and and not just oh I found
out that my sister killed herself and my
711
:parents they show how she did it basically
how she did it and it is Grotesque, okay?
712
:It is, um, uh, And what's, what I
thought was ironic, and maybe this is,
713
:uh, Maybe sort of a, uh, a director's
point for the rest of the film.
714
:You mentioned how it's always daylight.
715
:All this horror happens at daylight.
716
:All these freaky, scary things are going
on in the middle of the fucking day.
717
:In a place that seems so, uh,
beautiful and benign to danger and
718
:just happiness and people are happy.
719
:There's flowers in their
hair and all this shit.
720
:The contrast there, the method of suicide
was, uh, carbon monoxide poisoning.
721
:from a car.
722
:And for anyone that knows, if you put
your car in the garage and turn it
723
:on, you could die of carbon monoxide
poisoning because the gas can't get out.
724
:And you generally will pass
out or die in your sleep.
725
:As the father does.
726
:It appears when they're putting
the bodies in a body bag that
727
:the mother woke and was gasping.
728
:Because she dies with her face frozen.
729
:Yeah, I didn't even catch that.
730
:In that, in that sort of like, you
know, with eyes open, mouth open.
731
:But the father, as they're putting
the father in the body bag...
732
:He's no expression.
733
:He's asleep.
734
:He died in his sleep.
735
:Yeah, so you get the I guess what I'm
what I'm going for here Is the idea if
736
:you were going to this is a horrific
obviously subject to talk about but if
737
:you're going to kill yourself one might
assume dying by carbon monoxide poisoning
738
:would be Sort of the EAs, I don't wanna
say easiest way, but, um, less likely for,
739
:I don't know, destruction, pain, blood.
740
:You know what I mean?
741
:You're not blowing your
brains out with a gun.
742
:Um, you know, some people that have
the fear of choking to death, you know,
743
:for some, I guess if you want to kill
yourself, you're gonna go either way.
744
:Just, it doesn't matter what you do,
um, but hanging yourself or jumping
745
:off of a building or jumping off of a
bridge, This has an added element of
746
:fear, I think, to somebody who's already
going through life with a lot of pain.
747
:So somebody that might choose carbon
monoxide poisoning as a way of death,
748
:you would think they're choosing that
as a sort of an easier way to drift, to
749
:just go to sleep and you don't wake up.
750
:Yet, as the rest of the movie is,
that contrast is there that this
751
:carbon monoxide poisoning was violent.
752
:It was the way she had the tubes going
from the car, she duct taped everything,
753
:and the, and the closing shot of it is
the tube going into her mouth, the sister,
754
:duct taped so that even if she started to
panic, she wouldn't pull it out, you know?
755
:And, and if, I couldn't tell, with her
hands bound, I'd have to watch it again.
756
:It looks like her hands are at her side,
but you can see vomit all over her shirt.
757
:Right?
758
:So it's like, God, what a way.
759
:Yeah, it was so traumatic, I
kind of backed away from the
760
:TV with my hand over my face.
761
:Yeah, if you...
762
:I actually purposefully
didn't study the scene.
763
:If you thought at all...
764
:That that would be, you know, again,
there's obviously get help if you've
765
:ever had these kinds of thoughts,
but if you ever thought that carbon
766
:monoxide poisoning was, well, if I
had to do it, that's the way to go.
767
:You will think differently
after you watch this movie.
768
:Because...
769
:And it's traumatic for those who have
to see the aftermath as well, so.
770
:My God, yes.
771
:Exactly.
772
:Like, it's just, what a horrific
opening five minutes to a movie.
773
:This does have an interesting
connection to Silence of the
774
:Lambs, though, I wanted to mention.
775
:Hmm.
776
:Okay, we always talk about...
777
:Uh, script structure.
778
:That Chianti's hittin ya.
779
:That second, second glass, baby.
780
:That second glass is kickin in!
781
:Um, ha ha.
782
:Script structure, that you usually open
with your main character, and you kind of
783
:show Their life as it regularly is, right?
784
:The usually the first 10 15 minutes
of a movie is what Blake Snyder used
785
:to call at work, at home, at play.
786
:You show them a day on the job.
787
:You show them maybe at home.
788
:What do they do when they're at home
when they get home from their a long day?
789
:And then maybe show them doing something
recreational, you know, something at play.
790
:Maybe they play racquetball or something.
791
:The point is you're setting up
this person's regular life before
792
:any shit hits the fan, which
would catapult them into act two.
793
:Both Sons of the Lambs and
Midsommar sort of flip that.
794
:They give you the craziness
right off the bat.
795
:Clarice meets with Starling in the
first ten minutes of the movie.
796
:Like...
797
:We meet Clarice Starling, and boom, she's
told right off the bat by Jack Crawford,
798
:Hey, you're gonna go meet the psychopath
in this cell today, go talk to him.
799
:We haven't even met Clarice, we
don't know anything about her yet.
800
:And yet, that's the bludgeoning we
get in the first ten minutes of the
801
:movie is her meeting with Lecter.
802
:We don't know anything about
him, other than he's a cannibal.
803
:We don't know anything about
her, other than she's a trainee.
804
:Same thing in Midsommar.
805
:We haven't even met Danny.
806
:We don't know what the
fuck's going on yet.
807
:Right, right.
808
:And we're met with this
traumatic opening five minutes.
809
:Both films, before you get
to that second turning point,
810
:then slow down a little bit.
811
:They give you the trauma up front.
812
:I wouldn't say it sounds like it's
just trauma, but meeting, uh, Lecter
813
:for the first time is very unsettling.
814
:And then they pull back a little bit.
815
:Then we get to see Clarice.
816
:We'll talk about this later.
817
:But we, then we get to see
Clarice is sort of like at work,
818
:at home, at play kind of thing.
819
:And then Danny.
820
:Uh, is, more of her, is, how
to, I'm just dealing with this
821
:now, you know what I mean?
822
:I'm, I'm, I'm sleeping all day, I'm
not going to class anymore, I, I've
823
:just been suffering for, I, because the
movie takes place, it's winter time.
824
:Yeah.
825
:When the movie opens, and then
by the time the sweetest thing
826
:is coming out, it's summer time.
827
:Yeah.
828
:So for a good five, six months,
she's just been sort of shitty.
829
:Surviving, right?
830
:Right, like, just, I, this
is a shitty way to live.
831
:Did you like the picture,
the screenshot I sent?
832
:Yes.
833
:What was that ding?
834
:Why is that not?
835
:Let me silence my phone.
836
:Sorry about that, everybody.
837
:Silence your phone?
838
:Silence of the phone.
839
:Yeah, so I sent you a screenshot of
a scene, I paused it, where Danny's
840
:laying in bed, just grieving.
841
:And, uh, there's a big picture
on her wall above her bed.
842
:And it's of, uh, looks like
a little girl kissing a bear.
843
:Which is so genius.
844
:And I sent you, I looked it up, I
did a Google search on that painting.
845
:This film was loaded with foreshadowing.
846
:Loaded with foreshadowing.
847
:So, just, I mean, I don't know if we have
to jump ahead, but, um, There's a scene
848
:late in the movie where there is a bear.
849
:No, no, no, no, shut up!
850
:We'll get to that.
851
:Don't fucking ruin it now.
852
:We'll ruin it later.
853
:Now, so...
854
:So, um...
855
:But what was cool, that painting
was made by a Swedish painter.
856
:Uh, a writer.
857
:Did he write, did he write and, did
he write the book that he painted?
858
:He wrote children's books
and did the illustrations.
859
:Illustration, and he's from Sweden, so.
860
:So, okay, so six minutes in after this
traumatic, uh, I, uh, thing, Um, and
861
:you know me now, every time I watch
a movie I'm listening for, what?
862
:Come on, somebody say something to the
main character that, to me, signifies.
863
:Yeah, so what'd they say?
864
:In the six minute mark.
865
:So, in the six minute mark, she's on
the phone with one of her girlfriends,
866
:and she's complaining about Christian.
867
:And the fucking girl on the
phone says, He needs to be
868
:there for you, or good riddance.
869
:Ha ha ha ha ha ha.
870
:Yeah, that's foreshadowing
if I ever saw it.
871
:So, so, uh, yeah, so I'm like,
oh, boom, there it fucking is.
872
:It just hit me like a, and again,
I've seen this movie like ten times.
873
:But now preparing for this podcast, I
was watching it again, and this thing
874
:hit me in the face like a ton of bricks.
875
:Just, my God, there it is.
876
:If he's not there for me...
877
:Good riddance.
878
:Good riddance.
879
:And the whole rest of the movie,
she, like you said, she, she needs
880
:to stand up for herself, right?
881
:That's all part of it.
882
:That's all part of it.
883
:Yeah, being able to assert
herself in this relationship.
884
:That theme kept coming up because
when I first got there, like his
885
:friends wanted to do some mushrooms.
886
:Yeah, she didn't feel like she
was a little uneasy about it.
887
:She wanted to settle in first,
but then because of the peer
888
:pressure She's like, okay, you
know, and then she had a bad trip.
889
:That's what I wrote down I wrote down
that the emotional tug of war for
890
:her is when to assert myself, right?
891
:There are some times she's like,
no I don't like this And there's
892
:times where she's like, okay, fine.
893
:You know what I mean?
894
:She doesn't know when to assert
herself with Christian and his friends.
895
:Sort of unsure of herself.
896
:And yeah, right.
897
:So.
898
:I actually wrote down the battle
she endures is do I smother him or
899
:not because she says on the phone
I feel like I'm smothering him.
900
:That's what she tells the friend
Yeah, the friend's like he needs to
901
:be there for you or good riddance She
goes, but I feel like I'm smothering
902
:him, you know, and So, okay, so it's
clear to me and here's where we get
903
:into tangible spiritual goals, right?
904
:God, I fucking love this
part This is the part.
905
:This is what I love most about
Midsommar So tangible spiritual goals.
906
:What do we always say the tangible goal?
907
:You, is what you want.
908
:Right?
909
:The spiritual goal is what
you don't know you needed.
910
:It's what you need,
but you didn't know it.
911
:Right.
912
:Right?
913
:And by going through your journey,
you achieve it at the end.
914
:Now, the tangible goal is what you
think you want, and you usually
915
:get that at the midpoint scene.
916
:Yeah.
917
:Right?
918
:And halfway through.
919
:So, let me, the midpoint scene is
when Pele is talking to Danny, right?
920
:Yes!
921
:Yeah.
922
:Exactly at the midpoint scene.
923
:Now, here's what's important about that.
924
:Okay?
925
:So, her tangible goal is to
feel support and comfort.
926
:Right.
927
:To be held.
928
:And she got it there.
929
:To be held.
930
:Yep.
931
:Right?
932
:And that's exactly what he asked her.
933
:Right?
934
:Yeah.
935
:Do you feel held by Christian?
936
:Like, have you, and he's telling the
story about how his parents, by the
937
:way he says his parents died in a fire.
938
:I didn't even think about that!
939
:Something to think about.
940
:Something to think about.
941
:Uh, he says his parents died in a fire.
942
:But he's, he, and she doesn't want
to hear, she's like, she's crying,
943
:she doesn't want to hear any of this.
944
:But when he says, the difference between
you and I is I had a family here.
945
:This family.
946
:They held me when I needed it.
947
:You've had nobody.
948
:Right?
949
:Like, and she knows what he's
saying, because she even says
950
:Christian could walk in any moment.
951
:He's like, I don't give a shit.
952
:But yeah, and he even asked her,
so when you're with Christian,
953
:do you feel like you're at home?
954
:Right.
955
:Do you feel, right, do you feel home?
956
:Yeah, and he says something
else that's very interesting.
957
:I wanted you to come more than
anything, more than anyone.
958
:Right?
959
:He's been planning this shit.
960
:You know Pele's been planning this shit.
961
:Now, he probably didn't
plan for her to come.
962
:He probably just thought, I'm
gonna bring my American friends,
963
:and maybe I'll sacrifice them,
because they're all assholes.
964
:But, but, but when he met Dani, he
probably thought, this, this could
965
:be, there could be something here.
966
:I want her to come to this.
967
:Because she needs this.
968
:Right?
969
:Um, so, okay, so we get into Act
2, the act, obviously Act 1 is the
970
:turning point, which takes you from
Act 2 to Act 1 is her deciding to go.
971
:And it's, uh, another conversation
with Pele, obviously, it's interesting
972
:enough that he shows up at the turn,
first turning point, the midpoint
973
:scene, and the third turning point.
974
:So, um, actually, actually, It's not
really the third turn, uh, the second
975
:turning point, which takes you into Act 3.
976
:It's, uh, we'll, we'll get to that.
977
:But he's at the first turning
point because he's telling her...
978
:You know when they're sitting on the
couch and he's uh, oh, I just want to
979
:tell you I was so sorry What happened
your family she freaks out right?
980
:She's not ready to talk about it
And there's a great shot that r.
981
:a.
982
:esther does where she says I got to
use the bathroom And she goes to the
983
:bathroom when she closes the door.
984
:She's in the plane Yeah, she's in
the plane on her way to sweden.
985
:I I I it's funny because I was
passively watching it I didn't catch
986
:that the first time But I actually, I
did because I didn't, I didn't catch
987
:the whole scene because I looked
down and I'm like, Oh, she's in the
988
:plane now, but I didn't get the whole
impact of how that scene unfolded.
989
:And it was really, it was a great shot.
990
:Yeah.
991
:Yeah.
992
:It's a great edit cut.
993
:Yes.
994
:And, um, so she's on the plane now.
995
:And so now you're in
the second act, right?
996
:Because it's a mirror flip of act one.
997
:It's, it's, uh, it's, I'm in a
stranger in a strange land, right?
998
:It's now a new thing.
999
:Um.
:
00:46:16,395 --> 00:46:19,245
What also is interesting, Ari Aster
does, now again, I know we always talk
:
00:46:19,255 --> 00:46:21,735
about screenwriting, but sometimes
we throw in nice little moments of
:
00:46:21,735 --> 00:46:24,355
directing, when they're in the car.
:
00:46:26,075 --> 00:46:28,175
As they're driving in
the car, what does R.
:
00:46:28,175 --> 00:46:28,275
E.
:
00:46:28,275 --> 00:46:28,445
S.
:
00:46:28,505 --> 00:46:29,275
do with the camera?
:
00:46:30,495 --> 00:46:34,385
It almost, it like goes up to show
the sign as they're passing it by.
:
00:46:34,395 --> 00:46:34,635
Oh yeah, that was cool.
:
00:46:35,295 --> 00:46:37,635
And then it goes completely upside down.
:
00:46:38,115 --> 00:46:38,825
Yeah, that was freaking awesome.
:
00:46:38,965 --> 00:46:43,225
To where the car is upside down
and the whole world is upside down.
:
00:46:43,225 --> 00:46:45,725
So what did that say to
you when that happened?
:
00:46:45,785 --> 00:46:50,285
Again, that's almost
exactly saying we are now...
:
00:46:50,745 --> 00:46:55,535
In the upside down version of act
one, everything seemed to be, uh,
:
00:46:55,535 --> 00:46:57,285
where our characters were in act one.
:
00:46:57,285 --> 00:46:59,685
Now they're in something,
they have no idea.
:
00:46:59,725 --> 00:47:02,795
Like this is what they're getting
into now is completely upside down.
:
00:47:02,865 --> 00:47:03,165
Yeah.
:
00:47:03,395 --> 00:47:04,305
That was brilliant.
:
00:47:04,375 --> 00:47:06,055
And again, brilliant.
:
00:47:06,055 --> 00:47:06,945
I mean, that's all.
:
00:47:07,240 --> 00:47:08,640
In the directing, right?
:
00:47:08,640 --> 00:47:08,940
Yes.
:
00:47:09,000 --> 00:47:09,390
I mean...
:
00:47:09,400 --> 00:47:13,940
Now, I want to, are you ready to fuckin
blow your nuts off again, right now?
:
00:47:14,730 --> 00:47:19,060
When they first get to the commune,
and they meet Father Odd, Which,
:
00:47:19,060 --> 00:47:21,100
by the way, great name, Father Odd!
:
00:47:21,140 --> 00:47:22,030
Yeah, I know, right?
:
00:47:22,350 --> 00:47:22,990
Father Odd!
:
00:47:23,000 --> 00:47:24,730
He's fuckin odd!
:
00:47:25,410 --> 00:47:31,850
He's, he says, hello, or hi, to every
single one of them, except Danny.
:
00:47:32,990 --> 00:47:33,880
You know what he says?
:
00:47:33,890 --> 00:47:34,340
to Danny?
:
00:47:34,935 --> 00:47:35,535
What's he say?
:
00:47:35,745 --> 00:47:36,895
You can hear, you can hear it.
:
00:47:36,905 --> 00:47:38,635
If you watch it again, it's clear as day.
:
00:47:39,475 --> 00:47:40,425
He says, welcome home.
:
00:47:41,655 --> 00:47:42,955
Yeah, I do remember that now.
:
00:47:42,955 --> 00:47:43,435
Yeah.
:
00:47:43,435 --> 00:47:46,395
Yeah, he says welcome home
to Danny as he hugs her.
:
00:47:46,755 --> 00:47:48,555
He hugs her, by the way.
:
00:47:49,015 --> 00:47:51,295
He shakes the hands of
everybody else, says, oh, hello.
:
00:47:51,315 --> 00:47:51,555
Hi.
:
00:47:51,555 --> 00:47:51,825
Hi.
:
00:47:51,845 --> 00:47:54,025
And when he gets to Danny, he
hugs her and says, welcome home.
:
00:47:55,075 --> 00:47:56,755
How creepy is that fucking shit?
:
00:47:57,765 --> 00:48:02,095
So, Okay, so now we're in Act 2.
:
00:48:02,375 --> 00:48:04,765
A bunch of other crazy
shit's about to go down here.
:
00:48:04,785 --> 00:48:10,055
So then, there is a moment,
a scene where there is a lot
:
00:48:10,055 --> 00:48:11,595
of info being thrown at you.
:
00:48:11,895 --> 00:48:16,805
Now keep in mind that the
redhead, uh, uh, uh, Maha?
:
00:48:16,855 --> 00:48:17,425
Maha?
:
00:48:17,585 --> 00:48:18,035
Mahi?
:
00:48:18,125 --> 00:48:18,685
Maha.
:
00:48:19,740 --> 00:48:20,240
The redhead.
:
00:48:20,360 --> 00:48:21,640
The one that, with the pubes.
:
00:48:22,890 --> 00:48:25,490
Okay, that, alright, that's
odd to describe somebody, but
:
00:48:25,510 --> 00:48:26,730
you'll understand in a minute.
:
00:48:26,740 --> 00:48:29,530
If you have not seen this movie,
you're like, what the hell?
:
00:48:31,860 --> 00:48:33,180
The one with the pubes.
:
00:48:33,910 --> 00:48:35,220
I guess it's ma ha.
:
00:48:35,450 --> 00:48:35,690
Ma ha.
:
00:48:36,280 --> 00:48:41,630
In Spanish, the J's a H sound, but I
don't know, they're Swedish, I don't know.
:
00:48:42,160 --> 00:48:44,050
But they say it in the movie,
but I can't remember now.
:
00:48:44,060 --> 00:48:47,060
I've seen this movie now, over
ten times, and I can't remember
:
00:48:47,060 --> 00:48:48,430
if it's, I think it's Maja?
:
00:48:49,110 --> 00:48:50,260
Maybe it's Maja.
:
00:48:50,260 --> 00:48:50,449
Maja.
:
00:48:50,450 --> 00:48:50,860
Maja.
:
00:48:50,860 --> 00:48:51,610
It might be Maja.
:
00:48:51,960 --> 00:48:52,120
Maja.
:
00:48:52,400 --> 00:48:52,560
Maja.
:
00:48:52,600 --> 00:48:52,930
Okay.
:
00:48:53,130 --> 00:48:56,210
So, Maja's the redhead, and she's
already marked Christian at this point.
:
00:48:56,240 --> 00:48:56,420
Right.
:
00:48:56,670 --> 00:48:59,110
They've already been dancing around,
she's already kicked him in the side.
:
00:48:59,635 --> 00:49:00,825
And Danny noticed.
:
00:49:00,925 --> 00:49:01,705
Danny noticed.
:
00:49:01,715 --> 00:49:02,795
Like, what the fuck?
:
00:49:03,205 --> 00:49:07,465
Um, but then there's this really weird
segment where they're all walking and
:
00:49:07,655 --> 00:49:09,795
a lot of information is poured out.
:
00:49:10,145 --> 00:49:10,655
Okay?
:
00:49:10,885 --> 00:49:12,855
So, let me, let me just go through it.
:
00:49:13,625 --> 00:49:18,225
Ingmar says he met Connie and Simon
when he and Connie were dating.
:
00:49:19,955 --> 00:49:21,535
And Connie corrects him.
:
00:49:21,535 --> 00:49:25,285
She's like, We went on one date
and it was more like two friends.
:
00:49:26,210 --> 00:49:29,570
And, you know, I met Simon shortly
after that, or whatever, and Ingmar
:
00:49:29,600 --> 00:49:32,390
backtracks, he's like, Oh, right,
right, right, I'm sorry, I forgot.
:
00:49:32,990 --> 00:49:37,390
So now you get the idea that Ingmar
has wanted Connie, And because she
:
00:49:37,390 --> 00:49:41,670
got with Simon instead, That's why
he chose THEM to come to Midsommar,
:
00:49:41,840 --> 00:49:44,310
Cause he's gonna sacrifice these
two fuckin assholes, right?
:
00:49:44,580 --> 00:49:47,860
Like, he's bitter, he's bitter
that he didn't get Connie, right?
:
00:49:48,545 --> 00:49:50,405
It's obvious he has infatuation.
:
00:49:50,575 --> 00:49:53,085
I wrote in parenthesis, I write,
is this why he brought them?
:
00:49:53,515 --> 00:49:59,075
So, um, and then they talk about
the yellow triangle hut, that they
:
00:49:59,075 --> 00:50:00,835
can't go inside, it's ceremonial.
:
00:50:01,155 --> 00:50:04,255
And then Christian doesn't know how long
he's been with Danny, when they're like,
:
00:50:04,255 --> 00:50:05,375
how long have you two been together?
:
00:50:05,375 --> 00:50:06,895
And he's like, uh, I don't know.
:
00:50:07,670 --> 00:50:07,950
Two?
:
00:50:07,950 --> 00:50:08,250
Two and a half?
:
00:50:08,310 --> 00:50:08,800
Two years?
:
00:50:08,800 --> 00:50:09,210
Two and a half?
:
00:50:09,420 --> 00:50:11,340
And Danny's all, hello, three years?
:
00:50:11,610 --> 00:50:13,530
And he's all, oh, sorry, you know?
:
00:50:13,850 --> 00:50:14,330
Again, douchebag.
:
00:50:15,480 --> 00:50:17,010
It's right, it's obvious he's a douche.
:
00:50:17,300 --> 00:50:20,600
When the scene ends, they
show the bear in a cage.
:
00:50:20,920 --> 00:50:21,360
Yes.
:
00:50:21,370 --> 00:50:21,750
Right?
:
00:50:22,040 --> 00:50:22,780
And they're like, what the?
:
00:50:23,140 --> 00:50:23,900
Is that a bear?
:
00:50:24,640 --> 00:50:26,200
Or they're like, actually someone said.
:
00:50:26,685 --> 00:50:28,165
Are we not going to talk
about there's a bear here?
:
00:50:28,165 --> 00:50:31,115
Right, nobody's going to talk about the
fact there's a bear in a cage over there.
:
00:50:31,955 --> 00:50:34,735
It was a grizzly bear, it
wasn't just a little brown bear,
:
00:50:34,735 --> 00:50:35,725
I mean a little black bear.
:
00:50:35,955 --> 00:50:40,825
And as the camera pans away of those,
of everyone leaving, there's a drawing,
:
00:50:40,825 --> 00:50:44,845
a picture that's like held up by tree
branches or held up like a banner almost.
:
00:50:45,265 --> 00:50:48,755
It basically is dictating
what's about to happen next.
:
00:50:49,215 --> 00:50:56,820
It's a drawing of a girl who's infatuated,
who trims her pubes, Puts it in food
:
00:50:56,820 --> 00:51:02,230
for her man to eat, the man that she
wants, she puts her pubes in his food.
:
00:51:02,830 --> 00:51:05,210
And then, and by the way,
there's a drawing of a twat.
:
00:51:05,240 --> 00:51:08,520
Did we give a disclaimer about
how disturbing this movie is?
:
00:51:08,620 --> 00:51:11,960
I think we did, but we should
continue, well, it's too late now.
:
00:51:11,990 --> 00:51:15,560
There's literally a picture
drawing of scissors cutting
:
00:51:15,590 --> 00:51:17,340
pubes off of a hairy twat.
:
00:51:18,390 --> 00:51:20,900
And the hair is cooked into food.
:
00:51:21,160 --> 00:51:22,670
But wait, it doesn't end there.
:
00:51:23,010 --> 00:51:24,830
She takes her period blood.
:
00:51:25,805 --> 00:51:27,215
And puts it in his drink.
:
00:51:27,305 --> 00:51:29,605
Oh, yeah.
:
00:51:29,695 --> 00:51:31,435
And all this is in the drawing.
:
00:51:31,885 --> 00:51:35,905
And the end panel of the drawing is
that the man becomes infatuated, right?
:
00:51:36,145 --> 00:51:41,775
So, ladies, if you're listening, if
you want a guy All you have to do...
:
00:51:41,925 --> 00:51:42,505
Oh, come on.
:
00:51:44,955 --> 00:51:46,825
Don't even finish the sentence, man.
:
00:51:46,835 --> 00:51:48,045
Is trim off some pubes.
:
00:51:49,505 --> 00:51:50,895
Somehow put it in his food.
:
00:51:51,175 --> 00:51:55,975
You gotta mix a cocktail of
some kind of hallucinogen drug.
:
00:51:56,735 --> 00:51:59,115
And then put some of your
period blood in his drink.
:
00:51:59,115 --> 00:52:03,145
Now if you could pull those two things
off without him noticing, He's yours.
:
00:52:03,485 --> 00:52:04,085
He is yours.
:
00:52:04,355 --> 00:52:04,865
He's yours.
:
00:52:04,875 --> 00:52:05,625
That's so nasty.
:
00:52:05,995 --> 00:52:06,585
You own him.
:
00:52:06,955 --> 00:52:07,545
So anyway...
:
00:52:07,910 --> 00:52:09,520
So all that is dictated out.
:
00:52:09,660 --> 00:52:11,630
After that, they talk about the seasons.
:
00:52:11,820 --> 00:52:12,160
Yeah.
:
00:52:12,390 --> 00:52:16,000
Uh, what happens after 72, and
then the next day is this ceremony.
:
00:52:16,230 --> 00:52:16,670
Okay?
:
00:52:16,710 --> 00:52:16,940
Yeah.
:
00:52:17,380 --> 00:52:20,970
Um, b by the way, I h I wrote
down one little note about Mark
:
00:52:20,970 --> 00:52:22,670
being the the comete, that comedy.
:
00:52:23,460 --> 00:52:28,250
Um, right after they talk about the
seasons, and right before they say,
:
00:52:28,250 --> 00:52:33,210
Okay, let's go to bed, cause tomorrow's
this big ceremony, Uh, Paley's sister
:
00:52:33,210 --> 00:52:35,960
comes in, and gives Mark a look.
:
00:52:37,065 --> 00:52:40,035
And then when she leaves, Mark's
all, Oh my god, you guys saw that?
:
00:52:40,055 --> 00:52:40,725
You saw that, right?
:
00:52:40,725 --> 00:52:41,195
You saw that?
:
00:52:41,465 --> 00:52:41,765
The way she left?
:
00:52:42,145 --> 00:52:44,875
And then as she leaves, he goes,
Man, I wanna give her a bath.
:
00:52:46,005 --> 00:52:47,025
I know, that's so weird.
:
00:52:47,295 --> 00:52:49,175
I wanna give her a bath!
:
00:52:50,925 --> 00:52:51,255
Yeah.
:
00:52:52,095 --> 00:52:57,225
So anyway, so we get to the,
uh, uh, horrific, uh, scene.
:
00:52:57,645 --> 00:52:58,045
Right?
:
00:52:59,085 --> 00:53:03,125
Something about that scene that
didn't, uh, I didn't understand.
:
00:53:03,770 --> 00:53:09,170
They said that it's, uh, it's been 90
years since the last great feast and
:
00:53:09,170 --> 00:53:11,180
it'll be 90 years till the next one.
:
00:53:11,440 --> 00:53:16,130
So, do they do these sacrifices,
like, every year, just not
:
00:53:16,130 --> 00:53:17,480
when there's a great feast?
:
00:53:17,620 --> 00:53:20,800
So, here's, here's, here's
where, uh, I'm curious.
:
00:53:20,870 --> 00:53:24,130
Because they made it seem like they
do these sacrifices every 90 years.
:
00:53:24,430 --> 00:53:28,020
But, if Pele's parents
were in that fire...
:
00:53:28,480 --> 00:53:29,240
Well, yeah.
:
00:53:29,350 --> 00:53:31,470
Then the last time they
did this was 20 years ago.
:
00:53:31,560 --> 00:53:32,060
Yeah.
:
00:53:32,150 --> 00:53:32,450
Right?
:
00:53:32,830 --> 00:53:33,890
Right, so younger.
:
00:53:33,890 --> 00:53:37,500
Yeah, so I don't know it's it's
unclear how many times they murder
:
00:53:37,500 --> 00:53:42,610
people but but What's interesting
is how they pick the people?
:
00:53:43,395 --> 00:53:44,815
Without it coming back to them.
:
00:53:44,815 --> 00:53:46,675
You'd think cops would be
all over that place by now.
:
00:53:46,955 --> 00:53:48,535
I know, what I mean?
:
00:53:49,305 --> 00:53:51,775
Why does everyone that comes
and visits your commune never
:
00:53:51,775 --> 00:53:52,735
makes it out alive, right?
:
00:53:52,745 --> 00:53:53,685
They never come home.
:
00:53:54,135 --> 00:53:58,805
But, but it's almost like Pele
and, and Ingmar and anybody else
:
00:53:58,815 --> 00:54:01,965
knows they have to select people
who have no family of their own.
:
00:54:02,115 --> 00:54:03,955
No, no parents that are going
to come looking for them.
:
00:54:03,955 --> 00:54:04,955
No one that's going to miss them.
:
00:54:04,955 --> 00:54:06,755
Nobody's going to miss them.
:
00:54:06,785 --> 00:54:07,635
Right, that's weird.
:
00:54:07,635 --> 00:54:08,324
Like, this might be a...
:
00:54:09,865 --> 00:54:10,785
That's the creepy part.
:
00:54:11,035 --> 00:54:15,065
So anyway, so there's all this other
shit going on where Christian decides
:
00:54:15,065 --> 00:54:17,075
he wants to do his thesis paper.
:
00:54:17,115 --> 00:54:20,855
Now, after seeing the old people
die, Christian decides he wants to
:
00:54:20,855 --> 00:54:23,725
do his thesis paper on Midsommar,
which is why Josh is there.
:
00:54:23,915 --> 00:54:27,255
So of course they have this conflict
now, they get in this big argument,
:
00:54:27,655 --> 00:54:29,265
it leads to the midpoint scene.
:
00:54:29,265 --> 00:54:32,745
Now the midpoint scene that we already
talked about is Pele and Dani sitting
:
00:54:32,745 --> 00:54:35,185
on the bed, and he, he hits her with it.
:
00:54:35,510 --> 00:54:37,140
Do you feel held by Christian?
:
00:54:37,150 --> 00:54:37,710
You know what I mean?
:
00:54:37,710 --> 00:54:42,790
Like, and it's obvious the way she's
crying at the beginning of the scene and
:
00:54:42,790 --> 00:54:45,280
the way she's not at the end of the scene.
:
00:54:45,290 --> 00:54:45,540
Yeah.
:
00:54:45,940 --> 00:54:50,800
Is very, uh, it's very telling
about how she feels about Pele,
:
00:54:50,810 --> 00:54:54,070
or at least that she's getting
sucked into what he's selling.
:
00:54:55,575 --> 00:54:58,255
Um, that what he's selling,
she's, she's buying.
:
00:54:58,565 --> 00:55:02,505
So now we're in the second part
of Act 2, past the midpoint scene,
:
00:55:02,505 --> 00:55:05,605
where you know what happens there
every time we talk about these films.
:
00:55:05,955 --> 00:55:10,155
What happens, uh, midpoints being seen
is supposed to be your false victory.
:
00:55:10,505 --> 00:55:11,325
I got what I wanted.
:
00:55:11,325 --> 00:55:13,655
She finally felt that there was
somebody there that cared about her.
:
00:55:13,855 --> 00:55:14,135
Yeah.
:
00:55:14,645 --> 00:55:16,425
But you know the second half of the movie?
:
00:55:16,580 --> 00:55:20,290
Everything goes to shit, everything
falls apart, and it doesn't,
:
00:55:20,330 --> 00:55:21,730
this movie is no different.
:
00:55:21,790 --> 00:55:22,940
Oh boy, does it.
:
00:55:22,960 --> 00:55:29,160
Yeah, yeah, yeah, so, um, so it
starts off, this whole second part
:
00:55:29,160 --> 00:55:31,460
of the second act, the whole second
half of the film starts off with
:
00:55:31,470 --> 00:55:33,810
Mark pissing on the ancestral tree.
:
00:55:34,290 --> 00:55:40,650
Which couldn't have been a bigger mistake
on his part, he has no idea, but you know
:
00:55:40,720 --> 00:55:42,980
to his point He's like, it's just a tree.
:
00:55:43,390 --> 00:55:44,120
It's a dead tree.
:
00:55:44,300 --> 00:55:45,310
I had to take a piss.
:
00:55:45,530 --> 00:55:47,690
How could I know and he's right?
:
00:55:47,710 --> 00:55:48,840
Nobody fucking told him.
:
00:55:48,980 --> 00:55:52,990
There's no signs, but everybody loses
their shit including especially Ulf.
:
00:55:53,260 --> 00:55:55,720
And they have signs everywhere
Wasn't there a sign?
:
00:55:55,840 --> 00:55:56,980
I don't remember a sign.
:
00:55:57,030 --> 00:55:57,890
I don't remember a sign.
:
00:55:58,110 --> 00:56:00,600
If it was, it was in like
hieroglyphics or something that
:
00:56:00,600 --> 00:56:02,110
nobody fucking understood but them.
:
00:56:02,350 --> 00:56:02,660
Right.
:
00:56:02,690 --> 00:56:07,280
But Ulf is a commune member,
a friend of Ingmar and Pele's,
:
00:56:07,330 --> 00:56:08,480
and he's the one that loses it.
:
00:56:08,490 --> 00:56:09,200
He freaks out.
:
00:56:09,200 --> 00:56:10,850
He wants to beat the
shit out of Mark, right?
:
00:56:11,390 --> 00:56:12,850
Um, and then...
:
00:56:13,600 --> 00:56:14,710
Put your dick away!
:
00:56:14,840 --> 00:56:16,210
Yes, put your dick away!
:
00:56:16,290 --> 00:56:18,160
You're pissing on our ancestors!
:
00:56:18,690 --> 00:56:19,170
So...
:
00:56:19,915 --> 00:56:21,165
So, bad scene for Mark.
:
00:56:21,375 --> 00:56:23,915
I think he called it his dirty dick away.
:
00:56:24,305 --> 00:56:26,125
So, a bad scene for Mark.
:
00:56:26,545 --> 00:56:30,725
Immediately after that, Connie
has found that Simon is missing.
:
00:56:31,495 --> 00:56:34,265
Now, Simon was the one that
made a big fuss at the ceremony
:
00:56:34,265 --> 00:56:35,085
of the old people dying.
:
00:56:35,795 --> 00:56:37,335
Like, he called, he called them out.
:
00:56:37,345 --> 00:56:38,885
He was like, you're all fucking sick.
:
00:56:39,155 --> 00:56:40,275
You all, you know, this is insane.
:
00:56:40,275 --> 00:56:41,235
You're all fucked.
:
00:56:41,245 --> 00:56:42,635
He just said it over
and over and over again.
:
00:56:42,635 --> 00:56:45,045
Yeah, and he's like, you're all fucked,
you're all fucked, this is fucked.
:
00:56:45,065 --> 00:56:46,015
Why aren't the cops here?
:
00:56:46,015 --> 00:56:46,924
This is fucked.
:
00:56:46,925 --> 00:56:49,065
So, obviously, they're
like, this is a problem.
:
00:56:49,485 --> 00:56:51,055
And this is how we deal with problems.
:
00:56:51,465 --> 00:56:52,515
Simon goes missing.
:
00:56:52,545 --> 00:56:55,655
And they tell her, they tell Connie,
Oh, he went back to the train
:
00:56:55,655 --> 00:56:56,895
station, we'll be back to pick you up.
:
00:56:57,215 --> 00:56:59,155
And she's like, he wouldn't
have left without me!
:
00:56:59,845 --> 00:57:02,285
We came together like,
Yeah, he left without you.
:
00:57:05,145 --> 00:57:06,065
Obviously they're alike.
:
00:57:07,245 --> 00:57:11,200
But the funny thing is, when Danny
goes to tell Christian, Simon just left
:
00:57:11,200 --> 00:57:12,550
without Connie, can you believe that?
:
00:57:13,000 --> 00:57:14,560
Christian's all, wow, that's crazy.
:
00:57:14,640 --> 00:57:16,180
So tell me again more about this commune.
:
00:57:16,220 --> 00:57:19,570
Like, he's like, he's just
fucking, it's another example of
:
00:57:19,570 --> 00:57:21,090
where he's not listening to her.
:
00:57:21,630 --> 00:57:23,220
He doesn't care about her.
:
00:57:23,390 --> 00:57:24,790
Right, he's not there for her.
:
00:57:25,170 --> 00:57:25,820
Um.
:
00:57:26,290 --> 00:57:27,940
Hold on, I gotta fix something.
:
00:57:28,640 --> 00:57:29,130
Alright.
:
00:57:31,740 --> 00:57:32,250
There we go.
:
00:57:32,420 --> 00:57:35,230
You know, I'm actually
drinking this Chianti now.
:
00:57:35,300 --> 00:57:36,350
I'm fucking drinking it.
:
00:57:37,070 --> 00:57:38,520
I didn't think I was going to, but I am.
:
00:57:42,060 --> 00:57:42,540
Oh yeah.
:
00:57:44,120 --> 00:57:44,550
So.
:
00:57:47,595 --> 00:57:51,345
So, right after Simon Goes Missing,
are we back on yet or not yet?
:
00:57:51,575 --> 00:57:51,895
Hmm?
:
00:57:53,955 --> 00:57:54,625
Go for it, man.
:
00:57:54,865 --> 00:57:55,775
I'm, I'm listening.
:
00:57:57,555 --> 00:57:58,825
As he sucks on his head.
:
00:57:59,315 --> 00:57:59,945
Uh, alright.
:
00:58:01,205 --> 00:58:04,145
That came out a little wrong, but he
was drinking the head of his beer.
:
00:58:04,155 --> 00:58:05,325
You weren't wrong, but...
:
00:58:05,455 --> 00:58:06,565
I wasn't wrong at all.
:
00:58:06,775 --> 00:58:07,585
That just sounded wrong.
:
00:58:07,625 --> 00:58:11,495
Okay, so right after
Simon Goes Missing, um...
:
00:58:12,905 --> 00:58:14,175
They're making a meat tart.
:
00:58:14,305 --> 00:58:15,985
They're making meat tarts, right?
:
00:58:16,035 --> 00:58:18,625
And they invite Danny to come in
and help them make meat tarts.
:
00:58:18,905 --> 00:58:22,935
It seems clear to me that the
meat tart is fucking Simon.
:
00:58:23,305 --> 00:58:23,695
Oh.
:
00:58:24,195 --> 00:58:25,505
So now they're making a meat tart.
:
00:58:25,505 --> 00:58:26,715
I didn't even make that connection.
:
00:58:27,215 --> 00:58:28,505
So they're making a meat tart, right?
:
00:58:28,725 --> 00:58:31,705
The next scene, they're all sitting
around eating these meat tarts and
:
00:58:31,705 --> 00:58:36,075
what does Christian pull out of his
teeth while eating his meat tart?
:
00:58:36,465 --> 00:58:36,845
A pube.
:
00:58:37,605 --> 00:58:39,325
So, everything is starting
to go to shit here.
:
00:58:39,325 --> 00:58:42,325
And if you didn't notice that
it was a pube, who said it?
:
00:58:42,385 --> 00:58:43,045
Is that a pube?
:
00:58:43,655 --> 00:58:44,115
It's Mark.
:
00:58:44,115 --> 00:58:45,055
Of course it's Mark.
:
00:58:45,435 --> 00:58:46,255
It's always Mark, right?
:
00:58:46,315 --> 00:58:47,455
It's always Mark.
:
00:58:47,875 --> 00:58:49,735
Mark says, dude, is that a pube?
:
00:58:50,635 --> 00:58:52,525
And that's the same scene where he says...
:
00:58:53,015 --> 00:58:55,335
Uh, where Ulf is starin him
down, bad doggin him, and he's
:
00:58:55,335 --> 00:58:58,135
like, Looks like somebody's still
pissed about the ancestral tree.
:
00:58:58,665 --> 00:58:58,685
Yeah.
:
00:58:58,715 --> 00:59:00,635
And then, and then he
says, Is he gonna kill me?
:
00:59:00,645 --> 00:59:01,445
Is he gonna kill me?
:
00:59:02,145 --> 00:59:02,485
Right.
:
00:59:02,815 --> 00:59:06,135
So, and then, and then the girl that he's
hot for, that he wants to give a bath
:
00:59:06,145 --> 00:59:07,725
to, Pele's sister, comes and gets him.
:
00:59:07,865 --> 00:59:08,315
Mm hmm.
:
00:59:08,595 --> 00:59:11,105
Hey, Mark, come here, I wanna show
you somethin He's all, Hell yeah!
:
00:59:11,135 --> 00:59:12,085
She's gonna show me.
:
00:59:13,165 --> 00:59:13,535
Yeah.
:
00:59:14,015 --> 00:59:15,445
He has no idea what's coming next.
:
00:59:15,465 --> 00:59:15,815
So...
:
00:59:16,910 --> 00:59:19,570
Though they don't show
that scene, Mark dies.
:
00:59:19,610 --> 00:59:20,370
Mark dies.
:
00:59:20,400 --> 00:59:23,420
They kill Mark in that, in that scene.
:
00:59:23,930 --> 00:59:27,120
Um, and then they cut to that night.
:
00:59:27,130 --> 00:59:29,010
I wonder if that's a deleted scene.
:
00:59:30,220 --> 00:59:33,010
I, no, I don't think so because
here's, the next scene after
:
00:59:33,010 --> 00:59:34,100
that is the creepiest one.
:
00:59:34,400 --> 00:59:38,200
So this is one scene that does take place
in the dark, in the dark, at night time.
:
00:59:38,280 --> 00:59:39,290
Oh, right.
:
00:59:39,440 --> 00:59:44,310
Josh has crept out of their sleeping place
to go take pictures of the ancestral book.
:
00:59:44,310 --> 00:59:45,860
He's not supposed to go fucking near.
:
00:59:45,900 --> 00:59:46,590
Right.
:
00:59:46,800 --> 00:59:48,120
He's not supposed to
take pictures of this.
:
00:59:48,120 --> 00:59:49,470
Cheating from the good place.
:
00:59:50,540 --> 00:59:51,190
Yes.
:
00:59:51,460 --> 00:59:57,600
And he goes in there and you
see the, uh, deformed child.
:
00:59:58,200 --> 00:59:59,860
That's sleeping off to the side.
:
01:00:00,210 --> 01:00:01,910
He walks right past him, by the way.
:
01:00:02,260 --> 01:00:03,960
And he starts taking
pictures with his phone.
:
01:00:04,840 --> 01:00:07,570
He sees a reflection in the mirror
of somebody standing in the doorway.
:
01:00:07,930 --> 01:00:09,930
He turns around and he
believes that it's Mark.
:
01:00:10,690 --> 01:00:12,180
And he says, Mark, what
are you doing here?
:
01:00:12,180 --> 01:00:12,980
You're not supposed to be here.
:
01:00:13,260 --> 01:00:15,510
Now, when the camera goes up...
:
01:00:15,760 --> 01:00:18,410
And you see the reflection
in the, in the glass.
:
01:00:18,910 --> 01:00:22,340
When he spins around to yell
at who he believes is Mark.
:
01:00:22,400 --> 01:00:22,750
Right.
:
01:00:22,870 --> 01:00:24,150
The camera follows.
:
01:00:24,170 --> 01:00:25,020
It doesn't cut.
:
01:00:25,130 --> 01:00:26,160
It follows.
:
01:00:26,440 --> 01:00:28,040
When it follows, watch it again.
:
01:00:28,170 --> 01:00:29,440
Pele's standing in the corner.
:
01:00:30,550 --> 01:00:31,090
Wow.
:
01:00:31,490 --> 01:00:32,720
Pele's standing in the corner.
:
01:00:33,280 --> 01:00:34,690
It goes by so fast, though.
:
01:00:34,780 --> 01:00:34,960
I missed that, yeah.
:
01:00:34,960 --> 01:00:39,610
Even if you pause it, all you really
see is a figure wearing Pele's
:
01:00:39,650 --> 01:00:41,630
clothes, and dark hair, white guy.
:
01:00:41,640 --> 01:00:42,180
Wow.
:
01:00:42,210 --> 01:00:43,110
You assume it's Pele.
:
01:00:43,490 --> 01:00:44,800
The camera moves so fast.
:
01:00:45,785 --> 01:00:48,765
So, he's arguing, Mark,
what are you doing here?
:
01:00:48,765 --> 01:00:49,555
You're not supposed to be in here.
:
01:00:49,555 --> 01:00:50,015
Blah, blah, blah.
:
01:00:50,025 --> 01:00:51,705
He gets bludgeoned over the head.
:
01:00:51,895 --> 01:00:52,125
Oh yeah.
:
01:00:52,145 --> 01:00:53,515
Pele, Pele kills him.
:
01:00:54,195 --> 01:00:54,595
Okay.
:
01:00:55,975 --> 01:00:57,865
So, and then it's off.
:
01:00:58,485 --> 01:01:02,935
Which, you don't know this by watching
the film, but I read it on Reddit sometime
:
01:01:02,935 --> 01:01:04,305
later when I first saw this movie.
:
01:01:04,925 --> 01:01:08,175
Ulf has killed Mark, or at least
the sister has killed Mark.
:
01:01:08,485 --> 01:01:11,535
Ulf has decided to
dress up in Mark's skin.
:
01:01:12,925 --> 01:01:18,715
So he's wearing Mark's face when he
leans over Josh and he's moaning.
:
01:01:18,855 --> 01:01:20,615
Right, that's so disturbing.
:
01:01:20,970 --> 01:01:22,680
Creepy as fuck.
:
01:01:23,560 --> 01:01:27,590
Next day, everything seems
normal, except we can't find
:
01:01:27,590 --> 01:01:29,770
Mark, and we can't find Josh.
:
01:01:29,940 --> 01:01:34,450
And by the way, the scene opens
with Danny and Christian waking up.
:
01:01:35,470 --> 01:01:36,220
Watch it again.
:
01:01:36,500 --> 01:01:38,270
Bailey's in the background
changing his shirt.
:
01:01:39,090 --> 01:01:39,600
Wow.
:
01:01:39,870 --> 01:01:42,740
So, something that, I mean, one
of the, another reason, I mean,
:
01:01:42,740 --> 01:01:46,420
it was just disturbing on its own
merit, but what, another reason it
:
01:01:46,420 --> 01:01:48,990
was disturbing for me, so like...
:
01:01:49,465 --> 01:01:52,595
I, I don't, I was listening to a podcast
and I don't know, I don't remember
:
01:01:52,595 --> 01:01:56,545
where I heard it, but I guess when
you have a, a traumatic head injury,
:
01:01:57,155 --> 01:02:02,325
one of the common, like, uh, responses
that your body does, basically you
:
01:02:02,395 --> 01:02:08,595
involuntary, you make a snoring sound,
like a, a gruntal, like snoring sound.
:
01:02:08,985 --> 01:02:14,925
And what kind of creeped me out
about that is, um, gosh, it was 20.
:
01:02:15,925 --> 01:02:20,005
Twenty years, twenty three years
ago, um, my wife Jessie was in a car
:
01:02:20,005 --> 01:02:24,995
accident, and Caitlin, one of our
kids, was in the car, along with three
:
01:02:24,995 --> 01:02:29,775
of our kids, and Jessie was pregnant,
and no one got hurt, except mostly, I
:
01:02:29,775 --> 01:02:34,615
mean, there was some minor injuries,
but Caitlin had a Fractured skull.
:
01:02:35,045 --> 01:02:37,135
And when I, I was, I
saw the accident happen.
:
01:02:37,165 --> 01:02:39,545
I didn't know she fractured
her skull in that accident.
:
01:02:39,565 --> 01:02:40,675
Oh yes, it was scary as hell.
:
01:02:40,745 --> 01:02:45,255
Uh, I got to the scene, Caitlin's
unconscious, and she was making
:
01:02:45,255 --> 01:02:49,155
this I thought it was like a labored
breathing sound, but after I heard
:
01:02:49,155 --> 01:02:52,825
this podcast I was like, oh wait,
it sounded like she was snoring.
:
01:02:53,070 --> 01:02:57,100
Which was a really weird sound because
I never heard her make that sound before
:
01:02:57,430 --> 01:03:02,770
and that reminded me of the accident I had
a flashback of when Caitlin was injured
:
01:03:02,810 --> 01:03:07,980
Wow car accident 23 years ago and Josh
is laying there sort of like Shaking.
:
01:03:08,090 --> 01:03:08,890
Yeah, you know what I mean?
:
01:03:08,890 --> 01:03:12,870
Like his head head injury was way worse
than Caitlin's was because it killed
:
01:03:12,870 --> 01:03:17,760
him You know, but right but but yeah,
it took me right back to this little
:
01:03:17,760 --> 01:03:20,435
girl in a car seat With a head injury.
:
01:03:20,465 --> 01:03:21,795
It was like, it messed me up.
:
01:03:21,795 --> 01:03:22,605
I was like, God.
:
01:03:23,035 --> 01:03:25,545
So, yeah, now I'm sharing
my trauma with the world.
:
01:03:25,555 --> 01:03:25,575
Wow.
:
01:03:27,425 --> 01:03:29,155
As if we didn't have
enough on our plate today.
:
01:03:29,175 --> 01:03:32,565
Thankfully, Caitlin, you know,
after three days in the hospital...
:
01:03:32,920 --> 01:03:33,610
She was fine.
:
01:03:34,400 --> 01:03:34,900
. It was scary.
:
01:03:34,900 --> 01:03:38,890
Well, I mean, you and I are , we
disagree on the definition of fine.
:
01:03:39,100 --> 01:03:39,610
Just kidding.
:
01:03:39,610 --> 01:03:42,660
Caitlyn, you know, I love
her . I love Caitlyn.
:
01:03:42,720 --> 01:03:48,060
All right, so anyway, . So , uh,
we like to give our family members
:
01:03:48,060 --> 01:03:49,560
little digs every now and again.
:
01:03:50,010 --> 01:03:51,480
Uh, Caitlyn join the club.
:
01:03:51,600 --> 01:03:51,960
Okay?
:
01:03:51,960 --> 01:03:55,260
So, uh, and, and to say nothing to
the effect on how many digs we give
:
01:03:55,260 --> 01:03:56,440
mom, whenever we do these podcast.
:
01:03:58,015 --> 01:03:59,395
Well, she's our biggest fan, you know.
:
01:03:59,435 --> 01:04:00,155
Yes, yes.
:
01:04:00,235 --> 01:04:03,565
So then, okay, so the next morning,
Paley's Ching is changing his shirt.
:
01:04:04,875 --> 01:04:09,665
Christian is summoned by Siv, who, he
has to go in and talk, Siv is like the
:
01:04:09,665 --> 01:04:14,655
leading, like the, like the maternal, sort
of like the mother of this land, right?
:
01:04:15,480 --> 01:04:19,790
And she's explaining to Christian
all about, he goes, I think she
:
01:04:19,790 --> 01:04:22,500
fed me one of her pubes, and she
goes, yeah, that sounds about right.
:
01:04:22,500 --> 01:04:25,270
I know, I start cracking up.
:
01:04:25,850 --> 01:04:30,070
Oh, and by the way, about the drinking
the menstrual blood, in that scene
:
01:04:30,070 --> 01:04:34,290
where he eats the pube, if you look at
everybody's glass, it's all light colored
:
01:04:34,290 --> 01:04:36,060
like it's orange juice, his is darker.
:
01:04:37,120 --> 01:04:37,760
His is dark.
:
01:04:37,760 --> 01:04:38,850
Christian's is darker.
:
01:04:38,850 --> 01:04:40,670
It's almost like a dark, dark juice.
:
01:04:40,670 --> 01:04:42,340
I don't ever want to watch
this movie ever again.
:
01:04:43,600 --> 01:04:46,840
No, you got, see, that's the beauty
of this one is you catch more shit.
:
01:04:47,420 --> 01:04:50,850
Watching this movie is like the horror
film version of airplane where every
:
01:04:50,850 --> 01:04:55,110
time you watch it, you catch something
else you never caught before, right?
:
01:04:55,460 --> 01:04:56,630
That's what Midsommar is.
:
01:04:57,060 --> 01:05:00,570
So anyway, so, so then they invite.
:
01:05:00,765 --> 01:05:02,985
Danny to do the midsummer dance, right?
:
01:05:02,985 --> 01:05:07,665
To do the, the, uh, the, the May Queen
midsummer dance where it's, uh, it's
:
01:05:07,675 --> 01:05:13,175
about 30 girls and they dance around
this structure until you dance until
:
01:05:13,175 --> 01:05:18,625
you fall over and anyone that's left
standing is crowned May Queen, right?
:
01:05:19,555 --> 01:05:21,465
And they give you a little
bit of drugs before you start.
:
01:05:21,495 --> 01:05:22,154
I mean, why not?
:
01:05:22,575 --> 01:05:22,845
Right?
:
01:05:22,985 --> 01:05:23,365
Right.
:
01:05:23,435 --> 01:05:32,785
Um, so, some shit's going on about, um,
Christian is, is being seduced, uh, and,
:
01:05:32,815 --> 01:05:35,785
and influenced to deflower the redhead.
:
01:05:36,154 --> 01:05:36,505
Right?
:
01:05:36,925 --> 01:05:37,495
Maja.
:
01:05:38,355 --> 01:05:43,645
Um, it's almost like he was,
he was pinpointed from day one.
:
01:05:43,665 --> 01:05:45,575
Like, the first day he got
there, he was targeted.
:
01:05:45,675 --> 01:05:45,985
Right.
:
01:05:46,355 --> 01:05:47,815
She put the thing under his bed.
:
01:05:49,000 --> 01:05:52,900
Fed him her pubes, he drank
her menstrual water, a regu uh,
:
01:05:52,900 --> 01:05:54,120
you know, a day in the office.
:
01:05:54,250 --> 01:06:01,700
So, um, anyway, so while all this shit's
going on, Danny wins the May Queen.
:
01:06:02,040 --> 01:06:03,860
She outlasts everybody.
:
01:06:03,920 --> 01:06:05,760
Everybody falls but her.
:
01:06:06,220 --> 01:06:07,400
The outsider.
:
01:06:08,680 --> 01:06:12,500
And, I don't, I mean I'd have to watch
it again for like the twelfth time.
:
01:06:13,740 --> 01:06:16,480
I don't think they threw that contest.
:
01:06:16,480 --> 01:06:18,380
Like, I don't think they did
it on purpose for her to win.
:
01:06:18,380 --> 01:06:22,210
Yeah, I think the last two to fall
ran into each other by accident.
:
01:06:22,220 --> 01:06:22,970
Yeah, by accident.
:
01:06:23,040 --> 01:06:25,520
I mean, they didn't make it
look like they, they threw it.
:
01:06:26,020 --> 01:06:26,680
Right, right.
:
01:06:26,700 --> 01:06:28,310
Like, she wins this shit.
:
01:06:28,390 --> 01:06:29,240
She just wins it.
:
01:06:29,290 --> 01:06:29,660
Right.
:
01:06:30,135 --> 01:06:34,645
Um, and then, uh, there's this big thing
where they carry her around, and they
:
01:06:34,645 --> 01:06:36,345
put her in a chariot, and all this shit.
:
01:06:36,705 --> 01:06:38,305
And then, the all is lost.
:
01:06:38,335 --> 01:06:41,805
Now, we all know what the all is
lost is, is where the main character
:
01:06:41,815 --> 01:06:43,335
has hit complete rock bottom.
:
01:06:43,435 --> 01:06:43,855
Right.
:
01:06:44,315 --> 01:06:49,105
She already is very nervous about
leaving Christian alone, while they take
:
01:06:49,105 --> 01:06:50,045
her off on this little parade thing.
:
01:06:50,045 --> 01:06:52,235
Their relationship's
basically hanging by a thread.
:
01:06:52,265 --> 01:06:55,395
It's by a thread, like a
very, very thin thread.
:
01:06:55,885 --> 01:06:56,975
She gets back.
:
01:06:57,570 --> 01:06:59,700
And she says, what's
going on in that room?
:
01:06:59,860 --> 01:07:01,360
Or what's going on in that cabin?
:
01:07:01,660 --> 01:07:04,470
And they're like, oh no, no,
no, no, you don't want to go
:
01:07:04,470 --> 01:07:05,820
there, you know, whatever.
:
01:07:06,330 --> 01:07:07,720
She's like, no, I gotta go.
:
01:07:07,730 --> 01:07:09,950
So she goes and looks, and
of course, what does she see?
:
01:07:10,180 --> 01:07:13,830
Which is probably the most unsettling
sex scene I've ever seen in a movie.
:
01:07:14,000 --> 01:07:16,840
And that includes, and that
includes porn, by the way.
:
01:07:18,550 --> 01:07:19,180
Christian!
:
01:07:19,560 --> 01:07:22,890
You just got down butt naked!
:
01:07:22,890 --> 01:07:24,680
Hold on, wait, before you describe it.
:
01:07:24,910 --> 01:07:28,970
So Jessie was on her way home from a
thing last night, and she called, or,
:
01:07:29,070 --> 01:07:33,080
yeah, she called me, and like, the
movie's playing in the background, you
:
01:07:33,090 --> 01:07:35,529
know, I didn't even pause it, because
I kind of knew what was going on, and
:
01:07:35,529 --> 01:07:39,540
I'm like, oh, hey, by the way, when
you walk in the door, you might...
:
01:07:39,915 --> 01:07:43,745
What be walking in and to like in the
middle of like what look may look like an
:
01:07:43,755 --> 01:07:52,095
orgy It's not but it's really weird So all
the like the elders the old mentor ladies
:
01:07:52,195 --> 01:07:59,065
are standing in a half circle around the
fuck pit and Through there to sort of
:
01:07:59,065 --> 01:08:04,230
cheer on And this is a good, this is a
good time to describe that at this moment
:
01:08:04,260 --> 01:08:08,570
you get the realization that, um, It
happened a little bit when the old people
:
01:08:08,570 --> 01:08:11,200
died, but this really made it clear.
:
01:08:11,730 --> 01:08:14,930
They have a way of feeling
what they are feeling.
:
01:08:14,930 --> 01:08:17,130
Yeah, they share the emotions.
:
01:08:17,140 --> 01:08:18,245
They share the feelings!
:
01:08:19,795 --> 01:08:23,825
So while this fucking is going on, all
the old ladies are, like, orgasming.
:
01:08:24,685 --> 01:08:26,415
Like, they're, like, they're feeling it.
:
01:08:26,734 --> 01:08:31,745
One lady even gets behind Christian and
starts pushing his bare ass, naked ass.
:
01:08:32,774 --> 01:08:34,404
And he's looking like, what the fuck?
:
01:08:34,404 --> 01:08:39,615
Like, I'm trying to have sex with
this obvious minor, I might add.
:
01:08:39,944 --> 01:08:40,725
I'm having sex.
:
01:08:40,975 --> 01:08:45,904
I had sex with this girl, which is
a crime, and yet there's an old lady
:
01:08:45,904 --> 01:08:48,335
behind me pushing my ass to go deeper.
:
01:08:48,345 --> 01:08:49,795
It was bad, it was so bad.
:
01:08:49,795 --> 01:08:52,024
So, and here's the thing, he was drugged.
:
01:08:52,024 --> 01:08:52,975
Yeah, he was drugged.
:
01:08:52,984 --> 01:08:55,024
He was drugged, and...
:
01:08:56,649 --> 01:09:00,890
So basically he was drugged and
they told him that, well, he
:
01:09:00,890 --> 01:09:02,559
actually voluntarily drank it.
:
01:09:03,050 --> 01:09:03,309
Yep.
:
01:09:03,410 --> 01:09:04,710
She gave it to him.
:
01:09:04,720 --> 01:09:07,580
She said it'll reduce your
inhibitions and whatever.
:
01:09:07,620 --> 01:09:07,819
Yep.
:
01:09:08,050 --> 01:09:09,300
And he drank it.
:
01:09:09,470 --> 01:09:11,069
He wanted to fuck Maja.
:
01:09:11,069 --> 01:09:12,080
That's all there is to it.
:
01:09:12,190 --> 01:09:12,510
Right?
:
01:09:12,819 --> 01:09:13,460
So you can't...
:
01:09:13,684 --> 01:09:16,865
You can't get around it, but you
can seduce as much as you want.
:
01:09:16,865 --> 01:09:17,645
It's so messed up.
:
01:09:17,645 --> 01:09:17,734
Yeah.
:
01:09:17,734 --> 01:09:22,444
He wanted to do this because again,
what did we say at the beginning?
:
01:09:22,654 --> 01:09:28,725
Danny doesn't have sex, or at least
her affection level isn't that high.
:
01:09:28,785 --> 01:09:31,694
He comes to this place with this
little red head, is literally
:
01:09:31,694 --> 01:09:33,315
throwing herself at him.
:
01:09:34,095 --> 01:09:34,305
Yeah.
:
01:09:34,335 --> 01:09:35,625
And he's seduced by that.
:
01:09:35,625 --> 01:09:38,595
He's seduced by the idea
of somebody that wants me.
:
01:09:38,774 --> 01:09:39,165
Right?
:
01:09:39,285 --> 01:09:39,434
Yeah.
:
01:09:39,524 --> 01:09:43,395
So, I'm in a three year relationship,
three, four year relationship
:
01:09:43,395 --> 01:09:46,395
with Danny who doesn't appear
at all like she wants me.
:
01:09:46,745 --> 01:09:54,565
This redhead, I'm here five days, whatever
it is, and it's clear that she wants me.
:
01:09:54,575 --> 01:09:57,485
He's drawn to that manhood thing.
:
01:09:57,905 --> 01:10:00,745
So anyway, cut to the, uh, uh,
make it a long story short.
:
01:10:01,934 --> 01:10:03,125
When he comes...
:
01:10:04,065 --> 01:10:08,035
She starts lifting up her knees and she's
like, you know, I can feel the baby.
:
01:10:08,035 --> 01:10:09,175
I can feel the baby.
:
01:10:09,455 --> 01:10:11,345
And he's like weirded out now.
:
01:10:11,415 --> 01:10:13,585
He's like, you know what?
:
01:10:13,765 --> 01:10:16,605
Me having sex with an obvious minor
with a bunch of old people standing
:
01:10:16,605 --> 01:10:18,295
around watching was bad enough.
:
01:10:18,575 --> 01:10:22,065
But her saying, I can feel the
baby, that's where I draw the line.
:
01:10:22,075 --> 01:10:26,330
So he runs out, he runs out in disgust,
butt naked with his red jacket.
:
01:10:26,730 --> 01:10:27,380
Bloody dick.
:
01:10:27,380 --> 01:10:28,260
Oh, God.
:
01:10:28,490 --> 01:10:30,610
Running around, and then
he has nowhere to go.
:
01:10:30,610 --> 01:10:34,230
Of course, he stumbles into a
different cabin that has Simon's
:
01:10:34,230 --> 01:10:35,850
dead body hanging from a ceiling.
:
01:10:36,600 --> 01:10:38,320
Well, that was it for the elders.
:
01:10:38,330 --> 01:10:43,650
They blew dust in his face and paralyzed
him permanently from head to toe.
:
01:10:43,970 --> 01:10:46,090
So, well, I would say from neck down.
:
01:10:46,100 --> 01:10:49,165
Yeah, because his eyes could
move, and that was about it.
:
01:10:49,955 --> 01:10:54,845
Yeah, okay, so talk so that is Danny's
all is lost and of course we always
:
01:10:54,845 --> 01:10:59,255
talk about dark night of the soul which
is the moment between the all is lost
:
01:10:59,725 --> 01:11:10,290
and the main character's decision to
propel into act three right so So, to
:
01:11:10,290 --> 01:11:14,210
me, that Dark Night of the Soul, that
moment, Dani goes into the cabin with
:
01:11:14,220 --> 01:11:19,290
all the sisters, and she's crying, and
they're all there with her, remember?
:
01:11:19,420 --> 01:11:22,330
And they're all huddled over, and
she's tr they try to lay her down on
:
01:11:22,330 --> 01:11:25,460
the bed, but she just wants to get
to the floor, and they're all around
:
01:11:25,460 --> 01:11:27,545
her, and they're all Feeling her pain.
:
01:11:27,545 --> 01:11:27,605
Yeah.
:
01:11:27,725 --> 01:11:29,555
As she cries, they cry.
:
01:11:29,735 --> 01:11:30,605
As she goes, ah.
:
01:11:31,684 --> 01:11:36,065
They go, ah, yeah, they're, it
was, was creepy, but in sync.
:
01:11:36,155 --> 01:11:36,395
Yeah.
:
01:11:36,400 --> 01:11:37,355
It was creepy.
:
01:11:37,360 --> 01:11:42,735
But at the same time, I could
understand like psychologically
:
01:11:42,765 --> 01:11:49,625
how this, it would comfort a
person that doesn't have support.
:
01:11:50,465 --> 01:11:51,035
You know what I mean?
:
01:11:51,035 --> 01:11:51,125
Mm-hmm.
:
01:11:51,485 --> 01:11:54,605
like her, like this is
the answer to her need.
:
01:11:54,605 --> 01:11:54,695
Right.
:
01:11:55,245 --> 01:11:57,285
Someone that is there with her.
:
01:11:58,515 --> 01:12:02,295
Experiencing, you know, what she's
feeling with her, something she
:
01:12:02,295 --> 01:12:03,795
wasn't getting from her boyfriend.
:
01:12:04,455 --> 01:12:08,934
So, as weird as it was, I
mean, the commune is twisted,
:
01:12:09,245 --> 01:12:10,955
but it was filling a need.
:
01:12:10,965 --> 01:12:17,405
Yeah, so, so her jump to Act 3, of course,
she's put in charge to decide who...
:
01:12:17,434 --> 01:12:19,115
She's made, like, queen or something.
:
01:12:19,305 --> 01:12:22,695
Yeah, she's the mate queen,
and she gets to decide what's
:
01:12:22,695 --> 01:12:23,655
going to happen to Christian.
:
01:12:24,485 --> 01:12:25,115
Um...
:
01:12:25,985 --> 01:12:28,145
Well, she could have, she
could have chose someone else.
:
01:12:28,245 --> 01:12:29,805
Yeah, surprise to nobody.
:
01:12:30,945 --> 01:12:31,605
Fuck you, Christian.
:
01:12:32,175 --> 01:12:32,405
Right?
:
01:12:32,745 --> 01:12:34,125
They stuff him in a bear.
:
01:12:34,934 --> 01:12:36,035
We're in Act 3 now.
:
01:12:36,075 --> 01:12:39,415
Well, first they show him,
like, disemboweling the bear.
:
01:12:39,695 --> 01:12:43,555
Yeah, they disembowel the bear.
:
01:12:43,555 --> 01:12:44,955
Yeah, they shove his ass up in there.
:
01:12:45,205 --> 01:12:48,045
And then they talk about
the nine sacrifices.
:
01:12:48,045 --> 01:12:50,835
So, the two old people that already died.
:
01:12:51,275 --> 01:12:55,045
And that they cremated, they created
these weird little paper mache
:
01:12:55,265 --> 01:12:58,885
with twigs and shit to signify
those two, so those two are there.
:
01:12:59,645 --> 01:13:02,785
That confused me, were their heads real?
:
01:13:04,065 --> 01:13:05,055
I don't think so, not of those two.
:
01:13:05,065 --> 01:13:09,545
But the bodies, but the bodies weren't,
cause it looked, they looked real,
:
01:13:09,555 --> 01:13:13,065
like a real dead head on the fake body.
:
01:13:13,075 --> 01:13:15,785
Right, but their, but their faces
were mangled in real life, like
:
01:13:15,785 --> 01:13:16,934
they were completely caved in.
:
01:13:17,275 --> 01:13:17,565
I don't know.
:
01:13:17,565 --> 01:13:19,855
Oh, yeah, it couldn't
have been the real heads.
:
01:13:20,015 --> 01:13:21,975
Well, no, I'm talking
about their friends though.
:
01:13:22,115 --> 01:13:23,175
Like, oh, no, no.
:
01:13:23,245 --> 01:13:23,515
Oh, yeah.
:
01:13:23,515 --> 01:13:23,905
Yeah.
:
01:13:23,905 --> 01:13:23,925
Yeah.
:
01:13:23,925 --> 01:13:24,385
Yeah.
:
01:13:24,395 --> 01:13:25,225
So we'll get to that.
:
01:13:25,255 --> 01:13:28,315
So the first two of the nine are
the two old people that died.
:
01:13:28,325 --> 01:13:31,425
Yeah, but they're made up in
like sort of like models with
:
01:13:31,465 --> 01:13:33,095
twigs as hands and everything.
:
01:13:33,105 --> 01:13:34,405
Yeah, they stick them in there.
:
01:13:34,805 --> 01:13:40,635
Uh, the next two is of course, Connie
and Uh, Simon, and yes, like, they
:
01:13:40,635 --> 01:13:45,385
have these, they're like flowers for
eyes and shit, and it's like they used
:
01:13:45,385 --> 01:13:49,895
their face and their, their skin to
create these dummies, so to speak.
:
01:13:50,605 --> 01:13:53,315
Um, they do the same thing with
Mark, they put him in like, almost
:
01:13:53,315 --> 01:13:56,665
like a, like a clown outfit,
because he's the clown, right?
:
01:13:56,755 --> 01:13:57,025
Yeah.
:
01:13:57,385 --> 01:14:01,575
And, and all, obviously taking his face
off, because he's wearing his face.
:
01:14:02,335 --> 01:14:07,815
Josh was there, and Josh and Mark, so
that's two, four, so that's six, and then
:
01:14:07,825 --> 01:14:11,985
seven, eight is the, uh, the volunteers.
:
01:14:12,055 --> 01:14:14,295
Ingmar and Ulf.
:
01:14:14,695 --> 01:14:15,065
Yeah.
:
01:14:15,145 --> 01:14:17,515
Volunteer to be two of the ones that go.
:
01:14:19,125 --> 01:14:22,725
So, and this is another way of maybe
why they get away with it all the time.
:
01:14:23,100 --> 01:14:25,880
Because the people that are luring
them are the ones that sacrifice
:
01:14:25,880 --> 01:14:30,640
themselves, with the exception of
Billy, uh, Ingmar sacrifices himself.
:
01:14:30,860 --> 01:14:33,400
So if any cops ever came and said,
hey, have you ever seen this guy,
:
01:14:33,400 --> 01:14:36,100
they'd be like, nope, go ahead,
look around, check, you might
:
01:14:36,100 --> 01:14:38,440
find his ashes, but nothing else!
:
01:14:38,750 --> 01:14:43,890
So anyway, Ingmar and Ulf represent
themselves, and then she has to decide.
:
01:14:44,360 --> 01:14:49,240
They draw like a fucking
lottery, like it's the, uh, uh...
:
01:14:50,835 --> 01:14:54,895
They draw a lottery ball, again
with a bunch of hieroglyphic symbols
:
01:14:54,895 --> 01:14:56,925
on it, I don't know, they pick it
up and they're like, Ah, Frank!
:
01:14:56,934 --> 01:14:57,725
We picked Frank!
:
01:14:57,735 --> 01:14:58,315
You know, whatever.
:
01:14:58,505 --> 01:15:01,655
So a guy comes walking up, and
he's the guy, and she has to decide
:
01:15:01,655 --> 01:15:05,445
between this guy and Christian,
who's paralyzed at this point.
:
01:15:06,375 --> 01:15:07,805
Of course she picked Christian, right?
:
01:15:08,125 --> 01:15:12,985
So, Christian goes, gets
stuffed in the bear, and then,
:
01:15:13,055 --> 01:15:14,925
uh, and they place him inside.
:
01:15:15,260 --> 01:15:15,660
The thing.
:
01:15:17,440 --> 01:15:17,510
Hit that.
:
01:15:17,510 --> 01:15:17,850
Excuse me.
:
01:15:17,850 --> 01:15:19,910
This is Chianti, man.
:
01:15:19,910 --> 01:15:20,440
I'm telling you.
:
01:15:21,500 --> 01:15:25,030
The final scene is they set this
fucking thing on fire as one big
:
01:15:25,030 --> 01:15:30,630
sacrifice, and everybody starts feeling
their pain when Ulf catches fire.
:
01:15:30,800 --> 01:15:31,870
Yeah, he starts screaming.
:
01:15:32,085 --> 01:15:34,684
He starts screaming, and they're,
and all the people are like going
:
01:15:34,684 --> 01:15:37,505
like this outside, like they can
feel Yeah, they start rubbing
:
01:15:37,505 --> 01:15:39,115
their skin and start screaming.
:
01:15:39,475 --> 01:15:42,175
Right, like they're, like they're
trying to get the fire off of them.
:
01:15:42,455 --> 01:15:46,105
So they could almost feel what the,
what Ingmar and Ulf are feeling.
:
01:15:46,695 --> 01:15:48,555
And so does Dani.
:
01:15:48,605 --> 01:15:48,905
Yeah.
:
01:15:49,065 --> 01:15:51,815
She's writhing in pain, screaming.
:
01:15:52,305 --> 01:15:58,285
And then the final You could tell her,
her pain, though, was, was more of a,
:
01:15:58,825 --> 01:16:03,095
you know, she was grieving that her, she
just lit her boyfriend on fire, you know?
:
01:16:03,225 --> 01:16:04,115
I don't know!
:
01:16:04,755 --> 01:16:07,135
Well, I think it was part of it.
:
01:16:07,235 --> 01:16:09,065
I think she had become like them.
:
01:16:09,255 --> 01:16:10,465
Yeah, I mean, so...
:
01:16:10,565 --> 01:16:12,175
And she was feeling it.
:
01:16:12,175 --> 01:16:13,575
Finish your point, because
the final scene is...
:
01:16:13,745 --> 01:16:15,755
Well, wait, wait, wait, actually,
before we get to the final scene,
:
01:16:16,195 --> 01:16:17,135
one thing I forgot to mention.
:
01:16:17,295 --> 01:16:21,085
When she wins the May Queen, and
everyone's celebrating, did you
:
01:16:21,085 --> 01:16:22,915
notice PelΓ© comes up and kisses her?
:
01:16:23,380 --> 01:16:24,470
No, I didn't notice it.
:
01:16:24,520 --> 01:16:28,370
He comes up, takes her both
hands on her face and kisses her.
:
01:16:28,400 --> 01:16:29,260
Wow.
:
01:16:29,320 --> 01:16:31,010
And then just keeps going
along with the crowd.
:
01:16:31,050 --> 01:16:31,530
Yeah.
:
01:16:32,380 --> 01:16:32,780
I miss it.
:
01:16:32,780 --> 01:16:33,360
You know what I mean?
:
01:16:33,430 --> 01:16:33,740
Yeah.
:
01:16:33,760 --> 01:16:39,760
So it's almost like she is going to, he
and her are destined to be a thing, right?
:
01:16:39,800 --> 01:16:40,559
To be together.
:
01:16:40,860 --> 01:16:41,880
She's the May Queen.
:
01:16:42,250 --> 01:16:46,260
He brought her so he gets to
be the courtship, the guy.
:
01:16:47,640 --> 01:16:48,380
Final scene.
:
01:16:49,315 --> 01:16:49,675
Final scene.
:
01:16:51,315 --> 01:16:54,795
She achieves her spiritual goal.
:
01:16:55,045 --> 01:16:56,065
Yeah, she's in.
:
01:16:57,005 --> 01:17:04,295
Now, so, no, no, remember I said tangible
goal was, uh, to, to just be held, right?
:
01:17:04,495 --> 01:17:04,805
Yeah.
:
01:17:04,865 --> 01:17:08,434
Well, to me, the spiritual
goal, wait, where is it?
:
01:17:08,475 --> 01:17:09,175
I wrote this down.
:
01:17:10,465 --> 01:17:14,325
Her spiritual goal is to be...
:
01:17:14,655 --> 01:17:16,905
Uh, important, right?
:
01:17:16,905 --> 01:17:20,025
To be an important member of the
family, to be a leader in the
:
01:17:20,025 --> 01:17:22,115
family, to be somebody of importance.
:
01:17:22,355 --> 01:17:23,835
Her whole life, nobody's cared about her.
:
01:17:24,225 --> 01:17:26,965
Her sister doesn't care about her,
her parents don't care about her,
:
01:17:26,965 --> 01:17:28,295
her boyfriend didn't care about her.
:
01:17:29,265 --> 01:17:31,845
Every time, uh uh, and they,
and they allude to it with
:
01:17:31,845 --> 01:17:33,045
little lines of dialogue.
:
01:17:33,045 --> 01:17:34,905
Like, oh, your sister
always does this to you.
:
01:17:35,175 --> 01:17:35,595
You know what I mean?
:
01:17:36,615 --> 01:17:37,125
, you know what I mean?
:
01:17:37,125 --> 01:17:40,005
Like just say they say shit
like that in the whole movie.
:
01:17:40,010 --> 01:17:43,835
You get the idea that she's not only never
been held, she's never been important.
:
01:17:43,865 --> 01:17:45,635
She's never been seen as important.
:
01:17:45,725 --> 01:17:46,225
Right, right.
:
01:17:46,565 --> 01:17:47,465
Final shot.
:
01:17:47,705 --> 01:17:49,475
She's the fucking May queen.
:
01:17:49,684 --> 01:17:49,925
Yep.
:
01:17:50,525 --> 01:17:54,635
And this whole ceremony of sacrificing
these people is in her honor.
:
01:17:54,815 --> 01:17:55,025
Yep.
:
01:17:55,795 --> 01:17:57,085
And the camera fades out.
:
01:17:57,809 --> 01:17:59,400
With her smiling.
:
01:17:59,450 --> 01:18:00,510
Smiling, yeah.
:
01:18:00,880 --> 01:18:01,210
Yep.
:
01:18:01,309 --> 01:18:07,540
And when I was in the theater, I, I,
I don't know if I said it out loud.
:
01:18:07,730 --> 01:18:08,520
I might have.
:
01:18:09,020 --> 01:18:11,275
But in my head I'm all Stop it.
:
01:18:11,275 --> 01:18:11,320
Close it now.
:
01:18:11,330 --> 01:18:12,050
Fade to black.
:
01:18:12,050 --> 01:18:12,780
Fade to black.
:
01:18:12,780 --> 01:18:13,230
Fade to black.
:
01:18:13,230 --> 01:18:13,650
Fade to black.
:
01:18:13,650 --> 01:18:14,010
Fade to black.
:
01:18:14,440 --> 01:18:14,760
Fade to black.
:
01:18:15,150 --> 01:18:16,100
Don't give me another scene.
:
01:18:16,120 --> 01:18:18,710
Don't try to explain
anything with another scene.
:
01:18:18,990 --> 01:18:19,720
Just go to black.
:
01:18:19,720 --> 01:18:22,730
And I want to see, all I want to see
right now is directed by Ari Aster.
:
01:18:22,900 --> 01:18:23,720
That's all I want to see.
:
01:18:23,830 --> 01:18:24,250
Give it to me.
:
01:18:24,250 --> 01:18:24,610
Give it to me.
:
01:18:24,610 --> 01:18:24,950
Give it to me.
:
01:18:24,950 --> 01:18:25,100
Give it.
:
01:18:25,290 --> 01:18:25,910
And they did.
:
01:18:25,930 --> 01:18:26,910
And I was like, YES!
:
01:18:27,230 --> 01:18:29,215
And I looked at mom and I
said I fucking loved it.
:
01:18:29,225 --> 01:18:30,285
Mom's like, what?
:
01:18:30,805 --> 01:18:32,065
Mom's horrified, right?
:
01:18:34,545 --> 01:18:38,875
Poor mom has no fucking clue
what I just went through as a
:
01:18:39,195 --> 01:18:41,005
film lover and a screenwriter.
:
01:18:41,325 --> 01:18:42,535
Mom's terrified.
:
01:18:42,975 --> 01:18:43,735
She's horrified.
:
01:18:43,785 --> 01:18:44,675
Unbelievable.
:
01:18:44,705 --> 01:18:45,115
So...
:
01:18:46,445 --> 01:18:51,465
Here's the thing, um, I think we
need to make this a two parter.
:
01:18:52,065 --> 01:18:56,085
We can continue recording, but
I think we should release this
:
01:18:56,095 --> 01:18:57,815
in two separate recordings.
:
01:18:57,815 --> 01:19:00,495
Because this is, we're
at 80 minutes right now.
:
01:19:01,175 --> 01:19:02,275
On the first movie.
:
01:19:05,405 --> 01:19:06,285
It's worth it!
:
01:19:09,415 --> 01:19:10,385
So, um...
:
01:19:10,405 --> 01:19:11,605
We're normally done like...
:
01:19:16,934 --> 01:19:17,665
Let me see here.
:
01:19:17,684 --> 01:19:21,395
If there's any other notes I
wanted to add, I don't think so.
:
01:19:21,455 --> 01:19:22,555
I think I got everything.
:
01:19:22,855 --> 01:19:23,725
I'm with you though, man.
:
01:19:23,745 --> 01:19:26,805
I don't know how Florence
Pugh did not get nominated.
:
01:19:26,845 --> 01:19:29,385
Oh, she not, she was so great.
:
01:19:29,395 --> 01:19:30,715
She was so great.
:
01:19:30,985 --> 01:19:35,175
I mean, as you went through that
again, I'm recounting how many times
:
01:19:35,295 --> 01:19:40,870
she had to like, Not just cry, but
full body cry, you know what I mean?
:
01:19:40,880 --> 01:19:46,270
Like, full emotion in, I mean, because
that's, I don't know, it's like...
:
01:19:46,440 --> 01:19:49,550
Her pain is, feels so real, you know?
:
01:19:49,550 --> 01:19:50,790
Like, good God.
:
01:19:50,790 --> 01:19:55,670
And like, when she was crying, um,
after her parents were killed, and
:
01:19:55,670 --> 01:20:00,840
her sister died, like, you could
hear, like, her voice was hoarse.
:
01:20:01,270 --> 01:20:06,809
Yeah, evident and like signifying
that she had been wailing for a long
:
01:20:06,860 --> 01:20:11,620
time Because you could hear like it
sounded like she had laryngitis because
:
01:20:11,620 --> 01:20:18,200
usually It's actually it's actually
more than that when before it happens
:
01:20:21,215 --> 01:20:22,865
She's talking to Christian on the phone.
:
01:20:23,075 --> 01:20:25,684
And she's saying, I got this
cryptic message from my sister.
:
01:20:25,825 --> 01:20:28,205
And that's when he's on the phone going,
well, she always does this to you.
:
01:20:28,205 --> 01:20:29,745
You know, blah, blah, blah, blah, blah.
:
01:20:29,745 --> 01:20:30,815
She leans over.
:
01:20:30,825 --> 01:20:34,465
Her, almost her whole face
takes up the frame of the film.
:
01:20:35,065 --> 01:20:39,355
And you see, Bags under her eyes
like you like like it's obvious.
:
01:20:39,355 --> 01:20:40,205
She's been crying.
:
01:20:40,205 --> 01:20:41,495
So leading up to this.
:
01:20:41,505 --> 01:20:43,835
She had already been
going through hell Right.
:
01:20:43,835 --> 01:20:45,945
So you I mean, yes, you
could say well that's makeup.
:
01:20:46,005 --> 01:20:51,075
Okay, but it's still acting sure because
She can't keep herself from tearing up.
:
01:20:51,095 --> 01:20:52,315
Just talking to christian.
:
01:20:52,445 --> 01:20:55,950
Well anyone that knows someone
or has a family member even
:
01:20:55,950 --> 01:20:58,290
more with a head that's bipolar.
:
01:20:59,250 --> 01:21:03,250
Um, this is, I mean, again, they're
probably not going to want to watch
:
01:21:03,250 --> 01:21:05,010
this movie because it's so triggering.
:
01:21:05,020 --> 01:21:09,280
It's so, because they did such a
good job just in that brief, it
:
01:21:09,280 --> 01:21:11,040
was only like five minutes, right?
:
01:21:11,040 --> 01:21:15,790
The beginning of the movie where they,
they unfold that, that whole scenario.
:
01:21:16,365 --> 01:21:19,934
But if someone has, I bet you
people walked out of the theater.
:
01:21:19,975 --> 01:21:23,775
I bet you people, people who, who
lived with people with bipolar
:
01:21:24,385 --> 01:21:27,755
probably said, Nope, this one's
not for me because it's too real.
:
01:21:28,385 --> 01:21:29,065
You know what I mean?
:
01:21:29,415 --> 01:21:30,645
It was, it was nuts.
:
01:21:31,730 --> 01:21:32,290
Yeah.
:
01:21:32,650 --> 01:21:35,220
Okay, so let's, assuming that
we're going to cut this into
:
01:21:35,220 --> 01:21:37,790
two parts, let's start part two.
:
01:21:37,900 --> 01:21:38,450
Okay.
:
01:21:38,520 --> 01:21:39,630
Wait, wait, wait, wait, wait.
:
01:21:40,920 --> 01:21:44,309
Before we do that, any closing
thoughts on Midsommar other than it got
:
01:21:44,309 --> 01:21:47,210
completely robbed at the::
01:21:47,460 --> 01:21:52,520
Yeah, honestly, I'm, I'm a little bitter
that it got, it got totally snubbed.
:
01:21:52,630 --> 01:21:53,910
Now what did I fucking tell you?
:
01:21:53,910 --> 01:21:55,230
I told you a long time ago.
:
01:21:55,410 --> 01:22:00,530
I said that every year a movie will come
out that I love more than any other movie.
:
01:22:01,105 --> 01:22:03,475
And sometimes it wins Best Picture,
and when it doesn't, it's great.
:
01:22:04,434 --> 01:22:08,455
But, there, I remember I always tell
the famous story about, in::
01:22:08,455 --> 01:22:13,365
was such a big fan of Braveheart,
that in early 96 at the Oscars, uh,
:
01:22:13,375 --> 01:22:17,405
Braveheart wins Best Picture, and
MOM CALLED ME TO CONGRATULATE ME!
:
01:22:18,025 --> 01:22:20,665
I HAVE NOTHING TO DO WITH THE MOVIE!
:
01:22:22,945 --> 01:22:26,485
I was in, I was in college at
the time, and all my college
:
01:22:26,485 --> 01:22:29,385
roommates are like, Did your mom
just call you to congratulate you?
:
01:22:29,385 --> 01:22:33,015
Like, like you have no, I had fucking
nothing to do with Braveheart.
:
01:22:33,485 --> 01:22:37,434
But, it was a movie that I championed,
like the whole year I was like, Guys,
:
01:22:37,485 --> 01:22:38,615
this is the best movie of the year.
:
01:22:38,665 --> 01:22:39,645
This is the best movie of the year.
:
01:22:39,665 --> 01:22:40,855
And I kept telling everyone.
:
01:22:41,125 --> 01:22:43,205
And they're like, no, Sense and
Sensibility is going to win.
:
01:22:43,215 --> 01:22:44,815
No, Apollo 13 is going to win.
:
01:22:45,115 --> 01:22:48,955
And it was like, when it came to
Oscar night, the odds were on either
:
01:22:48,955 --> 01:22:50,775
Apollo 13 or Sense and Sensibility.
:
01:22:51,075 --> 01:22:51,565
That was it.
:
01:22:51,825 --> 01:22:55,365
Now, everyone knew that Mel was going
to win Best Director, because it was
:
01:22:55,365 --> 01:22:56,715
the best directed movie of the year.
:
01:22:56,885 --> 01:22:58,575
But everyone's like, but Best
Picture is going to go to
:
01:22:58,575 --> 01:22:59,955
either Sense and Sensibility.
:
01:23:00,210 --> 01:23:00,970
Or Apollo 13.
:
01:23:01,160 --> 01:23:08,530
Oh, wait, Braveheart, what my mom called,
like, I had just won the fucking Oscar.
:
01:23:10,559 --> 01:23:10,930
Anyway.
:
01:23:10,930 --> 01:23:13,540
She's like, great acceptance speech.
:
01:23:13,750 --> 01:23:14,020
Right.
:
01:23:14,100 --> 01:23:14,410
Right.
:
01:23:14,450 --> 01:23:15,620
I should have given my speech.
:
01:23:15,860 --> 01:23:16,870
So that's a point.
:
01:23:16,880 --> 01:23:19,630
That's a point I want to make about how,
like, every year there's a movie that
:
01:23:19,660 --> 01:23:21,290
I love and I tell everybody about it.
:
01:23:21,610 --> 01:23:23,160
And sometimes it wins best picture.
:
01:23:23,200 --> 01:23:24,220
Sometimes it doesn't.
:
01:23:24,440 --> 01:23:25,050
It's a letdown.
:
01:23:26,070 --> 01:23:30,330
:was Midsommar, and it's not even close.
:
01:23:30,410 --> 01:23:30,660
Yeah.
:
01:23:30,710 --> 01:23:31,540
And it wasn't.
:
01:23:31,675 --> 01:23:37,095
Even nominated and I just, it
just, it, it, it, it hurts.
:
01:23:39,235 --> 01:23:44,495
Ari Aster, you got robbed, my
friend, uh, robbed, robbed.
:
01:23:44,515 --> 01:23:46,934
He could have gotten best
director, best screenplay.
:
01:23:47,315 --> 01:23:48,775
Uh, it should have been
nominated for best.
:
01:23:48,775 --> 01:23:51,355
But I'm not saying it's going to
win these, but it would have at
:
01:23:51,355 --> 01:23:52,915
least should have got nominated.
:
01:23:53,940 --> 01:23:56,559
Okay, that's where we landed
the plane on this one.
:
01:23:56,809 --> 01:23:58,540
It is kind of an abrupt cut.
:
01:23:58,590 --> 01:24:01,760
We just kind of rambled on a bit
about how long it was going and
:
01:24:01,760 --> 01:24:03,309
how we needed bathroom breaks.
:
01:24:04,059 --> 01:24:05,800
So, I spared you that.
:
01:24:06,100 --> 01:24:10,440
Um, but yeah, the six degrees of
separation that we normally do
:
01:24:10,440 --> 01:24:15,170
at the end of each episode will
be at the end of our Silence 2.
:
01:24:16,315 --> 01:24:19,055
And again, if you're enjoying
this show, please share it with
:
01:24:19,055 --> 01:24:22,295
somebody and let us know, and let
us know where you're listening.
:
01:24:22,305 --> 01:24:23,245
We'd like to hear from you.
:
01:24:23,595 --> 01:24:26,835
So until next time, cheers
and go watch some movies.